<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3403285360153412213</id><updated>2011-07-29T16:02:17.817+09:00</updated><category term='Center to develop solar cities in Himachal'/><title type='text'>infinitesphere</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default?start-index=101&amp;max-results=100'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>249</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-6994102180888882933</id><published>2010-01-15T12:51:00.003+09:00</published><updated>2010-01-15T13:13:09.380+09:00</updated><title type='text'>cosplay accessories</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qN4t9UrI/AAAAAAAAACI/-wo9tla-8_Q/s1600-h/517645982490980db751ef.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 280px; height: 280px;" src="http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qN4t9UrI/AAAAAAAAACI/-wo9tla-8_Q/s320/517645982490980db751ef.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5426813600289084082" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qNnK6-FI/AAAAAAAAACA/TpcbgwRtqZE/s1600-h/91528710649253d88e4345.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 300px;" src="http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qNnK6-FI/AAAAAAAAACA/TpcbgwRtqZE/s320/91528710649253d88e4345.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5426813595578726482" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qNdCn4gI/AAAAAAAAAB4/TOMfqlp2NvM/s1600-h/12422239400.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 282px; height: 282px;" src="http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qNdCn4gI/AAAAAAAAAB4/TOMfqlp2NvM/s320/12422239400.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5426813592859566594" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qM_HJFTI/AAAAAAAAABw/EtKpw9FRuR4/s1600-h/12422209180.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 282px; height: 282px;" src="http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qM_HJFTI/AAAAAAAAABw/EtKpw9FRuR4/s320/12422209180.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5426813584825455922" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_dnzUiA2-ci8/S0_qMnbAoII/AAAAAAAAABo/VvKcg8IuUp0/s1600-h/4003125559_98b7a3542c.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_dnzUiA2-ci8/S0_qMnbAoII/AAAAAAAAABo/VvKcg8IuUp0/s320/4003125559_98b7a3542c.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5426813578466336898" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cosplayfu.com/category/Cosplay+Accessories.htm"&gt;cosplay accessories &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-6994102180888882933?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/6994102180888882933/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=6994102180888882933' title='39 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6994102180888882933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6994102180888882933'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2010/01/cosplay-accessories.html' title='cosplay accessories'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_dnzUiA2-ci8/S0_qN4t9UrI/AAAAAAAAACI/-wo9tla-8_Q/s72-c/517645982490980db751ef.jpg' height='72' width='72'/><thr:total>39</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-7217134788134601194</id><published>2009-12-17T16:47:00.002+09:00</published><updated>2009-12-17T16:49:29.446+09:00</updated><title type='text'>costume bleach</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dnzUiA2-ci8/SyniStzx-RI/AAAAAAAAABg/S-8omsI59OE/s1600-h/4.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="http://3.bp.blogspot.com/_dnzUiA2-ci8/SyniStzx-RI/AAAAAAAAABg/S-8omsI59OE/s320/4.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5416108838052034834" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_dnzUiA2-ci8/SyniSTy8d3I/AAAAAAAAABY/P4H3ImaZvEM/s1600-h/3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_dnzUiA2-ci8/SyniSTy8d3I/AAAAAAAAABY/P4H3ImaZvEM/s320/3.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5416108831069206386" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dnzUiA2-ci8/SyniSDeepGI/AAAAAAAAABQ/Xjy6xoMWODc/s1600-h/2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="http://2.bp.blogspot.com/_dnzUiA2-ci8/SyniSDeepGI/AAAAAAAAABQ/Xjy6xoMWODc/s320/2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5416108826688398434" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_dnzUiA2-ci8/SyniRzT6LwI/AAAAAAAAABI/1-pwi7yIIVQ/s1600-h/1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 241px; height: 320px;" src="http://1.bp.blogspot.com/_dnzUiA2-ci8/SyniRzT6LwI/AAAAAAAAABI/1-pwi7yIIVQ/s320/1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5416108822349098754" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.cosplayfu.com/comics/Bleach"&gt;costume bleach&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-7217134788134601194?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/7217134788134601194/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=7217134788134601194' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7217134788134601194'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7217134788134601194'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/12/costume-bleach.html' title='costume bleach'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_dnzUiA2-ci8/SyniStzx-RI/AAAAAAAAABg/S-8omsI59OE/s72-c/4.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-7024454192453057981</id><published>2009-12-03T15:04:00.002+09:00</published><updated>2009-12-03T15:10:58.498+09:00</updated><title type='text'>final fantasy</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_dnzUiA2-ci8/SxdWLOHbihI/AAAAAAAAABA/gY9phykkiYg/s1600-h/4.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 192px;" src="http://1.bp.blogspot.com/_dnzUiA2-ci8/SxdWLOHbihI/AAAAAAAAABA/gY9phykkiYg/s320/4.jpg" alt="" id="BLOGGER_PHOTO_ID_5410888228076751378" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dnzUiA2-ci8/SxdWKx2dGXI/AAAAAAAAAA4/-v1HTs64zHw/s1600-h/3.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/_dnzUiA2-ci8/SxdWKx2dGXI/AAAAAAAAAA4/-v1HTs64zHw/s320/3.jpg" alt="" id="BLOGGER_PHOTO_ID_5410888220489357682" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_dnzUiA2-ci8/SxdWKThrHBI/AAAAAAAAAAw/TTbN3IrXnjk/s1600-h/2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/_dnzUiA2-ci8/SxdWKThrHBI/AAAAAAAAAAw/TTbN3IrXnjk/s320/2.jpg" alt="" id="BLOGGER_PHOTO_ID_5410888212349131794" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_dnzUiA2-ci8/SxdWKD9lfJI/AAAAAAAAAAo/y-47X2ALIUA/s1600-h/1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 180px;" src="http://3.bp.blogspot.com/_dnzUiA2-ci8/SxdWKD9lfJI/AAAAAAAAAAo/y-47X2ALIUA/s320/1.jpg" alt="" id="BLOGGER_PHOTO_ID_5410888208171236498" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;style&gt; &lt;!--td {color:#000000; font-size:12.0pt; font-family:宋体; font-weight:400; font-style:normal; text-decoration:none; text-align:general; vertical-align:middle; mso-number-format:General; mso-protection:locked visible; }.et3 {color:#000000; font-size:12.0pt; font-family:宋体; font-weight:400; font-style:normal; text-decoration:none; text-align:general; vertical-align:middle; mso-number-format:General; mso-protection:locked visible; }--&gt; &lt;/style&gt; &lt;table style="border-collapse: collapse; width: 200.25pt;" width="267" height="19"&gt; &lt;col style="" width="267"&gt; &lt;tbody&gt;&lt;tr height="19"&gt; &lt;td class="et3" style="color: rgb(0, 0, 0); font-size: 12pt; font-weight: 400; font-style: normal; text-decoration: none; vertical-align: middle; height: 14.25pt; width: 200.25pt;" width="267" height="19"&gt;&lt;a href="http://www.cosplayfu.com/comics/Final+Fantasy"&gt;final&lt;span style=""&gt; &lt;/span&gt;fantasy&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/td&gt; &lt;/tr&gt;  &lt;/tbody&gt;&lt;/table&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-7024454192453057981?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/7024454192453057981/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=7024454192453057981' title='1 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7024454192453057981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7024454192453057981'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/12/final-fantasy.html' title='final fantasy'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_dnzUiA2-ci8/SxdWLOHbihI/AAAAAAAAABA/gY9phykkiYg/s72-c/4.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-1159666305474541963</id><published>2009-11-24T12:27:00.001+09:00</published><updated>2009-11-24T12:27:46.354+09:00</updated><title type='text'>Japanese comic heroes come to life at Cosplay</title><content type='html'>Japanese comic heroes come to life at Cosplay&lt;br /&gt; PRINCESSES in flowing ballgowns, pilots of futuristic vessels and gigantic robots competed &lt;br /&gt;&lt;br /&gt;on a level playing field at the national Cosplay championship at the weekend.&lt;br /&gt;&lt;br /&gt;The grand final of the "costume play" event, held in an Albert Park hotel, brought together &lt;br /&gt;&lt;br /&gt;Australia's most fervent supporters of Japanese comics and cartoons, better known as manga &lt;br /&gt;&lt;br /&gt;and anime. Rather than just read or watch, people like Adelaide's Jenita Naipal spend &lt;br /&gt;&lt;br /&gt;hundreds of hours making costumes of their favourite characters and then parading about in &lt;br /&gt;&lt;br /&gt;them.&lt;br /&gt;&lt;br /&gt;"I've had 3½ months to make it - that's a short time in the costuming world," the 24-year-&lt;br /&gt;&lt;br /&gt;old said, struggling out of her robot suit from Laputa: Castle in the Sky.&lt;br /&gt;&lt;br /&gt;"The arms are 190 centimetres, the head would be another 30 centimetres on top of that. I'm &lt;br /&gt;&lt;br /&gt;five-foot-one-and-a-half [155 centimetres] so I'm walking with my hands above my head … I &lt;br /&gt;&lt;br /&gt;was dying in there."&lt;br /&gt;&lt;br /&gt;The fifth-placed Naipal won products from anime distributor Madman, which put on the event. &lt;br /&gt;&lt;br /&gt;"I can definitely improve," she added.&lt;br /&gt;&lt;br /&gt;Melbourne's Nicole Collis, 21, has just finished a digital arts course at RMIT, but her life &lt;br /&gt;&lt;br /&gt;has been "full-time costume pandemonium" since then. The competition's runner-up is widely &lt;br /&gt;&lt;br /&gt;known as Siera, her pen-name on internet forums, and she portrayed Rue from Princess Tutu, a &lt;br /&gt;&lt;br /&gt;manga with a similar story to Swan Lake.&lt;br /&gt;&lt;br /&gt;"I love the performance, being in character, it's a unique and creative way to express &lt;br /&gt;&lt;br /&gt;yourself," she said, twirling in her pink and burgundy ball gown.&lt;br /&gt;&lt;br /&gt;Her parents and friends were not particularly surprised by her hobby, she said. "They think &lt;br /&gt;&lt;br /&gt;I'm a bit more than just crazy."&lt;br /&gt;&lt;br /&gt;The competition's winner, Christie Lee of Sydney, was overjoyed with her prize: a trip to &lt;br /&gt;&lt;br /&gt;Japan to attend next year's Tokyo Anime Fair.&lt;br /&gt;&lt;br /&gt;"It hasn't really sunk in yet,'' she said.&lt;br /&gt;&lt;br /&gt;In two outfits - a blue Victorian dress and a tight red number - the 21-year-old explained &lt;br /&gt;&lt;br /&gt;how her favourite series was like a "twisted version" of Lewis Carroll's Alice in &lt;br /&gt;&lt;br /&gt;Wonderland.&lt;br /&gt;&lt;br /&gt;"I did a character named Alice from Pandora Hearts. Pretty much a girl who has a super power &lt;br /&gt;&lt;br /&gt;and turns into a demon killer bunny," she explained, casually.&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;The surfing story&lt;br /&gt;&lt;br /&gt;SURFING has taken seven-time world champion Layne Beachley around the world, but she never &lt;br /&gt;&lt;br /&gt;thought she would end up in an exhibition.&lt;br /&gt;&lt;br /&gt;A new collection celebrating the sport opened at the National Sports Museum at the MCG &lt;br /&gt;&lt;br /&gt;yesterday, thrilling the wave-loving Beachley.&lt;br /&gt;&lt;br /&gt;"I know, I was in a surfing museum before I was dead," she said, laughing.&lt;br /&gt;&lt;br /&gt;"Never in my wildest dreams did I think that boards would be hanging up at the MCG."&lt;br /&gt;&lt;br /&gt;Collections manager Jed Smith said The Long Ride: 100 Years of Australian Surfing traversed &lt;br /&gt;&lt;br /&gt;the origins of the sport through to the professional circuit of today. The exhibition &lt;br /&gt;&lt;br /&gt;stretches back to 1909 when Manly's Tommy Walker brought a board from Hawaii and started to &lt;br /&gt;&lt;br /&gt;ride. (It was previously held that Hawaiian champion Duke Kahanamoku was the first to ride &lt;br /&gt;&lt;br /&gt;local waves in the 1920s.)&lt;br /&gt;&lt;br /&gt;Until interest spiked in the 1970s and '80s, surfing was amateur and recreational, he said. &lt;br /&gt;&lt;br /&gt;"So to get hold of boards to see the evolution, it's quite extraordinary."&lt;br /&gt;&lt;br /&gt;Beachley said her first boards were thick, wide and long. "We'd be encouraged to learn on &lt;br /&gt;&lt;br /&gt;'moving sidewalks'," she said. "Now the craftsmanship is just amazing, and it's great to see &lt;br /&gt;&lt;br /&gt;it be honoured and admired and appreciated."&lt;br /&gt;&lt;br /&gt;The exhibition runs until the end of February.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-1159666305474541963?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/1159666305474541963/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=1159666305474541963' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/1159666305474541963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/1159666305474541963'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/11/japanese-comic-heroes-come-to-life-at.html' title='Japanese comic heroes come to life at Cosplay'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-5676296273498637793</id><published>2009-08-26T16:15:00.000+09:00</published><updated>2009-08-26T16:16:03.316+09:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Center to develop solar cities in Himachal'/><title type='text'>Center to develop solar cities in Himachal</title><content type='html'>"The central government has agreed in principle to develop Shimla and Hamirpur towns as solar cities and the Dr.Y.S. Parmar University of Horticulture and Forestry at Nauni in Solan district and the National Institute of Technology at Hamirpur as energy parks under the Ministry of New Renewable Energy's programmes," said the statement.&lt;br /&gt;&lt;br /&gt;"The union ministry would also extend assistance to the state government to execute mini and micro hydroelectric projects in the state."&lt;br /&gt;&lt;br /&gt;Himachal Pradesh has identified 23,185 MW hydro potential in the state. The state has a target to commission 1,075 MW capacity projects by 2014.&lt;br /&gt;&lt;br /&gt;As many as 292 micro projects up to 5 MW have been allotted during the past one year of which 273 projects, with aggregate capacity of 456 MW, have been allotted to those entrepreneurs who are natives of the state.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-5676296273498637793?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/5676296273498637793/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=5676296273498637793' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5676296273498637793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5676296273498637793'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/08/center-to-develop-solar-cities-in.html' title='Center to develop solar cities in Himachal'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-2888068081479838098</id><published>2009-06-11T17:02:00.000+09:00</published><updated>2009-06-11T17:04:37.123+09:00</updated><title type='text'>高バイト</title><content type='html'>&lt;div&gt; &lt;strong&gt;発見日:   &lt;/strong&gt;2003 年 8 月 19 日&lt;/div&gt; &lt;div&gt; &lt;strong&gt;更新日:   &lt;/strong&gt;2007 年 2 月 13 日 12:12:21 PM&lt;/div&gt; &lt;div&gt; &lt;strong&gt;別名:  &lt;/strong&gt;WORM_MSBLAST.E [Trend], W32/Lovsan.worm.d [McAfee], W32/Blaster-D [Sophos], Win32.Poza.D [CA]&lt;/div&gt; &lt;div&gt; &lt;strong&gt;種別:  &lt;/strong&gt;ワーム&lt;/div&gt; &lt;div&gt; &lt;strong&gt;感染サイズ:  &lt;/strong&gt;11,776 バイト&lt;/div&gt; &lt;div&gt; &lt;strong&gt;影響を受けるシステム:  &lt;/strong&gt;Windows 2000, Windows XP&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;W32.Blaster.D.Worm が実行されると、次のことを行います。&lt;/span&gt;&lt;br /&gt; &lt;ol type="1"&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;コンピューターがすでに感染していないか、およびこのワームが実行中でないかをチェックします。その場合は、このワームはそのコンピューターに 2 度目に感染することはしません。&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;次のレジストリキーへ&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows\CurrentVersion\Runon&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;次の値を追加します。&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;"&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt; &lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;Nonton Antivirus"="mspatch.exe"&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;これにより、Windows が起動された時にこのワームが実行されるようにします。&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;IP アドレスを収集し、そのアドレスを持つコンピューターへの感染を試みます。次のアルゴリズムに従って、IP アドレスが生成されます。&lt;br /&gt;&lt;/span&gt; &lt;ul type="disc"&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;時間のうち 40% では、生成される IP アドレスは A.B.C.0 のフォームになります。ここで、A と B は、感染したコンピューターの IP アドレスの最初の 2 パーツと同じになります。 &lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;C も感染したシステムの IP アドレスの 3 番目のパーツによって算出されますが、この 40% の時間では、このワームは C が 20 より大きな数字でないかをチェックします。 20 よりも大きな数字である場合は、20 より小さいランダムな値が C から差し引かれます。この IP アドレスが算出されると、ワームはこの IP アドレス A.B.C.0 を持つコンピューターを探して悪用しようとします。&lt;br /&gt;&lt;br /&gt;次にこのワームは、この IP アドレスの 0 部分を 1 増分して、これが 254 に達するまで、新しい IP アドレスに基づいて他のコンピューターを探して悪用しようとします。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;時間のうち約 60% の確率では、生成される IP アドレスは全くランダムなものとなります。 &lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;DCOM RPC における脆弱性を悪用して、TCP ポート 135 でデータを送信する可能性があります。このワームは、2 タイプのデータのうちいずれかを、Windows XP または Windows 2000 のいずれかを悪用するために送信します。  &lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;時間のうち 80% の確率で、Windows XP のデータが送信され、20% の確率で Windows 2000 のデータが送信されます。&lt;br /&gt;&lt;/span&gt;&lt;hr style="color: rgb(192, 225, 255);font-size:85%;" align="left" noshade="noshade"  width="100%"&gt;&lt;b&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;注意:  &lt;/span&gt;&lt;/b&gt; &lt;ul type="disc"&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;ローカルサブネットは、ポート 135 のリクエストで飽和状態になります。&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;W32.Blaster.D.Worm は Windows NT や Windows サーバー 2003 へは拡散はできませんが、これらのオペレーティングシステムを実行しているパッチ未適用のコンピューターは、ワームによるこれらの悪用の試みの結果として クラッシュする可能性があります。しかし、このワームは、これらのオペレーティングシステムを実行しているコンピューター上へ手動で置かれて実行される と、実行および拡散が可能になります。&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;ワームが悪用するデータをどのように構成するかはランダムな性質であるため、これによ り、正しくないデータを受信した場合に RPC サービスがクラッシュする可能性があります。これは、正しくないデータの結果としてエラーを生成し、svchost.exe として表されることがあります。&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;RPC サービスがクラッシュした場合、Windows XP および Windows サーバー 2003 でのデフォルトでの動作は、コンピューターを再起動することです。この機能を無効にするには、後述の「駆除手順」セクションのステップ 1 を参照してください。&lt;/span&gt;&lt;hr style="color: rgb(192, 225, 255);font-size:85%;" align="left" noshade="noshade"  width="100%"&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;Cmd.exe を使用して TCP ポート 4444 で待機する隠れたリモートシェルプロセスを作成し、攻撃者が感染したシステム上でリモートコマンドを発行できるようにします。&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;UDP ポート 69 で待機します。ワームは、DCOM RPC を悪用して接続できたコンピューターからリクエストを受信すると、mspatch.exe をそのコンピューターへ送信し、そのワームを実行するように指示します。 &lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;現在の日付が 1 月から 8 月までの 16 日から月の終わりまでの日である場合、または現在の月が 9 月から 12 月までの月である場合には、ワームは Windows Update でサービス拒否攻撃 (DoS) の実行を試みます。しかし、このサービス拒否攻撃 (DoS) が成功するのは、次のいずれかの条件に該当する場合のみとなります。&lt;/span&gt; &lt;ul type="disc"&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;ワームが、感染していたかまたはペイロード期間中に再起動されたかのいずれかの Windows XP コンピューター上で実行された場合&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;ワームが、ペイロード期間中に感染しかつ感染してから再起動されていない Windows 2000 コンピューター上で実行された場合&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;ワームが、感染してからペイロード期間中に再起動されており、現在ログインしているユーザーが管理者である Windows 2000 コンピューター上で実行された場合&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;このサービス拒否攻撃 (DoS) のトラフィックには、次の特徴があります。&lt;br /&gt;&lt;/span&gt; &lt;ul type="disc"&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;windowsupdate.com のポート 80 での SYN フラッドである。&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;1 秒ごとに 50 HTTP パケットの送信を試みる。&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;各パケット長は 40 バイトである。&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;ワームが、windowsupdate.com の DNS エントリを見付けられなかった場合は、宛先アドレス 255.255.255.255 を使用する。&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;/ol&gt;  &lt;ul&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;変更された TCP および IP ヘッダーの特徴のうちいくつかは次のとおりです。&lt;/span&gt;&lt;ul&gt;&lt;ul type="circle"&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;IP identification = 256&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;Time to Live = 128&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;ソース IP アドレス = a.b.x.y  ここで、a.b はホスト ip からのものであり、x.y はランダム。場合によっては、a.b がランダム。&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;宛先 IP アドレス = "windowsupdate.com" の dns レゾリューション&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;TCP ソースポートが 1000 から 1999 までの間&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;TCP 宛先ポート = 80&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;TCP シーケンスナンバーが常に、0 へ設定された 2 つの低バイトと、ランダムな 2 つの&lt;a href="http://www.mycompetitor.info/kw/%E9%AB%98%E3%83%90%E3%82%A4%E3%83%88"&gt;高バイト&lt;/a&gt;を保持している。&lt;/span&gt; &lt;/li&gt;&lt;li&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;TCP Window サイズ = 16384&lt;br /&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;&lt;/ul&gt;&lt;br /&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;このワームには次のテキストが含まれており、これは決して表示されません。&lt;/span&gt;&lt;span style="font-family:ＭＳ Ｐゴシック;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-2888068081479838098?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/2888068081479838098/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=2888068081479838098' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2888068081479838098'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2888068081479838098'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/06/blog-post.html' title='高バイト'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-466160542587346781</id><published>2009-05-12T11:08:00.000+09:00</published><updated>2009-05-12T11:12:31.913+09:00</updated><title type='text'>アニメ動画</title><content type='html'>&lt;p&gt;【お知らせ】&lt;br /&gt;旧サイト:「無料動画 アニメ倉庫」より移転いたしました。&lt;br /&gt;これからも徐々に無料アニメリストを増やしていく予定です。&lt;br /&gt;何かご要望等あればご連絡いただければと思います。&lt;br /&gt;（リクエスト専用ページ）&lt;br /&gt;&lt;br /&gt;また、無料音楽PV動画につきましては&lt;br /&gt;無料PV視聴！ 音楽動画倉庫.comを開設いたしましたので、&lt;br /&gt;こちらもチェックしていただけるとありがたいです。&lt;br /&gt;9月2日、サイトをプチリニューアル致しました。&lt;br /&gt;今後とも、当サイトをどうぞよろしくお願い申し上げます。&lt;/p&gt;  &lt;p&gt;【ご利用方法について】&lt;br /&gt;当サイトで紹介しているアニメはすべて無料で視聴することができます。&lt;br /&gt;アニメのタイトルをクリックすると動画共有サイトへのリンクが貼ってありますので、そちらで動画を視聴してください。&lt;br /&gt;リンク先の動画がスムーズに視聴できない場合は、一時停止しゲージを進めてから再生しなおしてみてください。&lt;br /&gt;またなるべく混み合う時間を避けてご利用すると良いかもしれません。&lt;br /&gt;その他リンク切れ等ございましたら、コメントまたはメールにてお知らせください。&lt;/p&gt;  &lt;p&gt;【当サイト及び免責事項について】&lt;br /&gt;・当サイトでは「YouTube」「ニコニコ動画」「Daum」「パンドラ」等の動画共有サイトに、公開されている無料で視聴できるテレビアニメをまとめて紹介しております。&lt;br /&gt;・リンクされている動画について何か問題等ございましたら「YouTube」などの動画共有サイトへお問合わせ願います。&lt;br /&gt;・当サイトは動画を見やすいようにリスト化しているだけであり、著作権の侵害を助長しているわけではありません。リンク先の動画のご利用については各個人の責任でお願いします。&lt;br /&gt;・当サイトは動画共有サイトへのアップロード行為やそれを推奨、援助することは一切行っていません。&lt;br /&gt;・また各記事の内容については、「公式サイト」及び「Wikipedia」等から引用しておりその著作権は引用元にあります。&lt;br /&gt;・もし当サイトにて著作権等の問題がありましたら、早急に該当箇所の対処を致しますので、コメントもしくはメールにてお知らせ願います。&lt;br /&gt;・最後にこのサイトを通じてより多くの&lt;a href="http://www.mycompetitor.info/kw/%E3%82%A2%E3%83%8B%E3%83%A1%E5%8B%95%E7%94%BB"&gt;アニメ動画&lt;/a&gt;を知ってもらいビデオ・DVDまたはグッズ等の販売促進につながればと考えております。&lt;/p&gt; &lt;p&gt;それでは、ごゆっくりと無料アニメをお楽しみ下さい。&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-466160542587346781?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/466160542587346781/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=466160542587346781' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/466160542587346781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/466160542587346781'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/05/blog-post.html' title='アニメ動画'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-5703560701493766650</id><published>2009-04-28T17:40:00.000+09:00</published><updated>2009-04-28T17:46:47.719+09:00</updated><title type='text'>サルベージ</title><content type='html'>&lt;ul class="list1" style="padding-left: 16px; margin-left: 16px;"&gt;&lt;li&gt;&lt;a href="http://www.mycompetitor.info/kw/%E3%82%B5%E3%83%AB%E3%83%99%E3%83%BC%E3%82%B8"&gt;サルベージ&lt;/a&gt;は遺構と呼ばれる4つのエリアを探索、敵を倒してお宝をゲットするのが目的。 &lt;ul class="list2" style="padding-left: 16px; margin-left: 16px;"&gt;&lt;li&gt;加工すれば強力な装備となる防具がお宝として出る。&lt;/li&gt;&lt;li&gt;ミシックウェポン入手用のアレキサンドライトも出る。&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;遺構に侵入すると、それまでにかかっていたアビリティ・強化魔法が全て消える。 &lt;ul class="list2" style="padding-left: 16px; margin-left: 16px;"&gt;&lt;li&gt;遺構内部でログアウト＞再度ログインしても、アビリティ・強化魔法が全て消える。&lt;/li&gt;&lt;li&gt;サンクション・食事・エンチャント:リレイズの効果は消えない。&lt;/li&gt;&lt;li&gt;獣使いの汁ペット・からくり士のオートマトンは遺構侵入時に消えるが、竜騎士の飛竜は消えない。&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;遺構内部には侵入者に20種類の制限を与える「アルザダールパトス」や、遺構独自の敵が待ち構えている。 &lt;ul class="list2" style="padding-left: 16px; margin-left: 16px;"&gt;&lt;li&gt;遺構内部では敵を倒してもギルや経験値を入手できない。&lt;/li&gt;&lt;li&gt;遺構内部ではトラクタ可能。&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;遺構内部は複数のルートに分かれており、一つのルートを選択すると他ルートがすべてロックされる。&lt;br /&gt;後戻りはできないので、目的別のルート選択が要求される。&lt;/li&gt;&lt;li&gt;遺構内の各エリアは転送装置で繋がれている。 &lt;ul class="list2" style="padding-left: 16px; margin-left: 16px;"&gt;&lt;li&gt;転送装置を起動させるとメンバー全員が次のエリアへと転送される。&lt;/li&gt;&lt;li&gt;転送後メンバー全員のHP/MPが全快する。しかし状態異常は回復しない。&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;遺構内部にいる敵を倒すとアルザダールパトスを解除できるインビュードアイテムを入手できる。 &lt;ul class="list2" style="padding-left: 16px; margin-left: 16px;"&gt;&lt;li&gt;インビュードアイテムは状況に応じて適切に分配、使用することが要求される。&lt;/li&gt;&lt;li&gt;スタート地点にある箱からインビュードアイテムが10個入手できるようになり、攻略が楽になった。&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;遺構内部にはテンポラリアイテムを入手できる箱が設置されている。うまく使えば進行が楽になる。&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.mycompetitor.info/kw/%E3%82%B5%E3%83%AB%E3%83%99%E3%83%BC%E3%82%B8"&gt;サルベージ&lt;/a&gt;はアサルトのシステムを利用している。 &lt;ul class="list2" style="padding-left: 16px; margin-left: 16px;"&gt;&lt;li&gt;他アライアンスの占有状況に影響を受けず、いつでも挑戦できる。&lt;/li&gt;&lt;li&gt;占有時間は100分。延長はない。&lt;/li&gt;&lt;li&gt;アサルトで潜在能力を発揮する武器防具は&lt;a href="http://www.mycompetitor.info/kw/%E3%82%B5%E3%83%AB%E3%83%99%E3%83%BC%E3%82%B8"&gt;サルベージ&lt;/a&gt;においてもその潜在能力を発揮する。&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-5703560701493766650?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/5703560701493766650/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=5703560701493766650' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5703560701493766650'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5703560701493766650'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/04/blog-post_28.html' title='サルベージ'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-2392321699257049656</id><published>2009-04-02T11:47:00.000+09:00</published><updated>2009-04-02T11:58:50.715+09:00</updated><title type='text'>藤木悠</title><content type='html'>&lt;a href="http://www.mycompetitor.info/kw/%E8%97%A4%E6%9C%A8%E6%82%A0"&gt;藤木悠&lt;/a&gt;（ふじき ゆう、1931年3月2日 - 2005年12月19日）は日本の俳優。東京都品川区（旧・東京府荏原郡荏原町）出身の大阪府大阪市西成区育ち。本名は鈴木 悠蔵（すずき　ゆうぞう）。血液型はA型。&lt;br /&gt;&lt;br /&gt;大阪府立鳳高等学校卒業→同志社大学文学部卒業。大学在学中の1951年、全日本フェンシング選手権大会男子エペ個人優勝。そのため映画『リオの若大将』では出演すると共にフェンシングシーンの監修もおこなった。1954年、東宝第6期ニューフェイスに合格。同年、『摩子恐るべし』（鈴木英夫監督）で本格デビュー。同期に俳優の岡田眞澄・宝田明・佐原健二がいる。以後黒澤明監督作品、特撮など東宝作品の脇役として活躍する。&lt;br /&gt;&lt;br /&gt;テレビドラマでは青春学園シリーズや、『アイフル大作戦』『バーディー大作戦』『Gメン'75』などにレギュラー出演した。特に『アイフル大作戦』から『Gメン'75』にかけては、叩き上げのベテラン刑事役を数年間に渡って演じたことで、視聴者に強烈な印象を残した。&lt;br /&gt;&lt;br /&gt;1980年代にフジテレビの火曜ワイドスペシャルで放送された『タケちゃんの思わず笑ってしまいました』では、『太陽にほえろ!』などの刑事ドラマをパロディー化した「ニンニク刑事」役で出演したこともあった。&lt;br /&gt;&lt;br /&gt;『Gメン'75』に出演していた頃、「少し風邪を引いただけで弱気になって、死ぬ、死ぬと連呼する」と雑誌にエピソードを紹介されるほどだった一方で、仕事が好調だったこともあって毎日暴飲暴食と痛飲を繰り返し、「オレは不死身悠だ!」などと自分の名を洒落て豪語していた（「あの頃はころころに肥っちゃってたんだよね」と晩年に述懐している）。が、それがたたり、のちに糖尿病を発症、末梢神経障害で足の指先を少しではあるが、切除することとなった。以後、妻の協力もあり、健康に気をつけ、自らの体験談から糖尿病に対する警告を促していた。&lt;br /&gt;&lt;br /&gt;高島忠夫とは映画『サラリーマン弥次喜多道中』（1961年）ほか多くの映画でコンビを組み出演し、親友だった。身長180cmと、見た目よりも長身である。&lt;br /&gt;&lt;br /&gt;2005年12月19日、肺血栓塞栓症による多臓器不全により、74歳で死去。この年公開された映画『北の零年』が遺作となった。&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-2392321699257049656?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/2392321699257049656/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=2392321699257049656' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2392321699257049656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2392321699257049656'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/04/blog-post.html' title='藤木悠'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-308609843155426342</id><published>2009-03-26T15:47:00.000+09:00</published><updated>2009-03-26T15:50:01.420+09:00</updated><title type='text'>セロビアーゼ</title><content type='html'>β-グルコシダーゼ(β-glucosidase; EC 3.2.1.21)は糖のβ-グリコシド結合を加水分解する反応を触媒する酵素。β‐D‐グルコシドグルコヒドロラーゼ，アミグダーゼとも呼ばれる[1]。また、β-グリコシド結合を持つ代表的な糖であるセロビオースやゲンチオビオースから、しばしば&lt;a href="http://www.mycompetitor.info/kw/%E3%82%BB%E3%83%AD%E3%83%93%E3%82%A2%E3%83%BC%E3%82%BC"&gt;セロビアーゼ&lt;/a&gt;、ゲンチオビアーゼとも呼ばれる。&lt;br /&gt;&lt;br /&gt;微生物，高等植物，動物の肝臓・腎臓・小腸粘膜，カタツムリ消化液などに広く分布するが、基質特異性は期限によって異なる[1]。&lt;br /&gt;&lt;br /&gt;α-グルコシダーゼ同様、動植物通じて広く存在し、異化代謝に関わっている。アグリコンと糖の結合も分解するが、アグリコンの構造によっては、基質が阻害剤となる場合もある。セルロースの分解に関連する酵素で、β-グルコシダーゼの活性が低いとセロビオースが蓄積し、セルロースの働きを阻害する場合がある。ただし、一般的にはセルラーゼの活性の方が低い。&lt;br /&gt;&lt;br /&gt;β-グルコシダーゼの先天性欠損症はゴーシェ病を引き起こす[1]。&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-308609843155426342?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/308609843155426342/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=308609843155426342' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/308609843155426342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/308609843155426342'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/03/blog-post.html' title='セロビアーゼ'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-7039297521735374258</id><published>2009-03-13T16:24:00.000+09:00</published><updated>2009-03-13T16:25:11.984+09:00</updated><title type='text'>Subway worker Richard Shannon sacked for filming himself stuffing lettuce up his nose</title><content type='html'>A SUBWAY sandwich bar worker was sacked after a video was posted on YouTube of him stuffing lettuce leaves up his nose, before putting them back in the serving tray.&lt;br /&gt;&lt;br /&gt;Briton Richard Shannon, who also put salad leaves in his mouth and spat them out, was arrested after a "disgusted" customer recognised the 22-year-old on the internet.&lt;br /&gt;&lt;br /&gt;The woman went to the global chain's outlet in Brownhills, West Midlands, and hurled a chair at him. Shannon admitted contaminating or interfering with goods with intent to cause economic loss, alarm or injury but claimed the incident, filmed by a friend on a mobile phone, was a prank and the lettuce had been discarded.&lt;br /&gt;&lt;br /&gt;It is the latest incident in which fast-food chain employees have been caught out on film after teenage girls working at a KFC in the US were punished after taking a bath in the mammoth kitchen sink - and a male Hungry Jack's worker was sacked for the same offence.&lt;br /&gt;&lt;br /&gt;Shannon was sentenced to 300 hours community service.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-7039297521735374258?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/7039297521735374258/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=7039297521735374258' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7039297521735374258'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7039297521735374258'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2009/03/subway-worker-richard-shannon-sacked.html' title='Subway worker Richard Shannon sacked for filming himself stuffing lettuce up his nose'/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-311377841465279313</id><published>2008-05-02T02:13:00.001+09:00</published><updated>2008-05-02T02:13:57.530+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.sacredgardengallery.com/lgfertilitygoddess.jpeg"  alt="Original Dixieland Jass Band"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Original Dixieland Jass Band&lt;/b&gt; (after mid-1917 spelling changed to &lt;b&gt;Jazz&lt;/b&gt;) was a &lt;span href="/wiki/New_Orleans" title="New Orleans"&gt;New Orleans&lt;/span&gt; band which, in &lt;span href="/wiki/1917" title="1917"&gt;1917&lt;/span&gt;, was the first ever to make a &lt;span href="/wiki/Jazz" title="Jazz"&gt;jazz&lt;/span&gt; recording. The first jazz band to achieve widespread prominence, the Original Dixieland Jass Band is often known by the initials &lt;b&gt;O.D.J.B.&lt;/b&gt; The group made the first recordings of many &lt;span href="/wiki/Jazz_standard" title="Jazz standard"&gt;jazz standards&lt;/span&gt;, probably the most famous being "&lt;span href="/wiki/Tiger_Rag" title="Tiger Rag"&gt;Tiger Rag&lt;/span&gt;."&lt;br /&gt; The band consisted of five musicians who had previously played in the &lt;span href="/wiki/Papa_Jack_Laine" title="Papa Jack Laine"&gt;Papa Jack Laine&lt;/span&gt; bands, a diverse and &lt;span href="/wiki/Racial_integration" title="Racial integration"&gt;racially integrated&lt;/span&gt; collection of musicians who played for &lt;span href="/wiki/Parade" title="Parade"&gt;parades&lt;/span&gt;, &lt;span href="/wiki/Dance" title="Dance"&gt;dances&lt;/span&gt;, and &lt;span href="/wiki/Advertising" title="Advertising"&gt;advertising&lt;/span&gt; in New Orleans. The actual band ODJB was not racially integrated at all, consisting of all-white members.&lt;br /&gt; The O.D.J.B. were billed as the "Creators of Jazz." Trumpeter &lt;span href="/wiki/Nick_LaRocca" title="Nick LaRocca"&gt;Nick LaRocca&lt;/span&gt; convinced himself, in his old age, that this was literally true, but there is no evidence from the interviews and writings of the other O.D.J.B. members that the rest of the band ever considered it anything more than a snappy advertising slogan.&lt;br /&gt; &lt;span name="Origins_of_the_Original_Dixieland_Jazz_Band" id="Origins_of_the_Original_Dixieland_Jazz_Band"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Origins of the Original Dixieland Jazz Band&lt;/b&gt;&lt;br /&gt;  While a couple of other New Orleans bands had passed through New York City slightly earlier, they were part of &lt;span href="/wiki/Vaudeville" title="Vaudeville"&gt;vaudeville&lt;/span&gt; acts. The O.D.J.B., on the other hand, played for dancing and were hence the first "jass" band to get a following of fans in New York, and then record at a time when the USA's recording industry was almost entirely centered in New York and &lt;span href="/wiki/New_Jersey" title="New Jersey"&gt;New Jersey&lt;/span&gt;.&lt;br /&gt; Shortly after arriving in New York they were offered a chance per a letter dated &lt;span href="/wiki/January_29" title="January 29"&gt;January 29&lt;/span&gt;, &lt;span href="/wiki/1917" title="1917"&gt;1917&lt;/span&gt; to audition for the Columbia Graphaphone Company which took place on Wednesday, &lt;span href="/wiki/January_31" title="January 31"&gt;January 31&lt;/span&gt;, &lt;span href="/wiki/1917" title="1917"&gt;1917&lt;/span&gt;. Nothing came of this audition (though Columbia would invite them back to record after their success with Victor).&lt;br /&gt; The band then recorded two sides ("Livery Stable Blues" and "Dixie Jass Band One Step") on &lt;span href="/wiki/February_26" title="February 26"&gt;February 26&lt;/span&gt;, &lt;span href="/wiki/1917" title="1917"&gt;1917&lt;/span&gt; for the &lt;span href="/wiki/Victor_Talking_Machine_Company" title="Victor Talking Machine Company"&gt;Victor Talking Machine Company&lt;/span&gt;. The &lt;span href="/wiki/Phonograph_record" title="Phonograph record"&gt;record&lt;/span&gt; with these titles came out the following month. The ODJB's records, first marketed simply as a novelty, were a surprise hit, and gave many Americans their first taste of jazz.&lt;br /&gt; &lt;span name="Later_History_of_the_Band" id="Later_History_of_the_Band"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-311377841465279313?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/311377841465279313/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=311377841465279313' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/311377841465279313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/311377841465279313'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/05/original-dixieland-jass-band-after-mid.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-3692413889458945853</id><published>2008-04-30T23:58:00.001+09:00</published><updated>2008-04-30T23:58:03.550+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.baby-memory-books.com/v/vspfiles/assets/images/livia_interior_baby_300.jpg"  alt="Livia"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Livia Drusilla&lt;/b&gt;, after &lt;span href="/wiki/14" title="14"&gt;14&lt;/span&gt; &lt;span href="/wiki/AD" title="AD"&gt;AD&lt;/span&gt; called &lt;b&gt;Livia Augusta&lt;/b&gt; (&lt;span href="/wiki/Classical_Latin" title="Classical Latin"&gt;Classical Latin&lt;/span&gt;: &lt;small&gt;LIVIA•DRVSILLA&lt;/small&gt;, later &lt;small&gt;LIVIA•AVGVSTA&lt;/small&gt;) (&lt;span href="/wiki/58_BC" title="58 BC"&gt;58 BC&lt;/span&gt;-&lt;span href="/wiki/29" title="29"&gt;AD 29&lt;/span&gt;) was the wife of &lt;span href="/wiki/Caesar_Augustus" title="Caesar Augustus"&gt;Caesar Augustus&lt;/span&gt; (also known as Octavian) and the most powerful woman in the early &lt;span href="/wiki/Roman_Empire" title="Roman Empire"&gt;Roman Empire&lt;/span&gt;, acting several times as regent and being Augustus' faithful advisor. She was also mother to Emperor &lt;span href="/wiki/Tiberius" title="Tiberius"&gt;Tiberius&lt;/span&gt; and &lt;span href="/wiki/Nero_Claudius_Drusus" title="Nero Claudius Drusus"&gt;Drusus&lt;/span&gt;, grandmother to &lt;span href="/wiki/Germanicus" title="Germanicus"&gt;Germanicus&lt;/span&gt; and &lt;span href="/wiki/Claudius" title="Claudius"&gt;Claudius&lt;/span&gt;, great-grandmother to &lt;span href="/wiki/Caligula" title="Caligula"&gt;Caligula&lt;/span&gt; and &lt;span href="/wiki/Agrippina_the_younger" title="Agrippina the younger"&gt;Agrippina the younger&lt;/span&gt; and great-great-grandmother to &lt;span href="/wiki/Nero" title="Nero"&gt;Nero&lt;/span&gt;. She was deified by Claudius who acknowledged her title of &lt;i&gt;&lt;span href="/wiki/Augusta_%28honorific%29" title="Augusta (honorific)"&gt;Augusta&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; &lt;span name="Life" id="Life"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Life&lt;/b&gt;&lt;br /&gt;  She was born on &lt;span href="/wiki/January_30" title="January 30"&gt;30 January&lt;/span&gt; &lt;span href="/wiki/58_BC" title="58 BC"&gt;58 BC&lt;/span&gt; as the daughter of &lt;span href="/wiki/Marcus_Livius_Drusus_Claudianus" title="Marcus Livius Drusus Claudianus"&gt;Marcus Livius Drusus Claudianus&lt;/span&gt; by his wife &lt;span href="/wiki/Aufidia" title="Aufidia"&gt;Aufidia&lt;/span&gt;, who was a daughter of &lt;span href="/wiki/Aufidius_Lurco" title="Aufidius Lurco"&gt;Aufidius Lurco&lt;/span&gt;, a Roman magistrate from an &lt;span href="/wiki/Ancient_Italic_peoples" title="Ancient Italic peoples"&gt;Italic town&lt;/span&gt;. The diminutive Drusilla often found in her name suggests that she was a second daughter.&lt;br /&gt; In &lt;span href="/wiki/42_BC" title="42 BC"&gt;42 BC&lt;/span&gt;, her father married her to &lt;span href="/wiki/Tiberius_Nero" title="Tiberius Nero"&gt;Tiberius Claudius Nero&lt;/span&gt;, her cousin of &lt;span href="/wiki/Patrician" title="Patrician"&gt;patrician&lt;/span&gt; status who was fighting with him on the side of &lt;span href="/wiki/Julius_Caesar" title="Julius Caesar"&gt;Julius Caesar&lt;/span&gt;'s assassins against Octavian. Her father committed suicide in the &lt;span href="/wiki/Battle_of_Philippi" title="Battle of Philippi"&gt;Battle of Philippi&lt;/span&gt;, along with &lt;span href="/wiki/Gaius_Cassius_Longinus" title="Gaius Cassius Longinus"&gt;Gaius Cassius Longinus&lt;/span&gt; and &lt;span href="/wiki/Marcus_Junius_Brutus" title="Marcus Junius Brutus"&gt;Marcus Junius Brutus&lt;/span&gt;, but her husband continued fighting against Octavian, now on behalf of &lt;span href="/wiki/Mark_Antony" title="Mark Antony"&gt;Mark Antony&lt;/span&gt; and &lt;span href="/wiki/Lucius_Antonius_%28brother_of_Mark_Antony%29" title="Lucius Antonius (brother of Mark Antony)"&gt;his brother&lt;/span&gt;. In 40 BC, the family was forced to flee Italy in order to avoid Octavian's &lt;span href="/wiki/Proscription" title="Proscription"&gt;proscriptions&lt;/span&gt;, and joined with &lt;span href="/wiki/Sextus_Pompeius" title="Sextus Pompeius"&gt;Sextus Pompeius&lt;/span&gt; in &lt;span href="/wiki/Sicilia" title="Sicilia"&gt;Sicilia&lt;/span&gt;, later moving on to &lt;span href="/wiki/Greece" title="Greece"&gt;Greece&lt;/span&gt;.&lt;br /&gt; &lt;span name="Marriage_to_Octavian" id="Marriage_to_Octavian"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Birth and first marriage&lt;/b&gt;&lt;br /&gt;  A general amnesty was announced, and Livia returned to Rome, where she was personally introduced to Octavian in &lt;span href="/wiki/39_BC" title="39 BC"&gt;39 BC&lt;/span&gt;. At this time, Livia already had a son, the future emperor &lt;span href="/wiki/Tiberius" title="Tiberius"&gt;Tiberius&lt;/span&gt;, and was pregnant with the second (&lt;span href="/wiki/Nero_Claudius_Drusus" title="Nero Claudius Drusus"&gt;Drusus the Elder&lt;/span&gt;). Legend said that Octavian fell immediately in love with her, despite the fact that he was still married to &lt;span href="/wiki/Scribonia" title="Scribonia"&gt;Scribonia&lt;/span&gt;. Octavian divorced Scribonia in 39 BC, on the very day that she gave birth to his daughter &lt;span href="/wiki/Julia_the_Elder" title="Julia the Elder"&gt;Julia the Elder&lt;/span&gt; ( &lt;span href="/wiki/Dio_Cassius" title="Dio Cassius"&gt;Dio Cassius&lt;/span&gt; 48.34.3). Seemingly around that time, when Livia was six months pregnant, Tiberius Claudius Nero was persuaded or forced by Octavian to divorce Livia. On 14 January, the child was born. Octavian and Livia married on 17 January, waiving the traditional waiting period. Tiberius Claudius Nero was present at the wedding, giving her in marriage "just as a father would" (Dio Cassius 48.44.1-3). The importance of the patrician Claudii to Octavian's cause, and the political survival of the Claudii Nerones are probably more rational explanations for the tempestuous union. Nevertheless, Livia and Octavian remained married for the next 51 years, despite the fact that they had no children apart from a single miscarriage. She always enjoyed the status of privileged counselor to her husband, petitioning him on the behalf of others and influencing his policies.&lt;br /&gt; &lt;span name="Livia.2C_Roman_empress" id="Livia.2C_Roman_empress"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.stiftungleostrauss.com/bunker/wp-content/uploads/2007/10/livia.jpg"  alt="Livia"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Marriage to Octavian&lt;/b&gt;&lt;br /&gt;  After &lt;span href="/wiki/Mark_Antony" title="Mark Antony"&gt;Mark Antony&lt;/span&gt;'s suicide following the &lt;span href="/wiki/Battle_of_Actium" title="Battle of Actium"&gt;Battle of Actium&lt;/span&gt; in &lt;span href="/wiki/31_BC" title="31 BC"&gt;31 BC&lt;/span&gt;, Octavian met no opposition to his increasing power, eventually becoming &lt;span href="/wiki/Roman_Emperor" title="Roman Emperor"&gt;Roman Emperor&lt;/span&gt; as &lt;span href="/wiki/Caesar_Augustus" title="Caesar Augustus"&gt;Caesar Augustus&lt;/span&gt; always with Livia by his side. Together, they formed the role model for Roman households. Despite his wealth and power, Augustus and his family continued to live modestly in their house on the &lt;span href="/wiki/Palatine_Hill" title="Palatine Hill"&gt;Palatine Hill&lt;/span&gt;. Livia would set the pattern for the noble Roman &lt;i&gt;matrona&lt;/i&gt;. She wore neither excessive jewelry nor pretentious costumes, she took care of the household and her husband (often making his clothes herself), and she paid no attention to his notorious womanising, always faithful and dedicated.&lt;br /&gt; In &lt;span href="/wiki/35_BC" title="35 BC"&gt;35 BC&lt;/span&gt; Octavian gave Livia the unprecedented honour of ruling her own finances and dedicated a public statue to her. She had her own circle of clients and pushed many protégés into political offices, including Roman Emperor &lt;span href="/wiki/Galba" title="Galba"&gt;Galba&lt;/span&gt; and Emperor &lt;span href="/wiki/Otho" title="Otho"&gt;Otho&lt;/span&gt;'s grandfather.&lt;br /&gt; With Augustus being the father of only one daughter (&lt;span href="/wiki/Julia_the_Elder" title="Julia the Elder"&gt;Julia the Elder&lt;/span&gt; by Scribonia), Livia revealed herself to be an ambitious mother and soon started to push her own sons, &lt;span href="/wiki/Tiberius" title="Tiberius"&gt;Tiberius&lt;/span&gt; and &lt;span href="/wiki/Nero_Claudius_Drusus" title="Nero Claudius Drusus"&gt;Drusus&lt;/span&gt;, into power. Drusus was a trusted general and married Augustus's favourite niece, Antonia Minor. Tiberius married &lt;span href="/wiki/Julia_the_Elder" title="Julia the Elder"&gt;Julia the Elder&lt;/span&gt; (daughter of Augustus) in &lt;span href="/wiki/11_BC" title="11 BC"&gt;11 BC&lt;/span&gt; and was ultimately adopted by his stepfather in &lt;span href="/wiki/4" title="4"&gt;AD 4&lt;/span&gt; and nominated heir to the empire.&lt;br /&gt; Rumor had it that when &lt;span href="/wiki/Marcus_Claudius_Marcellus_%28Julio-Claudian_dynasty%29" title="Marcus Claudius Marcellus (Julio-Claudian dynasty)"&gt;Marcellus&lt;/span&gt;, nephew of Augustus, died in 23, it was no natural death, and that Livia was behind it (Dio Cassius 55.33.4). One by one, all the sons of Julia the Elder by &lt;span href="/wiki/Marcus_Vipsanius_Agrippa" title="Marcus Vipsanius Agrippa"&gt;Marcus Vipsanius Agrippa&lt;/span&gt; died: first &lt;span href="/wiki/Lucius_Caesar" title="Lucius Caesar"&gt;Lucius&lt;/span&gt; and then &lt;span href="/wiki/Gaius_Caesar" title="Gaius Caesar"&gt;Gaius&lt;/span&gt;, whom Augustus had adopted as his sons, intending them to be his successors. Finally &lt;span href="/wiki/Agrippa_Postumus" title="Agrippa Postumus"&gt;Agrippa Postumus&lt;/span&gt;, Julia's one remaining son and also adopted as Augustus' son, was also incarcerated and finally killed. &lt;span href="/wiki/Tacitus" title="Tacitus"&gt;Tacitus&lt;/span&gt; charges that Livia was not altogether innocent of these deaths (esp. Annals 1.3; 1.6), and &lt;span href="/wiki/Dio_Cassius" title="Dio Cassius"&gt;Dio Cassius&lt;/span&gt; also mentions such rumours (53.33.4, 55.10A, 55.32; 57.3.6), but not even the gossipmonger &lt;span href="/wiki/Lives_of_the_Twelve_Caesars" title="Lives of the Twelve Caesars"&gt;Suetonius&lt;/span&gt;, who had access to official documents, repeats them. Most modern historical accounts of Livia's life discount the idea. Even less plausible is the rumour mentioned by Tacitus (Annals 1.5) and Dio Cassius (55.22.2; 56.30) that Livia brought about Augustus' death (Dio mentions poisoned figs).&lt;br /&gt; &lt;span name="Life_after_Augustus" id="Life_after_Augustus"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Livia, Roman empress&lt;/b&gt;&lt;br /&gt;  Augustus died in &lt;span href="/wiki/14" title="14"&gt;14&lt;/span&gt;, being deified by the senate shortly afterwards. In his will, he left one third of his property to Livia, and the other two thirds to the successor Tiberius. In the will, he also adopted her into the Julian family, thus turning her into a patrician, and granted her the &lt;span href="/wiki/Augusta_%28honorific%29" title="Augusta (honorific)"&gt;honorific title of Augusta&lt;/span&gt;. These dispositions permitted her to maintain her status and power after his death, under the name of &lt;i&gt;Julia Augusta&lt;/i&gt;.&lt;br /&gt; For some time, Livia and her son Tiberius, the new Emperor, appeared to get along with each other. Speaking against her became &lt;span href="/wiki/Treason" title="Treason"&gt;treason&lt;/span&gt; in 20, and in 24 he granted his mother a theatre seat among the &lt;span href="/wiki/Vestal_Virgin" title="Vestal Virgin"&gt;Vestal Virgins&lt;/span&gt;. Livia exercised unofficial but very real power in Rome, with a man convicted of treason let go at her request. Eventually, Tiberius became resentful of his mother's political status, particularly against the idea that it was she who had given him the throne. At the beginning of the reign he vetoed the unprecedented title &lt;i&gt;Mater Patriae&lt;/i&gt; ("Mother of the Fatherland") that the Senate wanted to bestow upon her, in the same manner in which Augustus and before him Julius Caesar and Cicero had been named &lt;i&gt;&lt;span href="/wiki/Pater_Patriae" title="Pater Patriae"&gt;Pater Patriae&lt;/span&gt;&lt;/i&gt; ("Father of the Fatherland"). (Tiberius also consistently refused the title of Pater Patriae for himself.)&lt;br /&gt; The historians Tacitus and Dio Cassius depict an overweening, even domineering dowager, ready to interfere in Tiberius' decisions, the most notable instances being the case of Urgulania, a woman who correctly assumed that her friendship with the empress placed her above the law (Dio Cassius 57.12, Tacitus, Annals 2.34), and Plancina, suspected of murdering Germanicus and saved at Livia's entreaty (Annals 3.17). A notice from AD 22 records that Julia Augusta dedicated a statue to Augustus in the centre of Rome, placing her own name even before that of Tiberius.&lt;br /&gt; Ancient historians give as a reason for Tiberius' retirement to Capri his inability to endure her any longer (Annals 4.57, Dio Cassius 57.12.6). Until AD 22 there had, according to Tacitus, been "a genuine harmony between mother and son, or a hatred well concealed" (Annals 3.64); Dio tells us that at the time of his accession already Tiberius heartily loathed her (57.3.3). In 22 she had fallen ill, and Tiberius had hastened back to Rome in order to be with her (Annals 3.64). But in 29 when she finally fell ill and died, he remained on Capri, pleading pressure of work and sending Caligula to deliver the funeral oration (Annals 5.1, Dio 58.2). Suetonius (Vita Tiberii 51) adds the macabre detail that "when she died... after a delay of many days, during which he held out hope of his coming, she was at last buried because the condition of the corpse made it necessary...". Divine honours he also vetoed, as if he took a perverse pleasure in depriving her of her secret aspirations. Later he vetoed all the honours the Senate had granted her after her death and canceled the fulfillment of her will.&lt;br /&gt; It would be another 13 years in the year &lt;span href="/wiki/42" title="42"&gt;42&lt;/span&gt;, under the reign of her grandson &lt;span href="/wiki/Claudius" title="Claudius"&gt;Claudius&lt;/span&gt;, before all her honours would be restored and her deification finally completed. Named &lt;i&gt;Diva Augusta&lt;/i&gt; (The Divine Augusta), she received an elephant-drawn chariot to convey her image to all public games, a statue of her was set up in the temple of Augustus along with her husbands, races were held in her honour, and women were to name her in their oaths.&lt;br /&gt; Her &lt;span href="/wiki/Prima_Porta" title="Prima Porta"&gt;Villa ad Gallinas Albas&lt;/span&gt; north of Rome is currently being excavated: its famous &lt;span href="/wiki/Fresco" title="Fresco"&gt;frescos&lt;/span&gt; of feigned garden views may be seen at &lt;span href="/wiki/Museo_Nazionale_Romano#Palazzo_Massimo" title="Museo Nazionale Romano"&gt;Museo Nazionale Romano#Palazzo Massimo&lt;/span&gt; &lt;span href="http://ccat.sas.upenn.edu/bmcr/2002/2002-07-18.html" class="external autonumber" title="http://ccat.sas.upenn.edu/bmcr/2002/2002-07-18.html" rel="nofollow"&gt;[1]&lt;/span&gt;. One of the most famous statues of Augustus - the &lt;span href="/wiki/Prima_Porta_Augustus" title="Prima Porta Augustus"&gt;Prima Porta Augustus&lt;/span&gt; - came from the grounds of the villa.&lt;br /&gt; &lt;span name="Livia.27s_personality" id="Livia.27s_personality"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Life after Augustus&lt;/b&gt;&lt;br /&gt;  While reporting various unsavoury hearsay, the ancient sources generally portray Livia (Julia Augusta) as a woman of proud and queenly attributes, faithful to her imperial husband, for whom she was a worthy consort, forever poised and dignified. With consummate skill she acted out the roles of consort, mother, widow and dowager. Dio (58.2.5) records two of her utterances: "Once, when some naked men met her and were to be put to death in consequence, she saved their lives by saying that to a chaste woman such men are in no way different from statues. When someone asked her how she had obtained such a commanding influence over Augustus, she answered that it was by being scrupulously chaste herself, doing gladly whatever pleased him, not meddling with any of his affairs, and, in particular, by pretending neither to hear or nor to notice the favourites of his passion."&lt;br /&gt; With time, however, and widowhood, a haughtiness and an overt craving for power and the outward trappings of status came increasingly to the fore. Livia had always been a principal beneficiary of the climate of adulation that Augustus had done so much to create, and which Tiberius despised ("a strong contempt for honours", Tacitus, Annals 4.37). In AD 24, typically, whenever she attended the theatre, a seat among the Vestals was reserved for her (Annals 4.16), and this may have been intended more as an honour for the Vestals than for her (cf. Ovid, Tristia, 4.2.13f, Epist.Ex Ponto 4.13.29f).&lt;br /&gt; Livia played a vital role in the formation of her children Tiberius and Drusus. Attention focuses on her part in the divorce of her first husband, father of Tiberius, in 39/38 BC. It would be interesting to know her role in this, as well as in Tiberius' divorce of Vipsania in 12 BC at Augustus' insistence: whether it was merely neutral or passive, or whether she actively colluded in Caesar's wishes. The first divorce left Tiberius a fosterchild at the house of Octavian; the second left Tiberius with a lasting emotional scar, since he had been forced to abandon the woman he loved for dynastic considerations. Ancient testimonies are lacking, but it may well be that Tiberius' deep-seated antipathy towards Livia is rooted in these two events.&lt;br /&gt; &lt;span name="Livia_in_literature_and_popular_culture" id="Livia_in_literature_and_popular_culture"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Livia in literature and popular culture&lt;/b&gt;&lt;br /&gt;  In Tacitus' &lt;i&gt;The Annals of Imperial Rome,&lt;/i&gt; Livia is depicted as having great influence, to the extent where she "had the aged Augustus firmly under control — so much so that he exiled his only surviving grandson to the island of Planasia".&lt;br /&gt; Livia's image appears in ancient visual media such as coins and portraits. She was the first woman to appear on provincial coins in 16 BC and her portrait images can be chronologically identified partially from the progression of her hair designs, which represented more than keeping up with the fashions of the time as her depiction with such contemporary details translated into a political statement of representing the ideal Roman woman. Livia's image evolves with different styles of portraiture that trace her effect on imperial propaganda that helped bridge the gap between her role as wife to the emperor Augustus, to mother of the emperor Tiberius. Becoming more than the "beautiful woman" she is described as in ancient texts, Livia serves as a public image for the idealization of Roman feminine qualities, a motherly figure, and eventually a goddess like representation that alludes to her virtue. Livia's power in symbolizing the renewal of the Republic with the female virtues &lt;i&gt;Pietas&lt;/i&gt; and &lt;i&gt;Concordia&lt;/i&gt; in public displays had a dramatic affect on the visual representation of future imperial women as ideal, honorable mothers and wives of Rome. &lt;br /&gt; &lt;span name="Modern" id="Modern"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Ancient&lt;/b&gt;&lt;br /&gt;  In the popular fictional work &lt;i&gt;&lt;span href="/wiki/Claudius_%28novel%29" title="Claudius (novel)"&gt;I, Claudius&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Robert_Graves" title="Robert Graves"&gt;Robert Graves&lt;/span&gt;, Livia is portrayed as a thoroughly wicked, scheming political mastermind. Devoted to bringing &lt;span href="/wiki/Tiberius" title="Tiberius"&gt;Tiberius&lt;/span&gt; to power and then maintaining him there, she is involved in nearly every death or disgrace in the Julio-Claudian family up to the time of her death. In the 1976 &lt;span href="/wiki/BBC" title="BBC"&gt;BBC&lt;/span&gt; &lt;span href="/wiki/I%2C_Claudius_%28TV_series%29" title="I, Claudius (TV series)"&gt;television series&lt;/span&gt; based on the book, Livia was played by &lt;span href="/wiki/Si%C3%A2n_Phillips" title="Siân Phillips"&gt;Siân Phillips&lt;/span&gt;.&lt;br /&gt; Livia is also dramatized in the &lt;span href="/wiki/HBO" title="HBO"&gt;HBO&lt;/span&gt;/BBC series &lt;i&gt;&lt;span href="/wiki/Rome_%28TV_series%29" title="Rome (TV series)"&gt;Rome&lt;/span&gt;&lt;/i&gt;. Introduced in the 2007 episode &lt;i&gt;&lt;span href="/wiki/A_Necessary_Fiction" title="A Necessary Fiction"&gt;A Necessary Fiction&lt;/span&gt;&lt;/i&gt;, &lt;span href="/wiki/Livia_%28character_of_Rome%29" title="Livia (character of Rome)"&gt;Livia&lt;/span&gt; (&lt;span href="/w/index.php?title=Alice_Henley&amp;amp;action=edit" class="new" title="Alice Henley"&gt;Alice Henley&lt;/span&gt;) soon catches the eye of young &lt;span href="/wiki/Gaius_Octavian_%28character_of_Rome%29" title="Gaius Octavian (character of Rome)"&gt;Octavian&lt;/span&gt;, who has never been married or fathered any children. Historically, of course, Octavian had already been married to and divorced &lt;span href="/wiki/Clodia_Pulchra" title="Clodia Pulchra"&gt;Clodia Pulchra&lt;/span&gt; by this time, and was married to a pregnant Scribonia. &lt;i&gt;Rome&lt;/i&gt; does acknowledge the existence of Livia's child, Tiberius Nero, by her first husband, but not that she was pregnant with Nero Claudius Drusus when she met Octavian.&lt;br /&gt; Livia appears in &lt;span href="/wiki/Neil_Gaiman" title="Neil Gaiman"&gt;Neil Gaiman&lt;/span&gt;'s comic "Distant Mirrors - August" collected in &lt;i&gt;&lt;span href="/wiki/The_Sandman:_Fables_and_Reflections" title="The Sandman: Fables and Reflections"&gt;The Sandman: Fables and Reflections&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; In &lt;span href="/wiki/John_Maddox_Roberts" title="John Maddox Roberts"&gt;John Maddox Roberts&lt;/span&gt;'s short story "The King of Sacrifices," set in his &lt;span href="/wiki/SPQR_series" title="SPQR series"&gt;SPQR series&lt;/span&gt;, Livia hires &lt;span href="/wiki/Decius_Metellus" title="Decius Metellus"&gt;Decius Metellus&lt;/span&gt; to investigate the murder of one of &lt;span href="/wiki/Julia_Caesaris#Augustus.27_daughter" title="Julia Caesaris"&gt;Julia&lt;/span&gt;'s lovers.&lt;br /&gt; &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Notes&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Julio-Claudian_family_tree" title="Julio-Claudian family tree"&gt;Julio-Claudian family tree&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-3692413889458945853?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/3692413889458945853/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=3692413889458945853' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/3692413889458945853'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/3692413889458945853'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/livia-drusilla-after-14-ad-called-livia.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-6539601701917730487</id><published>2008-04-30T00:39:00.001+09:00</published><updated>2008-04-30T00:39:20.499+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Stanisław Lem&lt;/b&gt; (&lt;span class="unicode audiolink"&gt;&lt;span href="/wiki/Image:Pl-Stanis%C5%82aw_Lem.ogg" title="Image:Pl-Stanisław Lem.ogg"&gt;pronunciation&lt;/span&gt;&lt;/span&gt;&amp;#160;&lt;span class="metadata audiolinkinfo"&gt;&lt;small&gt;(&lt;span href="/wiki/Wikipedia:Media_help" title="Wikipedia:Media help"&gt;help&lt;/span&gt;·&lt;span href="/wiki/Image:Pl-Stanis%C5%82aw_Lem.ogg" title="Image:Pl-Stanisław Lem.ogg"&gt;info&lt;/span&gt;)&lt;/small&gt;&lt;/span&gt;, &lt;span href="/wiki/September_12" title="September 12"&gt;September 12&lt;/span&gt;, &lt;span href="/wiki/1921" title="1921"&gt;1921&lt;/span&gt; – &lt;span href="/wiki/March_27" title="March 27"&gt;March 27&lt;/span&gt;, &lt;span href="/wiki/2006" title="2006"&gt;2006&lt;/span&gt;) was a &lt;span href="/wiki/Poland" title="Poland"&gt;Polish&lt;/span&gt; &lt;span href="/wiki/Science_fiction" title="Science fiction"&gt;science fiction&lt;/span&gt;, &lt;span href="/wiki/Philosophy" title="Philosophy"&gt;philosophical&lt;/span&gt; and &lt;span href="/wiki/Satire" title="Satire"&gt;satirical&lt;/span&gt; writer. His books have been translated into 41 languages and have sold over 27 million copies..&lt;br /&gt; His works explore &lt;span href="/wiki/Philosophical" title="Philosophical"&gt;philosophical&lt;/span&gt; themes; speculation on &lt;span href="/wiki/Technology" title="Technology"&gt;technology&lt;/span&gt;, the nature of &lt;span href="/wiki/Intelligence" title="Intelligence"&gt;intelligence&lt;/span&gt;, the impossibility of mutual &lt;span href="/wiki/Communication" title="Communication"&gt;communication&lt;/span&gt; and understanding, despair about human limitations and humankind's place in the universe. They are sometimes presented as &lt;span href="/wiki/Fiction" title="Fiction"&gt;fiction&lt;/span&gt;, to avoid both trappings of academic life and limitations of readership and scientific style, but others are in the form of &lt;span href="/wiki/Essay" title="Essay"&gt;essays&lt;/span&gt; or philosophical books. Translations of his works are difficult; &lt;span href="/wiki/Michael_Kandel" title="Michael Kandel"&gt;Michael Kandel&lt;/span&gt;'s translations into English have generally been praised as capturing the spirit of the original.&lt;br /&gt; &lt;span name="Biography" id="Biography"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://portalwiedzy.onet.pl/_i/lemripd.jpg"  alt="Stanisław Lem"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Biography&lt;/b&gt;&lt;br /&gt;  &lt;span name="SFWA_controversy" id="SFWA_controversy"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/1957" title="1957"&gt;1957&lt;/span&gt; - City of Kraków's Prize in Literature (&lt;i&gt;Nagroda Literacka miasta Krakowa&lt;/i&gt;)&lt;br /&gt; &lt;span href="/wiki/1965" title="1965"&gt;1965&lt;/span&gt; - Prize of the Minister of Culture and Art, 2nd Level (&lt;i&gt;Nagroda Ministra Kultury i Sztuki II stopnia&lt;/i&gt;)&lt;br /&gt; &lt;span href="/wiki/1973" title="1973"&gt;1973&lt;/span&gt; - Prize of the Minister of Foreign Affairs for popularization of Polish culture abroad (&lt;i&gt;nagroda Ministra Spraw Zagranicznych za popularyzację polskiej kultury za granicą&lt;/i&gt;)&lt;br /&gt; &lt;span href="/wiki/1972" title="1972"&gt;1972&lt;/span&gt; - member of commission "Polska 2000" of the &lt;span href="/wiki/Polish_Academy_of_Sciences" title="Polish Academy of Sciences"&gt;Polish Academy of Sciences&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/1973" title="1973"&gt;1973&lt;/span&gt; - Prize of the Minister of Culture and Art (&lt;i&gt;nagroda literacka Ministra Kultury i Sztuki&lt;/i&gt;) and honorary member of the &lt;span href="/wiki/Science_Fiction_Writers_of_America" title="Science Fiction Writers of America"&gt;Science Fiction Writers of America&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/1976" title="1976"&gt;1976&lt;/span&gt; - State's Award 1st Level in the area of literature (&lt;i&gt;Nagroda Państwowa I stopnia w dziedzinie literatury&lt;/i&gt;)&lt;br /&gt; &lt;span href="/wiki/1981" title="1981"&gt;1981&lt;/span&gt; - &lt;i&gt;Doctor honoris causa&lt;/i&gt; &lt;span href="/wiki/Honorary_degree" title="Honorary degree"&gt;honorary degree&lt;/span&gt; from the &lt;span href="/wiki/Wroc%C5%82aw_University_of_Technology" title="Wrocław University of Technology"&gt;Wrocław Polytechnic&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/1985" title="1985"&gt;1985&lt;/span&gt; - State's Award from &lt;span href="/wiki/Austria" title="Austria"&gt;Austria&lt;/span&gt; for contribution to European culture&lt;br /&gt; &lt;span href="/wiki/1991" title="1991"&gt;1991&lt;/span&gt; - Franz Kafka's State's Award from Austria in the area of literature&lt;br /&gt; &lt;span href="/wiki/1994" title="1994"&gt;1994&lt;/span&gt; - member of the &lt;span href="/wiki/Polish_Academy_of_Learning" title="Polish Academy of Learning"&gt;Polish Academy of Learning&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/1996" title="1996"&gt;1996&lt;/span&gt; - recipient of the &lt;span href="/wiki/Order_of_the_White_Eagle" title="Order of the White Eagle"&gt;Order of the White Eagle&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/1997" title="1997"&gt;1997&lt;/span&gt; - &lt;span href="/wiki/Honorary_citizen" title="Honorary citizen"&gt;honorary citizen&lt;/span&gt; of &lt;span href="/wiki/Krak%C3%B3w" title="Kraków"&gt;Kraków&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/1998" title="1998"&gt;1998&lt;/span&gt; - &lt;i&gt;Doctor honoris causa&lt;/i&gt;: &lt;span href="/w/index.php?title=University_of_Opole&amp;amp;action=edit" class="new" title="University of Opole"&gt;University of Opole&lt;/span&gt;, &lt;span href="/wiki/Lw%C3%B3w_University" title="Lwów University"&gt;Lwów University&lt;/span&gt;, &lt;span href="/wiki/Jagiellonian_University" title="Jagiellonian University"&gt;Jagiellonian University&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/2003" title="2003"&gt;2003&lt;/span&gt; - &lt;i&gt;Doctor honoris causa&lt;/i&gt; of the &lt;span href="/wiki/University_of_Bielefeld" title="University of Bielefeld"&gt;University of Bielefeld&lt;/span&gt;   &lt;b&gt; Honors&lt;/b&gt;&lt;br /&gt;  Lem was awarded an honorary membership in the &lt;span href="/wiki/Science_Fiction_and_Fantasy_Writers_of_America" title="Science Fiction and Fantasy Writers of America"&gt;Science Fiction and Fantasy Writers of America&lt;/span&gt; (SFWA) in &lt;span href="/wiki/1973" title="1973"&gt;1973&lt;/span&gt; despite being technically ineligible. SFWA Honorary membership is given to people who do not meet the criteria for joining the regular membership but who would be welcomed as members. Lem, however, never had a high opinion of American science-fiction, describing it as ill thought-out, poorly written, and interested more in making money than in ideas or new literary forms.&lt;br /&gt; &lt;span name="Themes" id="Themes"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; SFWA controversy&lt;/b&gt;&lt;br /&gt;  Several specific themes recur in all his works, however Lem's fiction is often divided into two major groups. &lt;i&gt;&lt;span href="/wiki/Solaris_%28novel%29" title="Solaris (novel)"&gt;Solaris&lt;/span&gt;&lt;/i&gt;, twice adapted into a movie, is set on an isolated research station hovering above the planet Solaris, and is a deeply philosophical work about contact with a completely alien lifeform — a planet-wide sentient ocean. &lt;i&gt;&lt;span href="/wiki/G%C5%82os_Pana" title="Głos Pana"&gt;Głos Pana&lt;/span&gt;&lt;/i&gt; (His Master's Voice) is another classic of traditional science fiction themes. Also very philosophical - much more so than Solaris - it tells the story of the scientists effort to decode, translate and understand an &lt;span href="http://en.wiktionary.org/wiki/Extraterrestrial" class="extiw" title="wikt:Extraterrestrial"&gt;Extraterrestrial&lt;/span&gt; transmission, critically approaching humanity's intelligence and intentions in deciphering and truly comprehending a message from outer space. Lem's third great book is &lt;i&gt;&lt;span href="/wiki/The_Cyberiad" title="The Cyberiad"&gt;The Cyberiad&lt;/span&gt;&lt;/i&gt;. Subtitled &lt;i&gt;Fables for the Cybernetic Age&lt;/i&gt;, it is a collection of comic tales about two intelligent &lt;span href="/wiki/Robot" title="Robot"&gt;robots&lt;/span&gt; who travel about the galaxy solving engineering problems; but a deeper reading reveals a wealth of profound insights into the human condition.&lt;br /&gt; &lt;span name="Influence" id="Influence"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Influence&lt;/b&gt;&lt;br /&gt;  &lt;span name="Fiction" id="Fiction"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Works&lt;/b&gt;&lt;br /&gt;  &lt;span name="Nonfiction" id="Nonfiction"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Cz%C5%82owiek_z_Marsa&amp;amp;action=edit" class="new" title="Człowiek z Marsa"&gt;Człowiek z Marsa&lt;/span&gt;&lt;/i&gt; (1946, only in a magazine in sequels) - &lt;i&gt;The Man from Mars&lt;/i&gt;. Lem's earliest novel of which he often said that 'it should be forgotten'; however he didn't prevent later republications&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Szpital_przemienienia&amp;amp;action=edit" class="new" title="Szpital przemienienia"&gt;Szpital przemienienia&lt;/span&gt;&lt;/i&gt; (1948) - Novella, published in book form in 1955 as &lt;i&gt;&lt;span href="/w/index.php?title=Czas_nieutracony:_Szpital_przemienienia&amp;amp;action=edit" class="new" title="Czas nieutracony: Szpital przemienienia"&gt;Czas nieutracony: Szpital przemienienia&lt;/span&gt;&lt;/i&gt;. Non-SF book about a doctor working in a Polish asylum. Translated into English by &lt;span href="/w/index.php?title=William_Brand&amp;amp;action=edit" class="new" title="William Brand"&gt;William Brand&lt;/span&gt; as &lt;i&gt;&lt;span href="/w/index.php?title=Hospital_of_the_Transfiguration&amp;amp;action=edit" class="new" title="Hospital of the Transfiguration"&gt;Hospital of the Transfiguration&lt;/span&gt;&lt;/i&gt; (1988). Released as a &lt;span href="http://www.imdb.com/title/tt0079979/" class="external text" title="http://www.imdb.com/title/tt0079979/" rel="nofollow"&gt;film&lt;/span&gt; in 1979.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Astronauci" title="Astronauci"&gt;Astronauci&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Astronauts&lt;/i&gt;, 1951) - juvenile science fiction novel. In early 21st century, it is discovered that &lt;span href="/wiki/Tunguska_event" title="Tunguska event"&gt;Tunguska meteorite&lt;/span&gt; was a crash of a reconnaissance ship from Venus, bound to invade the Earth. A spaceship sent to investigate finds that Venusians killed themselves in atomic war first. Released as a &lt;span href="http://www.imdb.com/title/tt0053250/" class="external text" title="http://www.imdb.com/title/tt0053250/" rel="nofollow"&gt;film&lt;/span&gt; in 1960.&lt;br /&gt; &lt;i&gt;Obłok Magellana&lt;/i&gt; (&lt;i&gt;&lt;span href="/wiki/The_Magellanic_Cloud" title="The Magellanic Cloud"&gt;The Magellanic Cloud&lt;/span&gt;&lt;/i&gt;, 1955, untranslated into English)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Sezam_%28book%29&amp;amp;action=edit" class="new" title="Sezam (book)"&gt;Sezam&lt;/span&gt;&lt;/i&gt; (1955) - Linked collection of short fiction, dealing with time machines used to clean up Earth's history in order to be accepted into intergalactic society. Not translated into English.&lt;br /&gt; &lt;i&gt;Dzienniki gwiazdowe&lt;/i&gt; (1957, expanded until 1971) - Collection of short fiction dealing with the voyages of &lt;span href="/wiki/Ijon_Tichy" title="Ijon Tichy"&gt;Ijon Tichy&lt;/span&gt;. Translated into English and expanded as &lt;i&gt;&lt;span href="/wiki/The_Star_Diaries" title="The Star Diaries"&gt;The Star Diaries&lt;/span&gt;&lt;/i&gt; (1976, translated by &lt;span href="/wiki/Michael_Kandel" title="Michael Kandel"&gt;Michael Kandel&lt;/span&gt;), later published in 2 volumes as &lt;i&gt;Memoirs of a Space Traveller&lt;/i&gt; (1982, second volume translated by &lt;span href="/w/index.php?title=Joel_Stern&amp;amp;action=edit" class="new" title="Joel Stern"&gt;Joel Stern&lt;/span&gt;).&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Inwazja_z_Aldebarana&amp;amp;action=edit" class="new" title="Inwazja z Aldebarana"&gt;Inwazja z Aldebarana&lt;/span&gt;&lt;/i&gt; (1959) - Collection of science fiction stories. Translated into English as &lt;i&gt;The Invasion from Aldebaran&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Investigation" title="The Investigation"&gt;The Investigation&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Śledztwo&lt;/i&gt;, 1959; trans. 1974) - philosophical mystery novel. Released as a &lt;span href="http://www.imdb.com/title/tt0078441/" class="external text" title="http://www.imdb.com/title/tt0078441/" rel="nofollow"&gt;film&lt;/span&gt; in 1979.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Eden_%28novel%29" title="Eden (novel)"&gt;Eden&lt;/span&gt;&lt;/i&gt; (1959) - Science fiction novel; after crashing their spaceship on the planet Eden, the crew discovers it is populated with an unusual society. Translated into English by &lt;span href="/w/index.php?title=Marc_E._Heine&amp;amp;action=edit" class="new" title="Marc E. Heine"&gt;Marc E. Heine&lt;/span&gt; as &lt;i&gt;Eden&lt;/i&gt; (1989).&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Ksiega_robot%C3%B3w&amp;amp;action=edit" class="new" title="Ksiega robotów"&gt;Ksiega robotów&lt;/span&gt;&lt;/i&gt; (1961) - Released in the US as &lt;span href="/w/index.php?title=Mortal_Engines_%28Lem%29&amp;amp;action=edit" class="new" title="Mortal Engines (Lem)"&gt;Mortal Engines&lt;/span&gt; (also contains &lt;i&gt;The Hunt&lt;/i&gt; from &lt;i&gt;Tales of Pirx the Pilot&lt;/i&gt;).&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Return_from_the_Stars" title="Return from the Stars"&gt;Return from the Stars&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Powrót z gwiazd&lt;/i&gt;, 1961; trans. 1980) - SF novel. An astronaut returns to Earth after a 127 year mission.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Solaris_%28novel%29" title="Solaris (novel)"&gt;Solaris&lt;/span&gt;&lt;/i&gt; (1961) - SF novel. The crew of a space station is strangely influenced by the living ocean as they attempt communication with it. Translated into English from the French translation by &lt;span href="/w/index.php?title=Joanna_Kilmartin&amp;amp;action=edit" class="new" title="Joanna Kilmartin"&gt;Joanna Kilmartin&lt;/span&gt; and &lt;span href="/w/index.php?title=Steve_Cox_%28author%29&amp;amp;action=edit" class="new" title="Steve Cox (author)"&gt;Steve Cox (author)&lt;/span&gt; as &lt;i&gt;Solaris&lt;/i&gt; (1970). Made into a &lt;span href="/wiki/Solaris_%281972_film%29" title="Solaris (1972 film)"&gt;Russian film&lt;/span&gt; in 1972, and as a &lt;span href="/wiki/Solaris_%282002_film%29" title="Solaris (2002 film)"&gt;US film&lt;/span&gt; in 2002.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Memoirs_Found_in_a_Bathtub" title="Memoirs Found in a Bathtub"&gt;Memoirs Found in a Bathtub&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Pamiętnik znaleziony w wannie&lt;/i&gt;, 1961; trans. 1973) - Novel set in the distant future about a secret agent, whose mission is so secret that no one can tell him what it is.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Invincible" title="The Invincible"&gt;The Invincible&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Niezwyciężony&lt;/i&gt;, 1964; translated by &lt;span href="/w/index.php?title=Wendayne_Ackerman&amp;amp;action=edit" class="new" title="Wendayne Ackerman"&gt;Wendayne Ackerman&lt;/span&gt; from the German translation 1973) - SF novel. The crew of a space cruiser searches for a disappeared ship on the planet Regis III, discovering swarms of insect-like micromachines.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Cyberiad" title="The Cyberiad"&gt;The Cyberiad&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Cyberiada&lt;/i&gt;, 1967; transl. by &lt;span href="/wiki/Michael_Kandel" title="Michael Kandel"&gt;Michael Kandel&lt;/span&gt; 1974) - collection of humorous stories about the exploits of Trurl and Klapaucius, "constructors" among &lt;span href="/wiki/Robot" title="Robot"&gt;robots&lt;/span&gt;. The stories of &lt;span href="/wiki/Douglas_Adams" title="Douglas Adams"&gt;Douglas Adams&lt;/span&gt; have been compared to the Cyberiad. &lt;span href="http://world.std.com/~mmcirvin/cyberiad.html" class="external autonumber" title="http://world.std.com/~mmcirvin/cyberiad.html" rel="nofollow"&gt;[1]&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/G%C5%82os_pana" title="Głos pana"&gt;Głos pana&lt;/span&gt;&lt;/i&gt; (1968) - SF novel about the effort to translate an extraterrestrial radio transmission. Translated into English by &lt;span href="/wiki/Michael_Kandel" title="Michael Kandel"&gt;Michael Kandel&lt;/span&gt; as &lt;i&gt;His Master's Voice&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;Ze wspomnień Ijona Tichego; &lt;span href="/wiki/The_Futurological_Congress" title="The Futurological Congress"&gt;The Futurological Congress&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Kongres futurologiczny&lt;/i&gt;, 1971) - An &lt;span href="/wiki/Ijon_Tichy" title="Ijon Tichy"&gt;Ijon Tichy&lt;/span&gt; short story, published in the collection &lt;i&gt;Bezsenność&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;Ze wspomnień Ijona Tichego; &lt;span href="/w/index.php?title=Professor_A._Do%C5%84da&amp;amp;action=edit" class="new" title="Professor A. Dońda"&gt;Professor A. Dońda&lt;/span&gt;&lt;/i&gt; (1971)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Doskona%C5%82a_pr%C3%B3%C5%BCnia" title="Doskonała próżnia"&gt;Doskonała próżnia&lt;/span&gt;&lt;/i&gt; (1971) - Collection of book reviews of nonexistent books. Translated into English by &lt;span href="/wiki/Michael_Kandel" title="Michael Kandel"&gt;Michael Kandel&lt;/span&gt; as &lt;i&gt;A Perfect Vacuum&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;Opowieści o pilocie Pirxie&lt;/i&gt; (1973) - Collection of linked short fiction involving the career of Pirx. Translated into English in two volumes (&lt;i&gt;&lt;span href="/wiki/Tales_of_Pirx_the_Pilot" title="Tales of Pirx the Pilot"&gt;Tales of Pirx the Pilot&lt;/span&gt;&lt;/i&gt; and &lt;i&gt;&lt;span href="/wiki/More_Tales_of_Pirx_the_Pilot" title="More Tales of Pirx the Pilot"&gt;More Tales of Pirx the Pilot&lt;/span&gt;&lt;/i&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Wielko%C5%9B%C4%87_urojona&amp;amp;action=edit" class="new" title="Wielkość urojona"&gt;Wielkość urojona&lt;/span&gt;&lt;/i&gt; (1973) - Collection of introductions to nonexistent books, as written by artificial intelligences. Translated into English as &lt;i&gt;Imaginary Magnitude&lt;/i&gt;. Also includes &lt;i&gt;&lt;span href="/wiki/Golem_XIV" title="Golem XIV"&gt;Golem XIV&lt;/span&gt;&lt;/i&gt;, a lengthy essay/short story on the nature of intelligence delivered by eponymous US military computer. In the personality of Golem XIV, Lem with a great amount of humor describes an ideal of his own mind.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Katar_%28novel%29" title="Katar (novel)"&gt;Katar&lt;/span&gt;&lt;/i&gt; (1975) - SF novel. A former US astronaut is sent to Italy to investigate a series of mysterious deaths. Translated into English as &lt;i&gt;The Chain of Chance&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Golem_XIV" title="Golem XIV"&gt;Golem XIV&lt;/span&gt;&lt;/i&gt; (1981) - Expansion of an essey/short story found in &lt;i&gt;&lt;span href="/w/index.php?title=Wielko%C5%9B%C4%87_urojona&amp;amp;action=edit" class="new" title="Wielkość urojona"&gt;Wielkość urojona&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Observation_on_the_Spot" title="Observation on the Spot"&gt;Wizja lokalna&lt;/span&gt;&lt;/i&gt; (1982) - &lt;span href="/wiki/Ijon_Tichy" title="Ijon Tichy"&gt;Ijon Tichy&lt;/span&gt; novel about the planet Entia. Not translated into English.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Fiasco_%28novel%29" title="Fiasco (novel)"&gt;Fiasco&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Fiasko&lt;/i&gt;, 1986, trans. 1987) - SF novel concerning an expedition to communicate with an alien civilization that devolves into a major fiasco.&lt;br /&gt; &lt;i&gt;Biblioteka XXI wieku&lt;/i&gt; (1986) - &lt;i&gt;Library of 21st Century&lt;/i&gt; includes Perfect Vacuum, Imaginary Magnitude and others&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Peace_on_Earth_%28novel%29" title="Peace on Earth (novel)"&gt;Peace on Earth&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Pokój na Ziemi&lt;/i&gt;, 1987; transl. 1994) - &lt;span href="/wiki/Ijon_Tichy" title="Ijon Tichy"&gt;Ijon Tichy&lt;/span&gt; novel. A callotomized Tichy returns to Earth, trying to reconstruct the events of his recent visit to the Moon.&lt;br /&gt; &lt;i&gt;Zagadka&lt;/i&gt; (&lt;i&gt;The Riddle&lt;/i&gt;, 1996) - Short stories collection. Not translated into English.&lt;br /&gt; &lt;i&gt;Fantastyczny Lem&lt;/i&gt; (The fantastical Lem, 2001). Short stories collection. Not translated into English.   &lt;b&gt; Fiction&lt;/b&gt;&lt;br /&gt;  &lt;span name="Film_and_TV_adaptations" id="Film_and_TV_adaptations"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Dialogi&amp;amp;action=edit" class="new" title="Dialogi"&gt;Dialogi&lt;/span&gt;&lt;/i&gt; (1957) - Non-fiction work of philosophy. Translated into English by &lt;span href="/w/index.php?title=Frank_Prengel&amp;amp;action=edit" class="new" title="Frank Prengel"&gt;Frank Prengel&lt;/span&gt; as &lt;i&gt;Dialogs&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Wej%C5%9Bcie_na_orbit%C4%99&amp;amp;action=edit" class="new" title="Wejście na orbitę"&gt;Wejście na orbitę&lt;/span&gt;&lt;/i&gt; (1962) - Not translated into English. Title translates as &lt;i&gt;Going into Orbit&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Summa_Technologiae" title="Summa Technologiae"&gt;Summa Technologiae&lt;/span&gt;&lt;/i&gt; (1964) - Philosophical essay. Partially translated into English.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Filozofia_Przypadku&amp;amp;action=edit" class="new" title="Filozofia Przypadku"&gt;Filozofia Przypadku&lt;/span&gt;&lt;/i&gt; (1968) - Nonfiction. Not translated into English. Title translates to &lt;i&gt;Philosophy of Coincidence&lt;/i&gt; or &lt;i&gt;The Philosophy of Chance&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Fantastyka_i_futurologia&amp;amp;action=edit" class="new" title="Fantastyka i futurologia"&gt;Fantastyka i futurologia&lt;/span&gt;&lt;/i&gt; (1970) - Critiques on science fiction. Some parts were translated into English in the magazine &lt;span href="/w/index.php?title=SF_Studies&amp;amp;action=edit" class="new" title="SF Studies"&gt;SF Studies&lt;/span&gt; in 1973-1975, selected material was translated in the single volume &lt;i&gt;&lt;span href="/w/index.php?title=Microworlds_%28essays%29&amp;amp;action=edit" class="new" title="Microworlds (essays)"&gt;Microworlds&lt;/span&gt;&lt;/i&gt; (New York, 1986).&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Rozprawy_i_szkice&amp;amp;action=edit" class="new" title="Rozprawy i szkice"&gt;Rozprawy i szkice&lt;/span&gt;&lt;/i&gt; (1974) - Nonfiction collection of essays on science, science fiction, and literature in general. Not translated into English. Title translates to &lt;i&gt;Essays and drafts&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Wysoki_zamek&amp;amp;action=edit" class="new" title="Wysoki zamek"&gt;Wysoki zamek&lt;/span&gt;&lt;/i&gt; (1975) - Autobiography of Lem's childhood before World War II. Translated into English as &lt;i&gt;Highcastle: A Remembrance&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Rozprawy_i_szkice&amp;amp;action=edit" class="new" title="Rozprawy i szkice"&gt;Rozprawy i szkice&lt;/span&gt;&lt;/i&gt; (1975) - Essays and sketches. Not translated into English.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Lube_Czasy&amp;amp;action=edit" class="new" title="Lube Czasy"&gt;Lube Czasy&lt;/span&gt;&lt;/i&gt; (1995) - Not translated into English. Title translates to &lt;i&gt;Pleasant Times&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Dziury_w_ca%C5%82ym&amp;amp;action=edit" class="new" title="Dziury w całym"&gt;Dziury w całym&lt;/span&gt;&lt;/i&gt; (1995) - Not translated into English. Title translates to &lt;i&gt;Looking for Problems&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Tajemnica_chi%C5%84skiego_pokoju&amp;amp;action=edit" class="new" title="Tajemnica chińskiego pokoju"&gt;Tajemnica chińskiego pokoju&lt;/span&gt;&lt;/i&gt; (1996) - Collection of essays on the impact of technology on everyday life. Not translated into English. Title translates to &lt;i&gt;Mystery of the Chinese Room&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Sex_War_%28novel%29&amp;amp;action=edit" class="new" title="Sex War (novel)"&gt;Sex Wars&lt;/span&gt;&lt;/i&gt; (1996) - Not translated into English.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Bomba_megabitowa&amp;amp;action=edit" class="new" title="Bomba megabitowa"&gt;Bomba megabitowa&lt;/span&gt;&lt;/i&gt; (1999) - Collection of essays about the potential downside of technology, including terrorism and artificial intelligence. Not translated into English. Title translates to &lt;i&gt;The Megabit Bomb&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=%C5%9Awiat_na_kraw%C4%99dzi&amp;amp;action=edit" class="new" title="Świat na krawędzi"&gt;Świat na krawędzi&lt;/span&gt;&lt;/i&gt; (2000) - &lt;i&gt;The World at the Edge&lt;/i&gt;. Interviews with Lem.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Okamgnienie&amp;amp;action=edit" class="new" title="Okamgnienie"&gt;Okamgnienie&lt;/span&gt;&lt;/i&gt; (2000) - Collection of essays on technological progress since the publication of &lt;i&gt;&lt;span href="/wiki/Summa_Technologiae" title="Summa Technologiae"&gt;Summa Technologiae&lt;/span&gt;&lt;/i&gt;. Not translated into English. Title translates to &lt;i&gt;A Blink of an Eye&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Tako_rzecze_Lem&amp;amp;action=edit" class="new" title="Tako rzecze Lem"&gt;Tako rzecze Lem&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;And Lem says so&lt;/i&gt;, 2002) - Interviews with Lem. Not translated into English.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=M%C3%B3j_pogl%C4%85d_na_literatur%C4%99&amp;amp;action=edit" class="new" title="Mój pogląd na literaturę"&gt;Mój pogląd na literaturę&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;My View of Literature&lt;/i&gt;, 2003) - Not translated into English.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Kr%C3%B3tkie_zwarcia&amp;amp;action=edit" class="new" title="Krótkie zwarcia"&gt;Krótkie zwarcia&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Short Circuits&lt;/i&gt;, 2004) - Essays. Not translated into English.&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Lata_czterdzieste._Dyktanda.&amp;amp;action=edit" class="new" title="Lata czterdzieste. Dyktanda."&gt;Lata czterdzieste. Dyktanda.&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;The 40s&lt;/i&gt;, 2005) - Lem's works from the 1940s. Not translated into English.   &lt;b&gt; Film and TV adaptations&lt;/b&gt;&lt;br /&gt;  &lt;span name="Further_reading" id="Further_reading"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-6539601701917730487?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/6539601701917730487/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=6539601701917730487' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6539601701917730487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6539601701917730487'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/stanisaw-lem-pronunciation-help-info.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-7893394500006529727</id><published>2008-04-28T00:09:00.001+09:00</published><updated>2008-04-28T00:09:24.416+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Police&lt;/b&gt; are agents or agencies empowered to enforce the law and to effect public and social order through the legitimate use of force. The term is most commonly associated with police departments of a &lt;span href="/wiki/State" title="State"&gt;state&lt;/span&gt; that are authorized to exercise the &lt;span href="/wiki/Police_power" title="Police power"&gt;police power&lt;/span&gt; of that state within a defined legal or territorial area of responsibility. The word comes via &lt;span href="/wiki/French_language" title="French language"&gt;French&lt;/span&gt; from the &lt;span href="/wiki/Latin" title="Latin"&gt;Latin&lt;/span&gt; &lt;i&gt;politia&lt;/i&gt; ("civil administration"), which itself derives from the &lt;span href="/wiki/Ancient_Greek" title="Ancient Greek"&gt;Ancient Greek&lt;/span&gt; πόλις, for &lt;i&gt;polis&lt;/i&gt; ("city"). Alternative names for police force include &lt;span href="/wiki/Constabulary" title="Constabulary"&gt;constabulary&lt;/span&gt;, &lt;span href="/wiki/Gendarmerie" title="Gendarmerie"&gt;gendarmerie&lt;/span&gt;, police department, police service, or law enforcement agency, and members can be &lt;span href="/wiki/Police_officer" title="Police officer"&gt;police officers&lt;/span&gt;, &lt;span href="/wiki/Constable" title="Constable"&gt;constables&lt;/span&gt;, &lt;span href="/wiki/Trooper" title="Trooper"&gt;troopers&lt;/span&gt;, &lt;span href="/wiki/Sheriff" title="Sheriff"&gt;sheriffs&lt;/span&gt;, &lt;span href="/wiki/Warden" title="Warden"&gt;rangers&lt;/span&gt;, or &lt;span href="/wiki/Peace_officer" title="Peace officer"&gt;peace officers&lt;/span&gt;. Russian police and police of the Soviet-era Eastern Europe is (or was) called &lt;span href="/wiki/Militsiya" title="Militsiya"&gt;militsiya&lt;/span&gt;.&lt;br /&gt; In England and Wales, each police force or service is overseen by a &lt;span href="/wiki/Police_authority" title="Police authority"&gt;police authority&lt;/span&gt;.&lt;br /&gt; &lt;span name="History" id="History"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  In &lt;span href="/wiki/Ancient_Greece" title="Ancient Greece"&gt;Ancient Greece&lt;/span&gt;, publicly-owned slaves were used by magistrates as police. In &lt;span href="/wiki/Athens" title="Athens"&gt;Athens&lt;/span&gt;, a group of 300 &lt;span href="/wiki/Scythian" title="Scythian"&gt;Scythian&lt;/span&gt; slaves was used to guard public meetings to keep order and for &lt;span href="/wiki/Crowd_control" title="Crowd control"&gt;crowd control&lt;/span&gt;, and also assisted with dealing with &lt;span href="/wiki/Criminals" title="Criminals"&gt;criminals&lt;/span&gt;, manhandling prisoners, and making arrests. Other duties associated with modern policing, such as investigating crimes, was left to the citizens themselves. The &lt;span href="/wiki/Roman_Empire" title="Roman Empire"&gt;Roman Empire&lt;/span&gt; had a reasonably effective law enforcement system until the decline of the empire. When under the reign of &lt;span href="/wiki/Augustus" title="Augustus"&gt;Augustus&lt;/span&gt; the capital had grown to almost one million inhabitants, he created 14 &lt;span href="/wiki/Ward" title="Ward"&gt;wards&lt;/span&gt;, which were protected by seven squads of 1,000 men called "&lt;span href="/wiki/Vigiles" title="Vigiles"&gt;Vigiles&lt;/span&gt;," who guarded against fires and served as nightwatchmen. If necessary, they might have called the &lt;span href="/wiki/Praetorian_Guard" title="Praetorian Guard"&gt;Praetorian Guard&lt;/span&gt; for assistance. Beginning in the &lt;span href="/wiki/5th_century" title="5th century"&gt;5th century&lt;/span&gt;, policing became a function of clan chiefs and heads of state.&lt;br /&gt; The Anglo-Saxon system of maintaining public order was a private system of &lt;span href="/wiki/Tithing" title="Tithing"&gt;tithings&lt;/span&gt;, since the Norman conquest led by a &lt;span href="/wiki/Constable" title="Constable"&gt;constable&lt;/span&gt;, which was based on a social obligation for the good conduct of the others; more common was that local lords and nobles were responsible to maintain order in their lands, and often appointed a &lt;span href="/wiki/Constable" title="Constable"&gt;constable&lt;/span&gt;, sometimes unpaid, to enforce the law.&lt;br /&gt; &lt;span name="The_invention_of_.22police.22" id="The_invention_of_.22police.22"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Pre-modern Europe&lt;/b&gt;&lt;br /&gt;  In Western culture, the contemporary concept of a police paid by the government was developed by French legal scholars and practitioners in the 17th century and early 18th century, notably with &lt;span href="/w/index.php?title=Nicolas_Delamare&amp;amp;action=edit" class="new" title="Nicolas Delamare"&gt;Nicolas Delamare&lt;/span&gt;'s &lt;i&gt;&lt;span href="http://cujas.synasoft.fr/page.asp?Ouvrage=225&amp;amp;Ftime=1" class="external text" title="http://cujas.synasoft.fr/page.asp?Ouvrage=225&amp;amp;Ftime=1" rel="nofollow"&gt;Traité de la Police&lt;/span&gt;&lt;/i&gt; ("Treatise on the Police", published between 1705 and 1738). The German &lt;i&gt;&lt;span href="/wiki/Polizeiwissenschaft" title="Polizeiwissenschaft"&gt;Polizeiwissenschaft&lt;/span&gt;&lt;/i&gt; (Science of Police) was also an important theoretical formulation of police.&lt;br /&gt; The first police force in the modern sense was created by the government of King &lt;span href="/wiki/Louis_XIV" title="Louis XIV"&gt;Louis XIV&lt;/span&gt; in 1667 to police the city of &lt;span href="/wiki/Paris" title="Paris"&gt;Paris&lt;/span&gt;, then the largest city of Europe and considered the most dangerous European city. The royal edict, registered by the &lt;i&gt;&lt;span href="/wiki/Parlement" title="Parlement"&gt;Parlement&lt;/span&gt;&lt;/i&gt; of Paris on &lt;span href="/wiki/March_15" title="March 15"&gt;March 15&lt;/span&gt;, &lt;span href="/wiki/1667" title="1667"&gt;1667&lt;/span&gt; created the office of &lt;i&gt;&lt;span href="/wiki/Prefecture_of_Police#List_of_lieutenant_generals_and_prefects_of_police" title="Prefecture of Police"&gt;lieutenant général de police&lt;/span&gt;&lt;/i&gt; ("lieutenant general of police"), who was to be the head of the new Paris police force, and defined police as the task of "ensuring the peace and quiet of the public and of private individuals, purging the city of what may cause disturbances, procuring abundance, and having each and everyone live according to their station and their duties". This office was held by &lt;span href="/wiki/Gabriel_Nicolas_de_la_Reynie" title="Gabriel Nicolas de la Reynie"&gt;Gabriel Nicolas de la Reynie&lt;/span&gt;, who had 44 &lt;i&gt;commissaires de police&lt;/i&gt; (police commissioners) under his authority. In 1709, these commissioners were assisted by &lt;i&gt;inspecteurs de police&lt;/i&gt; (police inspectors). The city of Paris was divided into 16 districts policed by the 44 &lt;i&gt;commissaires de police&lt;/i&gt;, each assigned to a particular district and assisted in their districts by clerks and a growing bureaucracy. The scheme of the Paris police force was extended to the rest of France by a royal edict of October 1699, resulting in the creation of lieutenants general of police in all large French cities or towns.&lt;br /&gt; As conceptualized by the &lt;i&gt;&lt;span href="/wiki/Polizeiwissenschaft" title="Polizeiwissenschaft"&gt;Polizeiwissenschaft&lt;/span&gt;&lt;/i&gt;, the police had an economical and social duty ("procuring abundance"). It was in charge of &lt;span href="/wiki/Demographics" title="Demographics"&gt;demographics&lt;/span&gt; concerns and of empowering the &lt;span href="/wiki/Population" title="Population"&gt;population&lt;/span&gt;, which was considered by the &lt;span href="/wiki/Mercantilist" title="Mercantilist"&gt;mercantilist&lt;/span&gt; theory to be the main strength of the &lt;span href="/wiki/State" title="State"&gt;state&lt;/span&gt;. Thus, its functions largely overreached simple law enforcement activities, and included &lt;span href="/wiki/Public_health" title="Public health"&gt;public health&lt;/span&gt; concerns, &lt;span href="/wiki/Urban_planning" title="Urban planning"&gt;urban planning&lt;/span&gt; (which was important because of the &lt;span href="/wiki/Miasma_theory_of_disease" title="Miasma theory of disease"&gt;miasma theory of disease&lt;/span&gt;; thus, &lt;span href="/wiki/Cemeteries" title="Cemeteries"&gt;cemeteries&lt;/span&gt; were moved out of town, etc.), surveillance of &lt;span href="/wiki/Prices" title="Prices"&gt;prices&lt;/span&gt;, etc. .&lt;br /&gt; Development of modern police was contemporary to the formation of the &lt;span href="/wiki/State" title="State"&gt;state&lt;/span&gt;, later defined by sociologist &lt;span href="/wiki/Max_Weber" title="Max Weber"&gt;Max Weber&lt;/span&gt; as detaining "the &lt;span href="/wiki/Monopoly_on_the_legitimate_use_of_physical_force" title="Monopoly on the legitimate use of physical force"&gt;monopoly on the legitimate use of physical force&lt;/span&gt;," primarily exercised by the police and the &lt;span href="/wiki/Military" title="Military"&gt;military&lt;/span&gt;. Despite its differences, this definition was not completely alien to the &lt;span href="/wiki/Marxist" title="Marxist"&gt;Marxist&lt;/span&gt; definition of the state as a "repressive apparatus" guarding the &lt;span href="/wiki/Bourgeoisie" title="Bourgeoisie"&gt;bourgeoisie&lt;/span&gt;'s interests.&lt;br /&gt; &lt;span name="Modern_police" id="Modern_police"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The invention of "police"&lt;/b&gt;&lt;br /&gt;  After the troubles of the &lt;span href="/wiki/French_Revolution" title="French Revolution"&gt;French Revolution&lt;/span&gt; the Paris police force was reorganized by &lt;span href="/wiki/Napol%C3%A9on_I" title="Napoléon I"&gt;Napoléon I&lt;/span&gt; on &lt;span href="/wiki/February_17" title="February 17"&gt;February 17&lt;/span&gt;, &lt;span href="/wiki/1800" title="1800"&gt;1800&lt;/span&gt; as the &lt;span href="/wiki/Prefecture_of_Police" title="Prefecture of Police"&gt;Prefecture of Police&lt;/span&gt;, along with the reorganization of police forces in all French cities with more than 5,000 inhabitants. On &lt;span href="/wiki/March_12" title="March 12"&gt;March 12&lt;/span&gt;, &lt;span href="/wiki/1829" title="1829"&gt;1829&lt;/span&gt;, a government decree created the first uniformed policemen in Paris and all French cities, known as &lt;i&gt;sergents de ville&lt;/i&gt; ("city sergeants"), which the Paris Prefecture of Police's website claims were the first uniformed policemen in the world.&lt;br /&gt; &lt;span name="Personnel_and_organization" id="Personnel_and_organization"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Modern police&lt;/b&gt;&lt;br /&gt;  In most Western police forces, perhaps the most significant division is between preventive ("uniformed") police and &lt;span href="/wiki/Detective" title="Detective"&gt;detectives&lt;/span&gt;. Terminology varies from country to country. Police functions include protecting life and property, enforcing &lt;span href="/wiki/Criminal_law" title="Criminal law"&gt;criminal law&lt;/span&gt;, criminal investigations, regulating traffic, crowd control, and other public safety duties.&lt;br /&gt; &lt;span name="Preventive_police" id="Preventive_police"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Personnel and organization&lt;/b&gt;&lt;br /&gt;  Preventive Police, also called Uniform Branch, Uniformed Police, Uniform Division, Administrative Police, Order Police, or Patrol, designates the police which patrol and respond to emergencies and other incidents, as opposed to detective services. As the name "uniformed" suggests, they wear &lt;span href="/wiki/Uniform" title="Uniform"&gt;uniforms&lt;/span&gt; and perform functions that require an immediate recognition of an officer's legal authority, such as &lt;span href="/wiki/Traffic" title="Traffic"&gt;traffic&lt;/span&gt; control, stopping and detaining motorists, and more active crime response and prevention. Preventive police almost always make up the bulk of a police service's personnel. In Australia and Britain, patrol personnel are also known as "general duties" officers. Unusually, in Brazil, preventive police are known as &lt;span href="/wiki/Military_Police_%28Brazil%29" title="Military Police (Brazil)"&gt;Military Police&lt;/span&gt;.&lt;br /&gt; &lt;span name="Detective_police" id="Detective_police"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Preventive police&lt;/b&gt;&lt;br /&gt;  Detective Police, also called &lt;span href="/wiki/Criminal_Investigation_Department" title="Criminal Investigation Department"&gt;Criminal Investigation Department (CID)&lt;/span&gt;, Investigations Police, Judiciary Police / Judicial Police, or Criminal Police, are responsible for investigations and detective work. They typically make up roughly 15% - 25% of a police service's personnel.&lt;br /&gt; Detectives, by contrast to uniform police, typically wear 'business attire' in bureaucratic and investigative functions where a uniformed presence would be either a distraction or intimidating, but a need to establish police authority still exists. "Plainclothes" officers dress in attire consistent with that worn by the general public for purposes of blending in. In some cases, police are assigned to work "undercover", where they conceal their police identity to investigate crimes, such as &lt;span href="/wiki/Organized_crime" title="Organized crime"&gt;organized crime&lt;/span&gt; or &lt;span href="/wiki/Narcotic" title="Narcotic"&gt;narcotics&lt;/span&gt; crime, unsolvable by other means. In some cases this type of policing shares some aspects with &lt;span href="/wiki/Espionage" title="Espionage"&gt;espionage&lt;/span&gt;.&lt;br /&gt; Despite popular conceptions promoted by movies and television, many US police departments prefer not to maintain officers in non-patrol bureaus and divisions beyond a certain period of time, such as in the detective bureau, and instead maintain policies that limit service in such divisions to a specified period of time, after which officers must transfer out or return to patrol duties. This is done in part based upon the perception that the most important and essential police work is accomplished on patrol in which officers become acquainted with their beats, prevent crime by their presence, respond to crimes in progress, manage crises, and practice their skills. Detectives, by contrast, usually investigate crimes after they have occurred and after patrol officers have responded first to a situation. Investigations often take weeks or months to complete, during which time detectives spend much of their time away from the streets, in interviews and courtrooms, for example. Rotating officers also promotes &lt;span href="/wiki/Cross-training" title="Cross-training"&gt;cross-training&lt;/span&gt; in a wider variety of skills, and serves to prevent "cliques" that can contribute to corruption or other unethical behavior.&lt;br /&gt; &lt;span name="Auxiliary" id="Auxiliary"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Detective police&lt;/b&gt;&lt;br /&gt;  Police may also take on &lt;span href="/wiki/Auxiliary_police" title="Auxiliary police"&gt;auxiliary&lt;/span&gt; administrative duties, such as issuing firearms licenses. The extent that police have these functions varies among countries, with police in &lt;span href="/wiki/France" title="France"&gt;France&lt;/span&gt;, &lt;span href="/wiki/Germany" title="Germany"&gt;Germany&lt;/span&gt;, and other &lt;span href="/wiki/Continental_Europe" title="Continental Europe"&gt;continental European&lt;/span&gt; countries handling such tasks to a greater extent than British counterparts.&lt;br /&gt; &lt;span name="Specialized_units" id="Specialized_units"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Specialized units&lt;/b&gt;&lt;br /&gt;  Police services commonly include units for investigating crimes committed by the police themselves. These units are typically called Inspectorate-General, or in the USA, "&lt;span href="/wiki/Internal_affairs_%28law_enforcement%29" title="Internal affairs (law enforcement)"&gt;internal affairs&lt;/span&gt;". In some countries separate organizations outside the police exist for such purposes, such as the British &lt;span href="/wiki/Police_Complaints_Authority" title="Police Complaints Authority"&gt;Police Complaints Authority&lt;/span&gt; (now &lt;span href="/wiki/Independent_Police_Complaints_Commission" title="Independent Police Complaints Commission"&gt;Independent Police Complaints Commission&lt;/span&gt;). Likewise, some state and local jurisdictions, for example, Springfield, Illinois have similar outside review organizations. The Police Service of Northern Ireland are investigated by the &lt;span href="/wiki/Police_Ombudsman_for_Northern_Ireland" title="Police Ombudsman for Northern Ireland"&gt;Police Ombudsman for Northern Ireland&lt;/span&gt;, an external agency which were set up as a result of the Patten report into policing the province.&lt;br /&gt; &lt;span name="Military_police" id="Military_police"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Investigating crimes committed by the police&lt;/b&gt;&lt;br /&gt;  There are several types of military police services:&lt;br /&gt; &lt;span name="Police_armament_and_equipment" id="Police_armament_and_equipment"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Gendarmerie" title="Gendarmerie"&gt;Gendarmeries&lt;/span&gt; are military force which polices a civilian population.&lt;br /&gt; &lt;span href="/wiki/Provost_%28Military_Police%29" title="Provost (Military Police)"&gt;Provost&lt;/span&gt; services are military police services that work within the armed forces.&lt;br /&gt; &lt;span href="/wiki/Constabulary" title="Constabulary"&gt;Constabulary&lt;/span&gt; A civilian police force trained and organized along military lines.   &lt;b&gt; Military police&lt;/b&gt;&lt;br /&gt;  In many jurisdictions, police officers carry &lt;span href="/wiki/Firearm" title="Firearm"&gt;firearms&lt;/span&gt;, primarily handguns, in the normal course of their duties.&lt;br /&gt; Police often have specialist units for handling armed offenders, and similar dangerous situations, and can (depending on local laws), in some extreme circumstances, call on the &lt;span href="/wiki/Military" title="Military"&gt;military&lt;/span&gt; (since &lt;span href="/wiki/Military_Aid_to_the_Civil_Power" title="Military Aid to the Civil Power"&gt;Military Aid to the Civil Power&lt;/span&gt; is a role of many armed forces). Perhaps the most high-profile example of this was, in &lt;span href="/wiki/1980" title="1980"&gt;1980&lt;/span&gt; the &lt;span href="/wiki/Metropolitan_Police" title="Metropolitan Police"&gt;Metropolitan Police&lt;/span&gt; handing control of the &lt;span href="/wiki/Iranian_Embassy_Siege" title="Iranian Embassy Siege"&gt;Iranian Embassy Siege&lt;/span&gt; to the &lt;span href="/wiki/Special_Air_Service" title="Special Air Service"&gt;Special Air Service&lt;/span&gt;. They can also be equipped with &lt;span href="/wiki/Non-lethal_force" title="Non-lethal force"&gt;non-lethal&lt;/span&gt; (more accurately known as "less than lethal" or "less-lethal") weaponry, particularly for &lt;span href="/wiki/Riot_control" title="Riot control"&gt;riot control&lt;/span&gt;. Non-lethal weapons include &lt;span href="/wiki/Club_%28weapon%29" title="Club (weapon)"&gt;batons&lt;/span&gt;, &lt;span href="/wiki/Riot_control_agent" title="Riot control agent"&gt;riot control agents&lt;/span&gt;, &lt;span href="/wiki/Rubber_bullet" title="Rubber bullet"&gt;rubber bullets&lt;/span&gt; and &lt;span href="/wiki/Electroshock_weapon" title="Electroshock weapon"&gt;electroshock weapons&lt;/span&gt;. The use of firearms or &lt;span href="/wiki/Deadly_force" title="Deadly force"&gt;deadly force&lt;/span&gt; is typically a last resort only to be used when necessary to save human life, although some jurisdictions allow its use against fleeing felons and escaped convicts. Police officers often carry &lt;span href="/wiki/Handcuffs" title="Handcuffs"&gt;handcuffs&lt;/span&gt; to restrain suspects.&lt;br /&gt; Modern police forces make extensive use of &lt;span href="/wiki/Radio" title="Radio"&gt;radio&lt;/span&gt; communications equipment, carried both on the person and installed in vehicles, to co-ordinate their work, share information, and get help quickly. In recent years, vehicle-installed computers have enhanced the ability of police communications, enabling easier dispatching of calls, criminal background checks on persons of interest to be completed in a matter of seconds, and updating the officer's daily activity log and other required reports on a real-time basis. Other common pieces of police equipment include &lt;span href="/wiki/Flashlight" title="Flashlight"&gt;flashlights&lt;/span&gt;/torches, &lt;span href="/wiki/Whistle" title="Whistle"&gt;whistles&lt;/span&gt;, and &lt;span href="/wiki/Police_notebook" title="Police notebook"&gt;police notebooks&lt;/span&gt; and "ticketbooks" or &lt;span href="/wiki/Summons" title="Summons"&gt;citations&lt;/span&gt;.&lt;br /&gt; &lt;span name="Police_vehicles" id="Police_vehicles"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Police armament and equipment&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;div class="noprint"&gt;&lt;i&gt;Main article: &lt;span href="/wiki/Police_car" title="Police car"&gt;Police car&lt;/span&gt;&lt;/i&gt;  &lt;b&gt; Police vehicles&lt;/b&gt;&lt;br /&gt;  The advent of the police car, &lt;span href="/wiki/Two-way_radio" title="Two-way radio"&gt;two-way radio&lt;/span&gt;, and telephone in the early 20th century transformed policing into a reactive strategy that focused on responding to &lt;span href="/wiki/Calls_for_service" title="Calls for service"&gt;calls for service&lt;/span&gt;.&lt;br /&gt; &lt;span name="Restrictions_upon_the_power_of_the_police" id="Restrictions_upon_the_power_of_the_police"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.union.k12.in.us/LECA/03.jpg"  alt="Law enforcement"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Policing strategies&lt;/b&gt;&lt;br /&gt;  In many nations, &lt;span href="/wiki/Criminal_procedure" title="Criminal procedure"&gt;criminal procedure&lt;/span&gt; law has been developed to regulate officers' discretion, so that they do not arbitrarily or unjustly exercise their powers of &lt;span href="/wiki/Arrest" title="Arrest"&gt;arrest&lt;/span&gt;, &lt;span href="/wiki/Search_and_seizure" title="Search and seizure"&gt;search and seizure&lt;/span&gt;, and &lt;span href="/wiki/Use_of_force" title="Use of force"&gt;use of force&lt;/span&gt;. In the United States, &lt;i&gt;&lt;span href="/wiki/Miranda_v._Arizona" title="Miranda v. Arizona"&gt;Miranda v. Arizona&lt;/span&gt;&lt;/i&gt; led to the widespread use of &lt;span href="/wiki/Miranda_warning" title="Miranda warning"&gt;Miranda warnings&lt;/span&gt; or constitutional warnings. Police in the United States are also prohibited from holding criminal suspects for more than a reasonable amount of time (usually 72 hours) before &lt;span href="/wiki/Arraignment" title="Arraignment"&gt;arraignment&lt;/span&gt;, using &lt;span href="/wiki/Torture" title="Torture"&gt;torture&lt;/span&gt; to extract &lt;span href="/wiki/Confession" title="Confession"&gt;confessions&lt;/span&gt;, using excessive force to effect an arrest, and searching suspects' bodies or their homes without a warrant obtained upon a showing of &lt;span href="/wiki/Probable_cause" title="Probable cause"&gt;probable cause&lt;/span&gt;. Using deception for confessions is permitted, but not coercion. There are exceptions or exigent circumstances such as an articulated need to disarm a suspect or searching a suspect who has already been arrested (Search Incident to an Arrest). The &lt;span href="/wiki/Posse_Comitatus_Act" title="Posse Comitatus Act"&gt;Posse Comitatus Act&lt;/span&gt; severely restricts the use of the military for police activity, giving added importance to police &lt;span href="/wiki/SWAT" title="SWAT"&gt;SWAT&lt;/span&gt; units.&lt;br /&gt; British police officers are governed by similar rules, particularly those introduced under the &lt;span href="/wiki/Police_and_Criminal_Evidence_Act_1984" title="Police and Criminal Evidence Act 1984"&gt;Police and Criminal Evidence Act 1984&lt;/span&gt;, but generally have greater powers. They may, for example, legally search any suspect who has been arrested, or their vehicles, home or business premises, without a warrant, and may seize anything they find in a search as evidence. All police officers in the United Kingdom, whatever their actual rank, are 'constables' in terms of their legal position. This means that a newly appointed constable has the same arrest powers as a Chief Constable or Commissioner. However, certain higher ranks have additional powers to authorize certain aspects of police operations, such as a power to authorize a search of a suspect's house (section 18 PACE) by an officer of the rank of Inspector, or the power to authorize a suspect's detention beyond 24 hours by a Superintendent.&lt;br /&gt; &lt;span name="Police_conduct_and_accountability" id="Police_conduct_and_accountability"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Restrictions upon the power of the police&lt;/b&gt;&lt;br /&gt;  Investigation of police corruption is sometimes made more difficult by a &lt;span href="/wiki/Code_of_silence" title="Code of silence"&gt;code of silence&lt;/span&gt; that encourages unquestioning loyalty to comrades over the cause of justice. If an officer breaks this code, they may receive death threats or even be left for dead, as in the case of &lt;span href="/wiki/Frank_Serpico" title="Frank Serpico"&gt;Frank Serpico&lt;/span&gt;. One way to fight such corruption is by having an independent or semi-independent organization investigate, such as (in the United States) the Federal &lt;span href="/wiki/United_States_Department_of_Justice" title="United States Department of Justice"&gt;Justice Department&lt;/span&gt;, state &lt;span href="/wiki/Attorney_General" title="Attorney General"&gt;Attorneys General&lt;/span&gt;, local &lt;span href="/wiki/District_Attorney" title="District Attorney"&gt;District Attorneys&lt;/span&gt;, a police department's own &lt;span href="/wiki/Internal_affairs_%28law_enforcement%29" title="Internal affairs (law enforcement)"&gt;internal affairs&lt;/span&gt; division, or specially appointed commissions. However, independent organizations are generally not used except for the most severe cases of corruption.&lt;br /&gt; &lt;span name="Use_of_force" id="Use_of_force"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Police conduct and accountability&lt;/b&gt;&lt;br /&gt;  Police forces also find themselves under criticism for their use of force, particularly &lt;span href="/wiki/Deadly_force" title="Deadly force"&gt;deadly force&lt;/span&gt;. Specifically, tension increases when a police officer of one race harms or kills a suspect of another race. In the United States, such events routinely spark protests and accusations of racism against police.&lt;br /&gt; In the United States since the 1960s, concern over such issues has increasingly weighed upon law enforcement agencies, courts and legislatures at every level of government. Incidents such as the 1965 &lt;span href="/wiki/Watts_Riots" title="Watts Riots"&gt;Watts Riots&lt;/span&gt;, the videotaped 1991 beating by &lt;span href="/wiki/Los_Angeles_Police_Department" title="Los Angeles Police Department"&gt;Los Angeles Police&lt;/span&gt; officers of &lt;span href="/wiki/Rodney_King" title="Rodney King"&gt;Rodney King&lt;/span&gt;, and the &lt;span href="/wiki/1992_Los_Angeles_Riot" title="1992 Los Angeles Riot"&gt;riot&lt;/span&gt; following their acquittal has depicted American police as dangerously lacking in appropriate controls. The fact that this trend has occurred contemporaneously with the rise of the US &lt;span href="/wiki/Civil_rights_movement" title="Civil rights movement"&gt;civil rights movement&lt;/span&gt;, the "&lt;span href="/wiki/War_on_Drugs" title="War on Drugs"&gt;War on Drugs&lt;/span&gt;" and a precipitous rise in violent crime from the 1960s to the 1990s has made questions surrounding the role, administration and scope of authority of police specifically and the criminal justice system as a whole increasingly complicated. Police departments and the local governments that oversee them in some jurisdictions have attempted to mitigate some of these issues through community &lt;span href="/wiki/Outreach" title="Outreach"&gt;outreach&lt;/span&gt; programs and &lt;span href="/wiki/Community_policing" title="Community policing"&gt;community policing&lt;/span&gt; to make the police more accessible to the concerns of local communities; by working to increase hiring diversity; by updating training of police in their responsibilities to the community and under the law; and by increased oversight within the department or by civilian commissions. In cases in which such measures have been lacking or absent, local departments have been compelled by legal action initiated by the &lt;span href="/wiki/US_Department_of_Justice" title="US Department of Justice"&gt;US Department of Justice&lt;/span&gt; under the &lt;span href="/wiki/14th_Amendment_to_the_United_States_Constitution" title="14th Amendment to the United States Constitution"&gt;14th Amendment&lt;/span&gt; to enter into &lt;span href="/wiki/Consent_decree" title="Consent decree"&gt;consent decree&lt;/span&gt; settlements to adopt such measures and submit to oversight by the Justice Department.&lt;br /&gt; Some believe that police forces have been responsible for enforcing many &lt;span href="/wiki/Bigotry" title="Bigotry"&gt;bigoted&lt;/span&gt; perspectives. &lt;span href="/wiki/Ageism" title="Ageism"&gt;Ageism&lt;/span&gt; against teens, &lt;span href="/wiki/Classism" title="Classism"&gt;classism&lt;/span&gt;, &lt;span href="/wiki/Homophobia" title="Homophobia"&gt;homophobia&lt;/span&gt;, &lt;span href="/wiki/Racism" title="Racism"&gt;racism&lt;/span&gt;, and &lt;span href="/wiki/Sexism" title="Sexism"&gt;sexism&lt;/span&gt; are views which police have been charged with having held and enforced. Some police organizations are faced with routine accusations of &lt;span href="/wiki/Racial_profiling" title="Racial profiling"&gt;racial profiling&lt;/span&gt;.&lt;br /&gt; &lt;span name="Recruitment" id="Recruitment"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Use of force&lt;/b&gt;&lt;br /&gt;  The social status and pay of police can lead to problems with recruitment and morale. Jurisdictions lacking the resources or the desire to pay police appropriately, lacking a tradition of professional and ethical law enforcement, or lacking adequate oversight of the police often face a dearth of quality recruits, a lack of professionalism and commitment among their police, and broad mistrust of the police among the public. These situations often strongly contribute to police corruption and brutality. This is particularly a problem in countries undergoing social and political development; countries that lack &lt;span href="/wiki/Rule_of_law" title="Rule of law"&gt;rule of law&lt;/span&gt; or &lt;span href="/wiki/Civil_service" title="Civil service"&gt;civil service&lt;/span&gt; traditions; or countries in transition from authoritarian or Communist governments in which the prior regime's police were little more than &lt;span href="/wiki/Praetorian_Guard#Modern_analogous_uses_of_the_term" title="Praetorian Guard"&gt;praetorians&lt;/span&gt;.&lt;br /&gt; &lt;span name="Police_around_the_world" id="Police_around_the_world"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Police around the world&lt;/b&gt;&lt;br /&gt;  &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-7893394500006529727?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/7893394500006529727/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=7893394500006529727' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7893394500006529727'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7893394500006529727'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/police-are-agents-or-agencies-empowered.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-3782661696322200121</id><published>2008-04-27T01:57:00.001+09:00</published><updated>2008-04-27T01:57:14.213+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Danish_language" title="Danish language"&gt;Danish&lt;/span&gt; and &lt;span href="/wiki/Norwegian_language" title="Norwegian language"&gt;Norwegian&lt;/span&gt; &lt;span href="/wiki/Alphabet" title="Alphabet"&gt;alphabet&lt;/span&gt; is based upon the &lt;span href="/wiki/Latin_alphabet" title="Latin alphabet"&gt;Latin alphabet&lt;/span&gt; and has consisted of the following 29 letters since 1955 (Norwegian since 1917):&lt;br /&gt; &lt;small&gt;This article is part of the series on:&lt;/small&gt; &lt;b&gt;&lt;span href="/wiki/Danish_language" title="Danish language"&gt;Danish language&lt;/span&gt;&lt;/b&gt;&lt;br /&gt; &lt;b&gt;Use:&lt;/b&gt;&lt;img src="http://www.lingvozone.com/Lingvozone.com/images/top/slogan.gif"  alt="Danish alphabet"  align="left" style="padding:10px"  /&gt; &lt;small&gt;&lt;span href="/wiki/Danish_alphabet" title="Danish alphabet"&gt;Alphabet&lt;/span&gt; &lt;span href="/wiki/Danish_phonology" title="Danish phonology"&gt;Phonology&lt;/span&gt; &lt;span href="/wiki/Danish_grammar" title="Danish grammar"&gt;Grammar&lt;/span&gt;&lt;br /&gt;&lt;/small&gt;&lt;br /&gt; &lt;b&gt;Other topics:&lt;/b&gt;&lt;img src="http://"  alt="Danish alphabet"  align="left" style="padding:10px"  /&gt; &lt;small&gt;&lt;span href="/wiki/History_of_Danish" title="History of Danish"&gt;History&lt;/span&gt; &lt;span href="/wiki/Danish_literature" title="Danish literature"&gt;Literature&lt;/span&gt;&lt;br /&gt;&lt;/small&gt;&lt;br /&gt; &lt;small&gt;&lt;span href="/wiki/Dansk_Sprogn%C3%A6vn" title="Dansk Sprognævn"&gt;Dansk Sprognævn&lt;/span&gt;&lt;/small&gt;&lt;br /&gt; (&lt;span href="http://upload.wikimedia.org/wikipedia/en/5/57/Danish_alphabet.ogg" class="internal" title="Danish alphabet.ogg"&gt;Listen to a Danish speaker recite the alphabet in Danish.&lt;/span&gt;)&lt;br /&gt; The letters c, q, w, x and z are only used in loanwords. Some also spell their otherwise Scandinavian family names using these letters.&lt;br /&gt; &lt;span name="Diacritics" id="Diacritics"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Diacritics&lt;/b&gt;&lt;br /&gt;  The letter &lt;i&gt;Å&lt;/i&gt; (&lt;span href="/wiki/HTML" title="HTML"&gt;HTML&lt;/span&gt; &amp;amp;aring;) was introduced in Norwegian in &lt;span href="/wiki/1917" title="1917"&gt;1917&lt;/span&gt;, replacing &lt;i&gt;Aa&lt;/i&gt;. Similarly, the letter &lt;i&gt;Å&lt;/i&gt; was introduced in Danish in &lt;span href="/wiki/1948" title="1948"&gt;1948&lt;/span&gt;, but the final decision on its place in the alphabet was not made. The initial proposal was to place it first, before &lt;i&gt;A&lt;/i&gt;. Its place as the last letter of the alphabet, as in Norwegian, was decided in &lt;span href="/wiki/1955" title="1955"&gt;1955&lt;/span&gt;. The former &lt;span href="/wiki/Digraph_%28orthography%29" title="Digraph (orthography)"&gt;digraph&lt;/span&gt; &lt;i&gt;Aa&lt;/i&gt; still occurs in names and old documents and is still the correct transliteration, if the letter is not available for technical reasons. &lt;i&gt;Aa&lt;/i&gt; is treated like &lt;i&gt;Å&lt;/i&gt; in &lt;span href="/wiki/Collation" title="Collation"&gt;alphabetical sorting&lt;/span&gt;, not like two adjacent letters &lt;i&gt;A&lt;/i&gt;. This rule does not apply to non-Scandinavian names, so a modern dictionary would list the German city of &lt;span href="/wiki/Aachen" title="Aachen"&gt;Aachen&lt;/span&gt; under &lt;i&gt;A&lt;/i&gt; but list the Danish town of &lt;span href="/wiki/Aabenraa" title="Aabenraa"&gt;Aabenraa&lt;/span&gt; under &lt;i&gt;Å&lt;/i&gt;.&lt;br /&gt; The difference between the Dano-Norwegian and the &lt;span href="/wiki/Swedish_alphabet" title="Swedish alphabet"&gt;Swedish alphabet&lt;/span&gt; is that Swedish uses the variant &lt;i&gt;Ä&lt;/i&gt; instead of &lt;i&gt;Æ&lt;/i&gt; (HTML &amp;amp;AElig;), and the variant &lt;i&gt;Ö&lt;/i&gt; instead of &lt;i&gt;Ø&lt;/i&gt; (HTML &amp;amp;Oslash;) — similar to &lt;span href="/wiki/German_language" title="German language"&gt;German&lt;/span&gt;. Also, the &lt;span href="/wiki/Collation" title="Collation"&gt;collating order&lt;/span&gt; for these three characters is different: &lt;i&gt;Å, Ä, Ö&lt;/i&gt;. Some scholars have argued that &lt;i&gt;Ä/Æ&lt;/i&gt; and &lt;i&gt;Ö/Ø&lt;/i&gt; are mere glyph variants of the same letters and should thus be encoded the same.&lt;br /&gt; In current Danish and Norwegian, &lt;i&gt;W&lt;/i&gt; is recognized as a separate letter from &lt;i&gt;V&lt;/i&gt;. In Danish, the transition was made in &lt;span href="/wiki/1980" title="1980"&gt;1980&lt;/span&gt;; before that, the &lt;i&gt;W&lt;/i&gt; was merely considered to be a variation of the letter &lt;i&gt;V&lt;/i&gt; and words using it were alphabetized accordingly (e.g.: "Wales, Vallø, Washington, Wedellsborg, Vendsyssel"). A common Danish children's song about the alphabet still states that the alphabet has 28 letters; the last line reads &lt;i&gt;otte-og-tyve skal der stå&lt;/i&gt;, i.e. "that makes twenty-eight". However, today the letter "w" is considered an official letter.&lt;br /&gt; &lt;span name="Computing_standards" id="Computing_standards"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-3782661696322200121?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/3782661696322200121/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=3782661696322200121' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/3782661696322200121'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/3782661696322200121'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/danish-and-norwegian-alphabet-is-based.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-570989294862465027</id><published>2008-04-26T00:09:00.001+09:00</published><updated>2008-04-26T00:09:45.621+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;blessing of &lt;span href="/wiki/Same-sex_union" title="Same-sex union"&gt;same-sex unions&lt;/span&gt;&lt;/b&gt; is currently an issue about which some &lt;span href="/wiki/Christianity" title="Christianity"&gt;Christian&lt;/span&gt; Churches are at present in disagreement with other Christian churches. These disagreements are primarily centered on the interpretation of various &lt;span href="/wiki/Scripture" title="Scripture"&gt;scripture&lt;/span&gt; passages related to &lt;span href="/wiki/Homosexuality" title="Homosexuality"&gt;homosexuality&lt;/span&gt;, and in some Churches on the varying understandings of &lt;span href="/wiki/Homosexuality" title="Homosexuality"&gt;homosexuality&lt;/span&gt; in &lt;span href="/wiki/Psychology" title="Psychology"&gt;psychology&lt;/span&gt;, &lt;span href="/wiki/Genetics" title="Genetics"&gt;genetics&lt;/span&gt; and other scientific data. While various Church bodies have widely varying practices and teachings, individual Christians of every major tradition are involved in practical (&lt;span href="/wiki/Orthopraxy" title="Orthopraxy"&gt;orthopraxy&lt;/span&gt;) discussions about how to respond to the issue.&lt;br /&gt; &lt;span class="boilerplate seealso"&gt;&lt;i&gt;See also: &lt;span href="/wiki/List_of_Christian_denominational_positions_on_homosexuality" title="List of Christian denominational positions on homosexuality"&gt;List of Christian denominational positions on homosexuality&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span name="Terminology" id="Terminology"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Terminology&lt;/b&gt;&lt;br /&gt;  Those Christians and Churches which support blessing of same-sex unions do so from several perspectives:&lt;br /&gt; Those Christians and Churches which oppose same-sex unions and same-sex marriage do so from some or all of the following reasons:&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;The natural physical complementarity between the sexes.&lt;/li&gt;&lt;br /&gt; &lt;li&gt;The biology of sexuality is oriented toward procreation; homosexuality from this perspective is without merit.&lt;/li&gt;&lt;br /&gt; &lt;/ul&gt;&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Homosexual practices appear to be condemned in Genesis 18:17-19:29 (&lt;span href="/wiki/Sodom_and_Gomorrah" title="Sodom and Gomorrah"&gt;Sodom and Gomorrah&lt;/span&gt;) and Judges 19:1-20:48 (cf. 19:22)&lt;/li&gt;&lt;br /&gt; &lt;li&gt;Homosexual practices are explicitly condemned in Romans 1:26-28; 1 Corinthians 6:9-10; 1 Timothy 1:9-10 (NASB)&lt;/li&gt;&lt;br /&gt; &lt;/ul&gt;&lt;br /&gt; &lt;br /&gt; &lt;span name="Controversy_between_same-sex_union_and_marriage" id="Controversy_between_same-sex_union_and_marriage"&gt;&lt;/span&gt;&lt;br /&gt; Interpretations of the Bible that deemphasize Old and New Testament passages regarding homosexual practice. Appeals to APA statements regarding homosexuality may influence this belief.&lt;br /&gt; Believes that "the inclusiveness of &lt;span href="/wiki/Baptism" title="Baptism"&gt;Baptism&lt;/span&gt;" requires equal access to having relationships "&lt;span href="/wiki/Bless" title="Bless"&gt;blessed&lt;/span&gt;" by the church.&lt;br /&gt; Belief that "all love is from God and is a reflection of and participation in Divine Love". And therefore that &lt;span href="/wiki/Agape_love" title="Agape love"&gt;love&lt;/span&gt; present in same sex relationships ought to be recognized/ceremonialized in a church setting.&lt;br /&gt; It is a matter of justice. Desire to provide "equality" or "equal access" in marriage services so as not to "marginalize" LGBT people or relationships.&lt;br /&gt; It is a "compassionate response" that improves gay-straight relations and reduces anti-gay hate speech.&lt;br /&gt; It is an affirmative good that stands alongside straight marriage and committed monastic celibacy as a revelation of God's self in the world.&lt;br /&gt; Marriage is a &lt;span href="/wiki/Sacrament" title="Sacrament"&gt;Sacrament&lt;/span&gt; ("Matrimony") defined first in the Book of Genesis, then later in the teachings of Christ as a union of man and woman.&lt;br /&gt; The &lt;span href="/wiki/Roman_Catholic_Church" title="Roman Catholic Church"&gt;Roman Catholic Church&lt;/span&gt;, in particular, also appeals to the reasoning of the &lt;span href="/wiki/Natural_law" title="Natural law"&gt;Natural Law&lt;/span&gt; Tradition. According to Natural Law the "natural order" of human sexuality is oriented toward the opposite sex for several reasons:&lt;br /&gt; The natural physical complementarity between the sexes.&lt;br /&gt; The biology of sexuality is oriented toward procreation; homosexuality from this perspective is without merit.&lt;br /&gt; Many churches rely on the words of the Bible as Divine Revelation (&lt;span href="/wiki/Sacred_Scripture" title="Sacred Scripture"&gt;Sacred Scripture&lt;/span&gt; and &lt;span href="/wiki/Sacred_Tradition" title="Sacred Tradition"&gt;Sacred Tradition&lt;/span&gt;).&lt;br /&gt; Traditional or literal interpretations of Old and New Testament passages opposing homosexual activity:&lt;br /&gt; Homosexual practices appear to be condemned in Genesis 18:17-19:29 (&lt;span href="/wiki/Sodom_and_Gomorrah" title="Sodom and Gomorrah"&gt;Sodom and Gomorrah&lt;/span&gt;) and Judges 19:1-20:48 (cf. 19:22)&lt;br /&gt; Homosexual practices are explicitly condemned in Romans 1:26-28; 1 Corinthians 6:9-10; 1 Timothy 1:9-10 (NASB)&lt;br /&gt; Moral condemnations against rectal intercourse that transcend biblical interpretation and that some say derive from &lt;span href="/wiki/Homophobia" title="Homophobia"&gt;homophobia&lt;/span&gt;.   &lt;b&gt; Theological differences between support and opposition&lt;/b&gt;&lt;br /&gt;  Some people feel that same-sex unions are middle ground between same sex marriage and condemnation of same sex relationships. Unions as a 'legal status' between individuals does not by itself conflict with Church teachings about the sacredness of "Marriage".&lt;br /&gt; The &lt;span href="/wiki/Episcopal_Church_USA" title="Episcopal Church USA"&gt;Episcopal Church USA&lt;/span&gt;, many dioceses of which permit the blessing of same-sex &lt;i&gt;unions&lt;/i&gt;, nevertheless rejected at their &lt;span href="/wiki/General_Convention_of_the_Episcopal_Church_in_the_United_States_of_America" title="General Convention of the Episcopal Church in the United States of America"&gt;2006 General Convention&lt;/span&gt; a resolution allowing the solemnization of same-sex &lt;i&gt;marriages&lt;/i&gt; in Massachusetts, where &lt;span href="/wiki/Same-sex_marriage_in_Massachusetts" title="Same-sex marriage in Massachusetts"&gt;same sex marriage is recognized by civil law&lt;/span&gt;.&lt;br /&gt; &lt;span name="Churches_unfavorable_to_same-sex_unions_and_marriage" id="Churches_unfavorable_to_same-sex_unions_and_marriage"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Controversy between same-sex union and marriage&lt;/b&gt;&lt;br /&gt;  Same sex marriage is forbidden in a majority of Christian denominations, including Roman Catholics, Protestants (mainline, evangelical, non-denominational, and fundamentalist churches), Orthodox (the Eastern Orthodox Churches, and the Oriental Orthodox Churches) Churches, and the LDS Church. According to a 2002 study by the &lt;span href="/wiki/Marriage_Law_Project" title="Marriage Law Project"&gt;Marriage Law Project&lt;/span&gt;, which opposes same-sex marriage, denominations claiming 97.6% of US Christians and 99.97% of Christians worldwide presently declare that marriage is between a man and a woman. Because same sex &lt;b&gt;religious&lt;/b&gt; unions are not widespread and because &lt;b&gt;civil&lt;/b&gt; unions do not require religious officiation, documentation of the incidence of church blessing of same sex couples is difficult.&lt;br /&gt; &lt;span name="Churches_favorable_to_same-sex_marriage" id="Churches_favorable_to_same-sex_marriage"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Churches unfavorable to same-sex unions and marriage&lt;/b&gt;&lt;br /&gt;  Due to its "local option", a number of congregations and ministers of the &lt;span href="/wiki/United_Church_of_Canada" title="United Church of Canada"&gt;United Church of Canada&lt;/span&gt; (a merger of Congregationalist, Presbyterian and Methodist congregations in Canada following presbyterian polity) officiate at same-sex marriages, which are fully legal in &lt;span href="/wiki/Canada" title="Canada"&gt;Canada&lt;/span&gt;.&lt;br /&gt; In the Anglican Communion, &lt;span href="/wiki/Integrity_Toronto" title="Integrity Toronto"&gt;Integrity Toronto&lt;/span&gt; has been divided over whether to continue pressing for same-sex blessings, or to revise their goals to seek full marriage rights. Canberra Quakers and Queensland Quakers are prepared to celebrate same sex marriages despite the lack of legal recognition. See &lt;span href="/wiki/Quaker_views_of_homosexuality" title="Quaker views of homosexuality"&gt;Quaker views of homosexuality&lt;/span&gt;&lt;br /&gt; Many smaller denominations, such as the &lt;span href="/wiki/Eucharistic_Catholic_Church" title="Eucharistic Catholic Church"&gt;Eucharistic Catholic Church&lt;/span&gt; also solemnize same-sex marriages.&lt;br /&gt; &lt;span name="Churches_favorable_to_Same-sex_union" id="Churches_favorable_to_Same-sex_union"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Churches favorable to same-sex marriage&lt;/b&gt;&lt;br /&gt;  &lt;span name="Anglicanism" id="Anglicanism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Churches favorable to Same-sex union&lt;/b&gt;&lt;br /&gt;  &lt;span name="Report_of_the_Lambeth_Commission" id="Report_of_the_Lambeth_Commission"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Anglicanism&lt;/b&gt;&lt;br /&gt;  The Archbishop of Canterbury requested the Lambeth Commission on Communion to report to him by September, 2004. The Commission was asked to consider the legal and &lt;span href="/wiki/Theological" title="Theological"&gt;theological&lt;/span&gt; implications flowing from &lt;span href="/wiki/Anglican_views_of_homosexuality" title="Anglican views of homosexuality"&gt;decisions related to homosexuality&lt;/span&gt; that were apparently threatening the communion. In addition to decisions relating to the blessing of same sex unions, the Commission was asked to examine the decision of the Episcopal Church (USA) to appoint a priest, &lt;span href="/wiki/Gene_Robinson" title="Gene Robinson"&gt;Gene Robinson&lt;/span&gt;, in a committed same sex relationship as one of its bishops. The Commission was charged with specifically considering the effects on &lt;span href="/wiki/Full_communion" title="Full communion"&gt;communion&lt;/span&gt;: "impaired and broken communion," between provinces of the Anglican Communion over the above decisions.&lt;br /&gt; In its report, known as the &lt;i&gt;&lt;span href="/wiki/Windsor_Report" title="Windsor Report"&gt;Windsor Report&lt;/span&gt;&lt;/i&gt;, the Commission put forward the following general findings"&lt;br /&gt; &lt;i&gt;The Commission regrets that without attaching sufficient importance to the interests of the wider Communion:&lt;/i&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;i&gt;The Episcopal Church (USA) proceeded with the consecration of Gene Robinson&lt;/i&gt;&lt;/li&gt;&lt;br /&gt; &lt;li&gt;&lt;i&gt;The 74th General Convention of the Episcopal Church (USA) declared that 'local faith communities are operating within the bounds of our common life as they explore and experience liturgies celebrating and blessing same-sex unions'[80]&lt;/i&gt;&lt;/li&gt;&lt;br /&gt; &lt;li&gt;&lt;i&gt;The Diocese of New Westminster approved the use of public Rites for the Blessing of same sex unions.&lt;/i&gt;&lt;/li&gt;&lt;br /&gt; &lt;li&gt;&lt;i&gt;The General Synod of the Anglican Church of Canada issued a statement affirming the integrity and sanctity of committed same sex relationships.&lt;/i&gt;&lt;/li&gt;&lt;br /&gt; &lt;li&gt;&lt;i&gt;A number of primates and other bishops have taken it upon themselves to intervene in the affairs of other provinces of the Communion.&lt;/i&gt;&lt;/li&gt;&lt;br /&gt; &lt;/ul&gt;&lt;br /&gt; &lt;br /&gt; The Commission called for a moratorium on the blessing of same sex unions, and recommended that bishops who have authorised such rites in the United States and Canada "be invited to express regret that the proper constraints of the bonds of affection were breached by such authorisation." The report was roundly condemned by the gay community and progressive theologians for its partiality. (For example, while it calls for both liberals and conservatives to express regret for actions contributing to disunity, it acknowledges that conservatives may have committees such actions out of a sense of duty, but extends no such understanding to the Dioceses of New Westminster or New Hampshire).&lt;br /&gt; &lt;span name="Anglican_Church_of_Canada" id="Anglican_Church_of_Canada"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;The Episcopal Church (USA) proceeded with the consecration of Gene Robinson&lt;/i&gt;&lt;br /&gt; &lt;i&gt;The 74th General Convention of the Episcopal Church (USA) declared that 'local faith communities are operating within the bounds of our common life as they explore and experience liturgies celebrating and blessing same-sex unions'[80]&lt;/i&gt;&lt;br /&gt; &lt;i&gt;The Diocese of New Westminster approved the use of public Rites for the Blessing of same sex unions.&lt;/i&gt;&lt;br /&gt; &lt;i&gt;The General Synod of the Anglican Church of Canada issued a statement affirming the integrity and sanctity of committed same sex relationships.&lt;/i&gt;&lt;br /&gt; &lt;i&gt;A number of primates and other bishops have taken it upon themselves to intervene in the affairs of other provinces of the Communion.&lt;/i&gt;   &lt;b&gt; Report of the Lambeth Commission&lt;/b&gt;&lt;br /&gt;  The General Synod of the Anglican Church of Canada in 2004 voted to defer a decision of same-sex blessings until 2007, but also to "Affirm the integrity and sanctity of committed adult same-sex relationships".&lt;br /&gt; &lt;span name="Diocese_of_New_Westminster" id="Diocese_of_New_Westminster"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://graphics8.nytimes.com/images/2007/02/19/world/20anglicans.1901.jpg"  alt="Blessing of same-sex unions in Christian churches"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Anglican Church of Canada&lt;/b&gt;&lt;br /&gt;  Blessing of same sex unions became a subject of media attention in the &lt;span href="/wiki/Vancouver" title="Vancouver"&gt;Vancouver&lt;/span&gt; area in May, 2003 when &lt;span href="/wiki/Bishop" title="Bishop"&gt;Bishop&lt;/span&gt; &lt;span href="/wiki/Michael_Ingham" title="Michael Ingham"&gt;Michael Ingham&lt;/span&gt; of the Diocese of New Westminster announced that he had given priests in some parishes the authority to bless &lt;span href="/wiki/Gay" title="Gay"&gt;gay&lt;/span&gt; and &lt;span href="/wiki/Lesbian" title="Lesbian"&gt;lesbian&lt;/span&gt; unions.&lt;/i&gt;&lt;br /&gt; &lt;span name="Episcopal_Church_of_the_USA" id="Episcopal_Church_of_the_USA"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Diocese of New Westminster&lt;/b&gt;&lt;br /&gt;  &lt;small&gt;This section has been tagged since &lt;b&gt;January 2007&lt;/b&gt;.&lt;/small&gt;&lt;br /&gt; The issue of blessing of same-sex unions was the subject of a &lt;span href="/wiki/Resolution_%28policy_debate%29" title="Resolution (policy debate)"&gt;resolution&lt;/span&gt; at the General Convention of the Episcopal Church of the USA held in Minneapolis, Minnesota, &lt;span href="/wiki/July_30" title="July 30"&gt;July 30&lt;/span&gt; - &lt;span href="/wiki/August_8" title="August 8"&gt;August 8&lt;/span&gt;, &lt;span href="/wiki/2003" title="2003"&gt;2003&lt;/span&gt;. After debate, the following resolution was concurred in and became an Act of the Convention:&lt;br /&gt; &lt;span name="Old_Catholic_Churches_.28Utrecht_Union.29" id="Old_Catholic_Churches_.28Utrecht_Union.29"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Episcopal Church of the USA&lt;/b&gt;&lt;br /&gt;  Four churches of the &lt;span href="/wiki/Utrecht_Union" title="Utrecht Union"&gt;Utrecht Union&lt;/span&gt;, which shares full communion with the Anglican Churches through the &lt;span href="/wiki/Bonn_Agreement_%28religion%29" title="Bonn Agreement (religion)"&gt;Bonn Agreement&lt;/span&gt;, also permit such blessings: namely, &lt;span href="/wiki/Old_Catholic_Church_of_the_Netherlands" title="Old Catholic Church of the Netherlands"&gt;Old Catholic Church of the Netherlands&lt;/span&gt; (the mother church) permits blessings of gay civil marriages, and the &lt;span href="/wiki/Christian_Catholic_Church_of_Switzerland" title="Christian Catholic Church of Switzerland"&gt;Christian Catholic Church of Switzerland&lt;/span&gt;, and &lt;span href="/wiki/Catholic_Diocese_of_the_Old_Catholics_in_Germany" title="Catholic Diocese of the Old Catholics in Germany"&gt;Catholic Diocese of the Old Catholics in Germany&lt;/span&gt; permit blessings of gay &lt;span href="/wiki/Civil_unions" title="Civil unions"&gt;civil unions&lt;/span&gt;. The &lt;span href="/wiki/Old_Catholic_Church_of_Austria" title="Old Catholic Church of Austria"&gt;Old Catholic Church of Austria&lt;/span&gt; also permits such blessings (no civil unions there). Because of this (as well as the &lt;span href="/wiki/Ordination_of_women" title="Ordination of women"&gt;ordination of women&lt;/span&gt;), the &lt;span href="http://www.slovenski-katolici.sk" class="external text" title="http://www.slovenski-katolici.sk" rel="nofollow"&gt;Old Catholic Church in Slovakia&lt;/span&gt; and &lt;span href="http://www.pncc.org" class="external text" title="http://www.pncc.org" rel="nofollow"&gt;Polish National Catholic Church&lt;/span&gt; (USA) seceded from the Union in 2004.&lt;br /&gt; &lt;span name="Baptist_Churches" id="Baptist_Churches"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Old Catholic Churches (Utrecht Union)&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Alliance_of_Baptists" title="Alliance of Baptists"&gt;Alliance of Baptists&lt;/span&gt; has supported the legal right to marry; its position on corollary church services is unclear.&lt;br /&gt; &lt;span name="Church_of_Scotland" id="Church_of_Scotland"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Baptist Churches&lt;/b&gt;&lt;br /&gt;  The 2006 &lt;span href="/wiki/General_Assembly_of_the_Church_of_Scotland" title="General Assembly of the Church of Scotland"&gt;General Assembly of the Church of Scotland&lt;/span&gt; voted that blessing civil partnerships should be a matter of conscience for individual ministers. Conservatives in the Kirk argued that the reform would have to be ratified by local presbyteries.&lt;br /&gt; &lt;span name="Lutheran_and_Reformed_Churches" id="Lutheran_and_Reformed_Churches"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Church of Scotland&lt;/b&gt;&lt;br /&gt;  &lt;span name="Canada" id="Canada"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Lutheran and Reformed Churches&lt;/b&gt;&lt;br /&gt;  In 2006, the Eastern Synod of the &lt;span href="/wiki/Evangelical_Lutheran_Church_in_Canada" title="Evangelical Lutheran Church in Canada"&gt;Evangelical Lutheran Church in Canada&lt;/span&gt;, the Anglican Church of Canada's full communion partner through the &lt;span href="/wiki/Waterloo_Declaration" title="Waterloo Declaration"&gt;Waterloo Declaration&lt;/span&gt;, voted to allow a "local option" provision similar to that in New Westminster, precipitating a dispute between the synod and the national church (which had previously rejected the proposal) as to where the authority to make that decision lay. In September of that year, the ELCIC's national church council ruled that authority to permit the local option lay with the National Convention. The Council agreed to intiate further study on the issue and to bring forward another motion permitting the local option to the 2007 National Convention.&lt;br /&gt; &lt;span name="Sweden_and_Denmark" id="Sweden_and_Denmark"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Canada&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Church_of_Sweden" title="Church of Sweden"&gt;Church of Sweden&lt;/span&gt; and the &lt;span href="/wiki/Church_of_Denmark" title="Church of Denmark"&gt;Church of Denmark&lt;/span&gt; (in full communion with the Anglican Churches of the British Isles through the &lt;span href="/wiki/Porvoo_Communion" title="Porvoo Communion"&gt;Porvoo Communion&lt;/span&gt;) allow blessings of same-sex couples.&lt;br /&gt; &lt;span name="United_States" id="United_States"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Sweden and Denmark&lt;/b&gt;&lt;br /&gt;  The lutheran church &lt;span href="/wiki/Evangelical_Lutheran_Church_in_America" title="Evangelical Lutheran Church in America"&gt;Evangelical Lutheran Church in America&lt;/span&gt; allowed blessings of same-sex couples. &lt;br /&gt; &lt;span name="Germany" id="Germany"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; United States&lt;/b&gt;&lt;br /&gt;  In addition, some &lt;span href="/wiki/Lutheran" title="Lutheran"&gt;Lutheran&lt;/span&gt;, &lt;span href="/wiki/United_and_uniting_churches" title="United and uniting churches"&gt;United&lt;/span&gt; and &lt;span href="/wiki/Reformed" title="Reformed"&gt;Reformed&lt;/span&gt; churches within the &lt;span href="/wiki/Protestant_Church_in_Germany" title="Protestant Church in Germany"&gt;Protestant Church in Germany&lt;/span&gt; &lt;img src="http://www.reason-for-hope.com/images/medium/frm01.jpg"  alt="Blessing of same-sex unions in Christian churches"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Germany&lt;/b&gt;&lt;br /&gt;  &lt;span name="Netherlands" id="Netherlands"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Swiss_Reformed_Church" title="Swiss Reformed Church"&gt;Swiss Reformed Church&lt;/span&gt;   &lt;b&gt; Switzerland&lt;/b&gt;&lt;br /&gt;  &lt;span name="Austria" id="Austria"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Protestant_Church_in_the_Netherlands" title="Protestant Church in the Netherlands"&gt;Protestant Church in the Netherlands&lt;/span&gt;   &lt;b&gt; Netherlands&lt;/b&gt;&lt;br /&gt;  These lutheran, united and reformed churches in Germany, Switzerland, Netherlands and Austria bless same-gender unions.&lt;br /&gt; &lt;span name="Presbyterian_Church_.28USA.29" id="Presbyterian_Church_.28USA.29"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/w/index.php?title=Evangelische_Kirche_H.B._in_%C3%96sterreich&amp;amp;action=edit" class="new" title="Evangelische Kirche H.B. in Österreich"&gt;Evangelische Kirche H.B. in Österreich&lt;/span&gt;   &lt;b&gt; Austria&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Presbyterian_Church_USA" title="Presbyterian Church USA"&gt;Presbyterian Church USA&lt;/span&gt; has a limited allowance for such blessings, but does not officially endorse that the unions be consummated.&lt;br /&gt; The General Assembly Permanent Judicial Commission (PJC) has ruled that same-sex ceremonies are not forbidden, as long as they are not considered to be the same as marriage services.&lt;br /&gt; &lt;span name="Methodism" id="Methodism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Presbyterian Church (USA)&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Methodist_Church_of_Great_Britain" title="Methodist Church of Great Britain"&gt;Methodist Church of Great Britain&lt;/span&gt; voted in 2005 to allow a local option for ministers who wishes to perform same-sex blessings. However, a year later, the Church voted not to allow formal blessings for same-sex partnerships in its churches after all. Ministers may now instead offer informal, private prayers for couples.&lt;br /&gt; The &lt;span href="/wiki/United_Methodist_Church" title="United Methodist Church"&gt;United Methodist Church&lt;/span&gt; prohibits celebrations of same-sex unions by its &lt;span href="/wiki/Elder_%28Methodism%29" title="Elder (Methodism)"&gt;elders&lt;/span&gt; and in its &lt;span href="/wiki/Church_%28building%29" title="Church (building)"&gt;churches&lt;/span&gt;.&lt;br /&gt; &lt;span name="Moravian_Church_.28North_America.29" id="Moravian_Church_.28North_America.29"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Methodism&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Moravian_Church" title="Moravian Church"&gt;Moravian Church&lt;/span&gt; in North America's Northern Province has passed several liberal resolutions on homosexuality, but has not yet been able to "address the issue of a marriage covenant between homosexual persons".&lt;br /&gt; &lt;span name="Protestant_Church_in_the_Netherlands" id="Protestant_Church_in_the_Netherlands"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Moravian Church (North America)&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Protestant_Church_in_the_Netherlands" title="Protestant Church in the Netherlands"&gt;Protestant Church in the Netherlands&lt;/span&gt; has chosen not to address marriage in its post-merger canon law; however, the by-laws of the church allow for the blessing of relationships outside of marriage.&lt;br /&gt; &lt;span name="Unity_Church" id="Unity_Church"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Protestant Church in the Netherlands&lt;/b&gt;&lt;br /&gt;  Some ministers of the &lt;span href="/wiki/Unity_School_of_Christianity" title="Unity School of Christianity"&gt;Unity School of Christianity&lt;/span&gt; officiate at commitment ceremonies. The Church prints certificates to recognise these occasions.&lt;br /&gt; &lt;span name="Churches_with_no_policy_on_the_unions" id="Churches_with_no_policy_on_the_unions"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Unity Church&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/United_Church_of_Christ" title="United Church of Christ"&gt;United Church of Christ&lt;/span&gt; has no formal rules requiring or prohibiting solemnization of wedding vows, but owing to its &lt;span href="/wiki/Congregational_church_governance" title="Congregational church governance"&gt;Congregational polity&lt;/span&gt; and constitution,&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-570989294862465027?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/570989294862465027/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=570989294862465027' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/570989294862465027'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/570989294862465027'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/blessing-of-same-sex-unions-is.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-6148216627708294750</id><published>2008-04-25T01:30:00.000+09:00</published><updated>2008-04-25T03:48:24.578+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Ibn Rustah&lt;/b&gt; (in Persian: احمد ابن رسته اصفهانی - Aḥmad ebn Roste Eṣfahānī) was a &lt;span href="/wiki/10th_century" title="10th century"&gt;10th century&lt;/span&gt; &lt;span href="/wiki/Persians" title="Persians"&gt;Persian&lt;/span&gt; explorer and geographer born in &lt;span href="/wiki/Rosta" title="Rosta"&gt;Rosta&lt;/span&gt; district, &lt;span href="/wiki/Isfahan_%28city%29" title="Isfahan (city)"&gt;Isfahan&lt;/span&gt;, &lt;span href="/wiki/Iran" title="Iran"&gt;Persia&lt;/span&gt; &lt;br /&gt; His impression of the Rus' is very favourable (especially compared to the relation of &lt;span href="/wiki/Ibn_Fadlan" title="Ibn Fadlan"&gt;Ibn Fadlan&lt;/span&gt;):&lt;br /&gt; &lt;i&gt;"They carry clean clothes and the men adorn themselves with bracelets and gold. They treat their slaves well and also they carry exquisite clothes, because they put great effort in trade. They have many towns. They have a most friendly attitude towards foreigners and strangers who seek refuge."&lt;/i&gt;&lt;br /&gt; Of ancient &lt;span href="/wiki/Croatia" title="Croatia"&gt;Croatia&lt;/span&gt; he wrote in the chronicle &lt;i&gt;Al-Djarmi&lt;/i&gt;:&lt;br /&gt; &lt;i&gt;"Their ruler is crowned … He dwells in the midst of the Slavs … He bears the title of 'ruler of rulers' and is called 'sacred king'. He is more powerful than the zupan (viceroy), who is his deputy … His capital is called Drzvab where is held a fair of three days every month."&lt;/i&gt;&lt;br /&gt; About a certain king of the &lt;span href="/wiki/Caucasus" title="Caucasus"&gt;Caucasus&lt;/span&gt; Ibn Rustah wrote:&lt;br /&gt; &lt;i&gt;"He prayed on Fridays with the Muslims, on Saturdays with the Jews and on Sundays with the Christians. 'Since each religion claims that it is the only true one and that the others are invalid', the king explained, 'I have decided to hedge my bets.'"&lt;/i&gt;&lt;br /&gt; He also travelled extensively in Arabia and is one of the early Persian explorers to describe the city of &lt;span href="/wiki/Sana%27a" title="Sana'a"&gt;Sana'a&lt;/span&gt;. In his &lt;i&gt;Book of Precious Records&lt;/i&gt;, he writes:&lt;br /&gt; &lt;i&gt;"It is the city of Yemen — there not being found in the highland or the Tihama or the Hijaz a city greater, more populous or more prosperous, of more noble origin or more delicious food than it. … San'a is a populous city with fine dwellings, some above others, but most of them are decorated with plaster, burned bricks, and dressed stones."&lt;/i&gt;&lt;br /&gt; &lt;span name="Literature" id="Literature"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.mesazhi.com/images/news/2324.jpg"  alt="Ahmad ibn Rustah"  align="right" style="padding:10px"  /&gt;&lt;img src="http://www.aina.org/books/mokk/3f91d7ec.jpg"  alt="Ahmad ibn Rustah"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Literature&lt;/b&gt;&lt;br /&gt;  &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt; Ibn Rustah, &lt;i&gt;Encyclopaedia Iranica&lt;/i&gt;, New York 2003.&lt;br /&gt; Ibn Rustah, &lt;i&gt;Kitāb al-A'lāk an-Nafīsa&lt;/i&gt;, ed. &lt;span href="/wiki/M._J._De_Goeje" title="M. J. De Goeje"&gt;M. J. De Goeje&lt;/span&gt;, Bibliotheca Geographorum Arabicorum [BGA], Leiden, E. J. Brill, &lt;span href="/wiki/1892" title="1892"&gt;1892&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-6148216627708294750?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/6148216627708294750/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=6148216627708294750' title='1 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6148216627708294750'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6148216627708294750'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/ibn-rustah-in-persian-amad-ebn-roste.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-6143421624028806076</id><published>2008-04-24T00:01:00.001+09:00</published><updated>2008-04-24T00:01:45.275+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Hutterite German&lt;/b&gt; (&lt;i&gt;Hutterisch&lt;/i&gt;) is an &lt;span href="/wiki/Upper_German" title="Upper German"&gt;Upper German&lt;/span&gt; dialect of the &lt;span href="/wiki/Austro-Bavarian_German" title="Austro-Bavarian German"&gt;Austro-Bavarian&lt;/span&gt; variety of the &lt;span href="/wiki/German_language" title="German language"&gt;German language&lt;/span&gt;, which is spoken by &lt;span href="/wiki/Hutterite" title="Hutterite"&gt;Hutterite&lt;/span&gt; communities in &lt;span href="/wiki/Canada" title="Canada"&gt;Canada&lt;/span&gt; and the &lt;span href="/wiki/United_States" title="United States"&gt;United States&lt;/span&gt;. Hutterite is also called &lt;b&gt;Tirolean&lt;/b&gt;, but this is an anachronism.&lt;br /&gt; &lt;span name="Distribution_and_literacy" id="Distribution_and_literacy"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://mtprof.msun.edu/Spr1993/german100.gif"  alt="Hutterite German"  align="center" style="padding:10px"  /&gt;&lt;img src="http://content.answers.com/main/content/wp/en-commons/thumb/1/1e/200px-German_population_1872.jpg"  alt="Hutterite German"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; History and related languages&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_link" id="External_link"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Pennsylvania_German_language" title="Pennsylvania German language"&gt;Pennsylvania German&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Texas_German" title="Texas German"&gt;Texas German&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Plautdietsch" title="Plautdietsch"&gt;Plautdietsch&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Hutterite" title="Hutterite"&gt;Hutterite&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-6143421624028806076?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/6143421624028806076/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=6143421624028806076' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6143421624028806076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6143421624028806076'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/hutterite-german-hutterisch-is-upper.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-7221095301820615262</id><published>2008-04-23T01:26:00.001+09:00</published><updated>2008-04-23T01:26:49.543+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;span name="Statues_of_Abraham_Lincoln_and_Other_tributes" id="Statues_of_Abraham_Lincoln_and_Other_tributes"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Statues of Abraham Lincoln and Other tributes&lt;/b&gt;&lt;br /&gt;  Statues of &lt;span href="/wiki/Abraham_Lincoln" title="Abraham Lincoln"&gt;Lincoln&lt;/span&gt; can be found in other countries. In &lt;span href="/wiki/Ciudad_Ju%C3%A1rez" title="Ciudad Juárez"&gt;Ciudad Juárez&lt;/span&gt;, &lt;span href="/wiki/Chihuahua" title="Chihuahua"&gt;Chihuahua&lt;/span&gt;, &lt;span href="/wiki/Mexico" title="Mexico"&gt;Mexico&lt;/span&gt;, is a 13-foot (4 m) high bronze statue, a gift from the United States, dedicated in 1966 by President &lt;span href="/wiki/Lyndon_B._Johnson" title="Lyndon B. Johnson"&gt;Lyndon B. Johnson&lt;/span&gt;. The U.S. received a statue of &lt;span href="/wiki/Benito_Ju%C3%A1rez" title="Benito Juárez"&gt;Benito Juárez&lt;/span&gt; in exchange, which is in Washington, D.C. Juárez and Lincoln exchanged friendly letters during the American Civil War, Mexico remembers Lincoln's opposition to the &lt;span href="/wiki/Mexican-American_War" title="Mexican-American War"&gt;Mexican-American War&lt;/span&gt;. (For his part, Juárez refused to aide the Confederacy and jailed those Confederates who sought his help.) There is also a statue in &lt;span href="/wiki/Tijuana" title="Tijuana"&gt;Tijuana&lt;/span&gt;, Mexico, showing Lincoln standing and destroying the chains of slavery. There are at least three statues of Lincoln in the &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;United Kingdom&lt;/span&gt; — one in &lt;span href="/wiki/London" title="London"&gt;London&lt;/span&gt; by &lt;span href="/wiki/Augustus_St._Gaudens" title="Augustus St. Gaudens"&gt;Augustus St. Gaudens&lt;/span&gt;, one in &lt;span href="/wiki/Manchester" title="Manchester"&gt;Manchester&lt;/span&gt; by &lt;span href="/wiki/George_Grey_Barnard" title="George Grey Barnard"&gt;George Grey Barnard&lt;/span&gt; and another in &lt;span href="/wiki/Edinburgh" title="Edinburgh"&gt;Edinburgh&lt;/span&gt; by &lt;span href="/wiki/George_Bissell_%28sculptor%29" title="George Bissell (sculptor)"&gt;George Bissell&lt;/span&gt;. In &lt;span href="/wiki/Havana%2C_Cuba" title="Havana, Cuba"&gt;Havana, Cuba&lt;/span&gt;, there is a bust of Abraham Lincoln in the &lt;span href="/wiki/Museum_of_the_Revolution" title="Museum of the Revolution"&gt;Museum of the Revolution&lt;/span&gt;, a small statue of him in front of the Abraham Lincoln School, and a bust of him near the &lt;span href="/wiki/El_Capitolio" title="El Capitolio"&gt;Capitolio&lt;/span&gt;.&lt;br /&gt; &lt;span name="Known_Poetry" id="Known_Poetry"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Outside the United States&lt;/b&gt;&lt;br /&gt;  O Captain! My Captain!, Walt Whitman, 1865&lt;br /&gt; &lt;span name="Fictional_depictions" id="Fictional_depictions"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Known Poetry&lt;/b&gt;&lt;br /&gt;  &lt;span name="1900-1909"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.npg.si.edu/img2/hall/big/biglinc.gif"  alt="Cultural depictions of Abraham Lincoln"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Fictional depictions&lt;/b&gt;&lt;br /&gt;  The first known motion picture based on Mr. Lincoln was 1908 film &lt;i&gt;&lt;span href="/wiki/The_Reprieve:_An_Episode_in_the_Life_of_Abraham_Lincoln" title="The Reprieve: An Episode in the Life of Abraham Lincoln"&gt;The Reprieve: An Episode in the Life of Abraham Lincoln&lt;/span&gt;&lt;/i&gt;. Directed by &lt;span href="/wiki/Van_Dyke_Brooke" title="Van Dyke Brooke"&gt;Van Dyke Brooke&lt;/span&gt;, the film shows Lincoln pardoning a sentry who fell asleep on duty, a theme that would be depicted repeatedly in other silent era shorts.&lt;br /&gt; &lt;span name="1910-1919"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; 1900-1909&lt;/b&gt;&lt;br /&gt;  As with the first picture on Lincoln, most of the films in this decade featured Lincoln pardoning sleeping sentries. Films included &lt;i&gt;&lt;span href="/wiki/The_Sleeping_Sentinel" title="The Sleeping Sentinel"&gt;The Sleeping Sentinel&lt;/span&gt;&lt;/i&gt; (1910), &lt;i&gt;&lt;span href="/wiki/Abraham_Lincoln%27s_Clemency" title="Abraham Lincoln's Clemency"&gt;Abraham Lincoln's Clemency&lt;/span&gt;&lt;/i&gt; (1910), &lt;i&gt;&lt;span href="/wiki/When_Lincoln_Was_President" title="When Lincoln Was President"&gt;When Lincoln Was President&lt;/span&gt;&lt;/i&gt; (1913), &lt;i&gt;&lt;span href="/wiki/When_Lincoln_Paid" title="When Lincoln Paid"&gt;When Lincoln Paid&lt;/span&gt;&lt;/i&gt; (1913), and &lt;i&gt;&lt;span href="/wiki/The_Sleeping_Sentinel" title="The Sleeping Sentinel"&gt;The Sleeping Sentinel&lt;/span&gt;&lt;/i&gt; (1914).&lt;br /&gt; &lt;span name="1920-1929"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; 1910-1919&lt;/b&gt;&lt;br /&gt;  &lt;span name="1930-1939"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Dramatic_Life_of_Abraham_Lincoln&amp;amp;action=edit" class="new" title="The Dramatic Life of Abraham Lincoln"&gt;The Dramatic Life of Abraham Lincoln&lt;/span&gt;&lt;/i&gt; (1924)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Abraham_Lincoln" title="Abraham Lincoln"&gt;Abraham Lincoln&lt;/span&gt;&lt;/i&gt; (1924/I)   &lt;b&gt; 1920-1929&lt;/b&gt;&lt;br /&gt;  &lt;span name="1940-1949"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Abraham_Lincoln_%28film%29" title="Abraham Lincoln (film)"&gt;Abraham Lincoln (film)&lt;/span&gt;&lt;/i&gt; (1930) (or &lt;i&gt;D.W. Griffith's "Abraham Lincoln"&lt;/i&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Are_We_Civilized%3F&amp;amp;action=edit" class="new" title="Are We Civilized?"&gt;Are We Civilized?&lt;/span&gt;&lt;/i&gt; &lt;span href="/wiki/1934" title="1934"&gt;1934&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Plainsman" title="The Plainsman"&gt;The Plainsman&lt;/span&gt;&lt;/i&gt; &lt;span href="/wiki/1936" title="1936"&gt;1936&lt;/span&gt; where actor &lt;span href="/w/index.php?title=Frank_McGlynn_Sr.&amp;amp;action=edit" class="new" title="Frank McGlynn Sr."&gt;Frank McGlynn Sr.&lt;/span&gt; played Lincoln in the opening sequence of the film.&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Young_Mr._Lincoln" title="Young Mr. Lincoln"&gt;Young Mr. Lincoln&lt;/span&gt;&lt;/i&gt; &lt;span href="/wiki/1939" title="1939"&gt;1939&lt;/span&gt;   &lt;b&gt; 1930-1939&lt;/b&gt;&lt;br /&gt;  &lt;span name="1950-1959"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Abe_Lincoln_in_Illinois" title="Abe Lincoln in Illinois"&gt;Abe Lincoln in Illinois&lt;/span&gt;&lt;/i&gt; (1940)   &lt;b&gt; 1940-1949&lt;/b&gt;&lt;br /&gt;  &lt;span name="1960-1969"&gt;&lt;/span&gt;&lt;br /&gt; "&lt;span href="/wiki/Ann_Rutledge" title="Ann Rutledge"&gt;Ann Rutledge&lt;/span&gt;", a 1950 episode of &lt;i&gt;&lt;span href="/wiki/The_Philco_Television_Playhouse" title="The Philco Television Playhouse"&gt;The Philco Television Playhouse&lt;/span&gt;&lt;/i&gt;, featuring &lt;span href="/w/index.php?title=Stephen_Courtleigh&amp;amp;action=edit" class="new" title="Stephen Courtleigh"&gt;Stephen Courtleigh&lt;/span&gt; as Lincoln and &lt;span href="/wiki/Grace_Kelly" title="Grace Kelly"&gt;Grace Kelly&lt;/span&gt; as Ann Rutledge.&lt;br /&gt; "Mr. Lincoln", a five-part TV episode appearing in 1952-53 on &lt;i&gt;&lt;span href="/wiki/Omnibus_%28US_TV_series%29" title="Omnibus (US TV series)"&gt;Omnibus&lt;/span&gt;&lt;/i&gt;, with &lt;span href="/wiki/Royal_Dano" title="Royal Dano"&gt;Royal Dano&lt;/span&gt; as Lincoln.&lt;br /&gt; "How Chance Made Lincoln President", a 1955 episode of &lt;i&gt;&lt;span href="/w/index.php?title=TV_Reader%27s_Digest&amp;amp;action=edit" class="new" title="TV Reader's Digest"&gt;TV Reader's Digest&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; &lt;i&gt;Love is Eternal&lt;/i&gt;, a 1955 novel by &lt;span href="/wiki/Irving_Stone" title="Irving Stone"&gt;Irving Stone&lt;/span&gt;.&lt;br /&gt; "Love Is Eternal", a 1955 episode of &lt;i&gt;&lt;span href="/wiki/General_Electric_Theater" title="General Electric Theater"&gt;General Electric Theater&lt;/span&gt;&lt;/i&gt;, with &lt;span href="/wiki/Richard_Boone" title="Richard Boone"&gt;Richard Boone&lt;/span&gt; as Lincoln and &lt;span href="/wiki/Teresa_Wright" title="Teresa Wright"&gt;Teresa Wright&lt;/span&gt; as &lt;span href="/wiki/Mary_Todd_Lincoln" title="Mary Todd Lincoln"&gt;Mary Todd Lincoln&lt;/span&gt;.&lt;br /&gt; "The Day Lincoln Was Shot", a 1956 episode of &lt;i&gt;&lt;span href="/wiki/Ford_Star_Jubilee" title="Ford Star Jubilee"&gt;Ford Star Jubilee&lt;/span&gt;&lt;/i&gt;, featuring &lt;span href="/wiki/Raymond_Massey" title="Raymond Massey"&gt;Raymond Massey&lt;/span&gt; as Lincoln and &lt;span href="/wiki/Jack_Lemmon" title="Jack Lemmon"&gt;Jack Lemmon&lt;/span&gt; as &lt;span href="/wiki/John_Wilkes_Booth" title="John Wilkes Booth"&gt;John Wilkes Booth&lt;/span&gt;. &lt;img src="http://www.classic-literature.co.uk/american-authors/19th-century/abraham-lincoln/abraham-lincoln.gif"  alt="Cultural depictions of Abraham Lincoln"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; 1950-1959&lt;/b&gt;&lt;br /&gt;  &lt;span name="1970-1979"&gt;&lt;/span&gt;&lt;br /&gt; "The Chase", episode 2.8 of &lt;i&gt;&lt;span href="/wiki/Doctor_Who" title="Doctor Who"&gt;Doctor Who&lt;/span&gt;&lt;/i&gt;, which aired in 1964, included &lt;span href="/w/index.php?title=Robert_Marsden&amp;amp;action=edit" class="new" title="Robert Marsden"&gt;Robert Marsden&lt;/span&gt; as Abe.&lt;br /&gt; &lt;span href="/wiki/The_Time_Tunnel" title="The Time Tunnel"&gt;The Time Tunnel&lt;/span&gt; &lt;span href="/wiki/1966" title="1966"&gt;1966&lt;/span&gt; late series episode where Doug and Tony travel back in time and meet Abraham Lincoln. Lincoln was played by actor &lt;span href="/wiki/Ford_Rainey" title="Ford Rainey"&gt;Ford Rainey&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Star_Trek:_The_Original_Series" title="Star Trek: The Original Series"&gt;Star Trek: The Original Series&lt;/span&gt; &lt;span href="/wiki/1969" title="1969"&gt;1969&lt;/span&gt; episode "&lt;span href="/wiki/The_Savage_Curtain_%28TOS_episode%29" title="The Savage Curtain (TOS episode)"&gt;The Savage Curtain&lt;/span&gt;" (3.22), where an alien creates an image of him to represent "Good" in a Good vs. Evil experiment. He was one of &lt;span href="/wiki/James_T._Kirk" title="James T. Kirk"&gt;Captain Kirk's&lt;/span&gt; heroes growing up in the 23rd century. He was played by actor &lt;span href="/wiki/Lee_Bergere" title="Lee Bergere"&gt;Lee Bergere&lt;/span&gt;.   &lt;b&gt; 1960-1969&lt;/b&gt;&lt;br /&gt;  &lt;span name="1980-1989"&gt;&lt;/span&gt;&lt;br /&gt; The American &lt;span href="/wiki/Walt_Disney_Parks_and_Resorts" title="Walt Disney Parks and Resorts"&gt;Disney theme parks&lt;/span&gt; feature an &lt;span href="/wiki/Audio-Animatronics" title="Audio-Animatronics"&gt;Audio-Animatronics&lt;/span&gt; Abraham Lincoln in the show &lt;span href="/wiki/Great_Moments_with_Mr._Lincoln" title="Great Moments with Mr. Lincoln"&gt;Great Moments with Mr. Lincoln&lt;/span&gt; and the Hall of Presidents.&lt;br /&gt; In "Sex and Violence", a 1975 pilot for &lt;i&gt;&lt;span href="/wiki/The_Muppet_Show" title="The Muppet Show"&gt;The Muppet Show&lt;/span&gt;&lt;/i&gt;, an Abraham Lincoln muppet appears (voiced by &lt;span href="/wiki/John_Lovelady" title="John Lovelady"&gt;John Lovelady&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Lincoln_Conspiracy_%28film%29" title="The Lincoln Conspiracy (film)"&gt;The Lincoln Conspiracy&lt;/span&gt;&lt;/i&gt; (1977)   &lt;b&gt; 1970-1979&lt;/b&gt;&lt;br /&gt;  &lt;span name="1990-1999"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Gregory_Peck" title="Gregory Peck"&gt;Gregory Peck&lt;/span&gt; portrayed Lincoln in the &lt;span href="/wiki/1982" title="1982"&gt;1982&lt;/span&gt; &lt;span href="/wiki/Television_movie" title="Television movie"&gt;television movie&lt;/span&gt;, &lt;i&gt;&lt;span href="/wiki/The_Blue_and_the_Gray" title="The Blue and the Gray"&gt;The Blue and the Gray&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; The 1988 telefilm &lt;i&gt;&lt;span href="/w/index.php?title=Lincoln_%281988_telefilm%29&amp;amp;action=edit" class="new" title="Lincoln (1988 telefilm)"&gt;Lincoln&lt;/span&gt;&lt;/i&gt; starred &lt;span href="/wiki/Sam_Waterston" title="Sam Waterston"&gt;Sam Waterston&lt;/span&gt; in the title role, and &lt;span href="/wiki/Mary_Tyler_Moore" title="Mary Tyler Moore"&gt;Mary Tyler Moore&lt;/span&gt; as his wife. The movie was based on a novel by &lt;span href="/wiki/Gore_Vidal" title="Gore Vidal"&gt;Gore Vidal&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Robert_V._Barron" title="Robert V. Barron"&gt;Robert V. Barron&lt;/span&gt; appeared as Lincoln in &lt;i&gt;&lt;span href="/wiki/Bill_%26_Ted%27s_Excellent_Adventure" title="Bill &amp;amp; Ted's Excellent Adventure"&gt;Bill &amp;amp; Ted's Excellent Adventure&lt;/span&gt;&lt;/i&gt; (1989), and episodes of &lt;i&gt;&lt;span href="/wiki/Out_of_This_World" title="Out of This World"&gt;Out of This World&lt;/span&gt;&lt;/i&gt; (#2.15, 1988).&lt;br /&gt; Appears as &lt;span href="/wiki/Joshua_Speed" title="Joshua Speed"&gt;Joshua Speed&lt;/span&gt; in &lt;span href="/wiki/Parke_Godwin" title="Parke Godwin"&gt;Parke Godwin&lt;/span&gt;'s sci-fi novel The Snake Oil Wars.&lt;br /&gt; In &lt;i&gt;&lt;span href="/wiki/Pee-Wee%27s_Big_Adventure" title="Pee-Wee's Big Adventure"&gt;Pee-Wee's Big Adventure&lt;/span&gt;&lt;/i&gt;, &lt;span href="/wiki/Pee-Wee_Herman" title="Pee-Wee Herman"&gt;Pee-Wee Herman&lt;/span&gt;'s breakfast-making machine, a complex &lt;span href="/wiki/Rube_Goldberg" title="Rube Goldberg"&gt;Rube Goldberg&lt;/span&gt;-esque device, features a statue of Lincoln as a component. The statue is used to flip pancakes, most of which stick to the ceiling of the kitchen.  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-7221095301820615262?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/7221095301820615262/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=7221095301820615262' title='1 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7221095301820615262'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7221095301820615262'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/statues-of-abraham-lincoln-and-other.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-9029261378774946363</id><published>2008-04-22T01:20:00.001+09:00</published><updated>2008-04-22T01:20:54.262+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.city-data.com/profiles/photo/2347t"  alt="Joe Rudi"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Joseph Oden Rudi&lt;/b&gt; (born &lt;span href="/wiki/September_7" title="September 7"&gt;September 7&lt;/span&gt;, &lt;span href="/wiki/1946" title="1946"&gt;1946&lt;/span&gt; in &lt;span href="/wiki/Modesto%2C_California" title="Modesto, California"&gt;Modesto, California&lt;/span&gt;) is a former &lt;span href="/wiki/Left_fielder" title="Left fielder"&gt;left fielder&lt;/span&gt; in &lt;span href="/wiki/Major_League_Baseball" title="Major League Baseball"&gt;Major League Baseball&lt;/span&gt; who played for the &lt;span href="/wiki/Oakland_Athletics" title="Oakland Athletics"&gt;Kansas City &amp;amp; Oakland Athletics&lt;/span&gt; (1967-76, 1982), &lt;span href="/wiki/Los_Angeles_Angels_of_Anaheim" title="Los Angeles Angels of Anaheim"&gt;California Angels&lt;/span&gt; (1977-80) and &lt;span href="/wiki/Boston_Red_Sox" title="Boston Red Sox"&gt;Boston Red Sox&lt;/span&gt; (1981). He batted and threw right handed. Currently works in real estate in Baker City, OR. He is also an Amateur Radio Operator, call sign NK7U.&lt;br /&gt; &lt;span name="Playing_With_The_A.27s" id="Playing_With_The_A.27s"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Kansas_City_Athletics" title="Kansas City Athletics"&gt;Kansas City Athletics&lt;/span&gt; / &lt;span href="/wiki/Oakland_Athletics" title="Oakland Athletics"&gt;Oakland Athletics&lt;/span&gt; (1967–1975, 1982)&lt;br /&gt; &lt;span href="/wiki/Los_Angeles_Angels_of_Anaheim" title="Los Angeles Angels of Anaheim"&gt;California Angels&lt;/span&gt; (1977–1980)&lt;br /&gt; &lt;span href="/wiki/Boston_Red_Sox" title="Boston Red Sox"&gt;Boston Red Sox&lt;/span&gt; (1981)&lt;br /&gt; 3-time &lt;span href="/wiki/Major_League_Baseball_All-Star_Game" title="Major League Baseball All-Star Game"&gt;All-Star&lt;/span&gt; (1972, 1974-75)&lt;br /&gt; 3-time &lt;span href="/wiki/Gold_Glove_Award" title="Gold Glove Award"&gt;Gold Glove Award&lt;/span&gt; (1974-76)&lt;br /&gt; Led &lt;span href="/wiki/American_League" title="American League"&gt;American League&lt;/span&gt; in &lt;span href="/wiki/Hit_%28baseball%29" title="Hit (baseball)"&gt;hits&lt;/span&gt; (1972)&lt;br /&gt; Led AL in &lt;span href="/wiki/Double_%28baseball%29" title="Double (baseball)"&gt;doubles&lt;/span&gt; (1974)&lt;br /&gt; Led AL in &lt;span href="/wiki/Triple_%28baseball%29" title="Triple (baseball)"&gt;triples&lt;/span&gt; (1972)&lt;br /&gt; Led AL in &lt;span href="/wiki/Extra_base_hit" title="Extra base hit"&gt;extra base hits&lt;/span&gt; (1974) &lt;img src="http://upload.wikimedia.org/wikipedia/en/2/2d/Herb_Washington.jpg"  alt="Joe Rudi"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Playing With The A's&lt;/b&gt;&lt;br /&gt;  His best batting average was he hit .309 in &lt;span href="/wiki/1970" title="1970"&gt;1970&lt;/span&gt;, he had a career best 181 hits in &lt;span href="/wiki/1972" title="1972"&gt;1972&lt;/span&gt;, that year, he led the Athletics to the World Series, and in game 2, made a great game-saving catch that would be the highlight reel for many Major League Baseball films, with a &lt;span href="/wiki/Cincinnati_Reds" title="Cincinnati Reds"&gt;Cincinnati Reds&lt;/span&gt; player on base and Oakland leading 2-0 in the ninth inning, Rudi raced to the left-field fence and made a leaping, backhanded catch of &lt;span href="/wiki/Denis_Menke" title="Denis Menke"&gt;Denis Menke&lt;/span&gt;'s smash. in &lt;span href="/wiki/1974" title="1974"&gt;1974&lt;/span&gt; he had a career best 22 home runs and 99 runs batted in, he even hit a home run in the &lt;span href="/wiki/World_Series" title="World Series"&gt;World Series&lt;/span&gt;, as his Athletics became the first team since the &lt;span href="/wiki/1949" title="1949"&gt;1949&lt;/span&gt;-&lt;span href="/wiki/1953" title="1953"&gt;1953&lt;/span&gt; New York Yankees to win 3 straight World Championships.&lt;br /&gt; In a 16-year career, Rudi was a .264 hitter with 179 &lt;span href="/wiki/Home_run" title="Home run"&gt;home runs&lt;/span&gt; and 810 &lt;span href="/wiki/Run_batted_in" title="Run batted in"&gt;RBI&lt;/span&gt; in 1547 &lt;span href="/wiki/Games_played" title="Games played"&gt;games&lt;/span&gt;.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-9029261378774946363?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/9029261378774946363/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=9029261378774946363' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/9029261378774946363'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/9029261378774946363'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/joseph-oden-rudi-born-september-7-1946.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-6444069888107169558</id><published>2008-04-21T00:52:00.001+09:00</published><updated>2008-04-21T00:52:35.770+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://hirecruit.nat.gov.tw/english/html/images/taiinfo_photo_15.jpg"  alt="Old Taiwan dollar"  align="center" style="padding:10px"  /&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/en/thumb/8/88/Yuan_collection.jpg/200px-Yuan_collection.jpg"  alt="Old Taiwan dollar"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Old Taiwan dollar&lt;/b&gt; (舊臺幣 or 舊台幣), sometimes called &lt;b&gt;Old Taiwan yuan&lt;/b&gt;, was the &lt;span href="/wiki/Currency" title="Currency"&gt;currency&lt;/span&gt; of &lt;span href="/wiki/Taiwan" title="Taiwan"&gt;Taiwan&lt;/span&gt;, &lt;span href="/wiki/Republic_of_China" title="Republic of China"&gt;Republic of China&lt;/span&gt; from &lt;span href="/wiki/1946" title="1946"&gt;1946&lt;/span&gt; to &lt;span href="/wiki/1949" title="1949"&gt;1949&lt;/span&gt;. It was issued by the &lt;span href="/wiki/Bank_of_Taiwan" title="Bank of Taiwan"&gt;Bank of Taiwan&lt;/span&gt;.&lt;br /&gt; &lt;span name="History_of_the_Old_Taiwan_dollar" id="History_of_the_Old_Taiwan_dollar"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History of the Old Taiwan dollar&lt;/b&gt;&lt;br /&gt;  No coins were issued.&lt;br /&gt; &lt;span name="Banknotes" id="Banknotes"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-6444069888107169558?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/6444069888107169558/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=6444069888107169558' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6444069888107169558'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6444069888107169558'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/old-taiwan-dollar-or-sometimes-called.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-4090168420926472760</id><published>2008-04-20T02:14:00.001+09:00</published><updated>2008-04-20T02:14:42.758+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Computer engineering&lt;/b&gt; (also called &lt;b&gt;electronic and computer engineering&lt;/b&gt;) is a discipline that combines elements of both &lt;span href="/wiki/Electrical_engineering" title="Electrical engineering"&gt;electrical engineering&lt;/span&gt; and &lt;span href="/wiki/Computer_science" title="Computer science"&gt;computer science&lt;/span&gt;. which relies heavily on using digital systems to control and monitor electrical systems like motors, communications, and sensors.&lt;br /&gt; The terms &lt;b&gt;hardware engineering&lt;/b&gt; and &lt;b&gt;hardware engineer&lt;/b&gt; are also used, referring to the opposite of &lt;span href="/wiki/Software_engineering" title="Software engineering"&gt;software engineering&lt;/span&gt;.&lt;br /&gt; &lt;span name="Computer_engineering_as_an_academic_discipline" id="Computer_engineering_as_an_academic_discipline"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.ee.surrey.ac.uk/UserFiles/image/ccsr/Mohammad%2520ALFARES/DSC00654_edited%2520v3.JPG"  alt="Computer engineering"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Computer engineering as an academic discipline&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Electrical_engineering" title="Electrical engineering"&gt;Electrical engineering&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_electrical_engineers" title="List of electrical engineers"&gt;List of electrical engineers&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Engineer" title="Engineer"&gt;Engineer&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Computer" title="Computer"&gt;Computer&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Computer_science" title="Computer science"&gt;Computer science&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Computer-aided_software_engineering" title="Computer-aided software engineering"&gt;Computer-aided software engineering&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-4090168420926472760?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/4090168420926472760/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=4090168420926472760' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4090168420926472760'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4090168420926472760'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/computer-engineering-also-called.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-2073136244175701528</id><published>2008-04-19T00:20:00.001+09:00</published><updated>2008-04-19T00:20:20.834+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Alla Borisovna Pugachova&lt;/b&gt; (Алла Борисовна Пугачёва), pronounced "Pougachiova" or "Pugachova" and commonly anglicized as &lt;b&gt;Pugacheva&lt;/b&gt;, born &lt;span href="/wiki/April_15" title="April 15"&gt;15 April&lt;/span&gt; &lt;span href="/wiki/1949" title="1949"&gt;1949&lt;/span&gt; in &lt;span href="/wiki/Moscow" title="Moscow"&gt;Moscow&lt;/span&gt;, &lt;span href="/wiki/USSR" title="USSR"&gt;USSR&lt;/span&gt;, is perhaps the best known musical performer in Russia, her career having started in 1965 and continuing to this day. She is certainly the most successful Soviet and Russian performer in terms of record sales and popularity (* see notes about record sales below).&lt;br /&gt; &lt;span name="Professional_biography" id="Professional_biography"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Professional biography&lt;/b&gt;&lt;br /&gt;  Alla's personal life has been very public due to her image and popularity, and is often discussed in the &lt;span href="/wiki/Tabloid" title="Tabloid"&gt;tabloid&lt;/span&gt; press. Her weight and rumours of extramarital relationships have been particularly popular points of discussion in such publications. However, she has maintained a positive attitude, and on numerous occasions shown that she is willing to discuss personal matters openly and laugh at herself.&lt;br /&gt; In 1969 she married circus performer Mykolas Orbakas, and in 1971 she gave birth to daughter &lt;span href="/wiki/Kristina_Orbakaite" title="Kristina Orbakaite"&gt;Kristina Orbakaite&lt;/span&gt;, who is now also a popular singer. She divorced Mykolas after 4 years of marriage in 1973.&lt;br /&gt; Alla then married film director &lt;span href="/w/index.php?title=Aleksandr_Stefanovich&amp;amp;action=edit" class="new" title="Aleksandr Stefanovich"&gt;Aleksandr Stefanovich&lt;/span&gt; in 1976, and starred in a few of his movies. The union was dissolved in 1980, after drawn-out legal proceedings on the division of property, with Alla's luxurious flat in &lt;span href="/wiki/Patriarshy_Ponds" title="Patriarshy Ponds"&gt;Patriarshy Ponds&lt;/span&gt;, &lt;span href="/wiki/Moscow" title="Moscow"&gt;Moscow&lt;/span&gt; being the heart of the debate.&lt;br /&gt; In 1985, after years of living together, Alla married producer &lt;span href="/w/index.php?title=Yevgeniy_Boldin&amp;amp;action=edit" class="new" title="Yevgeniy Boldin"&gt;Yevgeniy Boldin&lt;/span&gt;, with whom she had numerous professional collaborations. They filed for divorce in 1993, stating that their professional lives interfered too much with their personal life.&lt;br /&gt; In 1994 she married one of the most popular pop singers in Russia, &lt;span href="/wiki/Filipp_Kirkorov" title="Filipp Kirkorov"&gt;Filipp Kirkorov&lt;/span&gt;, half her age and of &lt;span href="/wiki/Bulgarian_people" title="Bulgarian people"&gt;Bulgarian&lt;/span&gt;-Armenian ethnicity. His career is said to have benefited significantly from the marriage. Their divorce was announced in &lt;span href="/wiki/November_2005" title="November 2005"&gt;November 2005&lt;/span&gt;.&lt;br /&gt; She has also recently befriended popular &lt;span href="/wiki/Comedian" title="Comedian"&gt;comedian&lt;/span&gt; &lt;span href="/wiki/Maksim_Galkin" title="Maksim Galkin"&gt;Maksim Galkin&lt;/span&gt;, and the relationship between them has been the source of numerous tabloid rumours, even though there is a 27-year age difference between them, and both sides have repeatedly stated that they are just friends. The two often perform together in large celebrity-studded events, such as New Year's day shows, and have even had a few musical collaborations.&lt;br /&gt; Since 2005 she has been a member of the &lt;span href="/wiki/Public_Chamber_of_Russia" title="Public Chamber of Russia"&gt;Public Chamber of Russia&lt;/span&gt;.&lt;br /&gt; &lt;span name="Discography" id="Discography"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://static.dailymotion.com/dyn/preview/320x240/5966931.jpg"  alt="Alla Pugacheva"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Personal history&lt;/b&gt;&lt;br /&gt;  &lt;span name="Albums" id="Albums"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.nationmaster.com/wikimir/images/upload.wikimedia.org/wikipedia/en/thumb/6/65/Allapugacheva.jpg/250px-Allapugacheva.jpg"  alt="Alla Pugacheva"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Discography&lt;/b&gt;&lt;br /&gt;  МТ 702909-288-1&lt;br /&gt; &lt;span name="Singles_.5Bonly_CD_singles.5D" id="Singles_.5Bonly_CD_singles.5D"&gt;&lt;/span&gt;&lt;br /&gt; 1976 &lt;i&gt;Alla Pugacheva &amp;amp; Vesyoliye Rebyata&lt;/i&gt; [Алла Пугачева и Веселые Ребята] (released in Bulgaria) - live / split&lt;br /&gt; 1978 &lt;i&gt;Alla Pugacheva&lt;/i&gt; (released in &lt;span href="/wiki/Japan" title="Japan"&gt;Japan&lt;/span&gt;) - compiltaion&lt;br /&gt; 1978 &lt;i&gt;Ala Pugachova. Ogledalo na dushata&lt;/i&gt; [Ала Пугачова. Огледало на душата] (released in Bulgaria)&lt;br /&gt; 1979 &lt;i&gt;Alla Pugacheva &amp;amp; &lt;span href="/wiki/Iosif_Kobzon" title="Iosif Kobzon"&gt;Iosif Kobzon&lt;/span&gt;&lt;/i&gt; [Алла Пугачева и Иосиф Кобзон] - split&lt;br /&gt; 1980 &lt;i&gt;Disco A&lt;/i&gt; [Дискотека А] - instrumental remixes&lt;br /&gt; 1980 &lt;i&gt;Alla Pugatšova. Huipulla&lt;/i&gt; (Kansan, &lt;span href="/wiki/Finland" title="Finland"&gt;Finland&lt;/span&gt;) - compilation&lt;br /&gt; 1981 &lt;i&gt;Alla Pugačova&lt;/i&gt; (a &lt;span href="/wiki/Czech_language" title="Czech language"&gt;Czech&lt;/span&gt; variant of the LP &lt;i&gt;Something's Still To Come)&lt;/i&gt;&lt;br /&gt; 1981 &lt;i&gt;Alla Pugatšova. Tähtikesä&lt;/i&gt; (Kansan, &lt;span href="/wiki/Finland" title="Finland"&gt;Finland&lt;/span&gt;) - compilation&lt;br /&gt; 1982 &lt;i&gt;Meet Maetsro [У нас в гостях маэстро] - live / split&lt;/i&gt;&lt;br /&gt; 1982 &lt;i&gt;Parade of Planets&lt;/i&gt; [Парад планет] - split&lt;br /&gt; 1983 &lt;i&gt;Million Roses&lt;/i&gt; [Миллион роз] (released in &lt;span href="/wiki/Japan" title="Japan"&gt;Japan&lt;/span&gt;) - compilation&lt;br /&gt; 1983 &lt;i&gt;Alla Pugacovova. Davna pisen&lt;/i&gt; (a &lt;span href="/wiki/Czech_language" title="Czech language"&gt;Czech&lt;/span&gt; - only compilation)&lt;br /&gt; 1984 &lt;i&gt;Alla Pugacheva - Soviet Superstar. Greatest Hits 1976-84&lt;/i&gt; (released in &lt;span href="/wiki/Sweden" title="Sweden"&gt;Sweden&lt;/span&gt;) - compilation&lt;br /&gt; 1985 &lt;i&gt;Alla Pugacheva - Soviet Superstar vol.2&lt;/i&gt; (released in &lt;span href="/wiki/Finland" title="Finland"&gt;Finland&lt;/span&gt;) - compilation&lt;br /&gt; 1988 &lt;i&gt;Songs Instead Of Letters&lt;/i&gt; [Песни вместо писем] - split with Udo Lindenberg&lt;br /&gt; 1989 &lt;i&gt;Ferry Captain&lt;/i&gt; [Паромщик] - album #8 (Finland version)&lt;br /&gt; 1991 &lt;i&gt;Alla&lt;/i&gt; (Ritonis, Riga)&lt;br /&gt; 1994 &lt;i&gt;I Believe In You&lt;/i&gt; [Верю в тебя] - compilation&lt;br /&gt; 1995 &lt;i&gt;The Path of a Star&lt;/i&gt; [Путь звезды] - compilation&lt;br /&gt; 1996 A 13 &lt;span href="/wiki/CD" title="CD"&gt;CD&lt;/span&gt; compilation of songs previously released only on &lt;span href="/wiki/Vinyl_record" title="Vinyl record"&gt;LP&lt;/span&gt; and &lt;span href="/wiki/Compact_audio_cassette" title="Compact audio cassette"&gt;MC&lt;/span&gt;:&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;i&gt;Over the Sharp Needles of the Bright Flame&lt;/i&gt; [По острым иглам яркого огня]&lt;br /&gt; &lt;i&gt;Ah, How I Want to Live!&lt;/i&gt; [Ах, как хочется жить!]&lt;br /&gt; &lt;i&gt;And That's What All My Sadness Is&lt;/i&gt; [И в этом вся моя печаль]&lt;br /&gt; &lt;i&gt;Only in Movies&lt;/i&gt; [Только в кино]&lt;br /&gt; &lt;i&gt;That's Tomorrow, But Today...&lt;/i&gt; [Это завтра, а сегодня...]&lt;br /&gt; &lt;i&gt;Ticket to Yesterday's Show&lt;/i&gt; [Билет на вчерашний спектакль]&lt;br /&gt; &lt;i&gt;Rendez-vous on the Way&lt;/i&gt; [Встречи в пути]&lt;br /&gt; &lt;i&gt;On the Road of Expectations&lt;/i&gt; [На дороге ожиданий]&lt;br /&gt; &lt;i&gt;Ponderings by the Fireplace&lt;/i&gt; [Размышления у камина]&lt;br /&gt; &lt;i&gt;That Happened One Time&lt;/i&gt; [Это было однажды]&lt;br /&gt; &lt;i&gt;Lady From the Countryside Outpost&lt;/i&gt; [Барышня с Крестьянской заставы]&lt;br /&gt; &lt;i&gt;Alla Pugacheva in Stockholm&lt;/i&gt; [Алла Пугачева в Стокгольме]&lt;br /&gt; &lt;i&gt;Songs for the Encore&lt;/i&gt; [Песни на бис]&lt;br /&gt; 1996 &lt;i&gt;Alla Pugacheva Sings&lt;/i&gt; [Поет Алла Пугачева] (songs by &lt;span href="/w/index.php?title=Aleksandr_Zazepin&amp;amp;action=edit" class="new" title="Aleksandr Zazepin"&gt;Aleksandr Zazepin&lt;/span&gt;) - compilation&lt;br /&gt; 1997 &lt;i&gt;Two Stars&lt;/i&gt; [Две звезды] (with &lt;span href="/w/index.php?title=Vladimir_Kuzmin&amp;amp;action=edit" class="new" title="Vladimir Kuzmin"&gt;Vladimir Kuzmin&lt;/span&gt;) - compilation / split&lt;br /&gt; 1998 &lt;i&gt;Surprise from Alla Pugacheva&lt;/i&gt; [Сюрприз от Аллы Пугачевой] - tribute   &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt; 1978 &lt;i&gt;The Woman Who Sings&lt;/i&gt; [Женщина, которая поёт], Mosfilm&lt;br /&gt; 1981 &lt;i&gt;Love After Love&lt;/i&gt; [Любовью за любовь], Mosfilm&lt;br /&gt; 1984 &lt;i&gt;Meetings with Alla Pugacheva&lt;/i&gt; [Встречи с Аллой Пугачёвой], USSR TV&lt;br /&gt; 1985 &lt;i&gt;I Came to Say&lt;/i&gt; [Пришла и говорю], Mosfilm&lt;br /&gt; 1985 &lt;i&gt;The Season of Miracles&lt;/i&gt; [Сезон чудес], Odessa Film Studio&lt;br /&gt; 1989-2002 &lt;i&gt;Christmas Meetings&lt;/i&gt; [Рождественские встречи], USSR TV, Ostankino, Public Russian Television, Russian State Television&lt;br /&gt; 1995 &lt;i&gt;Wait and Remember Me&lt;/i&gt; [Жди и помни меня], Public Russian Television&lt;br /&gt; 2003 &lt;i&gt;After Two Hares&lt;/i&gt; [За двумя зайцами]   &lt;b&gt; Notes&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Best_selling_music_artists" title="Best selling music artists"&gt;Best selling music artists&lt;/span&gt; - World's top selling music artists chart.  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-2073136244175701528?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/2073136244175701528/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=2073136244175701528' title='1 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2073136244175701528'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2073136244175701528'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/alla-borisovna-pugachova-pronounced.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-2555274450120979188</id><published>2008-04-18T01:52:00.001+09:00</published><updated>2008-04-18T01:52:48.800+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Nestlé Children's Book Prize&lt;/b&gt;, formerly known as the &lt;b&gt;Nestlé Smarties Book Prize&lt;/b&gt; is an annual award given to &lt;span href="/wiki/Children%27s_literature" title="Children's literature"&gt;children's books&lt;/span&gt; written in the previous year by a &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;UK&lt;/span&gt; citizen or resident. The prize is administered by Booktrust, an independent charity which promotes books and reading. The prize is sponsored by &lt;span href="/wiki/Nestl%C3%A9" title="Nestlé"&gt;Nestlé&lt;/span&gt;, manufacturer of &lt;span href="/wiki/Smarties_%28Nestl%C3%A9%29" title="Smarties (Nestlé)"&gt;Smarties&lt;/span&gt;.&lt;br /&gt; A panel of adult judges chooses a shortlist for the award, and schoolchildren across the UK vote on the first, second and third place winners. (A similar American award is the &lt;span href="/wiki/Dorothy_Canfield_Fisher_Children%27s_Book_Award" title="Dorothy Canfield Fisher Children's Book Award"&gt;Dorothy Canfield Fisher Children's Book Award&lt;/span&gt;).&lt;br /&gt; &lt;span name="List_of_prize_winners" id="List_of_prize_winners"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.goodreadingmagazine.com.au/images/cover_thumbs/9781846165115.jpg"  alt="Nestlé Smarties Book Prize"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; List of prize winners&lt;/b&gt;&lt;br /&gt;  &lt;span name="2005"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/The_Diamond_of_Drury_Lane" title="The Diamond of Drury Lane"&gt;The Diamond of Drury Lane&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Julia_Golding" title="Julia Golding"&gt;Julia Golding&lt;/span&gt; (Egmont Press)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Mouse_Noses_on_Toast&amp;amp;action=edit" class="new" title="Mouse Noses on Toast"&gt;Mouse Noses on Toast&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Daren_King" title="Daren King"&gt;Daren King&lt;/span&gt; (Faber and Faber)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=That_Rabbit_Belongs_to_Emily_Brown&amp;amp;action=edit" class="new" title="That Rabbit Belongs to Emily Brown"&gt;That Rabbit Belongs to Emily Brown&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Cressida_Cowell&amp;amp;action=edit" class="new" title="Cressida Cowell"&gt;Cressida Cowell&lt;/span&gt; &amp;amp; &lt;span href="/w/index.php?title=Neal_Layton&amp;amp;action=edit" class="new" title="Neal Layton"&gt;Neal Layton&lt;/span&gt; (Orchard Books)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Tide_Knot&amp;amp;action=edit" class="new" title="The Tide Knot"&gt;The Tide Knot&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Helen_Dunmore" title="Helen Dunmore"&gt;Helen Dunmore&lt;/span&gt; (HarperCollins)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Hugo_Pepper&amp;amp;action=edit" class="new" title="Hugo Pepper"&gt;Hugo Pepper&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Paul_Stewart_%28writer%29" title="Paul Stewart (writer)"&gt;Paul Stewart&lt;/span&gt; and &lt;span href="/wiki/Chris_Riddell" title="Chris Riddell"&gt;Chris Riddell&lt;/span&gt; (Doubleday)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Emperor_of_Absurdia&amp;amp;action=edit" class="new" title="The Emperor of Absurdia"&gt;The Emperor of Absurdia&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Chris_Riddell" title="Chris Riddell"&gt;Chris Riddell&lt;/span&gt; (Macmillan)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Pig_Who_Saved_the_World&amp;amp;action=edit" class="new" title="The Pig Who Saved the World"&gt;The Pig Who Saved the World&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Paul_Shipton" title="Paul Shipton"&gt;Paul Shipton&lt;/span&gt; (Puffin)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Adventures_of_the_The_Dish_and_The_Spoon&amp;amp;action=edit" class="new" title="The Adventures of the The Dish and The Spoon"&gt;The Adventures of the The Dish and The Spoon&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Mini_Grey&amp;amp;action=edit" class="new" title="Mini Grey"&gt;Mini Grey&lt;/span&gt; (Jonathan Cape)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Wibbly_Pig%E2%80%99s_Silly_Big_Bear&amp;amp;action=edit" class="new" title="Wibbly Pig's Silly Big Bear"&gt;Wibbly Pig's Silly Big Bear&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Mick_Inkpen" title="Mick Inkpen"&gt;Mick Inkpen&lt;/span&gt; (Hodder)   &lt;b&gt; 2006&lt;/b&gt;&lt;br /&gt;  &lt;span name="2004"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=I%2C_Coriander&amp;amp;action=edit" class="new" title="I, Coriander"&gt;I, Coriander&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Sally_Gardner" title="Sally Gardner"&gt;Sally Gardner&lt;/span&gt; (Orion)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/wiki/The_Whisperer" title="The Whisperer"&gt;The Whisperer&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Nick_Butterworth" title="Nick Butterworth"&gt;Nick Butterworth&lt;/span&gt; (HarperCollins)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/wiki/Lost_and_Found" title="Lost and Found"&gt;Lost and Found&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Oliver_Jeffers" title="Oliver Jeffers"&gt;Oliver Jeffers&lt;/span&gt; (HarperCollins)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Scarecrow_and_his_Servant&amp;amp;action=edit" class="new" title="The Scarecrow and his Servant"&gt;The Scarecrow and his Servant&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Philip_Pullman" title="Philip Pullman"&gt;Philip Pullman&lt;/span&gt; (DoubleDay)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/wiki/Sad_Book" title="Sad Book"&gt;Sad Book&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Michael_Rosen" title="Michael Rosen"&gt;Michael Rosen&lt;/span&gt;, illustrated by &lt;span href="/wiki/Quentin_Blake" title="Quentin Blake"&gt;Quentin Blake&lt;/span&gt; (Walker Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Dancing_Tiger&amp;amp;action=edit" class="new" title="The Dancing Tiger"&gt;The Dancing Tiger&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Malachy_Doyle&amp;amp;action=edit" class="new" title="Malachy Doyle"&gt;Malachy Doyle&lt;/span&gt;, illustrated by &lt;span href="/w/index.php?title=Steve_Johnson_%28illustrator%29&amp;amp;action=edit" class="new" title="Steve Johnson (illustrator)"&gt;Steve Johnson&lt;/span&gt; and &lt;span href="/w/index.php?title=Lou_Fancher&amp;amp;action=edit" class="new" title="Lou Fancher"&gt;Lou Fancher&lt;/span&gt; (Simon and Schuster)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Whispering_Road&amp;amp;action=edit" class="new" title="The Whispering Road"&gt;The Whispering Road&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Livi_Michael&amp;amp;action=edit" class="new" title="Livi Michael"&gt;Livi Michael&lt;/span&gt; (Puffin)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Corby_Flood&amp;amp;action=edit" class="new" title="Corby Flood"&gt;Corby Flood&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Paul_Stewart_%28writer%29" title="Paul Stewart (writer)"&gt;Paul Stewart&lt;/span&gt; and &lt;span href="/wiki/Chris_Riddell" title="Chris Riddell"&gt;Chris Riddell&lt;/span&gt; (DoubleDay)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/wiki/Wolves_%28book%29" title="Wolves (book)"&gt;Wolves&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Emily_Gravett&amp;amp;action=edit" class="new" title="Emily Gravett"&gt;Emily Gravett&lt;/span&gt; (MacMillan)   &lt;b&gt; 2005&lt;/b&gt;&lt;br /&gt;  &lt;span name="2003"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Spilled_Water&amp;amp;action=edit" class="new" title="Spilled Water"&gt;Spilled Water&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Sally_Grindley&amp;amp;action=edit" class="new" title="Sally Grindley"&gt;Sally Grindley&lt;/span&gt; (&lt;span href="/wiki/Bloomsbury_Publishing_Plc" title="Bloomsbury Publishing Plc"&gt;Bloomsbury&lt;/span&gt;)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Fergus_Crane&amp;amp;action=edit" class="new" title="Fergus Crane"&gt;Fergus Crane&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Paul_Stewart_%28writer%29" title="Paul Stewart (writer)"&gt;Paul Stewart&lt;/span&gt; and &lt;span href="/wiki/Chris_Riddell" title="Chris Riddell"&gt;Chris Riddell&lt;/span&gt; (Doubleday)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Biscuit_Bear&amp;amp;action=edit" class="new" title="Biscuit Bear"&gt;Biscuit Bear&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Mini_Grey&amp;amp;action=edit" class="new" title="Mini Grey"&gt;Mini Grey&lt;/span&gt; (Cape)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/The_Star_of_Kazan" title="The Star of Kazan"&gt;The Star of Kazan&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Eva_Ibbotson" title="Eva Ibbotson"&gt;Eva Ibbotson&lt;/span&gt; (Macmillan)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Cloud_Busting&amp;amp;action=edit" class="new" title="Cloud Busting"&gt;Cloud Busting&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Malorie_Blackman" title="Malorie Blackman"&gt;Malorie Blackman&lt;/span&gt; (Doubleday)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=My_Big_Brother_Boris&amp;amp;action=edit" class="new" title="My Big Brother Boris"&gt;My Big Brother Boris&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Liz_Pichon&amp;amp;action=edit" class="new" title="Liz Pichon"&gt;Liz Pichon&lt;/span&gt; (Scholastic)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Keeper_%28novel%29" title="Keeper (novel)"&gt;Keeper&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Mal_Peet" title="Mal Peet"&gt;Mal Peet&lt;/span&gt; (Walker)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/wiki/Smile%21_%28book%29" title="Smile! (book)"&gt;Smile!&lt;/span&gt;&lt;/i&gt; By &lt;span href="/wiki/Geraldine_McCaughrean" title="Geraldine McCaughrean"&gt;Geraldine McCaughrean&lt;/span&gt; (OUP)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Bartholomew_and_the_Bug&amp;amp;action=edit" class="new" title="Bartholomew and the Bug"&gt;Bartholomew and the Bug&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Neal_Layton&amp;amp;action=edit" class="new" title="Neal Layton"&gt;Neal Layton&lt;/span&gt; (Hodder)&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;4Children Special Award: &lt;i&gt;&lt;span href="/w/index.php?title=Fergus_Crane&amp;amp;action=edit" class="new" title="Fergus Crane"&gt;Fergus Crane&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Paul_Stewart_%28writer%29" title="Paul Stewart (writer)"&gt;Paul Stewart&lt;/span&gt; and &lt;span href="/wiki/Chris_Riddell" title="Chris Riddell"&gt;Chris Riddell&lt;/span&gt; (Doubleday)   &lt;b&gt; 2004&lt;/b&gt;&lt;br /&gt;  &lt;span name="2002"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Fire-Eaters&amp;amp;action=edit" class="new" title="The Fire-Eaters"&gt;The Fire-Eaters&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/David_Almond" title="David Almond"&gt;David Almond&lt;/span&gt;&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/wiki/Varjak_Paw" title="Varjak Paw"&gt;Varjak Paw&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=S._F._Said&amp;amp;action=edit" class="new" title="S. F. Said"&gt;S. F. Said&lt;/span&gt;, illustrated by &lt;span href="/wiki/Dave_McKean" title="Dave McKean"&gt;Dave McKean&lt;/span&gt;&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Witch%27s_Children_and_the_Queen&amp;amp;action=edit" class="new" title="The Witch's Children and the Queen"&gt;The Witch's Children and the Queen&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Ursula_Jones&amp;amp;action=edit" class="new" title="Ursula Jones"&gt;Ursula Jones&lt;/span&gt;, illustrated by &lt;span href="/w/index.php?title=Russell_Ayto&amp;amp;action=edit" class="new" title="Russell Ayto"&gt;Russell Ayto&lt;/span&gt;&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Montmorency" title="Montmorency"&gt;Montmorency&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Eleanor_Updale" title="Eleanor Updale"&gt;Eleanor Updale&lt;/span&gt;&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Last_Castaways&amp;amp;action=edit" class="new" title="The Last Castaways"&gt;The Last Castaways&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Harry_Horse" title="Harry Horse"&gt;Harry Horse&lt;/span&gt;&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Tadpole%27s_Promise&amp;amp;action=edit" class="new" title="Tadpole's Promise"&gt;Tadpole's Promise&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Jeanne_Willis&amp;amp;action=edit" class="new" title="Jeanne Willis"&gt;Jeanne Willis&lt;/span&gt;, illustrated by &lt;span href="/wiki/Tony_Ross" title="Tony Ross"&gt;Tony Ross&lt;/span&gt;&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Various&amp;amp;action=edit" class="new" title="The Various"&gt;The Various&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Steve_Augarde&amp;amp;action=edit" class="new" title="Steve Augarde"&gt;Steve Augarde&lt;/span&gt;&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Countess%27s_Calamity&amp;amp;action=edit" class="new" title="The Countess's Calamity"&gt;The Countess's Calamity&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Sally_Gardner" title="Sally Gardner"&gt;Sally Gardner&lt;/span&gt;&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Two_Frogs&amp;amp;action=edit" class="new" title="Two Frogs"&gt;Two Frogs&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Chris_Wormell&amp;amp;action=edit" class="new" title="Chris Wormell"&gt;Chris Wormell&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Kids' Club Award: &lt;i&gt;&lt;span href="/w/index.php?title=The_Countess%27s_Calamity&amp;amp;action=edit" class="new" title="The Countess's Calamity"&gt;The Countess's Calamity&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Sally_Gardner" title="Sally Gardner"&gt;Sally Gardner&lt;/span&gt;   &lt;b&gt; 2002&lt;/b&gt;&lt;br /&gt;  &lt;span name="2000"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Journey_to_the_River_Sea" title="Journey to the River Sea"&gt;Journey to the River Sea&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Eva_Ibbotson" title="Eva Ibbotson"&gt;Eva Ibbotson&lt;/span&gt; (Macmillan)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Shrimp&amp;amp;action=edit" class="new" title="The Shrimp"&gt;The Shrimp&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Emily_Smith&amp;amp;action=edit" class="new" title="Emily Smith"&gt;Emily Smith&lt;/span&gt; (Young Corgi)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Chimp_and_Zee&amp;amp;action=edit" class="new" title="Chimp and Zee"&gt;Chimp and Zee&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Catherine_Anholt&amp;amp;action=edit" class="new" title="Catherine Anholt"&gt;Catherine&lt;/span&gt; and &lt;span href="/w/index.php?title=Laurence_Anholt&amp;amp;action=edit" class="new" title="Laurence Anholt"&gt;Laurence Anholt&lt;/span&gt; (Frances Lincoln)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/The_Haunting_of_Alaizabel_Cray" title="The Haunting of Alaizabel Cray"&gt;The Haunting of Alaizabel Cray&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Chris_Wooding" title="Chris Wooding"&gt;Chris Wooding&lt;/span&gt; (Scholastic)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/wiki/Ug_%28book%29" title="Ug (book)"&gt;Ug&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Raymond_Briggs" title="Raymond Briggs"&gt;Raymond Briggs&lt;/span&gt; (by Cape)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Kipper%27s_A_to_Z&amp;amp;action=edit" class="new" title="Kipper's A to Z"&gt;Kipper's A to Z&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Mick_Inkpen" title="Mick Inkpen"&gt;Mick Inkpen&lt;/span&gt; (Hodder)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Kite_Rider&amp;amp;action=edit" class="new" title="The Kite Rider"&gt;The Kite Rider&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Geraldine_McCaughrean" title="Geraldine McCaughrean"&gt;Geraldine McCaughrean&lt;/span&gt; (Oxford University Press)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=What_Planet_Are_You_From_Clarice_Bean%3F&amp;amp;action=edit" class="new" title="What Planet Are You From Clarice Bean?"&gt;What Planet Are You From Clarice Bean?&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Lauren_Child" title="Lauren Child"&gt;Lauren Child&lt;/span&gt; (Orchard Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Five_Little_Friends&amp;amp;action=edit" class="new" title="Five Little Friends"&gt;Five Little Friends&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Sarah_Dyer" title="Sarah Dyer"&gt;Sarah Dyer&lt;/span&gt; (&lt;span href="/wiki/Bloomsbury_Publishing_Plc" title="Bloomsbury Publishing Plc"&gt;Bloomsbury&lt;/span&gt;)&lt;br /&gt; Kids' Club Network Special Award: &lt;i&gt;&lt;span href="/w/index.php?title=What_Planet_Are_You_From_Clarice_Bean%3F&amp;amp;action=edit" class="new" title="What Planet Are You From Clarice Bean?"&gt;What Planet Are You From Clarice Bean?&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Lauren_Child" title="Lauren Child"&gt;Lauren Child&lt;/span&gt; (Orchard Books)   &lt;b&gt; 2001&lt;/b&gt;&lt;br /&gt;  &lt;span name="1999"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/The_Wind_Singer" title="The Wind Singer"&gt;The Wind Singer&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/William_Nicholson" title="William Nicholson"&gt;William Nicholson&lt;/span&gt; (Mammoth)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Lizzie_Zipmouth&amp;amp;action=edit" class="new" title="Lizzie Zipmouth"&gt;Lizzie Zipmouth&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Jacqueline_Wilson" title="Jacqueline Wilson"&gt;Jacqueline Wilson&lt;/span&gt;, illustrated by &lt;span href="/wiki/Nick_Sharratt" title="Nick Sharratt"&gt;Nick Sharratt&lt;/span&gt; (Young Corgi)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/wiki/Max_%28book%29" title="Max (book)"&gt;Max&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Bob_Graham" title="Bob Graham"&gt;Bob Graham&lt;/span&gt; (Walker Books)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Other_Side_of_Truth&amp;amp;action=edit" class="new" title="The Other Side of Truth"&gt;The Other Side of Truth&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Beverley_Naidoo" title="Beverley Naidoo"&gt;Beverley Naidoo&lt;/span&gt; (Puffin)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Red_and_White_Spotted_Handkerchief&amp;amp;action=edit" class="new" title="The Red and White Spotted Handkerchief"&gt;The Red and White Spotted Handkerchief&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Tony_Mitton&amp;amp;action=edit" class="new" title="Tony Mitton"&gt;Tony Mitton&lt;/span&gt;, illustrated by &lt;span href="/wiki/Peter_Bailey" title="Peter Bailey"&gt;Peter Bailey&lt;/span&gt; (Scholastic)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Me_and_My_Cat&amp;amp;action=edit" class="new" title="Me and My Cat"&gt;Me and My Cat&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Satoshi_Kitamura" title="Satoshi Kitamura"&gt;Satoshi Kitamura&lt;/span&gt; (Andersen)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/The_Seeing_Stone" title="The Seeing Stone"&gt;The Seeing Stone&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Kevin_Crossley-Holland" title="Kevin Crossley-Holland"&gt;Kevin Crossley-Holland&lt;/span&gt; (Orion)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Beware_of_the_Storybook_Wolves&amp;amp;action=edit" class="new" title="Beware of the Storybook Wolves"&gt;Beware of the Storybook Wolves&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Lauren_Child" title="Lauren Child"&gt;Lauren Child&lt;/span&gt; (Hodder)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Husherbye&amp;amp;action=edit" class="new" title="Husherbye"&gt;Husherbye&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=John_Burningham&amp;amp;action=edit" class="new" title="John Burningham"&gt;John Burningham&lt;/span&gt; (Jonathan Cape)&lt;br /&gt; Kids' Club Network Special Award: &lt;i&gt;&lt;span href="/w/index.php?title=Lizzie_Zipmouth&amp;amp;action=edit" class="new" title="Lizzie Zipmouth"&gt;Lizzie Zipmouth&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Jacqueline_Wilson" title="Jacqueline Wilson"&gt;Jacqueline Wilson&lt;/span&gt;, illustrated by &lt;span href="/wiki/Nick_Sharratt" title="Nick Sharratt"&gt;Nick Sharratt&lt;/span&gt; (Young Corgi)   &lt;b&gt; 2000&lt;/b&gt;&lt;br /&gt;  &lt;span name="1998"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Harry_Potter_and_the_Prisoner_of_Azkaban" title="Harry Potter and the Prisoner of Azkaban"&gt;Harry Potter and the Prisoner of Azkaban&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/J._K._Rowling" title="J. K. Rowling"&gt;J. K. Rowling&lt;/span&gt; (&lt;span href="/wiki/Bloomsbury_Publishing_Plc" title="Bloomsbury Publishing Plc"&gt;Bloomsbury&lt;/span&gt;)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Snow_White_and_the_Seven_Aliens&amp;amp;action=edit" class="new" title="Snow White and the Seven Aliens"&gt;Snow White and the Seven Aliens&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Laurence_Anholt&amp;amp;action=edit" class="new" title="Laurence Anholt"&gt;Laurence Anholt&lt;/span&gt;, illustrated by &lt;span href="/w/index.php?title=Arthur_Robins&amp;amp;action=edit" class="new" title="Arthur Robins"&gt;Arthur Robins&lt;/span&gt; (Orchard Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/wiki/The_Gruffalo" title="The Gruffalo"&gt;The Gruffalo&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Julia_Donaldson" title="Julia Donaldson"&gt;Julia Donaldson&lt;/span&gt;, illustrated by &lt;span href="/wiki/Axel_Scheffler" title="Axel Scheffler"&gt;Axel Scheffler&lt;/span&gt; (Macmillan)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Kit%27s_Wilderness&amp;amp;action=edit" class="new" title="Kit's Wilderness"&gt;Kit's Wilderness&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/David_Almond" title="David Almond"&gt;David Almond&lt;/span&gt; (Hodder Children's Books)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Astrid%2C_the_Au_Pair_from_Outer_Space&amp;amp;action=edit" class="new" title="Astrid, the Au Pair from Outer Space"&gt;Astrid, the Au Pair from Outer Space&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Emily_Smith&amp;amp;action=edit" class="new" title="Emily Smith"&gt;Emily Smith&lt;/span&gt; (Corgi)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Buffy_-_An_Adventure_Story&amp;amp;action=edit" class="new" title="Buffy - An Adventure Story"&gt;Buffy - An Adventure Story&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Bob_Graham" title="Bob Graham"&gt;Bob Graham&lt;/span&gt; (Walker Books)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Angus%2C_Thongs_and_Full-Frontal_Snogging" title="Angus, Thongs and Full-Frontal Snogging"&gt;Angus, Thongs and Full-Frontal Snogging&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Louise_Rennison" title="Louise Rennison"&gt;Louise Rennison&lt;/span&gt; (Piccadilly Press)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Clarice_Bean_That%27s_Me&amp;amp;action=edit" class="new" title="Clarice Bean That's Me"&gt;Clarice Bean That's Me&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Lauren_Child" title="Lauren Child"&gt;Lauren Child&lt;/span&gt; (Orchard Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=I_Wish_I_Were_a_Dog&amp;amp;action=edit" class="new" title="I Wish I Were a Dog"&gt;I Wish I Were a Dog&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Lydia_Monks&amp;amp;action=edit" class="new" title="Lydia Monks"&gt;Lydia Monks&lt;/span&gt; (Methuen)   &lt;b&gt; 1999&lt;/b&gt;&lt;br /&gt;  &lt;span name="1997"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Harry_Potter_and_the_Chamber_of_Secrets" title="Harry Potter and the Chamber of Secrets"&gt;Harry Potter and the Chamber of Secrets&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/J._K._Rowling" title="J. K. Rowling"&gt;J. K. Rowling&lt;/span&gt; (&lt;span href="/wiki/Bloomsbury_Publishing_Plc" title="Bloomsbury Publishing Plc"&gt;Bloomsbury&lt;/span&gt;)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Last_of_the_Gold_Diggers&amp;amp;action=edit" class="new" title="Last of the Gold Diggers"&gt;Last of the Gold Diggers&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Harry_Horse" title="Harry Horse"&gt;Harry Horse&lt;/span&gt; (Puffin Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Cowboy_Baby&amp;amp;action=edit" class="new" title="Cowboy Baby"&gt;Cowboy Baby&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Sue_Heap&amp;amp;action=edit" class="new" title="Sue Heap"&gt;Sue Heap&lt;/span&gt; (Walker Books)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Aquila" title="Aquila"&gt;Aquila&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Andrew_Noriss&amp;amp;action=edit" class="new" title="Andrew Noriss"&gt;Andrew Noriss&lt;/span&gt; (Puffin Books)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/wiki/The_Runner" title="The Runner"&gt;The Runner&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Keith_Gray&amp;amp;action=edit" class="new" title="Keith Gray"&gt;Keith Gray&lt;/span&gt; (Mammoth Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Come_On_Daisy&amp;amp;action=edit" class="new" title="Come On Daisy"&gt;Come On Daisy&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Jane_Simmons&amp;amp;action=edit" class="new" title="Jane Simmons"&gt;Jane Simmons&lt;/span&gt; (Orchard Books)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Crowstarver&amp;amp;action=edit" class="new" title="The Crowstarver"&gt;The Crowstarver&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Dick_King-Smith" title="Dick King-Smith"&gt;Dick King-Smith&lt;/span&gt; (Doubleday)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Green_Ship&amp;amp;action=edit" class="new" title="The Green Ship"&gt;The Green Ship&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Quentin_Blake" title="Quentin Blake"&gt;Quentin Blake&lt;/span&gt; (Jonathan Cape)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Secret_in_the_Mist&amp;amp;action=edit" class="new" title="Secret in the Mist"&gt;Secret in the Mist&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Margaret_Nash&amp;amp;action=edit" class="new" title="Margaret Nash"&gt;Margaret Nash&lt;/span&gt; (David &amp;amp; Charles)   &lt;b&gt; 1998&lt;/b&gt;&lt;br /&gt;  &lt;span name="1996"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Harry_Potter_and_the_Philosopher%27s_Stone" title="Harry Potter and the Philosopher's Stone"&gt;Harry Potter and the Philosopher's Stone&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/J._K._Rowling" title="J. K. Rowling"&gt;J. K. Rowling&lt;/span&gt; (&lt;span href="/wiki/Bloomsbury_Publishing_Plc" title="Bloomsbury Publishing Plc"&gt;Bloomsbury&lt;/span&gt;)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Owl_Tree&amp;amp;action=edit" class="new" title="The Owl Tree"&gt;The Owl Tree&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Jenny_Nimmo" title="Jenny Nimmo"&gt;Jenny Nimmo&lt;/span&gt;, illustrated by &lt;span href="/wiki/Anthony_Lewis" title="Anthony Lewis"&gt;Anthony Lewis&lt;/span&gt; (Walker Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/wiki/Ginger_%28book%29" title="Ginger (book)"&gt;Ginger&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Charlotte_Voake&amp;amp;action=edit" class="new" title="Charlotte Voake"&gt;Charlotte Voake&lt;/span&gt; (Walker Books)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Clockwork_or_All_Wound_Up" title="Clockwork or All Wound Up"&gt;Clockwork or All Wound Up&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Philip_Pullman" title="Philip Pullman"&gt;Philip Pullman&lt;/span&gt; (Corgi Yearling)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Little_Reindeer&amp;amp;action=edit" class="new" title="The Little Reindeer"&gt;The Little Reindeer&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Michael_Foreman" title="Michael Foreman"&gt;Michael Foreman&lt;/span&gt; (Andersen Press)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Leon_and_Bob&amp;amp;action=edit" class="new" title="Leon and Bob"&gt;Leon and Bob&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Simon_James" title="Simon James"&gt;Simon James&lt;/span&gt; (Walker Books)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Fire%2C_Bed_and_Bone" title="Fire, Bed and Bone"&gt;Fire, Bed and Bone&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Henrietta_Branford" title="Henrietta Branford"&gt;Henrietta Branford&lt;/span&gt; (Walker Books)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=We_Animals_Would_Like_a_Word_With_You&amp;amp;action=edit" class="new" title="We Animals Would Like a Word With You"&gt;We Animals Would Like a Word With You&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/John_Agard" title="John Agard"&gt;John Agard&lt;/span&gt;, illustrated by &lt;span href="/wiki/Satoshi_Kitamura" title="Satoshi Kitamura"&gt;Satoshi Kitamura&lt;/span&gt; (Bodley Head)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/wiki/Fruits_%28book%29" title="Fruits (book)"&gt;Fruits&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Valerie_Bloom" title="Valerie Bloom"&gt;Valerie Bloom&lt;/span&gt;, illustrated by &lt;span href="/w/index.php?title=David_Axtell&amp;amp;action=edit" class="new" title="David Axtell"&gt;David Axtell&lt;/span&gt; (Macmillan)   &lt;b&gt; 1997&lt;/b&gt;&lt;br /&gt;  &lt;span name="1995"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Gold Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_Firework-Maker%E2%80%99s_Daughter&amp;amp;action=edit" class="new" title="The Firework-Maker's Daughter"&gt;The Firework-Maker's Daughter&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Philip_Pullman" title="Philip Pullman"&gt;Philip Pullman&lt;/span&gt;, illustrated by &lt;span href="/wiki/Nick_Harris" title="Nick Harris"&gt;Nick Harris&lt;/span&gt; (Corgi Yearling)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/wiki/The_Butterfly_Lion" title="The Butterfly Lion"&gt;The Butterfly Lion&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Michael_Morpurgo" title="Michael Morpurgo"&gt;Michael Morpurgo&lt;/span&gt;, illustrated by &lt;span href="/wiki/Christian_Birmingham" title="Christian Birmingham"&gt;Christian Birmingham&lt;/span&gt; (Collins Children's Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Oops%21&amp;amp;action=edit" class="new" title="Oops!"&gt;Oops!&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Colin_McNaughton" title="Colin McNaughton"&gt;Colin McNaughton&lt;/span&gt; (Andersen Press)&lt;br /&gt; Silver Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/wiki/Johnny_and_the_Bomb" title="Johnny and the Bomb"&gt;Johnny and the Bomb&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Terry_Pratchett" title="Terry Pratchett"&gt;Terry Pratchett&lt;/span&gt; (Doubleday)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Harry_the_Poisonous_Centipede&amp;amp;action=edit" class="new" title="Harry the Poisonous Centipede"&gt;Harry the Poisonous Centipede&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Lynne_Reid_Banks" title="Lynne Reid Banks"&gt;Lynne Reid Banks&lt;/span&gt;, illustrated by &lt;span href="/wiki/Tony_Ross" title="Tony Ross"&gt;Tony Ross&lt;/span&gt; (Collins Children's Books)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=The_World_is_Full_of_Babies&amp;amp;action=edit" class="new" title="The World is Full of Babies"&gt;The World is Full of Babies&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Mick_Manning" title="Mick Manning"&gt;Mick Manning&lt;/span&gt; and &lt;span href="/wiki/Brita_Granstrom" title="Brita Granstrom"&gt;Brita Granstrom&lt;/span&gt; (Watts Books)&lt;br /&gt; Bronze Award&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Plundering_Paradise&amp;amp;action=edit" class="new" title="Plundering Paradise"&gt;Plundering Paradise&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Geraldine_McCaughrean" title="Geraldine McCaughrean"&gt;Geraldine McCaughrean&lt;/span&gt; (Oxford University Press)&lt;br /&gt; 6-8 years category: &lt;i&gt;&lt;span href="/w/index.php?title=All_Because_of_Jackson&amp;amp;action=edit" class="new" title="All Because of Jackson"&gt;All Because of Jackson&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Dick_King-Smith" title="Dick King-Smith"&gt;Dick King-Smith&lt;/span&gt;, illustrated by &lt;span href="/wiki/John_Eastwood" title="John Eastwood"&gt;John Eastwood&lt;/span&gt; (Doubleday)&lt;br /&gt; 0-5 years category: &lt;i&gt;&lt;span href="/w/index.php?title=Clown_%28book%29&amp;amp;action=edit" class="new" title="Clown (book)"&gt;Clown&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Quentin_Blake" title="Quentin Blake"&gt;Quentin Blake&lt;/span&gt; (Cape)   &lt;b&gt; 1996&lt;/b&gt;&lt;br /&gt;  &lt;span name="1994"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9-11 category and overall winner: &lt;i&gt;&lt;span href="/wiki/Double_Act_%28book%29" title="Double Act (book)"&gt;Double Act&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Jacqueline_Wilson" title="Jacqueline Wilson"&gt;Jacqueline Wilson&lt;/span&gt; (Doubleday)&lt;br /&gt; 6 - 8 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Thomas_and_the_Tinners&amp;amp;action=edit" class="new" title="Thomas and the Tinners"&gt;Thomas and the Tinners&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Jill_Paton_Walsh" title="Jill Paton Walsh"&gt;Jill Paton Walsh&lt;/span&gt; (Macdonald Young Books)&lt;br /&gt; 0 - 5 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=The_Last_Noo-Noo&amp;amp;action=edit" class="new" title="The Last Noo-Noo"&gt;The Last Noo-Noo&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Jill_Murphy" title="Jill Murphy"&gt;Jill Murphy&lt;/span&gt; (Walker Books)   &lt;b&gt; 1995&lt;/b&gt;&lt;br /&gt;  &lt;span name="1993"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9 - 11 category and overall winner: &lt;i&gt;&lt;span href="/w/index.php?title=The_Exiles_at_Home&amp;amp;action=edit" class="new" title="The Exiles at Home"&gt;The Exiles at Home&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Hilary_McKay&amp;amp;action=edit" class="new" title="Hilary McKay"&gt;Hilary McKay&lt;/span&gt; (Gollancz)&lt;br /&gt; 6 - 8 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Dimanche_Diller&amp;amp;action=edit" class="new" title="Dimanche Diller"&gt;Dimanche Diller&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Henrietta_Branford" title="Henrietta Branford"&gt;Henrietta Branford&lt;/span&gt;, illustrated by &lt;span href="/w/index.php?title=Lesley_Harker&amp;amp;action=edit" class="new" title="Lesley Harker"&gt;Lesley Harker&lt;/span&gt; (Young Lions)&lt;br /&gt; 0 - 5 years category winner: &lt;i&gt;&lt;span href="/wiki/So_Much" title="So Much"&gt;So Much&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Trish_Cooke&amp;amp;action=edit" class="new" title="Trish Cooke"&gt;Trish Cooke&lt;/span&gt;, illustrated by &lt;span href="/w/index.php?title=Helen_Oxenbury&amp;amp;action=edit" class="new" title="Helen Oxenbury"&gt;Helen Oxenbury&lt;/span&gt; (Walker Books)   &lt;b&gt; 1994&lt;/b&gt;&lt;br /&gt;  &lt;span name="1992"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9 - 11 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Listen_to_the_Dark&amp;amp;action=edit" class="new" title="Listen to the Dark"&gt;Listen to the Dark&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Maeve_Henry&amp;amp;action=edit" class="new" title="Maeve Henry"&gt;Maeve Henry&lt;/span&gt; (Heinemann)&lt;br /&gt; 6 - 8 category and overall winner: &lt;i&gt;&lt;span href="/wiki/War_Game_%28novel%29" title="War Game (novel)"&gt;War Game&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Michael_Foreman" title="Michael Foreman"&gt;Michael Foreman&lt;/span&gt; (Pavilion)&lt;br /&gt; 0 - 5 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Hue_Boy&amp;amp;action=edit" class="new" title="Hue Boy"&gt;Hue Boy&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Rita_Phillips_Mitchell&amp;amp;action=edit" class="new" title="Rita Phillips Mitchell"&gt;Rita Phillips Mitchell&lt;/span&gt; (Gollancz)   &lt;b&gt; 1993&lt;/b&gt;&lt;br /&gt;  &lt;span name="1991"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9 - 11 category and overall winner: &lt;i&gt;&lt;span href="/w/index.php?title=The_Great_Elephant_Chase&amp;amp;action=edit" class="new" title="The Great Elephant Chase"&gt;The Great Elephant Chase&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Gillian_Cross" title="Gillian Cross"&gt;Gillian Cross&lt;/span&gt; (Oxford University Press)&lt;br /&gt; 0 - 5 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Nice_Work%2C_Little_Wolf&amp;amp;action=edit" class="new" title="Nice Work, Little Wolf"&gt;Nice Work, Little Wolf&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Hilda_Offen&amp;amp;action=edit" class="new" title="Hilda Offen"&gt;Hilda Offen&lt;/span&gt; (Hamish Hamilton)&lt;br /&gt; 6 - 8 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=The_Story_of_the_Creation&amp;amp;action=edit" class="new" title="The Story of the Creation"&gt;The Story of the Creation&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Jane_Ray" title="Jane Ray"&gt;Jane Ray&lt;/span&gt; (Orchard Books)   &lt;b&gt; 1992&lt;/b&gt;&lt;br /&gt;  &lt;span name="1990"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;0 - 5 years category and overall winner: &lt;i&gt;&lt;span href="/w/index.php?title=Farmer_Duck&amp;amp;action=edit" class="new" title="Farmer Duck"&gt;Farmer Duck&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Martin_Waddell" title="Martin Waddell"&gt;Martin Waddell&lt;/span&gt; and &lt;span href="/w/index.php?title=Helen_Oxenbury&amp;amp;action=edit" class="new" title="Helen Oxenbury"&gt;Helen Oxenbury&lt;/span&gt; (Walker Books)&lt;br /&gt; 6 - 8 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Josie_Smith_and_Eileen&amp;amp;action=edit" class="new" title="Josie Smith and Eileen"&gt;Josie Smith and Eileen&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Magdalen_Nabb" title="Magdalen Nabb"&gt;Magdalen Nabb&lt;/span&gt; (Collins)&lt;br /&gt; 9 - 11 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Krindledrax&amp;amp;action=edit" class="new" title="Krindledrax"&gt;Krindledrax&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Philip_Ridley" title="Philip Ridley"&gt;Philip Ridley&lt;/span&gt; (Cape)   &lt;b&gt; 1991&lt;/b&gt;&lt;br /&gt;  &lt;span name="1989"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9 - 11 years category and overall winner: &lt;i&gt;&lt;span href="/wiki/Midnight_Blue" title="Midnight Blue"&gt;Midnight Blue&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Pauline_Fisk&amp;amp;action=edit" class="new" title="Pauline Fisk"&gt;Pauline Fisk&lt;/span&gt; (Lion)&lt;br /&gt; 0 - 5 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Six_Dinner_Sid&amp;amp;action=edit" class="new" title="Six Dinner Sid"&gt;Six Dinner Sid&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Inga_Moore&amp;amp;action=edit" class="new" title="Inga Moore"&gt;Inga Moore&lt;/span&gt; (Simon &amp;amp; Schuster)&lt;br /&gt; 6 - 8 years category winner: &lt;i&gt;&lt;span href="/wiki/Esio_Trot" title="Esio Trot"&gt;Esio Trot&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Roald_Dahl" title="Roald Dahl"&gt;Roald Dahl&lt;/span&gt;, illustrated by &lt;span href="/wiki/Quentin_Blake" title="Quentin Blake"&gt;Quentin Blake&lt;/span&gt; (Cape)   &lt;b&gt; 1990&lt;/b&gt;&lt;br /&gt;  &lt;span name="1988"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;0 - 5 years category and overall winner: &lt;i&gt;&lt;span href="/w/index.php?title=We%27re_Going_on_a_Bear_Hunt&amp;amp;action=edit" class="new" title="We're Going on a Bear Hunt"&gt;We're Going on a Bear Hunt&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Michael_Rosen" title="Michael Rosen"&gt;Michael Rosen&lt;/span&gt;, illustrated by &lt;span href="/w/index.php?title=Helen_Oxenbury&amp;amp;action=edit" class="new" title="Helen Oxenbury"&gt;Helen Oxenbury&lt;/span&gt; (Walker Books)&lt;br /&gt; 6 - 8 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Bill%27s_New_Frock&amp;amp;action=edit" class="new" title="Bill's New Frock"&gt;Bill's New Frock&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Anne_Fine" title="Anne Fine"&gt;Anne Fine&lt;/span&gt; (Methuen)&lt;br /&gt; 9 - 11 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Blitzcat&amp;amp;action=edit" class="new" title="Blitzcat"&gt;Blitzcat&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Robert_Westall" title="Robert Westall"&gt;Robert Westall&lt;/span&gt; (Macmillan)   &lt;b&gt; 1989&lt;/b&gt;&lt;br /&gt;  &lt;span name="1987"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;0 - 5 years category and overall winner: &lt;i&gt;&lt;span href="/w/index.php?title=Can%27t_You_Sleep_Little_Bear%3F&amp;amp;action=edit" class="new" title="Can't You Sleep Little Bear?"&gt;Can't You Sleep Little Bear?&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Martin_Waddell" title="Martin Waddell"&gt;Martin Waddell&lt;/span&gt; and &lt;span href="/w/index.php?title=Barbara_Firth&amp;amp;action=edit" class="new" title="Barbara Firth"&gt;Barbara Firth&lt;/span&gt; (Walker Books)&lt;br /&gt; 6 - 8 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Can_it_be_True%3F&amp;amp;action=edit" class="new" title="Can it be True?"&gt;Can it be True?&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Susan_Hill" title="Susan Hill"&gt;Susan Hill&lt;/span&gt; (Hamish Hamilton)&lt;br /&gt; 9 - 11 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Rushavenn_Time&amp;amp;action=edit" class="new" title="Rushavenn Time"&gt;Rushavenn Time&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Theresa_Whistler&amp;amp;action=edit" class="new" title="Theresa Whistler"&gt;Theresa Whistler&lt;/span&gt; (&lt;span href="/wiki/Brixworth" title="Brixworth"&gt;Brixworth&lt;/span&gt; Primary School)   &lt;b&gt; 1988&lt;/b&gt;&lt;br /&gt;  &lt;span name="1986"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;9 - 11 years category and overall winner: &lt;i&gt;&lt;span href="/w/index.php?title=A_Thief_in_the_Village&amp;amp;action=edit" class="new" title="A Thief in the Village"&gt;A Thief in the Village&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/James_Berry" title="James Berry"&gt;James Berry&lt;/span&gt; (Hamish Hamilton)&lt;br /&gt; 0 - 5 years category winner: &lt;i&gt;&lt;span href="/wiki/The_Angel_and_the_Soldier_Boy" title="The Angel and the Soldier Boy"&gt;The Angel and the Soldier Boy&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Peter_Collington&amp;amp;action=edit" class="new" title="Peter Collington"&gt;Peter Collington&lt;/span&gt; (Methuen)&lt;br /&gt; 6 - 8 years category winner: &lt;i&gt;&lt;span href="/w/index.php?title=Tangle_and_the_Firesticks&amp;amp;action=edit" class="new" title="Tangle and the Firesticks"&gt;Tangle and the Firesticks&lt;/span&gt;&lt;/i&gt; by &lt;span href="/w/index.php?title=Benedict_Blathwayt&amp;amp;action=edit" class="new" title="Benedict Blathwayt"&gt;Benedict Blathwayt&lt;/span&gt; (Julia MacRae)   &lt;b&gt; 1987&lt;/b&gt;&lt;br /&gt;  &lt;span name="1985"&gt;&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;i&gt;&lt;span href="/wiki/The_Snow_Spider" title="The Snow Spider"&gt;The Snow Spider&lt;/span&gt;&lt;/i&gt; by &lt;span href="/wiki/Jenny_Nimmo" title="Jenny Nimmo"&gt;Jenny Nimmo&lt;/span&gt; (Methuen)   &lt;b&gt; 1985&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Carnegie_Medal" title="Carnegie Medal"&gt;Carnegie Medal&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Guardian_Award" title="Guardian Award"&gt;Guardian Award&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Kate_Greenaway_Medal" title="Kate Greenaway Medal"&gt;Kate Greenaway Medal&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Newbery_medal" title="Newbery medal"&gt;Newbery medal&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-2555274450120979188?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/2555274450120979188/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=2555274450120979188' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2555274450120979188'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2555274450120979188'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/nestl-childrens-book-prize-formerly.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-813636536902173611</id><published>2008-04-17T00:58:00.001+09:00</published><updated>2008-04-17T00:58:51.490+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://upload.wikimedia.org/wikipedia/en/thumb/f/f3/ATCQPeople%27sInstinctTravels.jpg/200px-ATCQPeople%27sInstinctTravels.jpg"  alt="People's Instinctive Travels and the Paths of Rhythm"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;&lt;b&gt;People's Instinctive Travels and the Paths of Rhythm&lt;/b&gt;&lt;/i&gt; is the debut &lt;span href="/wiki/Alternative_hip_hop" title="Alternative hip hop"&gt;alternative hip hop&lt;/span&gt; album by &lt;span href="/wiki/A_Tribe_Called_Quest" title="A Tribe Called Quest"&gt;A Tribe Called Quest&lt;/span&gt;, released on &lt;span href="/wiki/April_17" title="April 17"&gt;April 17&lt;/span&gt;, &lt;span href="/wiki/1990" title="1990"&gt;1990&lt;/span&gt; (see &lt;span href="/wiki/1990_in_music" title="1990 in music"&gt;1990 in music&lt;/span&gt;). Though the album was well-received critically, it had little mainstream appeal. It did earn the band a devoted following however, within the alternative hip hop community. &lt;i&gt;People's Instinctive Travels and Paths of Rhythm&lt;/i&gt; was praised for its lyrical inventiveness and bizarre sense of humor, mixed with socially aware and literate &lt;span href="/w/index.php?title=Message_track&amp;amp;action=edit" class="new" title="Message track"&gt;message tracks&lt;/span&gt;. It is one of three A Tribe Called Quest albums included in &lt;span href="/w/index.php?title=The_Source_Magazine%27s_100_Best_Rap_Albums&amp;amp;action=edit" class="new" title="The Source Magazine's 100 Best Rap Albums"&gt;The Source Magazine's 100 Best Rap Albums&lt;/span&gt;.&lt;br /&gt; Critical reviews were generally positive, but many felt that the group's effort was immature and unfocused. John Bush of &lt;span href="/wiki/Allmusic" title="Allmusic"&gt;allmusic&lt;/span&gt; writes "Tribe perhaps experimented too much on their debut, but they succeeded at much of it, certainly enough to show much promise as a new decade dawned". &lt;span href="/wiki/Rolling_Stone_magazine" title="Rolling Stone magazine"&gt;Rolling Stone magazine&lt;/span&gt;'s Chuck Eddy found the album "one of the least danceable albums" in hip hop, and said that the performers sounded boring.&lt;br /&gt; &lt;span name="Track_listing" id="Track_listing"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/All_Music_Guide" title="All Music Guide"&gt;All Music Guide&lt;/span&gt; &lt;span href="/wiki/Image:4.5_stars.svg" class="image" title="4.5/5 stars"&gt;&lt;img alt="4.5/5 stars" longdesc="/wiki/Image:4.5_stars.svg" src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/4.5_stars.svg/55px-4.5_stars.svg.png" width="55" height="11" /&gt;&lt;/span&gt; &lt;span href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=10:3b811vj8zzha~T1" class="external text" title="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=10:3b811vj8zzha~T1" rel="nofollow"&gt;link&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/The_Source_%28magazine%29" title="The Source (magazine)"&gt;The Source&lt;/span&gt; &lt;span href="/wiki/Image:5_stars.svg" class="image" title="5/5 stars"&gt;&lt;img alt="5/5 stars" longdesc="/wiki/Image:5_stars.svg" src="http://upload.wikimedia.org/wikipedia/commons/thumb/a/ae/5_stars.svg/55px-5_stars.svg.png" width="55" height="11" /&gt;&lt;/span&gt;   &lt;b&gt; Track listing&lt;/b&gt;&lt;br /&gt;  The information is taken from AcclaimedMusic.net and other website links below.&lt;br /&gt; &lt;small&gt;( * ) designates lists which are unordered.&lt;/small&gt;&lt;br /&gt; &lt;span name="Album_singles" id="Album_singles"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Accolades&lt;/b&gt;&lt;br /&gt;  &lt;span name="Album_Chart_Positions" id="Album_Chart_Positions"&gt;&lt;/span&gt;&lt;br /&gt; Released: &lt;span href="/wiki/July_5" title="July 5"&gt;July 5&lt;/span&gt;, &lt;span href="/wiki/1990" title="1990"&gt;1990&lt;/span&gt;&lt;br /&gt; B-side: "Mr. Muhammad"&lt;br /&gt; Released: &lt;span href="/wiki/October_29" title="October 29"&gt;October 29&lt;/span&gt;, &lt;span href="/wiki/1990" title="1990"&gt;1990&lt;/span&gt;&lt;br /&gt; B-side: "Spirits", "If The Papes Come", "If The Papes Come (Remix)"&lt;br /&gt; Released: &lt;span href="/wiki/1990" title="1990"&gt;1990&lt;/span&gt;&lt;br /&gt; B-side: "Pubic Enemy"   &lt;b&gt; Singles Chart Positions&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; A Tribe Called Quest - Producer, Mixing&lt;br /&gt; Tim Latham - Engineer&lt;br /&gt; &lt;span href="/wiki/Ali_Shaheed_Muhammad" title="Ali Shaheed Muhammad"&gt;Ali Shaheed Muhammad&lt;/span&gt; - DJ&lt;br /&gt; Bob Power - Engineer&lt;br /&gt; &lt;span href="/wiki/Q-Tip_%28rapper%29" title="Q-Tip (rapper)"&gt;Q-Tip&lt;/span&gt; - Vocals&lt;br /&gt; Anthony Saunders - Engineer&lt;br /&gt; Dr. Shane Faber - Engineer&lt;br /&gt; &lt;span href="/wiki/Jarobi_White" title="Jarobi White"&gt;Jarobi White&lt;/span&gt; - Performer&lt;br /&gt; &lt;span href="/wiki/Phife_Dawg" title="Phife Dawg"&gt;Phife Dawg&lt;/span&gt; - Vocals&lt;br /&gt; Ari Marcopoulos - Photography&lt;br /&gt; &lt;span href="/wiki/Lucien_Revolucien" title="Lucien Revolucien"&gt;Lucien&lt;/span&gt; - Background Vocals  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-813636536902173611?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/813636536902173611/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=813636536902173611' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/813636536902173611'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/813636536902173611'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/peoples-instinctive-travels-and-paths.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-4056602074188718771</id><published>2008-04-16T01:29:00.001+09:00</published><updated>2008-04-16T01:29:15.643+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Drama&lt;/b&gt; is the specific &lt;span href="/wiki/Mode_%28literature%29" title="Mode (literature)"&gt;mode&lt;/span&gt; of &lt;span href="/wiki/Fiction" title="Fiction"&gt;fiction&lt;/span&gt; &lt;span href="/wiki/Mimesis" title="Mimesis"&gt;represented&lt;/span&gt; in &lt;span href="/wiki/Performance" title="Performance"&gt;performance&lt;/span&gt;.&lt;br /&gt;  &lt;span name="History_of_drama" id="History_of_drama"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History of drama&lt;/b&gt;&lt;br /&gt;  The three types of drama composed in the city of &lt;span href="/wiki/Athens" title="Athens"&gt;Athens&lt;/span&gt; were &lt;span href="/wiki/Tragedy" title="Tragedy"&gt;tragedy&lt;/span&gt;, &lt;span href="/wiki/Comedy" title="Comedy"&gt;comedy&lt;/span&gt;, and &lt;span href="/wiki/Satyr_play" title="Satyr play"&gt;satyrs&lt;/span&gt;. The origins of Athenian tragedy and comedy are far from clear, but they began (and continued to be) as a part of the celebrations of the god Dionysus, which were held once a year. Every year three authors were chosen to write three dramas, and one satyrplay each. Similarly, five authors were also chosen to write three comedies and a satyr play each. Each tragedy tetralogy was then performed in 3 successive days, and on the last day the 5 comedies competed. All the plays were played in the Dionysos theatre in Athens, and the best author for both tragedy and comedy was chosen.&lt;br /&gt; The &lt;span href="/wiki/Greek_chorus" title="Greek chorus"&gt;chorus&lt;/span&gt; seems to have originated with a leader singing a song about some legendary &lt;span href="/wiki/Hero" title="Hero"&gt;hero&lt;/span&gt;. Later the leader, rather than singing about the hero, began to impersonate him. Spoken dialogue between several actors was added, and the result was "tragedy" in the Greek form. The very first prize for tragedy went to &lt;span href="/wiki/Thespis" title="Thespis"&gt;Thespis&lt;/span&gt; in &lt;span href="/wiki/534_BC" title="534 BC"&gt;534 BC&lt;/span&gt;.&lt;br /&gt; In fact, the two masks associated with drama with the smiling and frowning faces are both symbols of the &lt;span href="/wiki/Muses" title="Muses"&gt;Muses&lt;/span&gt; &lt;span href="/wiki/Thalia" title="Thalia"&gt;Thalia&lt;/span&gt; and &lt;span href="/wiki/Melpomene" title="Melpomene"&gt;Melpomene&lt;/span&gt;. Thalia is the Muse of &lt;span href="/wiki/Comedy" title="Comedy"&gt;comedy&lt;/span&gt; (the smiling face), and Melpomene is the Muse of &lt;span href="/wiki/Tragedy" title="Tragedy"&gt;tragedy&lt;/span&gt; (the frowning face).&lt;br /&gt; &lt;span name="Medieval" id="Medieval"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Medieval&lt;/b&gt;&lt;br /&gt;  One of the great flowerings of drama in England occurred in the 16th and 17th centuries. Many of these plays were written in verse, particularly &lt;span href="/wiki/Iambic_pentameter" title="Iambic pentameter"&gt;iambic pentameter&lt;/span&gt;. In addition to &lt;span href="/wiki/Shakespeare" title="Shakespeare"&gt;Shakespeare&lt;/span&gt;, such authors as &lt;span href="/wiki/Christopher_Marlowe" title="Christopher Marlowe"&gt;Christopher Marlowe&lt;/span&gt;, &lt;span href="/wiki/Thomas_Middleton" title="Thomas Middleton"&gt;Thomas Middleton&lt;/span&gt;, and &lt;span href="/wiki/Ben_Jonson" title="Ben Jonson"&gt;Ben Jonson&lt;/span&gt; were prominent playwrights during this period. As in the medieval period, historical plays celebrated the lives of past kings, enhancing the image of the &lt;span href="/wiki/Tudor_dynasty" title="Tudor dynasty"&gt;Tudor&lt;/span&gt; monarchy. Authors of this period drew some of their storylines from &lt;span href="/wiki/Greek_mythology" title="Greek mythology"&gt;Greek mythology&lt;/span&gt; and &lt;span href="/wiki/Roman_mythology" title="Roman mythology"&gt;Roman mythology&lt;/span&gt; or from the plays of eminent Roman playwrights such as &lt;span href="/wiki/Plautus" title="Plautus"&gt;Plautus&lt;/span&gt; and &lt;span href="/wiki/Terence" title="Terence"&gt;Terence&lt;/span&gt;.&lt;br /&gt; &lt;span name="Opera" id="Opera"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Elizabethan and Jacobean&lt;/b&gt;&lt;br /&gt;  &lt;span href="/wiki/Opera" title="Opera"&gt;Western opera&lt;/span&gt; is a dramatic art form, which arose during the Renaissance in an attempt to revive the classical Greek drama tradition in which both music and theatre were combined. Being strongly intertwined with western classical music, the opera has undergone enormous changes in the past four centuries and it is an important form of theatre until this day. Noteworthy is the huge influence of the German 19th century composer &lt;span href="/wiki/Wagner" title="Wagner"&gt;Richard Wagner&lt;/span&gt; on the opera tradition. In his view, there was no proper balance between music and theatre in the operas of his time, because the music seemed to be more important than the dramatic aspects in these works. To restore the connection with the traditional Greek drama, he entirely renewed the operatic format, and to emphasize the equally importance of music and drama in these new works, he called them &lt;span href="/wiki/Music_drama" title="Music drama"&gt;"music dramas"&lt;/span&gt;.&lt;br /&gt; &lt;span name="Chinese" id="Chinese"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Opera&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;&lt;span href="/wiki/Chinese_opera" title="Chinese opera"&gt;Chinese opera&lt;/span&gt;&lt;/b&gt; is a popular form of drama in &lt;span href="/wiki/China" title="China"&gt;China&lt;/span&gt;. In general, it dates back to the &lt;span href="/wiki/Tang_Dynasty" title="Tang Dynasty"&gt;Tang Dynasty&lt;/span&gt; with Emperor &lt;span href="/wiki/Emperor_Xuanzong_of_Tang_China" title="Emperor Xuanzong of Tang China"&gt;Xuanzong&lt;/span&gt; (712-755), who founded the "&lt;span href="/wiki/Pear_Garden" title="Pear Garden"&gt;Pear Garden&lt;/span&gt;" (梨园), the first known opera troupe in China. The troupe mostly performed for the emperors' personal pleasure. To this day operatic professionals are still referred to as "Disciples of the Pear Garden" (梨园弟子). In the &lt;span href="/wiki/Yuan_dynasty" title="Yuan dynasty"&gt;Yuan dynasty&lt;/span&gt; (1279-1368), forms like the &lt;i&gt;&lt;span href="/w/index.php?title=Zaju&amp;amp;action=edit" class="new" title="Zaju"&gt;Zaju&lt;/span&gt;&lt;/i&gt; (杂剧, variety plays), which acts based on rhyming schemes plus the innovation of having specialized roles like "&lt;span href="/wiki/Dan_%28Chinese_opera%29" title="Dan (Chinese opera)"&gt;Dan&lt;/span&gt;" (旦,female), "&lt;span href="/w/index.php?title=Sheng_%28Chinese_opera%29&amp;amp;action=edit" class="new" title="Sheng (Chinese opera)"&gt;Sheng&lt;/span&gt;" (生, male), "&lt;span href="/w/index.php?title=Hua_%28Chinese_opera%29&amp;amp;action=edit" class="new" title="Hua (Chinese opera)"&gt;Hua&lt;/span&gt;" (花, painted-face) and "&lt;span href="/wiki/Chou" title="Chou"&gt;Chou&lt;/span&gt;" (丑, clown) were introduced into the opera. The dominant form of the &lt;span href="/wiki/Ming_Dynasty" title="Ming Dynasty"&gt;Ming&lt;/span&gt; and early &lt;span href="/wiki/Qing_Dynasty" title="Qing Dynasty"&gt;Qing&lt;/span&gt; dynasties was &lt;span href="/wiki/Kunqu" title="Kunqu"&gt;Kunqu&lt;/span&gt;, which came from the &lt;span href="/wiki/Wu_%28region%29" title="Wu (region)"&gt;Wu&lt;/span&gt; cultural area, and evolved a longer form of play called &lt;span href="/w/index.php?title=Chuanqi&amp;amp;action=edit" class="new" title="Chuanqi"&gt;chuanqi&lt;/span&gt;. Chinese operas continue to exist in 368 different forms now, the best known of which is &lt;span href="/wiki/Beijing_opera" title="Beijing opera"&gt;Beijing opera&lt;/span&gt;, which assumed its present form in the mid-&lt;span href="/wiki/19th_century" title="19th century"&gt;19th century&lt;/span&gt; and was extremely popular in the &lt;span href="/wiki/Qing_Dynasty" title="Qing Dynasty"&gt;Qing Dynasty&lt;/span&gt; (1644-1911).&lt;br /&gt; In Beijing opera, traditional Chinese string and percussion instruments provide a strong rhythmic accompaniment to the acting. The acting is based on allusion: gestures, footwork, and other body movements express such actions as riding a horse, rowing a boat, or opening a door. Spoken dialogue is divided into recitative and &lt;span href="/wiki/Beijing" title="Beijing"&gt;Beijing&lt;/span&gt; colloquial speech, the former employed by serious characters and the latter by young females and clowns. Character roles are strictly defined. Elaborate &lt;span href="/wiki/Make-up" title="Make-up"&gt;make-up&lt;/span&gt; designs portray which character is acting. The traditional repertoire of Beijing opera includes more than 1,000 works, mostly taken from historical novels about political and military struggles.&lt;br /&gt; In traditional Chinese &lt;span href="/wiki/Theater" title="Theater"&gt;theater&lt;/span&gt;, no plays were performed in the &lt;span href="/wiki/Vernacular_Chinese" title="Vernacular Chinese"&gt;vernacular Chinese&lt;/span&gt; or without singing. But at the turn of the &lt;span href="/wiki/20th_century" title="20th century"&gt;20th century&lt;/span&gt;, Chinese students returning from abroad began to experiment with Western plays. Following the &lt;span href="/wiki/May_Fourth_Movement" title="May Fourth Movement"&gt;May Fourth Movement&lt;/span&gt; of &lt;span href="/wiki/1919" title="1919"&gt;1919&lt;/span&gt;, a number of Western plays were staged in China, and Chinese playwrights began to imitate this form. The most notable of the new-style playwrights was &lt;span href="/wiki/Cao_Yu" title="Cao Yu"&gt;Cao Yu&lt;/span&gt; (b. 1910). His major works — "Thunderstorm," "Sunrise," "Wilderness," and "Peking Man" — written between 1934 and 1940, have been widely read in China.&lt;br /&gt; In the 1930s, theatrical productions performed by traveling &lt;span href="/wiki/People%27s_Liberation_Army" title="People's Liberation Army"&gt;Red Army&lt;/span&gt; cultural troupes in &lt;span href="/wiki/Communist_Party_of_China" title="Communist Party of China"&gt;Communist&lt;/span&gt; - controlled areas were consciously used to promote party goals and political philosophy. By the 1940s theater was well-established in the Communist controlled areas and many other areas as well.&lt;br /&gt; &lt;span name="Japanese" id="Japanese"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Chinese&lt;/b&gt;&lt;br /&gt;  Japanese Noh drama is a serious dramatic form that combines drama, music, and dance into a complete aesthetic performance experience. It developed in the 14th and 15th centuries and has its own instruments and performance techniques, which were often handed down from father to son. The performers were generally male (for both male and female roles), although female amateurs also perform Noh dramas. Noh drama was supported by the government, and particularly the military, many military commanders having their own troupes and sometimes performing themselves. It is a thriving performance art in Japan today.&lt;span href="http://www.iijnet.or.jp/NOH-KYOGEN/english/english.html" class="external autonumber" title="http://www.iijnet.or.jp/NOH-KYOGEN/english/english.html" rel="nofollow"&gt;[1]&lt;/span&gt;&lt;br /&gt; Kyogen is the comic counterpart to Noh drama. It concentrates more on dialogue and less on music, although Noh instrumentalists sometimes appear also in Kyogen.&lt;br /&gt; &lt;span name="Indian" id="Indian"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Japanese&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;div class="noprint"&gt;&lt;i&gt;Main article: &lt;span href="/wiki/Theatre_in_India" title="Theatre in India"&gt;Theatre in India&lt;/span&gt;&lt;/i&gt;  &lt;b&gt; Indian&lt;/b&gt;&lt;br /&gt;  Except the sacred &lt;span href="/wiki/Classical_Indian_musical_theatre" title="Classical Indian musical theatre"&gt;classical Indian musical theatre&lt;/span&gt;, the usual purpose of drama is as entertainment. However drama can also be used as an educational activity or for therapeutic purposes. It is even used for &lt;span href="/wiki/Religious_ministry" title="Religious ministry"&gt;religious ministry&lt;/span&gt;.&lt;br /&gt; It has a unique ability to allow us to play, allowing us to be another person or in a situation that we would not normally encounter such as, being a general in a war. This is what makes drama a useful way of &lt;span href="/wiki/Teacher_in_role" title="Teacher in role"&gt;teaching&lt;/span&gt;, learning, and growing as a person.&lt;br /&gt; Drama has a holistic way of teaching people. Whether it be in a play or by partaking in a &lt;span href="/wiki/Role-play" title="Role-play"&gt;role-play&lt;/span&gt; situation, participants learn through interactions with others -- this allows participants to not only learn facts as they would from a book or in a classroom, but to enter the world of another person, to be allowed to explore how they feel about this situation or person, whether it be a war-torn town or the wolf in the &lt;i&gt;&lt;span href="/wiki/Three_Little_Pigs" title="Three Little Pigs"&gt;Three Little Pigs&lt;/span&gt;&lt;/i&gt;. Every interaction with another character or situation gives a greater understanding of what is happening around us.&lt;br /&gt; If you look at a small child when they are playing, they are enthralled with their own world, and through their actions, thoughts and the way they play they learn about themselves, others, and the world around them. Play allows them to act out new situations, try out new ways of doing things and by doing so learn.&lt;br /&gt; When people grow up, the idea of play becomes less important and entering into the imagination becomes more difficult. However this is where drama has the unique and undeniable ability to help others learn and grow as individuals, as it allows them to play. Through playing we can once again try out situations, whether it be for a job interview by live action role-playing (aka. LARP), or just to think about new ideas, we can also gain confidence in ourselves and learn to trust others.&lt;br /&gt; Role-play and can also play an important part in therapy, again entering the imagination and allowing ourselves to pretend and to think of things in other ways. &lt;span href="/wiki/Drama_therapy" title="Drama therapy"&gt;Drama therapy&lt;/span&gt; is often considered an effective treatment for people who have had severe emotional and psychological problems, although it is important to note that the evidence to support therapeutic efficacy of &lt;span href="/wiki/Drama_therapy" title="Drama therapy"&gt;Drama therapy&lt;/span&gt; is anecdotal rather than scientific.&lt;br /&gt; In the theater, drama is a living, breathing art form. Actors are placed on stage, so that they can breathe life into the characters that have been created by the playwrights. In theater, the two main things to consider are: a) drama is driven by conflict and b) that drama is action. Action can be loosely defined as anything a character does with an objective behind it, whereas conflict can be briefly summarized as a clash between the motives of one or more characters.&lt;br /&gt; &lt;span name="Tool_for_education" id="Tool_for_education"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Today&lt;/b&gt;&lt;br /&gt;  &lt;span class="boilerplate seealso"&gt;&lt;i&gt;See also: &lt;span href="/wiki/Applied_Drama" title="Applied Drama"&gt;Applied Drama&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; There are many forms of educational drama these all share one common goal, to create awareness or an understanding of an idea or issue. The following is a few examples of the main forms in which drama is used as a tool for education.&lt;br /&gt; &lt;span href="/wiki/Theatre_in_education" title="Theatre in education"&gt;Theatre in education&lt;/span&gt; (TIE) is the typical image of drama, seen since the 1960s. Usually performed for youth groups, or schools by a drama group this form of theatre was usually a devised piece which used abstract ideas to communicate a message, it follows in the tradition of plays seen throughout history such as &lt;span href="/wiki/Morality_play" title="Morality play"&gt;morality plays&lt;/span&gt; like &lt;span href="/wiki/Everyman_%28play%29" title="Everyman (play)"&gt;&lt;i&gt;Everyman&lt;/i&gt;&lt;/span&gt;. This form of theatre could also be compared to commedia del arte, and other such travelling forms of theatre.&lt;br /&gt; &lt;span name="Pantomime" id="Pantomime"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Tool for education&lt;/b&gt;&lt;br /&gt;  These stories follow in the tradition of fables and folk tales, usually there is a lesson learned, and with some help from the audience the hero/heroine saves the day. This kind of play uses stock characters seen in masque and again commedia del arte, these characters include the villain (doctore), the clown/servant(Arlechino/Harlequin/buttons), the lovers etc. These plays usually have an emphasis on moral dilemmas, and good always triumphs over evil, this kind of play is also very entertaining making it a very effective way of reaching many people.&lt;br /&gt; &lt;span name="Drama_in_education" id="Drama_in_education"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Pantomime&lt;/b&gt;&lt;br /&gt;  Unlike theatre in education, Drama in Education (DIE) is workshop-based, with groups creating their own scenarios, ideas and even subject matter through the use of drama and drama workshops. Sometimes this kind of work may lead to the creation of a play, or a piece of TIE or some other kind of means to show a result from the work. Drama in Education utilises skills used across the spectrum of dramatic activity, everything from teacher in role to normal theatrical conventions of audience and spectator. DIE is usually run in youth clubs, schools, community centres etc. DIE involves a high amount of participation by the group, and is therefore aimed for smaller groups of individuals.&lt;br /&gt; &lt;span name="Workshops" id="Workshops"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.am770chqr.com/_Shared/CPContent/e041327A.jpg"  alt="Drama"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Workshops&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; Banham, Martin, ed. 1998. &lt;i&gt;The Cambridge Guide to Theatre.&lt;/i&gt; Cambridge: Cambridge University Press. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0521434378" class="internal"&gt;ISBN 0521434378&lt;/span&gt;.&lt;br /&gt; Duchartre, Pierre Louis. 1929. &lt;i&gt;The Italian Comedy&lt;/i&gt;. Unabridged republication. New York: Dover, 1966. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0486216799" class="internal"&gt;ISBN 0486216799&lt;/span&gt;.&lt;br /&gt; Durant, Will &amp;amp; Ariel Durant. 1963 &lt;i&gt;The Story of Civilization, Volume II: The Life of Greece&lt;/i&gt;. 11 vols. New York: Simon &amp;amp; Schuster.&lt;br /&gt; Elam, Keir. 1980. &lt;i&gt;The &lt;span href="/wiki/Semiotics" title="Semiotics"&gt;Semiotics&lt;/span&gt; of Theatre and Drama&lt;/i&gt;. New Accents Ser. London and New York: Methuen. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0416720609" class="internal"&gt;ISBN 0416720609&lt;/span&gt;.&lt;br /&gt; Gordon, Mel. 1983. &lt;i&gt;&lt;span href="/wiki/Lazzi" title="Lazzi"&gt;Lazzi&lt;/span&gt;: The Comic Routines of the &lt;span href="/wiki/Commedia_dell%27arte" title="Commedia dell'arte"&gt;Commedia dell'Arte&lt;/span&gt;&lt;/i&gt;. New York: Performing Arts Journal Publications. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0933826699" class="internal"&gt;ISBN 0933826699&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Keith_Johnstone" title="Keith Johnstone"&gt;Johnstone, Keith&lt;/span&gt;. 1981. &lt;i&gt;Impro: Improvisation and the Theatre&lt;/i&gt; Rev. ed. London: Methuen, 2007. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0713687010" class="internal"&gt;ISBN 0713687010&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Viola_Spolin" title="Viola Spolin"&gt;Spolin, Viola&lt;/span&gt;. 1967. &lt;i&gt;Improvisation for the Theater&lt;/i&gt;. Third rev. ed. Evanston, Il.: Northwestern University Press, 1999. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=081014008X" class="internal"&gt;ISBN 081014008X&lt;/span&gt;.  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-4056602074188718771?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/4056602074188718771/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=4056602074188718771' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4056602074188718771'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4056602074188718771'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/drama-is-specific-mode-of-fiction.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-1819468359807647890</id><published>2008-04-15T00:51:00.001+09:00</published><updated>2008-04-15T00:51:38.841+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://plus.maths.org/issue10/features/infotheory/code1tree.gif"  alt="Code"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  In &lt;span href="/wiki/Communication" title="Communication"&gt;communications&lt;/span&gt;, a &lt;b&gt;code&lt;/b&gt; is a &lt;span href="/wiki/Operator" title="Operator"&gt;rule&lt;/span&gt; for converting a piece of &lt;span href="/wiki/Information" title="Information"&gt;information&lt;/span&gt; (for example, a &lt;span href="/wiki/Letter" title="Letter"&gt;letter&lt;/span&gt;, &lt;span href="/wiki/Word" title="Word"&gt;word&lt;/span&gt;, or &lt;span href="/wiki/Phrase" title="Phrase"&gt;phrase&lt;/span&gt;) into another form or representation, not necessarily of the same type. In &lt;span href="/wiki/Communication" title="Communication"&gt;communications&lt;/span&gt; and &lt;span href="/wiki/Information_processing" title="Information processing"&gt;information processing&lt;/span&gt;, &lt;b&gt;encoding&lt;/b&gt; is the &lt;span href="/wiki/Process_%28general%29" title="Process (general)"&gt;process&lt;/span&gt; by which information from a &lt;span href="/wiki/Communication_source" title="Communication source"&gt;source&lt;/span&gt; is converted into symbols to be communicated. &lt;b&gt;Decoding&lt;/b&gt; is the reverse process, converting these code symbols back into information understandable by a receiver.&lt;br /&gt; One reason for coding is to enable communication in places where ordinary spoken or written language is difficult or impossible. For example, a cable code replaces words (e.g., &lt;i&gt;ship&lt;/i&gt; or &lt;i&gt;invoice&lt;/i&gt;) into shorter words, allowing the same information to be sent with fewer &lt;span href="/wiki/Character_%28computing%29" title="Character (computing)"&gt;characters&lt;/span&gt;, more quickly, and most important, less expensively. Another example is the use of &lt;span href="/wiki/Semaphore" title="Semaphore"&gt;semaphore flags&lt;/span&gt;, where the configuration of flags held by a signaller or the arms of a semaphore tower encodes parts of the message, typically individual letters and numbers. Another person standing a great distance away can interpret the flags and reproduce the words sent.&lt;br /&gt; In the &lt;span href="/wiki/History_of_cryptography" title="History of cryptography"&gt;history of cryptography&lt;/span&gt;, codes were once common for ensuring the confidentiality of communications, although &lt;span href="/wiki/Cipher" title="Cipher"&gt;ciphers&lt;/span&gt; are now used instead. See &lt;span href="/wiki/Code_%28cryptography%29" title="Code (cryptography)"&gt;code (cryptography)&lt;/span&gt;.&lt;br /&gt; &lt;span name="Codes_in_communication_used_for_brevity" id="Codes_in_communication_used_for_brevity"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Codes in communication used for brevity&lt;/b&gt;&lt;br /&gt;  Probably the most widely known data communications code (aka character representation) in use today is &lt;span href="/wiki/ASCII" title="ASCII"&gt;ASCII&lt;/span&gt;. In one or another (somewhat compatible) version, it is used by nearly all personal &lt;span href="/wiki/Computer" title="Computer"&gt;computers&lt;/span&gt;, &lt;span href="/wiki/Computer_terminal" title="Computer terminal"&gt;terminals&lt;/span&gt;, &lt;span href="/wiki/Computer_printer" title="Computer printer"&gt;printers&lt;/span&gt;, and other communication equipment. Its original version represents 128 &lt;span href="/wiki/Character_%28computing%29" title="Character (computing)"&gt;characters&lt;/span&gt; with seven-bit &lt;span href="/wiki/Binary_numeral_system" title="Binary numeral system"&gt;binary&lt;/span&gt; numbers—that is, as a string of seven 1s and 0s. In ASCII a lowercase "a" is always 1100001, an uppercase "A" always 1000001, and so on. Successors to ASCII have included 8-bit characters (for letters of European languages and such things as card suit symbols), and in fullest flowering have included glyphs from essentially all of the world's writing systems (see &lt;span href="/wiki/Unicode" title="Unicode"&gt;Unicode&lt;/span&gt; and &lt;span href="/wiki/UTF-8" title="UTF-8"&gt;UTF-8&lt;/span&gt;).&lt;br /&gt; &lt;span name="Codes_to_detect_or_correct_errors" id="Codes_to_detect_or_correct_errors"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.digital-topo-maps.com/zip-code/chicago-zip-code-map-sm.gif"  alt="Code"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; An example: the ASCII code&lt;/b&gt;&lt;br /&gt;  Codes may also be used to represent data in a way more resistant to errors in transmission or storage. Such a "code" is called an &lt;span href="/wiki/Error_correction_and_detection" title="Error correction and detection"&gt;error-correcting code&lt;/span&gt;, and works by including carefully crafted redundancy with the stored (or transmitted) data. Examples include &lt;span href="/wiki/Hamming_code" title="Hamming code"&gt;Hamming codes&lt;/span&gt;, &lt;span href="/wiki/Reed%E2%80%93Solomon" title="Reed–Solomon"&gt;Reed–Solomon&lt;/span&gt;, &lt;span href="/wiki/Reed%E2%80%93Muller" title="Reed–Muller"&gt;Reed–Muller&lt;/span&gt;, &lt;span href="/wiki/BCH_code" title="BCH code"&gt;Bose–Chaudhuri–Hochquenghem&lt;/span&gt;, &lt;span href="/wiki/Turbo_code" title="Turbo code"&gt;Turbo&lt;/span&gt;, &lt;span href="/wiki/Golay_code" title="Golay code"&gt;Golay&lt;/span&gt;, &lt;span href="/wiki/Goppa_code" title="Goppa code"&gt;Goppa&lt;/span&gt;, &lt;span href="/wiki/Robert_G._Gallager" title="Robert G. Gallager"&gt;Gallager&lt;/span&gt; &lt;span href="/wiki/Low-density_parity-check_code" title="Low-density parity-check code"&gt;Low-density parity-check codes&lt;/span&gt;, and &lt;span href="/wiki/Space%E2%80%93time_code" title="Space–time code"&gt;space–time codes&lt;/span&gt;. Error detecting codes can be optimised to detect &lt;i&gt;burst errors&lt;/i&gt;, or &lt;i&gt;random errors&lt;/i&gt;.&lt;br /&gt; &lt;span name="Codes_and_acronyms" id="Codes_and_acronyms"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-1819468359807647890?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/1819468359807647890/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=1819468359807647890' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/1819468359807647890'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/1819468359807647890'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/in-communications-code-is-rule-for.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-8148715175257900369</id><published>2008-04-14T01:38:00.001+09:00</published><updated>2008-04-14T01:38:07.545+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.caricom.org/jsp/pressreleases/images/tyrone_sutherland_cmo.jpg"  alt="Second Vice President (Spain)"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;span name="List_of_Second_Vice_Presidents_of_Spain" id="List_of_Second_Vice_Presidents_of_Spain"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-8148715175257900369?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/8148715175257900369/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=8148715175257900369' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/8148715175257900369'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/8148715175257900369'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/second-vice-president-spain.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-2115790102208718523</id><published>2008-04-13T02:15:00.000+09:00</published><updated>2008-04-13T02:16:49.031+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://cache.virtualtourist.com/1/1247243-Shopping_Centre-Dunedin.jpg"  alt="Meridian Mall, Dunedin"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Meridian Mall&lt;/b&gt; is a large shopping complex in &lt;span href="/wiki/Dunedin" title="Dunedin"&gt;Dunedin&lt;/span&gt;, &lt;span href="/wiki/New_Zealand" title="New Zealand"&gt;New Zealand&lt;/span&gt; designed by ASA Crone Architects, an Australian development company. It is the largest retail mall in the southern &lt;span href="/wiki/South_Island" title="South Island"&gt;South Island&lt;/span&gt;, and one of the largest in the South Island as a whole.&lt;br /&gt; The mall was constructed in 1995-1997 behind the former &lt;span href="/wiki/Arthur_Barnett" title="Arthur Barnett"&gt;Arthur Barnett&lt;/span&gt; building in &lt;span href="/wiki/George_Street%2C_Dunedin" title="George Street, Dunedin"&gt;George Street&lt;/span&gt; which was designed by &lt;span href="/wiki/Edmund_Anscombe" title="Edmund Anscombe"&gt;Edmund Anscombe&lt;/span&gt; (1874-1948) and completed in 1924.The new complex is a central retail hub, with Arthur Barnett as one of the two anchor tenants. It opened on &lt;span href="/wiki/September_5" title="September 5"&gt;5 September&lt;/span&gt; &lt;span href="/wiki/1997" title="1997"&gt;1997&lt;/span&gt; with the final development costs close to NZ$50 million. Arthur Barnett sold the mall to ING Real Estate Australia in 2003, using the proceeds to retire debt.&lt;br /&gt; The mall contains 50 shops spread over three levels, including a large food court on the bottom level. The two largest retailers are &lt;span href="/wiki/K-Mart" title="K-Mart"&gt;K-Mart&lt;/span&gt;, which occupies much of the top floor, and Arthur Barnett, on parts of the ground floor and the basement level. Above these three levels is a multi-storey car park. The mall is linked to the smaller Golden Centre Mall to the south, and through this will eventually link to the proposed Wall Street Mall, planned to occupy the remainder of the two-hectare central city block.&lt;br /&gt; The neon advertising sign for Arthur Barnett that sits atop the mall is a prominent feature on the Dunedin skyline. Named &lt;i&gt;Can't Stop&lt;/i&gt;, it features a small man trying to control a large horse, possibly a &lt;span href="/wiki/Clydesdale_horse" title="Clydesdale horse"&gt;Clydesdale&lt;/span&gt;. It was designed by the New Zealand artist Heber Thompson for the 1924 building.&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-2115790102208718523?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/2115790102208718523/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=2115790102208718523' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2115790102208718523'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2115790102208718523'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/meridian-mall-is-large-shopping-complex.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-8537198440032786150</id><published>2008-04-12T00:22:00.001+09:00</published><updated>2008-04-12T00:22:29.282+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt; Geography and environment&lt;/b&gt;&lt;br /&gt;  The name &lt;i&gt;Napa&lt;/i&gt; was probably derived from the name given to a southern Nappan (meaning "Fairy Valley") Indian Village whose people shared the area with elk, deer, grizzlies and panthers for many centuries. At the time of the first recorded exploration into Napa Valley in 1823, the population consisted of hundreds of Indians. Padre Jose Altimura, founder of the mission at Sonoma, led the expedition. Spanish and Mexican control remained until the &lt;span href="/wiki/Bear_Flag_Revolt" title="Bear Flag Revolt"&gt;Bear Flag Revolt&lt;/span&gt;, and the valley became one of the first in California to be settled by American farmers, who started arriving in the 1830s.&lt;br /&gt; When California was granted statehood in 1849, Napa Valley was in the Territory of California, District of Sonoma. In 1850 when counties were first organized, Napa became one of the original counties of California, and in 1851 the first courthouse was erected. By 1870 most of the Indians who had inhabited the valley were wiped out by smallpox and other diseases brought by white settlers. The few that remained finally were taken into &lt;span href="/wiki/Alexander_Valley" title="Alexander Valley"&gt;Alexander Valley&lt;/span&gt;, where a few descendants now reside on government reservations.&lt;br /&gt; The City of Napa was founded by Nathan Coombs in 1847. The townsite was surveyed by James M. Hudspeth on property Coombs had received from Nicolas Higuerra, holder of the original Spanish Grant. The first business establishment in the town was a saloon built by Harrison Pierce a former miller at the &lt;span href="/wiki/Bale_Grist_Mill" title="Bale Grist Mill"&gt;Bale Grist Mill&lt;/span&gt;. Napa's first general store was opened a year later in 1848 by Joseph P. Thompson. By 1850 the Dophin became the first steamship to navigate the Napa River in order to open another path of commerce.&lt;br /&gt; In the mid 1850s, Napa Main Street rivaled that of many larger cities, with as many as 100 saddle horses tied to the fences on an average afternoon. Hotels were crowded, cash slugs and California coinage were plentiful. Saloons and gambling emporiums were numerous, but culture had also made its debut. The &lt;span href="/wiki/Lyceum_movement" title="Lyceum movement"&gt;Lyceum movement&lt;/span&gt; established a facility and reading room and an agricultural society was started. Two newspapers began publication in the 1850s. The &lt;i&gt;&lt;span href="/wiki/Napa_Valley_Register" title="Napa Valley Register"&gt;Napa Valley Register&lt;/span&gt;&lt;/i&gt; made its debut in 1853 and Alexander J. Cox published the &lt;i&gt;Napa County Reporter&lt;/i&gt; for the first time on July 4, 1856.&lt;br /&gt; It was the gold rush of the late 1850s that really built Napa City. After the first severe winter in the gold fields, miners sought refuge in the young city from snow, cold, floods and disease. A tent city was erected along Main Street. There was plenty of work in the valley for disillusioned miners. Many cattle ranches were maintained, and the lumber industry had mushroomed. Sawmills in the valley were in operation cutting up timber that was hauled by team to Napa City, then shipped out on the river to &lt;span href="/wiki/Benicia" title="Benicia"&gt;Benicia&lt;/span&gt; and &lt;span href="/wiki/San_Francisco" title="San Francisco"&gt;San Francisco&lt;/span&gt;.&lt;br /&gt; In 1858 the great silver rush began in Napa Valley, and miners eagerly flocked to the eastern hills. In the 1860s, mining carried on, in a large scale, with quicksilver mines operating in many areas of Napa County. The most noted mine was the Silverado Mine, near the summit of &lt;span href="/wiki/Mount_Saint_Helena" title="Mount Saint Helena"&gt;Mt. St. Helena&lt;/span&gt;. The mine was immortalized by &lt;span href="/wiki/Robert_Louis_Stevenson" title="Robert Louis Stevenson"&gt;Robert Louis Stevenson&lt;/span&gt; in his classic &lt;i&gt;&lt;span href="/wiki/The_Silverado_Squatters" title="The Silverado Squatters"&gt;The Silverado Squatters&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; In 1869 F.A. Sawyer established Sawyer Tanning Company in Napa and was joined in the business by his father B.F. Sawyer a year later. It went on to become the largest tannery west of the &lt;span href="/wiki/Mississippi_River" title="Mississippi River"&gt;Mississippi River&lt;/span&gt;.&lt;br /&gt; Napa was incorporated in 1872 and reincorporated again in 1874 as the City of Napa.&lt;br /&gt; The Napa State Asylum for the Insane located just south of Napa received its first patients in 1876. The &lt;span href="/wiki/Napa_Valley_Opera_House" title="Napa Valley Opera House"&gt;Napa Valley Opera House&lt;/span&gt; made its debut on February 13, 1880 with a production of &lt;span href="/wiki/Gilbert_and_Sullivan" title="Gilbert and Sullivan"&gt;Gilbert and Sullivan&lt;/span&gt;'s &lt;i&gt;&lt;span href="/wiki/HMS_Pinafore" title="HMS Pinafore"&gt;HMS Pinafore&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; Napa had become the primary business and economic center for the Napa Valley by the dawn of the 20th century. As agricultural and wine interests developed north of the city limits much of the light industry, banking, commercial and retail activity in the county evolved within the city of Napa and in earlier times along the Napa River through the historic downtown. Napa Glove Factory was established in 1903 and was the largest plant of its kind west of &lt;span href="/wiki/Chicago" title="Chicago"&gt;Chicago&lt;/span&gt;. In 1915 Edwin Pridham and Peter L. Jensen invented the moving-coil loudspeaker in their Napa workshop while working on an improvement for the telephone receiver. Pridham and Jensen went on to found the &lt;span href="/wiki/Magnavox" title="Magnavox"&gt;Magnavox&lt;/span&gt; Company in 1917&lt;br /&gt; Even today the bulk of the county population lives in the City of Napa. The active economic development program has continued to support the wine and agricultural activities of the Valley to this day.&lt;br /&gt; &lt;span name="Demographics" id="Demographics"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  As of the &lt;span href="/wiki/Census" title="Census"&gt;census&lt;/span&gt; of 2006, there were 60,984 people, 20,001 households, and 12,453 families residing in the city. The &lt;span href="/wiki/Population_density" title="Population density"&gt;population density&lt;/span&gt; was 1,234.5/km² (4,101.4/mi²). There were 27,776 housing units at an average density of 605.9/km² (1,569.5/mi²). The racial makeup of the city was 90.11% &lt;span href="/wiki/White_%28U.S._Census%29" title="White (U.S. Census)"&gt;White&lt;/span&gt;, 0.21% &lt;span href="/wiki/African_American_%28U.S._Census%29" title="African American (U.S. Census)"&gt;African American&lt;/span&gt;, 7.32% &lt;span href="/wiki/Native_American_%28U.S._Census%29" title="Native American (U.S. Census)"&gt;Native American&lt;/span&gt;, 2.71% &lt;span href="/wiki/Asian_%28U.S._Census%29" title="Asian (U.S. Census)"&gt;Asian&lt;/span&gt;, 1.08% &lt;span href="/wiki/Pacific_Islander_%28U.S._Census%29" title="Pacific Islander (U.S. Census)"&gt;Pacific Islander&lt;/span&gt;, 0.65% from &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;other races&lt;/span&gt;, and 0.35% from two or more races. &lt;span href="/wiki/Hispanic_%28U.S._Census%29" title="Hispanic (U.S. Census)"&gt;Hispanic&lt;/span&gt; or &lt;span href="/wiki/Latino_%28U.S._Census%29" title="Latino (U.S. Census)"&gt;Latino&lt;/span&gt; of any race were 26.83% of the population.&lt;br /&gt; There were 26,978 households out of which 32.9% had children under the age of 18 living with them, 50.7% were &lt;span href="/wiki/Marriage" title="Marriage"&gt;married couples&lt;/span&gt; living together, 11.1% had a female householder with no husband present, and 33.5% were non-families. 26.8% of all households were made up of individuals and 12.1% had someone living alone who was 65 years of age or older. The average household size was 2.64 and the average family size was 3.20.&lt;br /&gt; In the city the population was spread out with 25.7% under the age of 18, 8.5% from 18 to 24, 29.6% from 25 to 44, 22.4% from 45 to 64, and 13.8% who were 65 years of age or older. The median age was 36 years. For every 100 females there were 96.4 males. For every 100 females age 18 and over, there were 93.5 males.&lt;br /&gt; The median income for a household in the city was $49,154, and the median income for a family was $58,788. Males had a median income of $41,046 versus $31,334 for females. The &lt;span href="/wiki/Per_capita_income" title="Per capita income"&gt;per capita income&lt;/span&gt; for the city was $23,642. About 6.1% of families and 8.9% of the population were below the &lt;span href="/wiki/Poverty_line" title="Poverty line"&gt;poverty line&lt;/span&gt;, including 11.4% of those under age 18 and 5.5% of those age 65 or over.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://newsbusters.org/media/2006-06-19-PBS-Rose-Gore.jpg"  alt="Charlie Rose (talk show)"  align="left" style="padding:10px"  /&gt;&lt;img src="http://images.vrbo.com/vrbo/images/3a7b7"  alt="Napa, California"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Phil_Bonifield" title="Phil Bonifield"&gt;Phil Bonifield&lt;/span&gt;, &lt;span href="/wiki/NASCAR" title="NASCAR"&gt;NASCAR&lt;/span&gt; driver&lt;br /&gt; &lt;span href="/wiki/Robert_Redford" title="Robert Redford"&gt;Robert Redford&lt;/span&gt; (part time), actor&lt;br /&gt; &lt;span href="/wiki/Peter_Menzel" title="Peter Menzel"&gt;Peter Menzel&lt;/span&gt; Photographer&lt;br /&gt; &lt;span href="/wiki/Ray_Manzarek" title="Ray Manzarek"&gt;Ray Manzarek&lt;/span&gt; &lt;span href="/wiki/The_Doors" title="The Doors"&gt;The Doors&lt;/span&gt; keyboard player&lt;br /&gt; &lt;span href="/wiki/Warren_Brusstar" title="Warren Brusstar"&gt;Warren Brusstar&lt;/span&gt; former MLB player&lt;br /&gt; &lt;span href="/wiki/Cristina_Garc%C3%ADa" title="Cristina García"&gt;Cristina García&lt;/span&gt; novelist&lt;br /&gt; &lt;span href="/wiki/Jim_Landis" title="Jim Landis"&gt;Jim Landis&lt;/span&gt; former MLB player&lt;br /&gt; Sally Rosenbaum, nationally-collected and highly popular artist, former pupil of &lt;span href="/wiki/Elmer_Bischoff" title="Elmer Bischoff"&gt;Elmer Bischoff&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Michael_Chiarello" title="Michael Chiarello"&gt;Michael Chiarello&lt;/span&gt;, celebrity chef&lt;br /&gt; &lt;span href="/wiki/Robin_Williams" title="Robin Williams"&gt;Robin Williams&lt;/span&gt;, actor  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-8537198440032786150?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/8537198440032786150/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=8537198440032786150' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/8537198440032786150'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/8537198440032786150'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/geography-and-environment-name-napa-was.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-1430359207501903385</id><published>2008-04-11T00:59:00.001+09:00</published><updated>2008-04-11T00:59:50.490+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.odyssei.com/images/maps/mini/romania.jpg"  alt="Zambaccian Museum"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Zambaccian Museum&lt;/b&gt; in &lt;span href="/wiki/Bucharest" title="Bucharest"&gt;Bucharest&lt;/span&gt;, &lt;span href="/wiki/Romania" title="Romania"&gt;Romania&lt;/span&gt; is a museum in the former home of &lt;span href="/w/index.php?title=Krikor_Zambaccian&amp;amp;action=edit" class="new" title="Krikor Zambaccian"&gt;Krikor Zambaccian&lt;/span&gt; (1889 –1962), an &lt;span href="/wiki/Armenians_in_Romania" title="Armenians in Romania"&gt;Armenian&lt;/span&gt; businessman and art collector. The museum was founded in 1947, closed by the &lt;span href="/wiki/Nicolae_Ceau%C5%9Fescu" title="Nicolae Ceauşescu"&gt;Ceauşescu&lt;/span&gt; regime in 1977, and re-opened in 1992. It is now a branch of The &lt;span href="/wiki/National_Museum_of_Art_of_Romania" title="National Museum of Art of Romania"&gt;National Museum of Art of Romania&lt;/span&gt;. Its collection includes works by Romanian artists—including a masterful portrait of Zambaccian himself by &lt;span href="/wiki/Corneliu_Baba" title="Corneliu Baba"&gt;Corneliu Baba&lt;/span&gt;—and works by several &lt;span href="/wiki/France" title="France"&gt;French&lt;/span&gt; &lt;span href="/wiki/Impressionism" title="Impressionism"&gt;impressionists&lt;/span&gt;. It is located not far from Piaţa Dorobanţilor on a street now renamed after Zambaccian.&lt;br /&gt; At the time the museum was founded (it opened to the public on &lt;span href="/wiki/May_19" title="May 19"&gt;May 19&lt;/span&gt;, &lt;span href="/wiki/1947" title="1947"&gt;1947&lt;/span&gt;), the act of donation stated that it must be housed in Zambaccian's former home. However, after the &lt;span href="/wiki/1977_Bucharest_earthquake" title="1977 Bucharest earthquake"&gt;1977 Bucharest earthquake&lt;/span&gt; (which did no detectable damage to the museum building), the Romanian government created the &lt;span href="/wiki/Museum_of_Art_Collections" title="Museum of Art Collections"&gt;Museum of Art Collections&lt;/span&gt;, consolidating many of the city's smaller museums (and a good number of expropriated private collections). The Zambaccian collection still resided at the Museum of Art Collections at the time of the &lt;span href="/wiki/Romanian_Revolution_of_1989" title="Romanian Revolution of 1989"&gt;Romanian Revolution of 1989&lt;/span&gt;; it was returned to its historic location in 1992.&lt;br /&gt; Artists in the collection include Romanians &lt;span href="/wiki/Ion_Andreescu" title="Ion Andreescu"&gt;Ion Andreescu&lt;/span&gt;, &lt;span href="/wiki/Corneliu_Baba" title="Corneliu Baba"&gt;Corneliu Baba&lt;/span&gt;, &lt;span href="/wiki/Henri_Catargi" title="Henri Catargi"&gt;Henri Catargi&lt;/span&gt;, &lt;span href="/wiki/Alexandru_Ciucurencu" title="Alexandru Ciucurencu"&gt;Alexandru Ciucurencu&lt;/span&gt;, &lt;span href="/w/index.php?title=Horia_Damian&amp;amp;action=edit" class="new" title="Horia Damian"&gt;Horia Damian&lt;/span&gt;, &lt;span href="/wiki/Nicolae_D%C4%83r%C4%83scu" title="Nicolae Dărăscu"&gt;Nicolae Dărăscu&lt;/span&gt;, &lt;span href="/wiki/Lucian_Grigorescu" title="Lucian Grigorescu"&gt;Lucian Grigorescu&lt;/span&gt;, &lt;span href="/wiki/Nicolae_Grigorescu" title="Nicolae Grigorescu"&gt;Nicolae Grigorescu&lt;/span&gt;, &lt;span href="/wiki/Iosif_Iser" title="Iosif Iser"&gt;Iosif Iser&lt;/span&gt;, &lt;span href="/wiki/%C5%9Etefan_Luchian" title="Ştefan Luchian"&gt;Ştefan Luchian&lt;/span&gt;, &lt;span href="/w/index.php?title=Samuel_Mutzner&amp;amp;action=edit" class="new" title="Samuel Mutzner"&gt;Samuel Mutzner&lt;/span&gt;, &lt;span href="/w/index.php?title=Alexandru_Padina&amp;amp;action=edit" class="new" title="Alexandru Padina"&gt;Alexandru Padina&lt;/span&gt;, &lt;span href="/wiki/Theodor_Pallady" title="Theodor Pallady"&gt;Theodor Pallady&lt;/span&gt;, &lt;span href="/wiki/Gheorghe_Petra%C5%9Fcu" title="Gheorghe Petraşcu"&gt;Gheorghe Petraşcu&lt;/span&gt;, &lt;span href="/wiki/Vasile_Popescu" title="Vasile Popescu"&gt;Vasile Popescu&lt;/span&gt;, &lt;span href="/wiki/Camil_Ressu" title="Camil Ressu"&gt;Camil Ressu&lt;/span&gt;, and &lt;span href="/wiki/Nicolae_Tonitza" title="Nicolae Tonitza"&gt;Nicolae Tonitza&lt;/span&gt;, and French artists &lt;span href="/wiki/Pierre_Bonnard" title="Pierre Bonnard"&gt;Pierre Bonnard&lt;/span&gt;, &lt;span href="/wiki/Paul_C%C3%A9zanne" title="Paul Cézanne"&gt;Paul Cézanne&lt;/span&gt;—the museum has the only Cézanne in Romania—, &lt;span href="/wiki/Jean-Baptiste_Camille_Corot" title="Jean-Baptiste Camille Corot"&gt;Jean-Baptiste Camille Corot&lt;/span&gt;, &lt;span href="/wiki/Eug%C3%A8ne_Delacroix" title="Eugène Delacroix"&gt;Eugène Delacroix&lt;/span&gt;, &lt;span href="/wiki/Andr%C3%A9_Derain" title="André Derain"&gt;André Derain&lt;/span&gt;, &lt;span href="/wiki/Raoul_Dufy" title="Raoul Dufy"&gt;Raoul Dufy&lt;/span&gt;, &lt;span href="/wiki/Albert_Marquet" title="Albert Marquet"&gt;Albert Marquet&lt;/span&gt;, &lt;span href="/wiki/Henri_Matisse" title="Henri Matisse"&gt;Henri Matisse&lt;/span&gt;, &lt;span href="/wiki/Camille_Pissarro" title="Camille Pissarro"&gt;Camille Pissarro&lt;/span&gt;, &lt;span href="/wiki/Pierre-Auguste_Renoir" title="Pierre-Auguste Renoir"&gt;Pierre-Auguste Renoir&lt;/span&gt;, and &lt;span href="/wiki/Maurice_Utrillo" title="Maurice Utrillo"&gt;Maurice Utrillo&lt;/span&gt;, as well as pieces by two other artists who worked in France, the Spaniard &lt;span href="/wiki/Pablo_Picasso" title="Pablo Picasso"&gt;Pablo Picasso&lt;/span&gt; and the Englishman &lt;span href="/wiki/Alfred_Sisley" title="Alfred Sisley"&gt;Alfred Sisley&lt;/span&gt;. The courtyard features a large sculpture by Romanian sculptor &lt;span href="/w/index.php?title=Oscar_Han&amp;amp;action=edit" class="new" title="Oscar Han"&gt;Oscar Han&lt;/span&gt;; other sculptors with works in the collection are &lt;span href="/wiki/Constantin_Brancusi" title="Constantin Brancusi"&gt;Constantin Brancusi&lt;/span&gt;, &lt;span href="/wiki/Cornel_Medrea" title="Cornel Medrea"&gt;Cornel Medrea&lt;/span&gt;, &lt;span href="/w/index.php?title=Mili%C5%A3a_P%C4%83tra%C5%9Fcu&amp;amp;action=edit" class="new" title="Miliţa Pătraşcu"&gt;Miliţa Pătraşcu&lt;/span&gt;, &lt;span href="/wiki/Dimitrie_Paciurea" title="Dimitrie Paciurea"&gt;Dimitrie Paciurea&lt;/span&gt;, and &lt;span href="/w/index.php?title=Frederic_Storck&amp;amp;action=edit" class="new" title="Frederic Storck"&gt;Frederic Storck&lt;/span&gt;; Storck's own former home, also in the north end of Bucharest, is also now a museum.&lt;br /&gt; &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-1430359207501903385?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/1430359207501903385/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=1430359207501903385' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/1430359207501903385'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/1430359207501903385'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/zambaccian-museum-in-bucharest-romania.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-4407672720952086278</id><published>2008-04-10T01:34:00.001+09:00</published><updated>2008-04-10T01:34:58.848+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;small&gt;Lord Baltimore&lt;/small&gt;&lt;br /&gt; &lt;b&gt;George Calvert, 1st Baron Baltimore&lt;/b&gt; (&lt;span href="/wiki/C." title="C."&gt;c.&lt;/span&gt; &lt;span href="/wiki/1580" title="1580"&gt;1580&lt;/span&gt; – &lt;span href="/wiki/April_15" title="April 15"&gt;15 April&lt;/span&gt; &lt;span href="/wiki/1632" title="1632"&gt;1632&lt;/span&gt;) was an &lt;span href="/wiki/England" title="England"&gt;English&lt;/span&gt; &lt;span href="/wiki/Politician" title="Politician"&gt;politician&lt;/span&gt; and &lt;span href="/wiki/Colony" title="Colony"&gt;coloniser&lt;/span&gt;. He achieved domestic political success as a &lt;span href="/wiki/Member_of_Parliament" title="Member of Parliament"&gt;Member of Parliament&lt;/span&gt; and later &lt;span href="/wiki/Secretary_of_State_%28United_Kingdom%29" title="Secretary of State (United Kingdom)"&gt;Secretary of State&lt;/span&gt; under &lt;span href="/wiki/James_I_of_England" title="James I of England"&gt;King James I&lt;/span&gt;, though he lost much of his political power after his support for a failed marriage alliance between &lt;span href="/wiki/Charles_I_of_England" title="Charles I of England"&gt;Prince Charles&lt;/span&gt; and the Spanish royal family. Rather than continue in politics, he resigned all of his political offices in 1625 except for his position on the &lt;span href="/wiki/Privy_Council_of_the_United_Kingdom" title="Privy Council of the United Kingdom"&gt;Privy Council&lt;/span&gt; and declared his &lt;span href="/wiki/Catholicism" title="Catholicism"&gt;Catholicism&lt;/span&gt; publicly. He was granted the title of &lt;span href="/wiki/Baron_Baltimore" title="Baron Baltimore"&gt;1st Baron Baltimore&lt;/span&gt; in the Irish peerage upon his resignation.&lt;br /&gt; Calvert took an interest in the &lt;span href="/wiki/Colonization" title="Colonization"&gt;colonization&lt;/span&gt; of the New World, at first for commercial reasons and later to create a refuge for English Catholics. He became the proprietor of &lt;span href="/wiki/Province_of_Avalon" title="Province of Avalon"&gt;Avalon&lt;/span&gt;, the first sustained English settlement on the island of &lt;span href="/wiki/Newfoundland_%28island%29" title="Newfoundland (island)"&gt;Newfoundland&lt;/span&gt;. Discouraged by the climate and the sufferings of the settlers there, Calvert looked for a more suitable spot further south and sought a new royal charter to settle the region that was to become the state of &lt;span href="/wiki/Maryland" title="Maryland"&gt;Maryland&lt;/span&gt;. Calvert died five weeks before the new charter was sealed, leaving the settlement of the Maryland colony to his son &lt;span href="/wiki/C%C3%A6cilius_Calvert%2C_2nd_Baron_Baltimore" title="Cæcilius Calvert, 2nd Baron Baltimore"&gt;Cæcilius&lt;/span&gt;. Historians have long recognized George Calvert as the founder of Maryland, in spirit if not in fact.&lt;br /&gt; &lt;span name="Early_life" id="Early_life"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://mdroots.thinkport.org/images/calvertcoatofarms.jpg"  alt="George Calvert, 1st Lord Baltimore"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Early life&lt;/b&gt;&lt;br /&gt;  Calvert named Cæcilius for &lt;span href="/wiki/Robert_Cecil%2C_1st_Earl_of_Salisbury" title="Robert Cecil, 1st Earl of Salisbury"&gt;Sir Robert Cecil&lt;/span&gt;,&lt;br /&gt; &lt;span name="Secretary_of_state" id="Secretary_of_state"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Political success&lt;/b&gt;&lt;br /&gt;  In Parliament, a political crisis developed over the king's policy of seeking a Spanish wife for &lt;span href="/wiki/Charles_I_of_the_United_Kingdom" title="Charles I of the United Kingdom"&gt;Charles, Prince of Wales&lt;/span&gt;, as part of a proposed alliance with the Hapsburgs.&lt;br /&gt; &lt;span name="Resignation_and_conversion" id="Resignation_and_conversion"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Resignation and conversion&lt;/b&gt;&lt;br /&gt;  Calvert had long maintained an interest in the exploration and settlement of the New World, beginning with his investment of twenty-five pounds in the second &lt;span href="/wiki/Virginia_Company" title="Virginia Company"&gt;Virginia Company&lt;/span&gt; in 1609, and a few months later a more substantial sum in the &lt;span href="/wiki/British_East_India_Company" title="British East India Company"&gt;East India Company&lt;/span&gt; which he increased in 1614.&lt;br /&gt; &lt;span name="Baltimore_in_Avalon" id="Baltimore_in_Avalon"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Avalon colony&lt;/b&gt;&lt;br /&gt;  Baltimore was by now more determined than ever to visit his colony in person. In May 1626, he wrote to Wentworth:&lt;br /&gt; Aston's return to England in late 1626,&lt;br /&gt; &lt;span name="Attempt_to_found_a_mid-Atlantic_colony" id="Attempt_to_found_a_mid-Atlantic_colony"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Baltimore in Avalon&lt;/b&gt;&lt;br /&gt;  In late September or October 1629, Baltimore arrived in &lt;span href="/wiki/Jamestown" title="Jamestown"&gt;Jamestown&lt;/span&gt;, where the Virginians, who suspected him of designs on some of their territory and vehemently opposed Catholicism, gave him a cool welcome and tendered him the oaths of supremacy and allegiance, which he refused to take—upon which they ordered him to leave.&lt;br /&gt; &lt;span name="Legacy" id="Legacy"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Attempt to found a mid-Atlantic colony&lt;/b&gt;&lt;br /&gt;  In his will, written the day before he died, Baltimore beseeched his friends Wentworth and Cottington to act as guardians and supervisors to his son Cæcilius, who inherited the title of Lord Baltimore and the imminent grant of Maryland.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-4407672720952086278?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/4407672720952086278/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=4407672720952086278' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4407672720952086278'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4407672720952086278'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/lord-baltimore-george-calvert-1st-baron.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-5109018449873460010</id><published>2008-04-09T00:48:00.001+09:00</published><updated>2008-04-09T00:48:05.504+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://imgs13.stockmediaserver.com/th170/image100/10061074.jpg"  alt="Baton (conducting)"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  A &lt;b&gt;baton&lt;/b&gt; is a stick that is used by &lt;span href="/wiki/Conducting" title="Conducting"&gt;conductors&lt;/span&gt; primarily to indicate the musical beat of a piece through horizontal and vertical movements. They are generally made of a light wood, &lt;span href="/wiki/Fiberglass" title="Fiberglass"&gt;fiberglass&lt;/span&gt; or &lt;span href="/wiki/Carbon_fiber" title="Carbon fiber"&gt;carbon fiber&lt;/span&gt; which is tapered to a grip in a 'pear' shape, usually of cork or wood. Professional conductors often have them made to their own specifications based on their own physical demands and the nature of the performance: &lt;span href="/wiki/Henry_Wood_%28conductor%29" title="Henry Wood (conductor)"&gt;Sir Henry Wood&lt;/span&gt; and &lt;span href="/wiki/Herbert_von_Karajan" title="Herbert von Karajan"&gt;Herbert von Karajan&lt;/span&gt; are some examples&lt;br /&gt; &lt;span name="Usage" id="Usage"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-5109018449873460010?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/5109018449873460010/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=5109018449873460010' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5109018449873460010'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5109018449873460010'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/baton-is-stick-that-is-used-by.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-2775074887683612293</id><published>2008-04-08T02:34:00.001+09:00</published><updated>2008-04-08T02:34:57.140+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/da/S%C3%B6_56,_Fyrby.jpg/200px-S%C3%B6_56,_Fyrby.jpg"  alt="Vígríðr"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  In &lt;span href="/wiki/Norse_mythology" title="Norse mythology"&gt;Norse mythology&lt;/span&gt;, &lt;b&gt;Vígríðr&lt;/b&gt; is the giant plain where &lt;span href="/wiki/Ragnar%C3%B6k" title="Ragnarök"&gt;Ragnarök&lt;/span&gt; will be fought. It is described in &lt;span href="/wiki/Snorri_Sturluson" title="Snorri Sturluson"&gt;Snorri Sturluson&lt;/span&gt;'s &lt;i&gt;&lt;span href="/wiki/Gylfaginning" title="Gylfaginning"&gt;Gylfaginning&lt;/span&gt;&lt;/i&gt;:&lt;br /&gt; The Sons of &lt;span href="/wiki/M%C3%BAspell" title="Múspell"&gt;Múspell&lt;/span&gt; shall go forth to that field which is called Vígrídr; thither shall come &lt;span href="/wiki/Fenris-Wolf" title="Fenris-Wolf"&gt;Fenris-Wolf&lt;/span&gt; also and the &lt;span href="/wiki/Midgard_Serpent" title="Midgard Serpent"&gt;Midgard Serpent&lt;/span&gt;; then &lt;span href="/wiki/Loki" title="Loki"&gt;Loki&lt;/span&gt; and Hrymr shall come there also, and with him all the &lt;span href="/wiki/Rime-Giants" title="Rime-Giants"&gt;Rime-Giants&lt;/span&gt;. All the champions of &lt;span href="/wiki/Hel_%28being%29" title="Hel (being)"&gt;Hel&lt;/span&gt; follow Loki; and the Sons of Múspell shall have a company by themselves, and it shall be very bright. The field Vígrídr is a hundred leagues wide each way. &lt;i&gt;Gylfaginning&lt;/i&gt; 51, Brodeur's translation &lt;span href="http://www.northvegr.org/lore/prose/077080.php" class="external autonumber" title="http://www.northvegr.org/lore/prose/077080.php" rel="nofollow"&gt;[1]&lt;/span&gt;&lt;br /&gt; Snorri's source was presumably &lt;i&gt;&lt;span href="/wiki/Vaf%C3%BEr%C3%BA%C3%B0nism%C3%A1l" title="Vafþrúðnismál"&gt;Vafþrúðnismál&lt;/span&gt;&lt;/i&gt;:&lt;br /&gt; &lt;span href="/wiki/Vafthruthnir" title="Vafthruthnir"&gt;Vafthruthnir&lt;/span&gt; spake:&lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;17. "Speak forth now, Gagnrath, | if there from the floor&lt;br /&gt; Thou wouldst thy wisdom make known:&lt;br /&gt; What name has the field | where in fight shall meet&lt;br /&gt; Surt and the gracious gods?"&lt;br /&gt; &lt;span href="/wiki/Othin" title="Othin"&gt;Othin&lt;/span&gt; spake:&lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;18. "Vigrith is the field | where in fight shall meet&lt;br /&gt; &lt;span href="/wiki/Surtr" title="Surtr"&gt;Surt&lt;/span&gt; and the gracious gods;&lt;br /&gt; A hundred miles | each way does it measure.&lt;br /&gt; And so are its boundaries set." &lt;i&gt;Vafþrúðnismál&lt;/i&gt; 17-18, Bellows' translation &lt;span href="http://www.sacred-texts.com/neu/poe/poe05.htm" class="external autonumber" title="http://www.sacred-texts.com/neu/poe/poe05.htm" rel="nofollow"&gt;[2]&lt;/span&gt;&lt;br /&gt; &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-2775074887683612293?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/2775074887683612293/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=2775074887683612293' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2775074887683612293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/2775074887683612293'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/in-norse-mythology-vgrr-is-giant-plain.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-5680358430680395964</id><published>2008-04-07T00:58:00.001+09:00</published><updated>2008-04-07T00:58:28.069+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://content.answers.com/main/content/wp/en-commons/thumb/2/29/300px-London_Stansted_Airport_-_England.JPG"  alt="Westray Airport"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Westray Airport&lt;/b&gt; (&lt;span href="/wiki/International_Air_Transport_Association_airport_code" title="International Air Transport Association airport code"&gt;IATA&lt;/span&gt;: &lt;b&gt;WRY&lt;/b&gt;,&amp;#160;&lt;span href="/wiki/International_Civil_Aviation_Organization_airport_code" title="International Civil Aviation Organization airport code"&gt;ICAO&lt;/span&gt;: &lt;b&gt;EGEW&lt;/b&gt;) is an airport located at &lt;span href="/w/index.php?title=Aikerness&amp;amp;action=edit" class="new" title="Aikerness"&gt;Aikerness&lt;/span&gt;, on &lt;span href="/wiki/Westray" title="Westray"&gt;Westray&lt;/span&gt; in the &lt;span href="/wiki/Orkney" title="Orkney"&gt;Orkney Islands&lt;/span&gt;, &lt;span href="/wiki/Scotland" title="Scotland"&gt;Scotland&lt;/span&gt;. It is best known for being one of the two airports joined by the shortest scheduled flight in the world, a leg of &lt;span href="/wiki/Loganair" title="Loganair"&gt;Loganair&lt;/span&gt;'s inter-island service, to &lt;span href="/wiki/Papa_Westray_Airport" title="Papa Westray Airport"&gt;Papa Westray Airport&lt;/span&gt;..&lt;br /&gt; &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-5680358430680395964?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/5680358430680395964/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=5680358430680395964' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5680358430680395964'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5680358430680395964'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/westray-airport-iata-wry-icao-egew-is.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-7638849786546875521</id><published>2008-04-06T01:05:00.001+09:00</published><updated>2008-04-06T01:05:50.969+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.daytonsbluff.org/DBDF/May2007/DBDFMay2007_McClean.jpg"  alt="Governor of Minnesota"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;small&gt;This article is part of the series:&lt;/small&gt; &lt;b&gt;&lt;span href="/wiki/Politics_of_Minnesota" title="Politics of Minnesota"&gt;Politics and government of&lt;img src="http://www.autobloggreen.com/media/2006/04/pawlenty.jpg"  alt="Governor of Minnesota"  align="right" style="padding:10px"  /&gt; Minnesota&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Governor of Minnesota&lt;/b&gt; is the chief executive of the &lt;span href="/wiki/U.S._state" title="U.S. state"&gt;U.S. state&lt;/span&gt; of &lt;span href="/wiki/Minnesota" title="Minnesota"&gt;Minnesota&lt;/span&gt;, leading the state's &lt;span href="/wiki/Executive_branch" title="Executive branch"&gt;executive branch&lt;/span&gt;. Thirty-eight different people have been governors of the state, though historically there were also three governors of &lt;span href="/wiki/Minnesota_Territory" title="Minnesota Territory"&gt;Minnesota Territory&lt;/span&gt;. &lt;span href="/wiki/Alexander_Ramsey" title="Alexander Ramsey"&gt;Alexander Ramsey&lt;/span&gt;, the first territorial governor, also served as state governor several years later. State governors are elected to office by popular vote, but territorial governors were appointed to the office by the &lt;span href="/wiki/President_of_the_United_States" title="President of the United States"&gt;United States president&lt;/span&gt;. The current governor of Minnesota is &lt;span href="/wiki/Tim_Pawlenty" title="Tim Pawlenty"&gt;Tim Pawlenty&lt;/span&gt;.&lt;br /&gt; Like the &lt;span href="/wiki/President_of_the_United_States" title="President of the United States"&gt;U.S. President&lt;/span&gt;, the governor has &lt;span href="/wiki/Veto" title="Veto"&gt;veto&lt;/span&gt; power over bills passed by the &lt;span href="/wiki/Minnesota_State_Legislature" title="Minnesota State Legislature"&gt;Minnesota State Legislature&lt;/span&gt;. As in most states, but unlike the U.S. President, the governor can also make &lt;span href="/wiki/Line-item_veto" title="Line-item veto"&gt;line-item vetoes&lt;/span&gt;, where specific provisions in bills can be stripped out while allowing the overall bill to be signed into law.&lt;br /&gt; Since a 1958 amendment to the &lt;span href="/wiki/Minnesota_Constitution" title="Minnesota Constitution"&gt;Minnesota Constitution&lt;/span&gt; governors are elected to four-year terms. Previously, they served two-year terms. The governor has a &lt;span href="/wiki/Cabinet" title="Cabinet"&gt;cabinet&lt;/span&gt; consisting of the leaders of various state departments. The governor appoints these department heads, who are usually called &lt;span href="/wiki/Commissioner" title="Commissioner"&gt;commissioners&lt;/span&gt;. Cabinet-level departments include:&lt;br /&gt; The &lt;span href="/wiki/Minnesota_Governor%27s_Residence" title="Minnesota Governor's Residence"&gt;governor's residence&lt;/span&gt; is located in &lt;span href="/wiki/Saint_Paul%2C_Minnesota" title="Saint Paul, Minnesota"&gt;Saint Paul&lt;/span&gt;, at 1006 Summit Avenue.&lt;br /&gt; &lt;span name="Gallery" id="Gallery"&gt;&lt;/span&gt;&lt;br /&gt; State government&lt;br /&gt; &lt;strong class="selflink"&gt;Governor&lt;/strong&gt; - &lt;span href="/wiki/Tim_Pawlenty" title="Tim Pawlenty"&gt;Tim Pawlenty&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/List_of_Lieutenant_Governors_of_Minnesota" title="List of Lieutenant Governors of Minnesota"&gt;Lieutenant Governor&lt;/span&gt; - &lt;span href="/wiki/Carol_Molnau" title="Carol Molnau"&gt;Carol Molnau&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_Minnesota_Attorneys_General" title="List of Minnesota Attorneys General"&gt;Attorney General&lt;/span&gt; - &lt;span href="/wiki/Lori_Swanson" title="Lori Swanson"&gt;Lori Swanson&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_Secretary_of_State" title="Minnesota Secretary of State"&gt;Secretary of State&lt;/span&gt; - &lt;span href="/wiki/Mark_Ritchie" title="Mark Ritchie"&gt;Mark Ritchie&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_State_Auditor" title="Minnesota State Auditor"&gt;State Auditor&lt;/span&gt; - &lt;span href="/wiki/Rebecca_Otto" title="Rebecca Otto"&gt;Rebecca Otto&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_State_Treasurer" title="Minnesota State Treasurer"&gt;State Treasurer&lt;/span&gt; - 1858-2003&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_State_Cabinet&amp;amp;action=edit" class="new" title="Minnesota State Cabinet"&gt;State Cabinet&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_Legislature" title="Minnesota Legislature"&gt;Legislature&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Minnesota_Senate" title="Minnesota Senate"&gt;Senate&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;President of the Senate - &lt;span href="/wiki/James_Metzen" title="James Metzen"&gt;James Metzen&lt;/span&gt;&lt;br /&gt; Majority Leader - &lt;span href="/wiki/Lawrence_Pogemiller" title="Lawrence Pogemiller"&gt;Lawrence Pogemiller&lt;/span&gt;&lt;br /&gt; Minority Leader - &lt;span href="/wiki/David_Senjem" title="David Senjem"&gt;David Senjem&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_House_of_Representatives" title="Minnesota House of Representatives"&gt;House of Representatives&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;Speaker - &lt;span href="/wiki/Margaret_Anderson_Kelliher" title="Margaret Anderson Kelliher"&gt;Margaret Anderson Kelliher&lt;/span&gt;&lt;br /&gt; Majority Leader - &lt;span href="/wiki/Anthony_Sertich" title="Anthony Sertich"&gt;Anthony Sertich&lt;/span&gt;&lt;br /&gt; Minority Leader - &lt;span href="/wiki/Marty_Seifert" title="Marty Seifert"&gt;Marty Seifert&lt;/span&gt;&lt;br /&gt; Court System&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Minnesota_Supreme_Court" title="Minnesota Supreme Court"&gt;Supreme Court&lt;/span&gt;&lt;br /&gt; District Courts&lt;br /&gt; Court of Appeals&lt;br /&gt; Specialty Courts&lt;br /&gt; &lt;span href="/wiki/List_of_political_parties_in_the_United_States" title="List of political parties in the United States"&gt;Political Parties&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Democratic-Farmer-Labor_Party" title="Democratic-Farmer-Labor Party"&gt;Democratic-Farmer-Labor Party&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Republican_Party_of_Minnesota" title="Republican Party of Minnesota"&gt;Republican Party&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Green_Party_of_Minnesota" title="Green Party of Minnesota"&gt;Green Party&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Independence_Party_of_Minnesota" title="Independence Party of Minnesota"&gt;Independence Party&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_political_parties_in_Minnesota" title="List of political parties in Minnesota"&gt;List of political parties in Minnesota&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Third_party_%28United_States%29" title="Third party (United States)"&gt;National minor parties&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_counties_in_Minnesota" title="List of counties in Minnesota"&gt;Counties&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Federal_government_of_the_United_States" title="Federal government of the United States"&gt;Federal government&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/United_States_Senate" title="United States Senate"&gt;United States Senate&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Amy_Klobuchar" title="Amy Klobuchar"&gt;Amy Klobuchar&lt;/span&gt; (D)&lt;br /&gt; &lt;span href="/wiki/Norm_Coleman" title="Norm Coleman"&gt;Norm Coleman&lt;/span&gt; (R)&lt;br /&gt; &lt;span href="/wiki/United_States_House_of_Representatives" title="United States House of Representatives"&gt;United States House&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Tim_Walz" title="Tim Walz"&gt;Tim Walz&lt;/span&gt; (D)&lt;br /&gt; &lt;span href="/wiki/John_Kline_%28politician%29" title="John Kline (politician)"&gt;John Kline&lt;/span&gt; (R)&lt;br /&gt; &lt;span href="/wiki/Jim_Ramstad" title="Jim Ramstad"&gt;Jim Ramstad&lt;/span&gt; (R)&lt;br /&gt; &lt;span href="/wiki/Betty_McCollum" title="Betty McCollum"&gt;Betty McCollum&lt;/span&gt; (D)&lt;br /&gt; &lt;span href="/wiki/Keith_Ellison_%28politician%29" title="Keith Ellison (politician)"&gt;Keith Ellison&lt;/span&gt; (D)&lt;br /&gt; &lt;span href="/wiki/Michele_Bachmann" title="Michele Bachmann"&gt;Michele Bachmann&lt;/span&gt; (R)&lt;br /&gt; &lt;span href="/wiki/Collin_Peterson" title="Collin Peterson"&gt;Collin Peterson&lt;/span&gt; (D)&lt;br /&gt; &lt;span href="/wiki/Jim_Oberstar" title="Jim Oberstar"&gt;Jim Oberstar&lt;/span&gt; (D)&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Administration&amp;amp;action=edit" class="new" title="Minnesota Department of Administration"&gt;Department of Administration&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Agriculture&amp;amp;action=edit" class="new" title="Minnesota Department of Agriculture"&gt;Department of Agriculture&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Commerce&amp;amp;action=edit" class="new" title="Minnesota Department of Commerce"&gt;Department of Commerce&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Corrections&amp;amp;action=edit" class="new" title="Minnesota Department of Corrections"&gt;Department of Corrections&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Education&amp;amp;action=edit" class="new" title="Minnesota Department of Education"&gt;Department of Education&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Employee_Relations&amp;amp;action=edit" class="new" title="Minnesota Department of Employee Relations"&gt;Department of Employee Relations&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Employment_and_Economic_Development&amp;amp;action=edit" class="new" title="Minnesota Department of Employment and Economic Development"&gt;Department of Employment and Economic Development&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Finance&amp;amp;action=edit" class="new" title="Minnesota Department of Finance"&gt;Department of Finance&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Health&amp;amp;action=edit" class="new" title="Minnesota Department of Health"&gt;Department of Health&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Human_Rights&amp;amp;action=edit" class="new" title="Minnesota Department of Human Rights"&gt;Department of Human Rights&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Human_Services&amp;amp;action=edit" class="new" title="Minnesota Department of Human Services"&gt;Department of Human Services&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Iron_Range_Resources&amp;amp;action=edit" class="new" title="Iron Range Resources"&gt;Iron Range Resources&lt;/span&gt; (Also known as the IRRB [pronounced "eye-triple-r-b"])&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Labor_and_Industry&amp;amp;action=edit" class="new" title="Minnesota Department of Labor and Industry"&gt;Department of Labor and Industry&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Bureau_of_Mediation_Services&amp;amp;action=edit" class="new" title="Bureau of Mediation Services"&gt;Bureau of Mediation Services&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Metropolitan_Council" title="Metropolitan Council"&gt;Metropolitan Council&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Military_Affairs&amp;amp;action=edit" class="new" title="Minnesota Department of Military Affairs"&gt;Department of Military Affairs&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Higher_Education_Services_Office&amp;amp;action=edit" class="new" title="Minnesota Higher Education Services Office"&gt;Minnesota Higher Education Services Office&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_Housing_Finance_Agency" title="Minnesota Housing Finance Agency"&gt;Minnesota Housing Finance Agency&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_Department_of_Natural_Resources" title="Minnesota Department of Natural Resources"&gt;Department of Natural Resources&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Pollution_Control_Agency&amp;amp;action=edit" class="new" title="Minnesota Pollution Control Agency"&gt;Minnesota Pollution Control Agency&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Public_Safety&amp;amp;action=edit" class="new" title="Minnesota Department of Public Safety"&gt;Department of Public Safety&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Revenue&amp;amp;action=edit" class="new" title="Minnesota Department of Revenue"&gt;Department of Revenue&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_Department_of_Transportation" title="Minnesota Department of Transportation"&gt;Department of Transportation&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Minnesota_Department_of_Veterans_Affairs&amp;amp;action=edit" class="new" title="Minnesota Department of Veterans Affairs"&gt;Department of Veterans Affairs&lt;/span&gt;   &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_link" id="External_link"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_Governors_of_Minnesota" title="List of Governors of Minnesota"&gt;List of Governors of Minnesota&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_Minnesota_gubernatorial_elections" title="List of Minnesota gubernatorial elections"&gt;List of Minnesota gubernatorial elections&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Lieutenant_Governor_of_Minnesota" title="Lieutenant Governor of Minnesota"&gt;Lieutenant Governor of Minnesota&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_Lieutenant_Governors_of_Minnesota" title="List of Lieutenant Governors of Minnesota"&gt;List of Lieutenant Governors of Minnesota&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_Secretary_of_State" title="Minnesota Secretary of State"&gt;Minnesota Secretary of State&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_Attorney_General" title="Minnesota Attorney General"&gt;Minnesota Attorney General&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_State_Auditor" title="Minnesota State Auditor"&gt;Minnesota State Auditor&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Minnesota_State_Treasurer" title="Minnesota State Treasurer"&gt;Minnesota State Treasurer&lt;/span&gt; (office abolished &lt;span href="/wiki/January_6" title="January 6"&gt;January 6&lt;/span&gt;, &lt;span href="/wiki/2003" title="2003"&gt;2003&lt;/span&gt;)&lt;br /&gt; &lt;span href="/wiki/Politics_of_Minnesota" title="Politics of Minnesota"&gt;Politics of Minnesota&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-7638849786546875521?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/7638849786546875521/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=7638849786546875521' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7638849786546875521'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/7638849786546875521'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/this-article-is-part-of-series-politics.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-1189303098878678929</id><published>2008-04-05T01:20:00.001+09:00</published><updated>2008-04-05T01:20:04.925+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.timeout.com/img/3264/w513/image.jpg"  alt="The League of Gentlemen (comedy)"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;&lt;b&gt;The League of Gentlemen&lt;/b&gt;&lt;/i&gt; is a quartet of &lt;span href="/wiki/British_comedy" title="British comedy"&gt;British comedy&lt;/span&gt; writer/performers, formed in &lt;span href="/wiki/1995" title="1995"&gt;1995&lt;/span&gt; by &lt;span href="/wiki/Jeremy_Dyson" title="Jeremy Dyson"&gt;Jeremy Dyson&lt;/span&gt;, &lt;span href="/wiki/Mark_Gatiss" title="Mark Gatiss"&gt;Mark Gatiss&lt;/span&gt;, &lt;span href="/wiki/Steve_Pemberton" title="Steve Pemberton"&gt;Steve Pemberton&lt;/span&gt; and &lt;span href="/wiki/Reece_Shearsmith" title="Reece Shearsmith"&gt;Reece Shearsmith&lt;/span&gt;. The &lt;span href="/wiki/Television_program" title="Television program"&gt;television program&lt;/span&gt; for which they are best known, although officially labelled a &lt;span href="/wiki/Sitcom" title="Sitcom"&gt;sitcom&lt;/span&gt;, was initially more &lt;span href="/wiki/Sketch_show" title="Sketch show"&gt;sketch-based&lt;/span&gt;, linked together by their common setting: the fictional &lt;span href="/wiki/Village" title="Village"&gt;village&lt;/span&gt; of &lt;span href="/wiki/Royston_Vasey" title="Royston Vasey"&gt;Royston Vasey&lt;/span&gt;, set somewhere in the north of &lt;span href="/wiki/England" title="England"&gt;England&lt;/span&gt;. The first series aired on &lt;span href="/wiki/BBC_Two" title="BBC Two"&gt;BBC Two&lt;/span&gt; in &lt;span href="/wiki/1999" title="1999"&gt;1999&lt;/span&gt;, and follows the lives of dozens of the town's bizarre &lt;span href="/wiki/List_of_characters_in_The_League_of_Gentlemen" title="List of characters in The League of Gentlemen"&gt;inhabitants&lt;/span&gt;, played by Gatiss, Pemberton and Shearsmith in a number of different guises and make-up.&lt;br /&gt; &lt;span name="Past_and_future" id="Past_and_future"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Past and future&lt;/b&gt;&lt;br /&gt;  The League of Gentlemen is primarily a sitcom, albeit an unusual one. It consists of a series of sketches which come together to form an overall story. Since all the action takes place, and nearly all the characters live, in the same village, there is much overlap, and the events and characters of one story play a part in the lives of others, much as in a &lt;span href="/wiki/Soap_opera" title="Soap opera"&gt;soap opera&lt;/span&gt;. There is usually a main plot to which the minor stories tend to be tenuously connected.&lt;br /&gt; &lt;span name="Series" id="Series"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Series&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;div class="noprint"&gt;&lt;i&gt;Main article: &lt;span href="/wiki/List_of_The_League_of_Gentlemen_episodes" title="List of The League of Gentlemen episodes"&gt;List of The League of Gentlemen episodes&lt;/span&gt;&lt;/i&gt;  &lt;b&gt; Episode Guide&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;div class="noprint"&gt;&lt;i&gt;Main article: &lt;span href="/wiki/List_of_characters_in_The_League_of_Gentlemen" title="List of characters in The League of Gentlemen"&gt;List of characters in The League of Gentlemen&lt;/span&gt;&lt;/i&gt;  &lt;b&gt; Characters&lt;/b&gt;&lt;br /&gt;  The majority of the inhabitants of the village — male and female — are played by &lt;span href="/wiki/Reece_Shearsmith" title="Reece Shearsmith"&gt;Reece Shearsmith&lt;/span&gt;, &lt;span href="/wiki/Steve_Pemberton" title="Steve Pemberton"&gt;Steve Pemberton&lt;/span&gt;, and &lt;span href="/wiki/Mark_Gatiss" title="Mark Gatiss"&gt;Mark Gatiss&lt;/span&gt;, and the script was written by these three, along with &lt;span href="/wiki/Jeremy_Dyson" title="Jeremy Dyson"&gt;Jeremy Dyson&lt;/span&gt;. Dyson, not an actor like the others, appears only in &lt;span href="/wiki/Cameo_appearance" title="Cameo appearance"&gt;cameo&lt;/span&gt; roles. As there are usually only three actors on screen at any one time, the different characters mostly play out their own stories in several serialised sketches, rarely crossing into each others' storylines. Only rarely do actors "meet themselves". Exceptions include Papa Lazarou facing the Reverend Bernice in the Christmas Special (both Reece Shearsmith), Alvin Steele buying food from Iris at a supermarket checkout in Series 2 (both Mark Gatiss). The idea is taken further in the &lt;span href="/wiki/The_League_of_Gentlemen%27s_Apocalypse" title="The League of Gentlemen's Apocalypse"&gt;The League of Gentlemen's Apocalypse&lt;/span&gt;, when the characters meet the actors (especially when Herr Lipp meets his creator, Steve Pemberton).&lt;br /&gt; &lt;span name="Atmosphere" id="Atmosphere"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Actors&lt;/b&gt;&lt;br /&gt;  The show has a great deal of dark humour, with many of the scenes inspired by horror films (the policeman who visits Tubbs and Edward in the first series is a reference to &lt;span href="/wiki/The_Wicker_Man" title="The Wicker Man"&gt;The Wicker Man&lt;/span&gt;), documentaries (Dr Carlton came from a programme called "Change of Sex" which featured a "monstrously unsympathetic" doctor) and personal experience (Legz Akimbo came from the writers' experiences in amateur theatre, while Pauline Campbell-Jones came from Reece Shearsmith's own &lt;span href="/wiki/New_Deal_%28UK%29" title="New Deal (UK)"&gt;Restart officer&lt;/span&gt;). Even the village sign is somewhat ominous, reading, in similar style to many hundreds of such signs throughout the UK, "Welcome to Royston Vasey. You'll never leave." In real life, Royston Vasey is the given name of comedian &lt;span href="/wiki/Roy_%27Chubby%27_Brown" title="Roy 'Chubby' Brown"&gt;Roy 'Chubby' Brown&lt;/span&gt;, who makes several cameo appearances as the town's foulmouthed mayor.&lt;br /&gt; It is notable that each series since the first has featured a progressively smaller proportion of jokes, focusing more on horror and drama. The third series in particular is notable for its absence of humour in many scenes. The League even comment on the DVD commentary that one scene involving Pauline and Ross was initially written without any jokes at all, so one was tacked on afterwards when they realised they had forgotten about it.&lt;br /&gt; The programme has notably high production values, with numerous detailed sets and complex character makeup, with particular attention paid to lighting and cinematography. The series is filmed on high-definition video tape, and post-processed to give it a high-quality film grain effect. A number of outdoor scenes (particularly the varied outdoor shots of the village shop and the intricate opening pan over the village) rival major motion pictures in terms of cinematography.&lt;br /&gt; The series and film were directed by &lt;span href="/wiki/Steve_Bendelack" title="Steve Bendelack"&gt;Steve Bendelack&lt;/span&gt; and the theme tune composed by &lt;span href="/wiki/The_Divine_Comedy_%28band%29" title="The Divine Comedy (band)"&gt;The Divine Comedy&lt;/span&gt;'s &lt;span href="/wiki/Joby_Talbot" title="Joby Talbot"&gt;Joby Talbot&lt;/span&gt;. For the third series, Talbot revamped the theme tune, giving it a funkier feel.&lt;br /&gt; &lt;span name="Reaction" id="Reaction"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Atmosphere&lt;/b&gt;&lt;br /&gt;  The series has garnered considerable critical acclaim, as well as a &lt;span href="/wiki/British_Academy_Television_Awards" title="British Academy Television Awards"&gt;BAFTA&lt;/span&gt; award, a &lt;span href="/wiki/Royal_Television_Society" title="Royal Television Society"&gt;Royal Television Society&lt;/span&gt; award and the &lt;span href="/wiki/Rose_d%27Or" title="Rose d'Or"&gt;Golden Rose of Montreux&lt;/span&gt;. In &lt;span href="/wiki/2003" title="2003"&gt;2003&lt;/span&gt;, its creators were listed in &lt;span href="/wiki/The_Observer" title="The Observer"&gt;The Observer&lt;/span&gt; as among the 50 funniest acts in British comedy. In 2004 The &lt;span href="/wiki/Radio_Times" title="Radio Times"&gt;Radio Times&lt;/span&gt; listed &lt;span href="/wiki/Papa_Lazarou" title="Papa Lazarou"&gt;Papa Lazarou&lt;/span&gt; as the 8th funniest comedy sketch of all time (despite the fact that &lt;span href="/wiki/Papa_Lazarou" title="Papa Lazarou"&gt;Papa Lazarou&lt;/span&gt; is a character rather than a sketch).&lt;br /&gt; Despite substantial critical acclaim, it has been branded with &lt;span href="/wiki/Cult_status" title="Cult status"&gt;cult status&lt;/span&gt; and has never achieved, or certainly never maintained, broad popularity. Despite being far older, the program is sometimes referred to as 'The Thinking Man's Little Britain'.&lt;br /&gt; &lt;span name="Books" id="Books"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Reaction&lt;/b&gt;&lt;br /&gt;  &lt;span name="Trivia" id="Trivia"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/A_Local_Book_for_Local_People" title="A Local Book for Local People"&gt;A Local Book for Local People&lt;/span&gt;&lt;/i&gt; (2000) London: 4th Estate, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=184115346X" class="internal"&gt;ISBN 1-84115-346-X&lt;/span&gt;&lt;br /&gt; &lt;i&gt;The League of Gentlemen: Scripts and That&lt;/i&gt; (2003) London: BBC Worldwide, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0563487755" class="internal"&gt;ISBN 0-563-48775-5&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_League_of_Gentlemen%27s_Book_of_Precious_Things&amp;amp;action=edit" class="new" title="The League of Gentlemen's Book of Precious Things"&gt;The League of Gentlemen's Book of Precious Things&lt;/span&gt;&lt;/i&gt; (2007) London: Prion, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=1853756210" class="internal"&gt;ISBN 1-853-75621-0&lt;/span&gt;   &lt;b&gt; Books&lt;/b&gt;&lt;br /&gt;  &lt;span name="Links_to_real_life" id="Links_to_real_life"&gt;&lt;/span&gt;&lt;br /&gt; Other star guest appearances include &lt;span href="/wiki/Christopher_Eccleston" title="Christopher Eccleston"&gt;Christopher Eccleston&lt;/span&gt; in the last episode of series 3 and Roy 'Chubby' Brown, playing the Mayor of Royston Vasey.&lt;br /&gt; All three performing members of The League (Gatiss, Pemberton &amp;amp; Shearsmith) acted in different roles in the 1998 BBC television adaptation of &lt;span href="/w/index.php?title=Mark_Taverner&amp;amp;action=edit" class="new" title="Mark Taverner"&gt;Mark Taverner&lt;/span&gt;'s satire &lt;span href="/wiki/In_the_Red" title="In the Red"&gt;In the Red&lt;/span&gt;.&lt;br /&gt; There is at least one horror movie reference in every episode.&lt;br /&gt; The troupe is friends with &lt;span href="/wiki/Edgar_Wright" title="Edgar Wright"&gt;Edgar Wright&lt;/span&gt;, and cast members have constantly overlapped between their projects. &lt;i&gt;League&lt;/i&gt; members appear in &lt;i&gt;&lt;span href="/wiki/Spaced" title="Spaced"&gt;Spaced&lt;/span&gt;&lt;/i&gt; and &lt;i&gt;&lt;span href="/wiki/Shaun_of_the_Dead" title="Shaun of the Dead"&gt;Shaun of the Dead&lt;/span&gt;&lt;/i&gt; (and Gatiss appears uncredited in Wright's trailer for &lt;i&gt;&lt;span href="/wiki/Grindhouse" title="Grindhouse"&gt;Grindhouse&lt;/span&gt;&lt;/i&gt; as admitted by Wright&lt;span href="http://www.myspace.com/edgarwright" class="external autonumber" title="http://www.myspace.com/edgarwright" rel="nofollow"&gt;[1]&lt;/span&gt;). Conversely, &lt;span href="/wiki/Simon_Pegg" title="Simon Pegg"&gt;Simon Pegg&lt;/span&gt; appeared in &lt;i&gt;&lt;span href="/wiki/The_League_of_Gentlemen%27s_Apocalypse" title="The League of Gentlemen's Apocalypse"&gt;The League of Gentlemen's Apocalypse&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; While &lt;span href="/wiki/Joby_Talbot" title="Joby Talbot"&gt;Joby Talbot&lt;/span&gt; wrote the score for the television series, the eccentric theme music to the radio series &lt;i&gt;On the Town with the League of Gentlemen&lt;/i&gt; was &lt;span href="/wiki/Michael_Nyman" title="Michael Nyman"&gt;Michael Nyman&lt;/span&gt;'s piece &lt;i&gt;An Eye for Optical Theory&lt;/i&gt; from the film &lt;i&gt;&lt;span href="/wiki/The_Draughtsman%27s_Contract" title="The Draughtsman's Contract"&gt;The Draughtsman's Contract&lt;/span&gt;&lt;/i&gt;.   &lt;b&gt; Links to real life&lt;/b&gt;&lt;br /&gt;  &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-1189303098878678929?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/1189303098878678929/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=1189303098878678929' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/1189303098878678929'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/1189303098878678929'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/league-of-gentlemen-is-quartet-of.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-293508734351528530</id><published>2008-04-04T00:03:00.001+09:00</published><updated>2008-04-04T00:03:30.320+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.candocubes.com/images/interface/25cubes.jpg"  alt="Subject (grammar)"  align="right" style="padding:10px"  /&gt;&lt;img src="http://grammar.ccc.commnet.edu/grammar/images/grammar.gif"  alt="Subject (grammar)"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Forms of subject&lt;/b&gt;&lt;br /&gt;  The subject of a &lt;span href="/wiki/Sentence_%28linguistics%29" title="Sentence (linguistics)"&gt;sentence&lt;/span&gt; is sometimes defined as the &lt;span href="/wiki/Verb_argument" title="Verb argument"&gt;argument&lt;/span&gt; that generally refers to the origin of the action or the undergoer of the state shown by the predicate. This is a &lt;i&gt;&lt;span href="/wiki/Semantics" title="Semantics"&gt;semantic&lt;/span&gt;&lt;/i&gt; definition. Such a definition is problematic for several reasons. In languages where a &lt;span href="/wiki/Passive_voice" title="Passive voice"&gt;passive voice&lt;/span&gt; exists, the subject of a passive verb may be the target or result of the action. For example:&lt;br /&gt; &lt;i&gt;John was arrested.&lt;/i&gt;&lt;br /&gt; &lt;i&gt;The police arrested John.&lt;/i&gt;&lt;br /&gt; In the first sentence (which is in the passive voice), &lt;i&gt;John&lt;/i&gt; is the subject, while in the second sentence (active voice) &lt;i&gt;the police&lt;/i&gt; is the subject and &lt;i&gt;John&lt;/i&gt; is the object. Similarly, some verbs can be used both as &lt;span href="/wiki/Transitive_verb" title="Transitive verb"&gt;transitive&lt;/span&gt; and as &lt;span href="/wiki/Intransitive_verb" title="Intransitive verb"&gt;intransitive&lt;/span&gt;. An example is the English verb &lt;i&gt;break&lt;/i&gt;:&lt;br /&gt; &lt;i&gt;John broke the chain.&lt;/i&gt;&lt;br /&gt; &lt;i&gt;The chain broke.&lt;/i&gt;&lt;br /&gt; In the first sentence, &lt;i&gt;the chain&lt;/i&gt; is the object, while in the second, it is the &lt;i&gt;subject&lt;/i&gt;. But the relation of &lt;i&gt;the chain&lt;/i&gt; to the event described by the sentence is the same in the two cases. This can be seen by considering the fact that the two sentences can be used to describe the same situation: Whenever the first sentence is true, the second one will be true, as well.&lt;br /&gt; Some linguistic theories require every language to have a category of subject. However, there is no such category that is consistent for all languages.&lt;br /&gt; In many languages, the subject triggers agreement morphology on the verb or auxiliary of a sentence. For example, in English one uses the form &lt;i&gt;has&lt;/i&gt; for sentences with a &lt;span href="/wiki/Grammatical_number" title="Grammatical number"&gt;singular&lt;/span&gt; subject, and &lt;i&gt;have&lt;/i&gt; in sentences with a plural subject. This is a &lt;i&gt;&lt;span href="/wiki/Morphosyntax" title="Morphosyntax"&gt;morphosyntactic&lt;/span&gt;&lt;/i&gt; definition.&lt;br /&gt; &lt;i&gt;She &lt;b&gt;has&lt;/b&gt; left.&lt;/i&gt;&lt;br /&gt; &lt;i&gt;They &lt;b&gt;have&lt;/b&gt; left.&lt;/i&gt;&lt;br /&gt; This definition works fairly well for English, except in the case of verbs that do not agree. Examples of English verbs that never carry agreement include the modals &lt;i&gt;must, can, will, might, may&lt;/i&gt;. The subject in English can also be identified by the fact that the &lt;span href="/wiki/Interrogative" title="Interrogative"&gt;interrogative&lt;/span&gt; clause is formed by inverting the normal subject–verb &lt;span href="/wiki/Word_order" title="Word order"&gt;word order&lt;/span&gt; to verb–subject. Thus:&lt;br /&gt; &lt;i&gt;&lt;b&gt;You won't&lt;/b&gt; call me.&lt;/i&gt;&lt;br /&gt; &lt;i&gt;&lt;b&gt;Won't you&lt;/b&gt; call me?&lt;/i&gt;&lt;br /&gt; In many languages that mark &lt;span href="/wiki/Case" title="Case"&gt;case&lt;/span&gt; on the arguments of a verb, the &lt;span href="/wiki/Topic_%28linguistics%29" title="Topic (linguistics)"&gt;topic&lt;/span&gt; of the conversation tends to be placed in the &lt;span href="/wiki/Nominative_case" title="Nominative case"&gt;nominative case&lt;/span&gt;, and this combination is termed the subject. Such a &lt;span href="/wiki/Morphology_%28linguistics%29" title="Morphology (linguistics)"&gt;morphological&lt;/span&gt; definition is inherited from classical times. However, sometimes the subject may carry other cases, like the &lt;span href="/wiki/Dative" title="Dative"&gt;dative&lt;/span&gt;, so this definition is not perfect. Not all languages have a nominative case, and for many of these this concept of subject does not work at all: in &lt;span href="/wiki/Ergative-absolutive_language" title="Ergative-absolutive language"&gt;ergative-absolutive languages&lt;/span&gt; neither core case, absolutive or ergative, carries the topic the way the nominative does in many &lt;span href="/wiki/Nominative-accusative_language" title="Nominative-accusative language"&gt;nominative-accusative languages&lt;/span&gt;. Different theoretical traditions have treated both as subject at different times, but with no agreement.&lt;br /&gt; In languages that lack verb agreement and morphological case marking, one must define the nominative case (if there is one) in terms of word order. For example, in Mainland Scandinavian (Norwegian, Swedish and Danish) the subject occurs either right in front of the tensed verb of a sentence, or follows the verb but precedes the object.&lt;br /&gt; Finally, the subject tends to be the &lt;span href="/wiki/Topic_%28linguistics%29" title="Topic (linguistics)"&gt;topic&lt;/span&gt; of the proposition. In languages with no other means to mark a topic, making an object into a subject by using &lt;span href="/wiki/Passive_voice" title="Passive voice"&gt;passivization&lt;/span&gt; (&lt;i&gt;I did it → it was done&lt;/i&gt;) is a way to topicalize said object. (See also &lt;span href="/wiki/Topic-prominent_language" title="Topic-prominent language"&gt;topic-prominent languages&lt;/span&gt;.)&lt;br /&gt; Some languages can omit the subject if it is recoverable from the context of utterance (&lt;span href="/wiki/Null_subject_language" title="Null subject language"&gt;null subject language&lt;/span&gt;). Many of these languages have rich subject-verb agreement (e. g. &lt;span href="/wiki/Italian_language" title="Italian language"&gt;Italian&lt;/span&gt;) while others have no subject-verb agreement at all (&lt;span href="/wiki/Mandarin_Chinese" title="Mandarin Chinese"&gt;Mandarin Chinese&lt;/span&gt;). The term &lt;span href="/wiki/Pro-drop_language" title="Pro-drop language"&gt;pro-drop language&lt;/span&gt; is used for languages where pronouns can be omitted more generally, i.e. even when they are not a subject.&lt;br /&gt; In some languages, like English or French, sentences must have a syntactical subject, either a noun or noun phrase, or a pronoun, even if the sentences do not have a semantic subject. This is why verbs like &lt;i&gt;rain&lt;/i&gt; must carry a "subject" such as &lt;i&gt;it&lt;/i&gt;, even if nothing is actually "doing" the raining. &lt;i&gt;It&lt;/i&gt; is in this case an &lt;span href="/wiki/Expletive" title="Expletive"&gt;expletive&lt;/span&gt; and a &lt;span href="/wiki/Dummy_pronoun" title="Dummy pronoun"&gt;dummy pronoun&lt;/span&gt;.&lt;br /&gt; &lt;span name="Subject_orientation" id="Subject_orientation"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Subject orientation&lt;/b&gt;&lt;br /&gt;  It is generally assumed that the Noun Phrase occurring with the Verb Phrase, constituting a sentence, is a subject. Copular sentences challenge this view. In a particular class of copular sentences, called "inverse copular sentences", the noun phrase which occurs with the verb phrase plays the role of predicate, occupying the position which is canonically reserved for subjects, and the subject is embedded in the verb phrase (cf. &lt;span href="/wiki/Copula" title="Copula"&gt;copula&lt;/span&gt;). This can be exemplified by pairs of sentences like &lt;i&gt;these pictures of the wall are the cause of the riot&lt;/i&gt; (where the preverbal Noun Phrase plays the role of subject and the post-verbal one plays the role of predicate) vs &lt;i&gt;the cause of the riot is these pictures of the wall&lt;/i&gt; (where the order is inverse). This has far reaching consequences, affecting for example the theory of &lt;span href="/wiki/Expletive" title="Expletive"&gt;expletive&lt;/span&gt; subjects and &lt;span href="/wiki/Unaccusative" title="Unaccusative"&gt;unaccusative&lt;/span&gt; verbs (cf. Moro 1997 and Hale - Keyser 2003 and references cited there).&lt;br /&gt; &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-293508734351528530?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/293508734351528530/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=293508734351528530' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/293508734351528530'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/293508734351528530'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/forms-of-subject-subject-of-sentence-is.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-6951880638702966104</id><published>2008-04-03T01:35:00.001+09:00</published><updated>2008-04-03T01:35:14.176+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;For other places with this name, see &lt;span href="/wiki/Geneva_%28disambiguation%29" title="Geneva (disambiguation)"&gt;Geneva&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; &lt;b&gt;Geneva&lt;/b&gt; is a &lt;span href="/wiki/City" title="City"&gt;city&lt;/span&gt; in &lt;span href="/wiki/Ontario_County%2C_New_York" title="Ontario County, New York"&gt;Ontario County&lt;/span&gt;, &lt;span href="/wiki/New_York" title="New York"&gt;New York&lt;/span&gt;, &lt;span href="/wiki/USA" title="USA"&gt;USA&lt;/span&gt;. The population was 13,617 at the 2000 census. Some claim it is named after the city and canton of &lt;span href="/wiki/Geneva" title="Geneva"&gt;Geneva&lt;/span&gt; in &lt;span href="/wiki/Switzerland" title="Switzerland"&gt;Switzerland&lt;/span&gt;. Others believe the name came from confusion over the letters in the word "Seneca" written in cursive.&lt;br /&gt; The &lt;b&gt;City of Geneva&lt;/b&gt; is located by the eastern border of the county and is inside the &lt;span href="/wiki/Geneva_%28town%29%2C_New_York" title="Geneva (town), New York"&gt;Town of Geneva&lt;/span&gt;. The city claims to be the "Lake Trout Capital of the World."&lt;br /&gt; &lt;span name="History" id="History"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  &lt;span name="Geography" id="Geography"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Elizabeth_Blackwell" title="Elizabeth Blackwell"&gt;Elizabeth Blackwell&lt;/span&gt;, the first woman to become qualified as a medical doctor in the United States, studied here, graduating from the medical school at what was then Geneva College in &lt;span href="/wiki/1849" title="1849"&gt;1849&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Red_Jacket" title="Red Jacket"&gt;Red Jacket&lt;/span&gt;, the Seneca political leader was reportedly born near Geneva.&lt;br /&gt; &lt;span href="/wiki/Gym_Class_Heroes" title="Gym Class Heroes"&gt;Gym Class Heroes&lt;/span&gt;, four member hip-hop/indie rock band.&lt;br /&gt; &lt;span href="/wiki/Lauren_Holly" title="Lauren Holly"&gt;Lauren Holly&lt;/span&gt;, actress.&lt;br /&gt; &lt;span href="/wiki/Arudou_Debito" title="Arudou Debito"&gt;Arudou Debito&lt;/span&gt;/Dave Aldwinckle, author and human rights activist in Japan.&lt;br /&gt; &lt;span href="/wiki/Arthur_Dove" title="Arthur Dove"&gt;Arthur Dove&lt;/span&gt;, artist.&lt;br /&gt; &lt;span href="/wiki/Christine_Lavin" title="Christine Lavin"&gt;Christine Lavin&lt;/span&gt; folk singer.&lt;br /&gt; &lt;span href="/w/index.php?title=Susan_Brind_Morrow&amp;amp;action=edit" class="new" title="Susan Brind Morrow"&gt;Susan Brind Morrow&lt;/span&gt; author of The Names of Things (1998), Of Wolves and Honey (2004)&lt;br /&gt; &lt;span href="/w/index.php?title=Cynthia_DeFelice&amp;amp;action=edit" class="new" title="Cynthia DeFelice"&gt;Cynthia DeFelice&lt;/span&gt;, author&lt;br /&gt; &lt;span href="/w/index.php?title=Warren_Hunting_Smith&amp;amp;action=edit" class="new" title="Warren Hunting Smith"&gt;Warren Hunting Smith&lt;/span&gt;, author&lt;br /&gt; &lt;span href="/wiki/Scott_LaFaro" title="Scott LaFaro"&gt;Scott LaFaro&lt;/span&gt;, Beacon for Jazz Bassists, Member of the Bill Evans Trio &lt;img src="http://www.nysenvirothon.org/Canon/coxehall.jpg"  alt="Geneva, New York"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Notable natives&lt;/b&gt;&lt;br /&gt;  Geneva lies at the northern end of the &lt;span href="/wiki/Seneca_Lake_%28New_York%29" title="Seneca Lake (New York)"&gt;Seneca Lake&lt;/span&gt;, in the &lt;span href="/wiki/Finger_Lakes" title="Finger Lakes"&gt;Finger Lakes&lt;/span&gt; region, the largest wine-producing area in New York State. According to the &lt;span href="/wiki/United_States_Census_Bureau" title="United States Census Bureau"&gt;United States Census Bureau&lt;/span&gt;, the city has a total area of 15.2 &lt;span href="/wiki/Km%C2%B2" title="Km²"&gt;km²&lt;/span&gt; (5.8 &lt;span href="/wiki/Square_mile" title="Square mile"&gt;mi²&lt;/span&gt;). 11.0 km² (4.3 mi²) of it is land and 4.1 km² (1.6 mi²) of it (27.18%) is water.&lt;br /&gt; Geneva on east-west &lt;span href="/wiki/U.S._Highway_20" title="U.S. Highway 20"&gt;US Route 20&lt;/span&gt; conjoined with &lt;span href="/wiki/New_York_State_Route_5" title="New York State Route 5"&gt;New York State Route 5&lt;/span&gt;. &lt;span href="/wiki/New_York_State_Route_14" title="New York State Route 14"&gt;New York State Route 14&lt;/span&gt; is a north-south highway through the city.&lt;br /&gt; &lt;span name="Education" id="Education"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Education&lt;/b&gt;&lt;br /&gt;  &lt;span name="Private_schools" id="Private_schools"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=North_Street_School&amp;amp;action=edit" class="new" title="North Street School"&gt;North Street School&lt;/span&gt; is a public elementary school that teaches grades K-5 in the Geneva School District. Its enrollment is about 551 students. The current principal is Bill Rotenberg.   &lt;b&gt; Public schools&lt;/b&gt;&lt;br /&gt;  &lt;span name="Colleges_and_universities" id="Colleges_and_universities"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Moodie%27s_Children%27s_Hours_School&amp;amp;action=edit" class="new" title="Moodie's Children's Hours School"&gt;Moodie's Children's Hours School&lt;/span&gt; is a private school that teaches grades PreK-K in the Geneva School District. Its enrollment is about 27 students. The previous principal was the Rev. Joseph Grasso until his sudden resignation in July 2007. A replacement has not been named.   &lt;b&gt; Private schools&lt;/b&gt;&lt;br /&gt;  &lt;span name="Demographics" id="Demographics"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Hobart_and_William_Smith_Colleges" title="Hobart and William Smith Colleges"&gt;Hobart and William Smith Colleges&lt;/span&gt;, the successor institution to Geneva College.&lt;br /&gt; The &lt;span href="/wiki/New_York_State_Agricultural_Experiment_Station" title="New York State Agricultural Experiment Station"&gt;New York State Agricultural Experiment Station&lt;/span&gt; of &lt;span href="/wiki/Cornell_University" title="Cornell University"&gt;Cornell University&lt;/span&gt;'s &lt;span href="/wiki/Cornell_University_College_of_Agriculture_and_Life_Sciences" title="Cornell University College of Agriculture and Life Sciences"&gt;College of Agriculture and Life Sciences&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Finger_Lakes_Community_College" title="Finger Lakes Community College"&gt;Finger Lakes Community College&lt;/span&gt; has a campus in Geneva.   &lt;b&gt; Demographics&lt;/b&gt;&lt;br /&gt;  One of the major industries in and around Geneva is &lt;span href="/wiki/Winemaking" title="Winemaking"&gt;winemaking&lt;/span&gt;. The area is becoming increasingly popular for &lt;span href="/wiki/Agritourism" title="Agritourism"&gt;agritourism&lt;/span&gt;: there are over 100 wineries in the Finger Lakes Region, and the Seneca Lake Wine Trail provides easy access to many of these from Geneva. As Geneva grows as a tourist destination so do the number of rooms available.&lt;br /&gt; &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-6951880638702966104?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/6951880638702966104/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=6951880638702966104' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6951880638702966104'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/6951880638702966104'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/for-other-places-with-this-name-see.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-5904576087393943467</id><published>2008-04-02T00:19:00.001+09:00</published><updated>2008-04-02T00:19:09.391+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Signal Corps in the American Civil War&lt;/b&gt; comprised two organizations: the &lt;span href="/wiki/U.S._Army_Signal_Corps" title="U.S. Army Signal Corps"&gt;U.S. Army Signal Corps&lt;/span&gt;, which began with the appointment of &lt;span href="/wiki/Major" title="Major"&gt;Major&lt;/span&gt; &lt;span href="/wiki/Albert_J._Myer" title="Albert J. Myer"&gt;Albert J. Myer&lt;/span&gt; as its first signal officer just before the war and remains an entity to this day, and the &lt;span href="/wiki/Confederate_States_Army" title="Confederate States Army"&gt;Confederate States Army&lt;/span&gt; Signal Corps, a much smaller group of officers and men, using similar organizations and techniques as their &lt;span href="/wiki/Union_Army" title="Union Army"&gt;Union&lt;/span&gt; opponents. Both accomplished tactical and strategic communications for the warring armies, including electromagnetic &lt;span href="/wiki/Telegraphy" title="Telegraphy"&gt;telegraphy&lt;/span&gt; and aerial telegraphy ("wig-wag" signaling). Although both services had an implicit mission of battlefield observation, intelligence gathering, and artillery fire direction from their elevated signal stations, the Confederate Signal Corps also included an explicit espionage function.&lt;br /&gt; The Union Signal Corps, although effective on the battlefield, suffered from political disputes in &lt;span href="/wiki/Washington%2C_D.C." title="Washington, D.C."&gt;Washington, D.C.&lt;/span&gt;, particularly in its rivalry with the civilian-led U.S. Military Telegraph Service. Myer was relieved of his duties as chief signal officer by &lt;span href="/wiki/United_States_Secretary_of_War" title="United States Secretary of War"&gt;Secretary of War&lt;/span&gt; &lt;span href="/wiki/Edwin_M._Stanton" title="Edwin M. Stanton"&gt;Edwin M. Stanton&lt;/span&gt; for his attempts to control all electromagnetic telegraphy within the Signal Corps. He was not restored to his role as chief signal officer until after the war.&lt;br /&gt; &lt;span name="U.S._Army_.28Union.29_Signal_Corps" id="U.S._Army_.28Union.29_Signal_Corps"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://cache.eb.com/eb/thumb%3Fid%3D2417"  alt="Signal Corps in the American Civil War"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; U.S. Army (Union) Signal Corps&lt;/b&gt;&lt;br /&gt;  The "father" of the U.S. Army Signal Corps was Major Albert J. Myer, an Army surgeon with an interest in communications by sign language for the deaf and then in signaling over long distances with lightweight and simple to use equipment. He invented a signaling system using a flag (or a kerosene torch for nighttime use) that is known as wig-wag signaling, or aerial telegraphy. Unlike &lt;span href="/wiki/Semaphore_%28communication%29" title="Semaphore (communication)"&gt;semaphore&lt;/span&gt; flag signaling, which employed two flags, wig-wag required only one, using a binary code to represent each letter of the alphabet or digit. Myer was serving at &lt;span href="/wiki/Fort_Duncan" title="Fort Duncan"&gt;Fort Duncan&lt;/span&gt;, &lt;span href="/wiki/Texas" title="Texas"&gt;Texas&lt;/span&gt;, in 1856 when he wrote to &lt;span href="/wiki/United_States_Secretary_of_War" title="United States Secretary of War"&gt;Secretary of War&lt;/span&gt; &lt;span href="/wiki/Jefferson_Davis" title="Jefferson Davis"&gt;Jefferson Davis&lt;/span&gt; and offered his signaling system to the War Department. Although the chief engineer of the Army, Colonel &lt;span href="/wiki/Joseph_G._Totten" title="Joseph G. Totten"&gt;Joseph G. Totten&lt;/span&gt;, supported Myer's proposal, it did not include specific technical details and Davis rejected it. When &lt;span href="/wiki/John_B._Floyd" title="John B. Floyd"&gt;John B. Floyd&lt;/span&gt; replaced Davis as secretary of war in 1857, Totten reintroduced Myer's proposal, and in March 1859, a board of examination was formed in &lt;span href="/wiki/Washington%2C_D.C." title="Washington, D.C."&gt;Washington, D.C.&lt;/span&gt; The board, presided over by &lt;span href="/wiki/Lieutenant_Colonel" title="Lieutenant Colonel"&gt;Lt. Col.&lt;/span&gt; &lt;span href="/wiki/Robert_E._Lee" title="Robert E. Lee"&gt;Robert E. Lee&lt;/span&gt;, was not enthusiastic about the proposal, judging it suitable only as a secondary means of communications over short distances, but it did recommend further testing.&lt;br /&gt; &lt;span name="War_organization" id="War_organization"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; First chief signal officer&lt;/b&gt;&lt;br /&gt;  Upon the outbreak of war, Myer returned to Washington and addressed the problem of having no signal personnel. His only option was to persuade officers to be detailed from other assignments, which was not considered satisfactory by Myer or the officers themselves, who feared loss of promotion opportunities. He submitted draft legislation to Secretary of War &lt;span href="/wiki/Simon_Cameron" title="Simon Cameron"&gt;Simon Cameron&lt;/span&gt; in August 1861, proposing that a Signal Corps be established with himself, seven assistant signal officers, 40 warrant officers, and 40 signal artificers to serve as line builders and repairmen. He intended that each division of the Army, which he assumed would eventually comprise 500,000 men, would have dedicated aerial and electromagnetic telegraphy support. Congress adjourned without considering the legislation. That fall, Myer, who in addition to being chief signal officer for the Army, served as chief signal officer of the newly formed &lt;span href="/wiki/Army_of_the_Potomac" title="Army of the Potomac"&gt;Army of the Potomac&lt;/span&gt;, set up training facilities for detailed officers and men in Fort Monroe and at Red Hill, &lt;span href="/wiki/Georgetown%2C_Washington%2C_D.C." title="Georgetown, Washington, D.C."&gt;Georgetown, Washington, D.C.&lt;/span&gt; His latter training camp remained in operation through the &lt;span href="/wiki/Peninsula_Campaign" title="Peninsula Campaign"&gt;Peninsula Campaign&lt;/span&gt; and the rest of 1862, a period in which he continued to lobby with Congress and the Secretary of War, now &lt;span href="/wiki/Edwin_M._Stanton" title="Edwin M. Stanton"&gt;Edwin M. Stanton&lt;/span&gt;, to establish a permanent corps.&lt;br /&gt; &lt;span name="Confederate_Signal_Corps" id="Confederate_Signal_Corps"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; War organization&lt;/b&gt;&lt;br /&gt;  Edward P. Alexander, Myer's assistant in testing the wig-wag signaling system, resigned his U.S. Army commission on &lt;span href="/wiki/May_1" title="May 1"&gt;May 1&lt;/span&gt;, &lt;span href="/wiki/1861" title="1861"&gt;1861&lt;/span&gt;, to join the Confederate Army as a captain of engineers. While organizing and training new recruits to form a Confederate signal service, he was ordered to report to &lt;span href="/wiki/Brigadier_General" title="Brigadier General"&gt;Brig. Gen.&lt;/span&gt; &lt;span href="/wiki/P.G.T._Beauregard" title="P.G.T. Beauregard"&gt;P.G.T. Beauregard&lt;/span&gt; at &lt;span href="/wiki/Manassas%2C_Virginia" title="Manassas, Virginia"&gt;Manassas Junction, Virginia&lt;/span&gt;. He became the chief engineer and signal officer of the (Confederate) &lt;span href="/wiki/Army_of_the_Potomac_%28Confederate%29" title="Army of the Potomac (Confederate)"&gt;Army of the Potomac&lt;/span&gt; on &lt;span href="/wiki/June_3" title="June 3"&gt;June 3&lt;/span&gt;.&lt;br style="clear:both;" /&gt;&lt;br /&gt; &lt;span name="Signal_equipment_and_techniques" id="Signal_equipment_and_techniques"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Confederate Signal Corps&lt;/b&gt;&lt;br /&gt;  &lt;span name="Wig-wag_signaling" id="Wig-wag_signaling"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Signal equipment and techniques&lt;/b&gt;&lt;br /&gt;  Wig-wag signaling was performed during daylight with a single flag tied to a hickory staff constructed in four-foot jointed sections. Flags were generally made of cotton, linen, or another lightweight fabric and were issued in the following sizes:&lt;br /&gt; Codes for the alphabet, digits, and some special characters were as follows for the Union Signal Corps:&lt;br /&gt; Waving the flag continuously from left to right was used to attract attention and to indicate that signaling was about to start. Other special sequences of digits were:&lt;br /&gt; &lt;span name="Telegraph_train_and_the_Beardslee_telegraph" id="Telegraph_train_and_the_Beardslee_telegraph"&gt;&lt;/span&gt;&lt;br /&gt; Wave the flag from the vertical position to the ground at the left of the flagman, returning immediately to the vertical position.&lt;br /&gt; Wave the flag from the vertical position to the ground at the right of the flagman, returning immediately to the vertical position.&lt;br /&gt; Wave the flag from the ground on the right to the ground on the left of the flagman, returning immediately to the vertical position. The signal "3" always followed a "2" or "4."&lt;br /&gt; Wave the flag from the ground on the left to the ground on the right of the flagman, returning immediately to the vertical position. The signal "4" always followed a "1" or "3."&lt;br /&gt; Wave the flag directly in front of the flagman to the ground, returning immediately to the vertical position.   &lt;b&gt; Wig-wag signaling&lt;/b&gt;&lt;br /&gt;  Telegraph trains were introduced by Myer to support telegraphy for mobile operations. The horse-drawn wagons carried the telegraph sets and supplies such as reels of insulated copper wire and iron lances, for stringing temporary field lines, a practice called "flying telegraph lines." Each train consisted of two wagons, equipped with 5 miles of wire and a telegraph instrument. The first model train was constructed by Henry J. Rogers, a telegraphic engineer from New York City who had worked with &lt;span href="/wiki/Samuel_F.B._Morse" title="Samuel F.B. Morse"&gt;Samuel F.B. Morse&lt;/span&gt; in building the first commercial telegraph line between Washington and Baltimore in 1844. Rogers's original telegraph instrument for the train replaced the traditional sending key and sound receiver with a dial indicator, a circular index plate bearing the letters of the alphabet and a pointer that turned to the letter to be transmitted. A similar pointer spelled out the message at the receiving end. Rogers provided a galvanic battery that eliminated the danger of acid spills. This equipment eliminated the need for skilled operators who had to be trained in Morse code. Field trials in February 1862 found that it worked satisfactorily over a test circuit of 2 miles of wire. A board of three signal officers recommended that such a train would be of great use as an auxiliary to permanent telegraph lines.&lt;br /&gt; &lt;span name="Ciphers" id="Ciphers"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Telegraph train and the Beardslee telegraph&lt;/b&gt;&lt;br /&gt;  Since aerial telegraphy was sometimes conducted within the clear sight of the enemy, security was a major problem. The Signal Corps introduced a &lt;span href="/wiki/Cipher_disk" title="Cipher disk"&gt;cipher disc&lt;/span&gt;, a simple device that allowed the encryption of text. Two concentric discs were inscribed with letters and their numerical equivalents. The sending and receiving party had to agree on the specific alignment between the two discs, ensuring that both parties had identical alignment. To encipher a message, the signal officer selected an "adjustment letter" on the inner disc and then made this letter correspond with a preselected numerical code or "key number" on the outer disc. The signal officer would typically give the key numbers to the flagmen without revealing the plain text version of the message. Although this method of encryption was primitive by modern standards, there is no record that the Confederates ever deciphered a Union message that had been processed in this manner. A more complex system in which four concentric discs were used was invented by Sergeant Francis M. Metcalf and modified by Captain Lemuel B. Norton, but it did not receive widespread adoption.&lt;br /&gt; &lt;span name="Signal_contributions_to_battles_and_campaigns" id="Signal_contributions_to_battles_and_campaigns"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Ciphers&lt;/b&gt;&lt;br /&gt;  &lt;span name="First_Bull_Run" id="First_Bull_Run"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; First Bull Run&lt;/b&gt;&lt;br /&gt;  At the &lt;span href="/wiki/Battle_of_Fredericksburg" title="Battle of Fredericksburg"&gt;Battle of Fredericksburg&lt;/span&gt; in December 1862, significant use of the Beardslee telegraph made it possible for Maj. Gen. &lt;span href="/wiki/Ambrose_E._Burnside" title="Ambrose E. Burnside"&gt;Ambrose E. Burnside&lt;/span&gt; to communicate with the Army through the fog and smoke from the burning town. On &lt;span href="/wiki/December_13" title="December 13"&gt;December 13&lt;/span&gt;, the main day of the battle, signal corpsmen extended a line across the &lt;span href="/wiki/Rappahannock_River" title="Rappahannock River"&gt;Rappahannock River&lt;/span&gt; into the town of Fredericksburg while under fire and Burnside was able to communicate with both of his grand division commanders and his supply base, 7.5 miles away.&lt;br /&gt; &lt;span name="Chancellorsville" id="Chancellorsville"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Fredericksburg&lt;/b&gt;&lt;br /&gt;  During the Battle of Chancellorsville in May 1863, the performance of the Beardslee telegraph was so poor that Albert Myer soon decided to replace it. The campaign got off to a bad start because the chief signal officer of the Army of the Potomac, Captain Samuel T. Cushing, was kept in the dark about the plans of Maj. Gen. &lt;span href="/wiki/Joseph_Hooker" title="Joseph Hooker"&gt;Joseph Hooker&lt;/span&gt; and he could not arrange his signal assets in advance. As the Army advanced, Cushing had insufficient wire on hand and was forced to use untested wire that had been left in the field, supported by iron lances, since Fredericksburg. On &lt;span href="/wiki/April_29" title="April 29"&gt;April 29&lt;/span&gt;, as the Army prepared to cross the &lt;span href="/wiki/Rapidan_River" title="Rapidan River"&gt;Rapidan River&lt;/span&gt;, the Beardslee telegraph did not work, probably due to excessive wire length. Captain Frederick E. Beardslee, son of the inventor, was sent to make repairs. He found that the machine had been hit by lightning and was operating erratically. That evening a telegraph reached headquarters from the Ford on the Rapidan at 10:30 p.m., but it was marked (incorrectly) as originating at 5:30 p.m. Maj. Gen. &lt;span href="/wiki/Daniel_Butterfield" title="Daniel Butterfield"&gt;Daniel Butterfield&lt;/span&gt;, Chief of Staff of the Army of the Potomac, told Cushing that he was not going to wake the commanding general for any telegram that was five hours late; his repose was "worth more than the commissions of a dozen signal officers." The inadequate wires and the unreliable telegraph caused persistent problems and kept General Hooker isolated from his forces in the Wilderness. On &lt;span href="/wiki/May_1" title="May 1"&gt;May 1&lt;/span&gt;, operators of the U.S. Military Telegraph Service were ordered to replace the Signal Corps Beardslee operators.&lt;br /&gt; &lt;span name="Gettysburg" id="Gettysburg"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Chancellorsville&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Battle_of_Gettysburg" title="Battle of Gettysburg"&gt;Battle of Gettysburg&lt;/span&gt; featured the Union Signal Corps in its role of observing the battlefield. The chief signal officer of the Army of the Potomac, Captain Lemuel B. Norton, had field telegraph trains at his disposal, but did not deploy them. On &lt;span href="/wiki/July_1" title="July 1"&gt;July 1&lt;/span&gt;, &lt;span href="/wiki/1863" title="1863"&gt;1863&lt;/span&gt;, a Union signal officer, Lt. Aaron B. Jerome, ascended the cupola of the &lt;span href="/wiki/Lutheran_Theological_Seminary_at_Gettysburg" title="Lutheran Theological Seminary at Gettysburg"&gt;Lutheran Theological Seminary&lt;/span&gt; and the courthouse steeple to observe the enemy's approach and reported to Maj. Gen. &lt;span href="/wiki/Oliver_O._Howard" title="Oliver O. Howard"&gt;Oliver O. Howard&lt;/span&gt;. On &lt;span href="/wiki/July_2" title="July 2"&gt;July 2&lt;/span&gt;, the Confederate corps under &lt;span href="/wiki/Lieutenant_General_%28United_States%29" title="Lieutenant General (United States)"&gt;Lt. Gen.&lt;/span&gt; &lt;span href="/wiki/James_Longstreet" title="James Longstreet"&gt;James Longstreet&lt;/span&gt; attempted to maneuver into position for an attack on the Union left flank. They were forced into a lengthy counter march, delaying their attack, when they spotted the presence of the Union signal station on &lt;span href="/wiki/Little_Round_Top" title="Little Round Top"&gt;Little Round Top&lt;/span&gt; mountain and knew that their approach would be reported. During the Confederate assault, the fighting was so heavy that the signal station had to be abandoned until the following day. A plaque commemorating the U.S. Army Signal Corps' contribution to the battle is mounted today on a boulder near the peak of Little Round Top. On &lt;span href="/wiki/July_3" title="July 3"&gt;July 3&lt;/span&gt;, before &lt;span href="/wiki/Pickett%27s_Charge" title="Pickett's Charge"&gt;Pickett's Charge&lt;/span&gt;, artillery fire against the Union line was so intense that the signalmen could not use their flags. Captain Edward C. Pierce, a signal officer attached to the &lt;span href="/wiki/VI_Corps_%28ACW%29" title="VI Corps (ACW)"&gt;VI Corps&lt;/span&gt;, acted as a mounted courier to Maj. Gen. &lt;span href="/wiki/George_G._Meade" title="George G. Meade"&gt;George G. Meade&lt;/span&gt;'s headquarters, despite warnings that he would never make it alive through the firing.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Edward_Porter_Alexander" title="Edward Porter Alexander"&gt;Alexander, Edward P.&lt;/span&gt;, and Gallagher, Gary W. (editor), &lt;i&gt;Fighting for the Confederacy: The Personal Recollections of General Edward Porter Alexander&lt;/i&gt;, University of North Carolina Press, 1989, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0807847224" class="internal"&gt;ISBN 0-8078-4722-4&lt;/span&gt;.&lt;br /&gt; Brown, J. Willard, &lt;i&gt;The Signal Corps, U.S.A. in the War of the Rebellion&lt;/i&gt;, U.S. Veteran Signal Corps Association, 1896, (reprinted by Arno Press, 1974), &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=040506036X" class="internal"&gt;ISBN 0-405-06036-X&lt;/span&gt;.&lt;br /&gt; Cameron, Bill, "Albert James Myer", &lt;i&gt;Encyclopedia of the American Civil War: A Political, Social, and Military History&lt;/i&gt;, Heidler, David S., and Heidler, Jeanne T., eds., W. W. Norton &amp;amp; Company, 2000, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=039304758X" class="internal"&gt;ISBN 0-393-04758-X&lt;/span&gt;.&lt;br /&gt; Eicher, John H., and Eicher, David J., &lt;i&gt;Civil War High Commands&lt;/i&gt;, Stanford University Press, 2001, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0804736413" class="internal"&gt;ISBN 0-8047-3641-3&lt;/span&gt;.&lt;br /&gt; Heidler, David S., and Heidler, Jeanne T., "Edward Porter Alexander", &lt;i&gt;Encyclopedia of the American Civil War: A Political, Social, and Military History&lt;/i&gt;, Heidler, David S., and Heidler, Jeanne T., eds., W. W. Norton &amp;amp; Company, 2000, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=039304758X" class="internal"&gt;ISBN 0-393-04758-X&lt;/span&gt;.&lt;br /&gt; Raines, Rebecca Robbins, &lt;i&gt;Getting the Message Through: A Branch History of the U.S. Army Signal Corps&lt;/i&gt;, Army Historical Series, Center of Military History, United States Army, 1996, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0160453518" class="internal"&gt;ISBN 0-16-045351-8&lt;/span&gt;.&lt;br /&gt; Scheips, Paul J., "Union Signal Communications: Innovation and Conflict", &lt;i&gt;Civil War History&lt;/i&gt;, Vol. IX, No. 4 (December 1963).&lt;br /&gt; Sears, Stephen W., &lt;i&gt;Chancellorsville&lt;/i&gt;, Houghton Mifflin, 1996, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=039587744X" class="internal"&gt;ISBN 0-395-87744-X&lt;/span&gt;.  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-5904576087393943467?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/5904576087393943467/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=5904576087393943467' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5904576087393943467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/5904576087393943467'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/04/signal-corps-in-american-civil-war.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-8742742496206704400</id><published>2008-03-30T01:03:00.001+09:00</published><updated>2008-03-30T01:03:52.342+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://milltowncollectibles.com/images/150_StudyofMan-web1.jpg"  alt="Ralph Linton"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Ralph Linton&lt;/b&gt; (&lt;span href="/wiki/Philadelphia%2C_Pennsylvania" title="Philadelphia, Pennsylvania"&gt;Philadelphia&lt;/span&gt;, 27 February 1893 - &lt;span href="/wiki/New_Haven%2C_Connecticut" title="New Haven, Connecticut"&gt;New Haven&lt;/span&gt;, 24 December 1953) was one of the best-known American &lt;span href="/wiki/Anthropologist" title="Anthropologist"&gt;anthropologists&lt;/span&gt; of the mid-twentieth century, and is particularly remembered for his works &lt;i&gt;The Study of Man&lt;/i&gt; (1936) and &lt;i&gt;The Tree of Culture&lt;/i&gt; (1955). One of Linton's major contributions to anthropology was finding a distinction between status and role.&lt;br /&gt; Linton was born into a family of &lt;span href="/wiki/Quaker" title="Quaker"&gt;Quaker&lt;/span&gt; restaurant entrepreneurs in Philadelphia in 1893 and entered &lt;span href="/wiki/Swarthmore_College" title="Swarthmore College"&gt;Swarthmore College&lt;/span&gt; in &lt;span href="/wiki/1911" title="1911"&gt;1911&lt;/span&gt;. He was an indifferent student and resisted his father's pressures to prepare himself for the life of a professional. He grew interested in archaeology after participating in a field school in the southwest and took a year off of his studies to participate in another archaeological excavation in Guatemala. Having found a strong focus he graduated &lt;span href="/wiki/Phi_Beta_Kappa" title="Phi Beta Kappa"&gt;Phi Beta Kappa&lt;/span&gt; in &lt;span href="/wiki/1915" title="1915"&gt;1915&lt;/span&gt;.&lt;br /&gt; Although Linton became a prominent anthropologist, his graduate education took place largely at the periphery of the discipline. He attended the &lt;span href="/wiki/University_of_Pennsylvania" title="University of Pennsylvania"&gt;University of Pennsylvania&lt;/span&gt;, where he earned his masters degree studying with &lt;span href="/wiki/Frank_Speck" title="Frank Speck"&gt;Frank Speck&lt;/span&gt; while undertaking additional archaeological field work in New Jersey and New Mexico. He was admitted to a Ph.D. program at &lt;span href="/wiki/Columbia_University" title="Columbia University"&gt;Columbia University&lt;/span&gt; thereafter, but did not become close to &lt;span href="/wiki/Franz_Boas" title="Franz Boas"&gt;Franz Boas&lt;/span&gt;, the doyen of anthropology in that era. When America entered &lt;span href="/wiki/World_War_I" title="World War I"&gt;World War I&lt;/span&gt;, Linton enlisted and served in France. Shortly after his return to the United States, he transferred from Columbia to &lt;span href="/wiki/Harvard_University" title="Harvard University"&gt;Harvard&lt;/span&gt;, where he studied with &lt;span href="/wiki/Earnest_Hooton" title="Earnest Hooton"&gt;Earnest Hooton&lt;/span&gt;, &lt;span href="/wiki/Alfred_Tozzer" title="Alfred Tozzer"&gt;Alfred Tozzer&lt;/span&gt;, and &lt;span href="/wiki/Roland_Dixon" title="Roland Dixon"&gt;Roland Dixon&lt;/span&gt;.&lt;br /&gt; After a year of classes at Harvard, Linton proceeded to do more fieldwork, first &lt;span href="/wiki/Mesa_Verde" title="Mesa Verde"&gt;Mesa Verde&lt;/span&gt; and then as a member of a research team lead by &lt;span href="/w/index.php?title=E.S.C._Handy&amp;amp;action=edit" class="new" title="E.S.C. Handy"&gt;E.S.C. Handy&lt;/span&gt; under the auspices of the &lt;span href="/wiki/Bishop_Museum" title="Bishop Museum"&gt;Bishop Museum&lt;/span&gt; to the &lt;span href="/wiki/Marquesas" title="Marquesas"&gt;Marquesas&lt;/span&gt;. While in the Pacific, his focus shifted from archaeology to cultural anthropology, although he would retain a keen interest in material culture and 'primitive' art throughout his life. He returned from the Marquesas in 1922 and eventually received his Ph.D. from Harvard in 1925.&lt;br /&gt; Linton used his Harvard connections to secure a position at the &lt;span href="/wiki/Field_Museum" title="Field Museum"&gt;Field Museum&lt;/span&gt; of Chicago after his return from the Marquesas. His official position was as Curator of American Indian materials. He continued working on digs in Ohio which he had first begun as a graduate student, but also began working through the museum's archival material on the &lt;span href="/wiki/Pawnee" title="Pawnee"&gt;Pawnee&lt;/span&gt; and published data collected by others in a series of articles and museum bulletins. While at the Field Museum he worked with illustrator and future children's book artist and author &lt;span href="/wiki/Holling_Clancy_Holling" title="Holling Clancy Holling"&gt;Holling Clancy Holling&lt;/span&gt;. Between 1925 and 1927, Linton undertook an extensive collecting trip to Madagascar for the field museum, exploring the western end of the &lt;span href="/wiki/Austronesian_people" title="Austronesian people"&gt;Austronesian&lt;/span&gt; diaspora after having studied the eastern end of this culture in the Marquesas. He did his own fieldwork there as well, and the book that resulted, &lt;i&gt;The Tanala: A Hill Tribe of Madagascar&lt;/i&gt; (1933), was the most detailed ethnography he would publish.&lt;br /&gt; On his return to the United States, Linton took a position at the &lt;span href="/wiki/University_of_Wisconsin-Madison" title="University of Wisconsin-Madison"&gt;University of Wisconsin&lt;/span&gt;, where the Department of Sociology had expanded to include an anthropology unit. Linton thus served as the beginning of what would later become a separate department. Several of his students went on to become important anthropologists, such as &lt;span href="/wiki/Clyde_Kluckhohn" title="Clyde Kluckhohn"&gt;Clyde Kluckhohn&lt;/span&gt;, &lt;span href="/wiki/Marvin_Opler" title="Marvin Opler"&gt;Marvin Opler&lt;/span&gt;, and &lt;span href="/wiki/Sol_Tax" title="Sol Tax"&gt;Sol Tax&lt;/span&gt;. Up to this point, Linton had been primarily a researcher in a rather romantic vein, and his years at Wisconsin were the period in which he developed his ability to teach and publish as a theoretician. This fact, combined with his penchant for popular writing and his intellectual encounter with &lt;span href="/wiki/Radcliffe-Brown" title="Radcliffe-Brown"&gt;Radcliffe-Brown&lt;/span&gt; (then at the &lt;span href="/wiki/University_of_Chicago" title="University of Chicago"&gt;University of Chicago&lt;/span&gt;), led to the publication of his textbook &lt;i&gt;The Study of Man&lt;/i&gt; (1936). It was also during this period that he married this third wife, &lt;span href="/w/index.php?title=Adelin_Hohlfeld&amp;amp;action=edit" class="new" title="Adelin Hohlfeld"&gt;Adelin Hohlfeld&lt;/span&gt;, who worked as his secretary and editor as well as his collaborator -- many of the popular pieces published jointly by them (such as &lt;i&gt;Halloween Through Twenty Centuries&lt;/i&gt;) were in fact entirely written by Adelin Hohlfield.&lt;br /&gt; &lt;i&gt;The Study of Man&lt;/i&gt; established Linton as one of anthropology's premier theorists, particularly amongst sociologists who worked outside of the Boasian mainstream. As a result, Linton was invited to succeed Boas as the chair of the department anthropology at Columbia in 1937. His appointment was contentious -- the Boasian heir-apparent was &lt;span href="/wiki/Ruth_Benedict" title="Ruth Benedict"&gt;Ruth Benedict&lt;/span&gt; and Linton's appointment by the president met considerable resistance within the department. Throughout this early period Linton became interested in the problem of &lt;span href="/wiki/Acculturation" title="Acculturation"&gt;acculturation&lt;/span&gt;, working with &lt;span href="/wiki/Robert_Redfield" title="Robert Redfield"&gt;Robert Redfield&lt;/span&gt; and &lt;span href="/wiki/Melville_Herskovits" title="Melville Herskovits"&gt;Melville Herskovits&lt;/span&gt; on a prestigious Social Science Research Council subcommittee of the Committee on Personality and Culture. The result was a seminal jointly-authored piece entitled &lt;i&gt;Memorandum for the Study of Acculturation&lt;/i&gt; (1936). Linton also obtained money from the &lt;span href="/wiki/Works_Progress_Administration" title="Works Progress Administration"&gt;Works Progress Administration&lt;/span&gt; for students to produce work which studied acculturation. The volume &lt;i&gt;Acculturation in Seven American Indian Tribes&lt;/i&gt; is an example of the work in this period, and Linton's contributions to the volume remain his most influential writings on acculturation. Linton's interest in culture and personality also expressed itself in the form of a seminar he organized with &lt;span href="/w/index.php?title=Abraham_Kardiner&amp;amp;action=edit" class="new" title="Abraham Kardiner"&gt;Abraham Kardiner&lt;/span&gt; at the &lt;span href="/w/index.php?title=New_York_Psychoanalytic_Institute&amp;amp;action=edit" class="new" title="New York Psychoanalytic Institute"&gt;New York Psychoanalytic Institute&lt;/span&gt;.&lt;br /&gt; When &lt;span href="/wiki/World_War_II" title="World War II"&gt;World War II&lt;/span&gt; broke out, Linton became involved in war-planning and his thoughts on the war and the role of the United States (and American Anthropology) could be seen in several works of the post-war period, most notably &lt;i&gt;The Science of Man in the World Crisis&lt;/i&gt; (1945) and &lt;i&gt;Most of the World&lt;/i&gt;. It was during the war that Linton also undertook a long trip to South America, where he experienced a coronary occlusion that left him in precarious health.&lt;br /&gt; After the war Linton moved to &lt;span href="/wiki/Yale_University" title="Yale University"&gt;Yale University&lt;/span&gt;, a center for anthropologists such as &lt;span href="/wiki/George_Murdock" title="George Murdock"&gt;George Murdock&lt;/span&gt; who had collaborated with the US government. He taught there from 1946 to 1953, where continued to publish on culture and personality. It was during this period that he also began writing &lt;i&gt;The Tree of Culture&lt;/i&gt;, an ambitious global overview of human culture. He died of complications relating to his trip in South America on Christmas Eve, 1953. His wife completed &lt;i&gt;The Tree of Culture&lt;/i&gt; which went on to become a popular textbook.&lt;br /&gt; &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-8742742496206704400?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/8742742496206704400/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=8742742496206704400' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/8742742496206704400'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/8742742496206704400'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/03/ralph-linton-philadelphia-27-february.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-4829290329179513699</id><published>2008-03-29T02:28:00.001+09:00</published><updated>2008-03-29T02:28:16.079+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Thomas Henry Huxley&lt;/b&gt; &lt;span href="/wiki/Royal_Society" title="Royal Society"&gt;FRS&lt;/span&gt; (&lt;span href="/wiki/May_4" title="May 4"&gt;4 May&lt;/span&gt; &lt;span href="/wiki/1825" title="1825"&gt;1825&lt;/span&gt; &lt;span href="/wiki/Ealing" title="Ealing"&gt;Ealing&lt;/span&gt; – &lt;span href="/wiki/June_29" title="June 29"&gt;29 June&lt;/span&gt; &lt;span href="/wiki/1895" title="1895"&gt;1895&lt;/span&gt; &lt;span href="/wiki/Eastbourne" title="Eastbourne"&gt;Eastbourne&lt;/span&gt;, &lt;span href="/wiki/Sussex" title="Sussex"&gt;Sussex&lt;/span&gt;) was an &lt;span href="/wiki/English_people" title="English people"&gt;English&lt;/span&gt; &lt;span href="/wiki/Biologist" title="Biologist"&gt;biologist&lt;/span&gt;, known as "Darwin's Bulldog" for his advocacy of &lt;span href="/wiki/Charles_Darwin" title="Charles Darwin"&gt;Charles Darwin&lt;/span&gt;'s theory of &lt;span href="/wiki/Evolution" title="Evolution"&gt;evolution&lt;/span&gt;.&lt;br /&gt; Huxley's famous &lt;span href="/wiki/1860" title="1860"&gt;1860&lt;/span&gt; debate with the Lord Bishop of Oxford, &lt;span href="/wiki/Samuel_Wilberforce" title="Samuel Wilberforce"&gt;Samuel Wilberforce&lt;/span&gt;, was a key moment in the wider acceptance of &lt;span href="/wiki/Evolution" title="Evolution"&gt;evolution&lt;/span&gt;, and in his own career. Wilberforce was coached by &lt;span href="/wiki/Richard_Owen" title="Richard Owen"&gt;Richard Owen&lt;/span&gt;, against whom Huxley also debated on whether man was closely related to apes. Huxley was slow to accept some of Darwin's ideas, such as &lt;span href="/wiki/Gradualism" title="Gradualism"&gt;gradualism&lt;/span&gt;, and was undecided about &lt;span href="/wiki/Natural_selection" title="Natural selection"&gt;natural selection&lt;/span&gt;, but despite this he was wholehearted in his public support of Darwin. He was instrumental in developing scientific education in Britain, and fought against the more extreme versions of religious tradition.&lt;br /&gt; Huxley used the term '&lt;span href="/wiki/Agnostic" title="Agnostic"&gt;agnostic&lt;/span&gt;' to describe his own views on religion, a term whose use has continued to the present day, and which throws light on his demanding criteria for proof in science (see &lt;span href="/wiki/Thomas_Henry_Huxley_and_agnosticism" title="Thomas Henry Huxley and agnosticism"&gt;Thomas Henry Huxley and agnosticism&lt;/span&gt;).&lt;br /&gt; Huxley had little schooling, and taught himself almost everything he knew. Remarkably, he became perhaps the finest comparative anatomist of the second half of the nineteenth century. He worked first on &lt;span href="/wiki/Invertebrates" title="Invertebrates"&gt;invertebrates&lt;/span&gt;, clarifying the relationships between groups that were previously little understood. Later, he worked more on &lt;span href="/wiki/Vertebrates" title="Vertebrates"&gt;vertebrates&lt;/span&gt;, especially on the relationship between man and the apes. Another of his important conclusions was that birds evolved from &lt;span href="/wiki/Dinosaurs" title="Dinosaurs"&gt;dinosaurs&lt;/span&gt;, namely, small carnivorous &lt;span href="/wiki/Theropods" title="Theropods"&gt;theropods&lt;/span&gt;. This view is widely held today.&lt;br /&gt; The tendency has been for this fine anatomical work to be overshadowed by his energetic controversial activity in favour of &lt;span href="/wiki/Evolution" title="Evolution"&gt;evolution&lt;/span&gt;, and by his extensive public work on scientific &lt;span href="/wiki/Education" title="Education"&gt;education&lt;/span&gt;, both of which had significant effect on society in Britain and elsewhere.&lt;br /&gt; &lt;span name="Biography" id="Biography"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Biography&lt;/b&gt;&lt;br /&gt;  Huxley, born in &lt;span href="/wiki/Ealing" title="Ealing"&gt;Ealing&lt;/span&gt;, a small village in &lt;span href="/wiki/Middlesex" title="Middlesex"&gt;Middlesex&lt;/span&gt; (now a prosperous suburb in west &lt;span href="/wiki/London" title="London"&gt;London&lt;/span&gt;), was the second youngest of eight children of George Huxley, a maths teacher at Ealing School until it closed, putting the family into financial difficulties. Like some other British scientists of the nineteenth century (&lt;span href="/wiki/Alfred_Russel_Wallace" title="Alfred Russel Wallace"&gt;Alfred Russel Wallace&lt;/span&gt; comes to mind) Huxley was brought up in a literate middle-class family which became short of money. As a result he left school at 10, after only two years of formal schooling.&lt;br /&gt; Despite this unenviable start, Huxley possessed the most remarkable determination. He became one of the great &lt;span href="/wiki/Autodidact" title="Autodidact"&gt;autodidacts&lt;/span&gt; of the nineteenth century (again, like Wallace). He made himself an expert first on invertebrates, and later on vertebrates, all self-taught. He was skilled in drawing, and did many of the illustrations for his publications on marine invertebrates. In his teens he taught himself German, eventually becoming fluent and used by &lt;span href="/wiki/Charles_Darwin" title="Charles Darwin"&gt;Charles Darwin&lt;/span&gt; as a translator of scientific material in German. Later he learnt Latin and enough Greek to read Aristotle in the original. In his debates and writing on science and religion his grasp of theology was better than most of his clerical opponents. So, a boy who left school at ten became one of the most knowledgeable men in Britain.&lt;br /&gt; &lt;span name="Voyage_of_the_Rattlesnake" id="Voyage_of_the_Rattlesnake"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Early life&lt;/b&gt;&lt;br /&gt;  Aged 20, Huxley was too young to apply to the &lt;span href="/wiki/Royal_College_of_Surgeons" title="Royal College of Surgeons"&gt;Royal College of Surgeons&lt;/span&gt; for a licence to practice, yet he was 'deep in debt'.&lt;br /&gt; &lt;span name="Later_life" id="Later_life"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Voyage of the Rattlesnake&lt;/b&gt;&lt;br /&gt;  Huxley effectively resigned from the navy (by refusing to return to active service) and, in July 1854, he became Professor of Natural History at the &lt;span href="/wiki/Royal_School_of_Mines" title="Royal School of Mines"&gt;Royal School of Mines&lt;/span&gt; and naturalist to the &lt;span href="/wiki/Geological_Survey" title="Geological Survey"&gt;Geological Survey&lt;/span&gt; in the following year. In addition, he was Fullerian Professor at the &lt;span href="/wiki/Royal_Institution" title="Royal Institution"&gt;Royal Institution&lt;/span&gt; 1855–58 and 1865–67; Hunterian Professor at the &lt;span href="/wiki/Royal_College_of_Surgeons" title="Royal College of Surgeons"&gt;Royal College of Surgeons&lt;/span&gt; 1863–69; President of the &lt;span href="/wiki/British_Association_for_the_Advancement_of_Science" title="British Association for the Advancement of Science"&gt;British Association for the Advancement of Science&lt;/span&gt; 1869–1870; and, later, President of the &lt;span href="/wiki/Royal_Society" title="Royal Society"&gt;Royal Society&lt;/span&gt; 1883–85; and Inspector of Fisheries 1881–85.&lt;br /&gt; The thirty-one years during which Huxley occupied the chair of natural history at the Royal School of Mines included work on vertebrate palaeontology and on many projects to advance the place of science in British life.&lt;br /&gt; &lt;span name="Man.27s_position_in_nature" id="Man.27s_position_in_nature"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Later life&lt;/b&gt;&lt;br /&gt;  Among Huxley's most important work in this period was his continuing investigation of the relationship of man to other animals. For nearly a decade his research and lecturing was directed mainly to this topic, which led him directly into a clash with &lt;span href="/wiki/Richard_Owen" title="Richard Owen"&gt;Richard Owen&lt;/span&gt;, a man widely disliked for his behaviour whilst also being admired for his capability. This struggle was to culminate in some severe defeats for the older man. Huxley's &lt;span href="/wiki/Croonian_Lecture" title="Croonian Lecture"&gt;Croonian Lecture&lt;/span&gt;, delivered before the Royal Society in 1858 on &lt;i&gt;The Theory of the Vertebrate Skull&lt;/i&gt; was the start. In this, he rejected Owen's view that the bones of the skull and the spine were &lt;span href="/wiki/Homology_%28biology%29" title="Homology (biology)"&gt;homologous&lt;/span&gt;, an opinion previously held by &lt;span href="/wiki/Johann_Wolfgang_von_Goethe" title="Johann Wolfgang von Goethe"&gt;Goethe&lt;/span&gt; and &lt;span href="/wiki/Lorenz_Oken" title="Lorenz Oken"&gt;Lorenz Oken&lt;/span&gt;.&lt;br /&gt; His classification of human races is fourfold: 1 Europeans 2 Mongolian 3 Negro (or Ethiopean) 4 Australian; each of these categories being broken down further into sub-sets. In fact all such anthropological classifications are put in the shade by our modern discovery that the genetic diversity of man in Africa is greater than exists in the rest of mankind put together. [see also Wiki page on &lt;span href="/wiki/Race" title="Race"&gt;race&lt;/span&gt;]&lt;br /&gt; &lt;span name="Vertebrate_palaeontology" id="Vertebrate_palaeontology"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Vertebrate palaeontology&lt;/b&gt;&lt;br /&gt;  From 1870 onwards, Huxley was to some extent drawn away from scientific research by the claims of public duty. From 1862 to 1884 he served on eight &lt;span href="/wiki/Royal_Commission" title="Royal Commission"&gt;Royal Commissions&lt;/span&gt;. From 1871 to 1880 he was a Secretary of the &lt;span href="/wiki/Royal_Society" title="Royal Society"&gt;Royal Society&lt;/span&gt; and from 1883 to 1885 he was President. He was President of the &lt;span href="/wiki/Geological_Society" title="Geological Society"&gt;Geological Society&lt;/span&gt; from 1868-1870. In 1870, he was President of the &lt;span href="/wiki/British_Association" title="British Association"&gt;British Association&lt;/span&gt; at Liverpool and, in the same year was elected a member of the newly-constituted &lt;span href="/wiki/London_School_Board" title="London School Board"&gt;London School Board&lt;/span&gt;. He was made a &lt;span href="/wiki/Privy_Councillor" title="Privy Councillor"&gt;Privy Councillor&lt;/span&gt; in 1892.&lt;br /&gt; He was awarded the highest honours then open to British men of science: the &lt;span href="/wiki/Royal_Society" title="Royal Society"&gt;Royal Society&lt;/span&gt; awarded him the &lt;span href="/wiki/Royal_Medal" title="Royal Medal"&gt;Royal Medal&lt;/span&gt; in 1852, the &lt;span href="/wiki/Copley_Medal" title="Copley Medal"&gt;Copley Medal&lt;/span&gt; in 1888 and the &lt;span href="/wiki/Darwin_Medal" title="Darwin Medal"&gt;Darwin Medal&lt;/span&gt; in 1894; the &lt;span href="/wiki/Geological_Society" title="Geological Society"&gt;Geological Society&lt;/span&gt; awarded him the &lt;span href="/wiki/Wollaston_Medal" title="Wollaston Medal"&gt;Wollaston Medal&lt;/span&gt; in 1876; the &lt;span href="/wiki/Linnean_Society" title="Linnean Society"&gt;Linnean Society&lt;/span&gt; awarded him the &lt;span href="/wiki/Linnean_Medal" title="Linnean Medal"&gt;Linnean Medal&lt;/span&gt; in 1890. There were many other elections and appointments to eminent scientific bodies; these and his many academic awards are listed in the &lt;i&gt;Life and Letters&lt;/i&gt;. He turned down many other appointments, notably the Linacre chair in zoology at Oxford and the Mastership of &lt;span href="/wiki/University_College%2C_Oxford" title="University College, Oxford"&gt;University College, Oxford&lt;/span&gt;. Balfour died whilst climbing in the Alps; he had just been appointed to a chair at Cambridge.&lt;br /&gt; &lt;span name="Darwin.27s_bulldog" id="Darwin.27s_bulldog"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Public duties and awards&lt;/b&gt;&lt;br /&gt;  Huxley was originally not persuaded of 'development theory' as evolution was once called. We can see that in his savage review The authorship of this latter review was not known for sure until Wilberforce's son wrote his biography. So it can be said that, just as Darwin groomed Huxley, so Owen groomed Wilberforce; and both the proxies fought public battles on behalf of their principals as much as themselves.&lt;br /&gt; chromolithograph by 'Ape' (&lt;span href="/wiki/Carlo_Pellegrini" title="Carlo Pellegrini"&gt;Pellegrini&lt;/span&gt;)&lt;br /&gt; &lt;span name="Debate_with_Wilberforce" id="Debate_with_Wilberforce"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Darwin's bulldog&lt;/b&gt;&lt;br /&gt;  Famously, Huxley responded to Wilberforce in the debate at the &lt;span href="/wiki/British_Association" title="British Association"&gt;British Association&lt;/span&gt; meeting, on Saturday 30th June 1860 at the Oxford University Museum. He was joined at the debate by his and Darwin's friends Hooker and Lubbock, and they were opposed by the Lord Bishop of Oxford, &lt;span href="/wiki/Samuel_Wilberforce" title="Samuel Wilberforce"&gt;Samuel Wilberforce&lt;/span&gt;, and &lt;span href="/wiki/Robert_FitzRoy" title="Robert FitzRoy"&gt;Robert FitzRoy&lt;/span&gt;, the captain of HMS Beagle. The chair for this debate was Darwins's former botany tutor &lt;span href="/wiki/John_Stevens_Henslow" title="John Stevens Henslow"&gt;John Stevens Henslow&lt;/span&gt;.&lt;br /&gt; Wilberforce had a track record against evolution as far back as the previous Oxford B.A. meeting in 1847 when he attacked Chambers' &lt;i&gt;Vestiges&lt;/i&gt;. For the more challenging task of opposing the &lt;i&gt;Origin&lt;/i&gt;, and the implication that man descended from apes (theme continued from the previous day) he had been assiduously coached by &lt;span href="/wiki/Richard_Owen" title="Richard Owen"&gt;Richard Owen&lt;/span&gt;—Owen stayed with him the night before the debate (Desmond &amp;amp; Moore p493). On the day Wilberforce repeated some of the arguments from his &lt;i&gt;Quarterly Review&lt;/i&gt; article (written but not yet published), then ventured onto slippery ground. His famous jibe at Huxley (as to whether H. was descended from an ape on his mother's side or his father's side) was probably unplanned, and certainly unwise. Huxley's reply to the effect that he would rather be descended from an ape than a man who misused his great talents—the exact wording is not certain—was widely recounted in pamphlets and a spoof play.&lt;br /&gt; Other friends of Darwin spoke also; Hooker especially thought &lt;i&gt;he&lt;/i&gt; had made the best points. The general view was and still is that Huxley got the better of the exchange but there are dissenting voices, and Wilberforce himself thought he had done quite well. In the absence of a verbatim report these differing perceptions cannot be judged fairly; Huxley wrote a detailed account for Darwin, a letter which does not survive.&lt;br /&gt; &lt;span name="Man_and_ape" id="Man_and_ape"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Debate with Wilberforce&lt;/b&gt;&lt;br /&gt;  Although Darwin did not publish his &lt;i&gt;Descent of Man&lt;/i&gt; until 1871, the general debate on this topic had started years before. A key event occurred in 1857 when &lt;span href="/wiki/Richard_Owen" title="Richard Owen"&gt;Richard Owen&lt;/span&gt; presented (to the Linnean Society) his view that man was marked off from all other mammals by possessing features of the brain peculiar to the genus &lt;i&gt;Homo&lt;/i&gt;. Having reached this (erroneous) opinion, Owen separated man from all other mammals in a subclass of its own. This paper was reprinted in 1863 as chapter 2 of &lt;i&gt;&lt;span href="/wiki/Evidence_as_to_Man%27s_Place_in_Nature" title="Evidence as to Man's Place in Nature"&gt;Evidence as to Man's Place in Nature&lt;/span&gt;&lt;/i&gt; (his most influential book), but in the 1894 volume 7 in his Collected Essays the history of the Owen/Huxley debate was edited out. This extended debate, partly oral and partly in print, was a landmark in Huxley's career. It was highly important in asserting his dominance of comparative anatomy, and in the long run more influential in establishing evolution amongst biologists than was the debate with Wilberforce.&lt;br /&gt; 'I am Darwin's bulldog' said Huxley, and it is apt; the second half of Darwin's life was lived mainly within his family, and the younger, combative Huxley operated mainly out in the world at large. A letter from THH to Ernst Haekel (Nov 2 1871) goes "The dogs have been snapping at [Darwin's] heels too much of late."&lt;br /&gt; &lt;span name="Natural_selection" id="Natural_selection"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Man and ape&lt;/b&gt;&lt;br /&gt;  Huxley was certainly not slavish in his dealings with Darwin. As shown in every biography, they had quite different and rather complementary characters. Important also, Darwin was a field naturalist, but Huxley was an anatomist, so there was a difference in their experience of nature. Lastly, Darwin's views on science were different from Huxley's views. For Darwin, natural selection was the best way to explain evolution because it explained a huge range of natural history facts and observations: it solved problems. Huxley, on the other hand, was an empiricist who trusted what he could see, and some things are not easily seen. With this in mind, one can appreciate the debate between them, Darwin writing his letters, Huxley never going quite so far as to say he thought Darwin was right.&lt;br /&gt; Huxley's reservations on natural selection were of the type "until selection and breeding can be seen to give rise to varieties which are infertile with each other, natural selection cannot be proved". Huxley's resistance to Darwin's massaging and suasion is evidence of mental firmness; he may be Darwin's bulldog, but not his poodle! At least he went so far as to say that he knew of no better hypothesis.&lt;br /&gt; &lt;span name="The_X_Club" id="The_X_Club"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Natural selection&lt;/b&gt;&lt;br /&gt;  In November 1864 Huxley succeeded in launching a dining club, the &lt;span href="/wiki/X_Club" title="X Club"&gt;X Club&lt;/span&gt;, like-minded people working to advance the cause of science; not surprisingly, the club consisted of most of his closest friends. There were nine members, who decided at their first meeting that there should be no more. The members were: Huxley, &lt;span href="/wiki/John_Tyndall" title="John Tyndall"&gt;John Tyndall&lt;/span&gt;, &lt;span href="/wiki/J._D._Hooker" title="J. D. Hooker"&gt;J. D. Hooker&lt;/span&gt;, &lt;span href="/wiki/John_Lubbock" title="John Lubbock"&gt;John Lubbock&lt;/span&gt; (banker, biologist and cousin of Darwin), &lt;span href="/wiki/Herbert_Spencer" title="Herbert Spencer"&gt;Herbert Spencer&lt;/span&gt; (social philosopher and sub-editor of the Economist), &lt;span href="/wiki/William_Spottiswoode" title="William Spottiswoode"&gt;William Spottiswoode&lt;/span&gt; (mathematician and the Queen's Printer), &lt;span href="/wiki/Thomas_Hirst" title="Thomas Hirst"&gt;Thomas Hirst&lt;/span&gt; (Professor of Physics at University College London), &lt;span href="/wiki/Edward_Frankland" title="Edward Frankland"&gt;Edward Frankland&lt;/span&gt; (the new Professor of Chemistry at the Royal Institution) and &lt;span href="/wiki/George_Busk" title="George Busk"&gt;George Busk&lt;/span&gt;, zoologist and palaeontologist (formerly surgeon for &lt;span href="/wiki/HMS_Dreadnought_%281801%29" title="HMS Dreadnought (1801)"&gt;HMS &lt;i&gt;Dreadnought&lt;/i&gt;&lt;/span&gt;). All except Spencer were &lt;span href="/wiki/Fellows_of_the_Royal_Society" title="Fellows of the Royal Society"&gt;Fellows of the Royal Society&lt;/span&gt;. There were also some quite significant satellites such as &lt;span href="/wiki/William_Flower" title="William Flower"&gt;William Flower&lt;/span&gt; and &lt;span href="/w/index.php?title=George_Rolleston&amp;amp;action=edit" class="new" title="George Rolleston"&gt;George Rolleston&lt;/span&gt;, (Huxley protegées), and liberal clergyman &lt;span href="/wiki/Arthur_Stanley" title="Arthur Stanley"&gt;Arthur Stanley&lt;/span&gt;, the Dean of Westminster. Guests such as &lt;span href="/wiki/Charles_Darwin" title="Charles Darwin"&gt;Charles Darwin&lt;/span&gt; and &lt;span href="/wiki/Hermann_von_Helmholtz" title="Hermann von Helmholtz"&gt;Hermann von Helmholtz&lt;/span&gt; were entertained from time to time.&lt;br /&gt; &lt;span name="Educational_influence" id="Educational_influence"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The X Club&lt;/b&gt;&lt;br /&gt;  When Huxley himself was young there were virtually no degrees in British universities in the biological sciences and few courses. Most biologists of his day were either self-taught, or took medical degrees. When he retired there were established chairs in biological disciplines in most universities, and a broad consensus on the curricula to be followed. Huxley was the single most influential person in this transformation.&lt;br /&gt; &lt;span name="School_of_Mines_and_Zoology" id="School_of_Mines_and_Zoology"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Educational influence&lt;/b&gt;&lt;br /&gt;  In the early 1870s the Royal School of Mines moved to new quarters in South Kensington; ultimately it would become one of the constituent parts of Imperial College London. The move gave Huxley the chance to give more prominence to laboratory work in biology teaching, an idea suggested by practice in German universities. That must be part of the reason; indeed it does help to explain the stultifying nature of much school biology. But zoology as taught at all levels became far too much the product of one man.&lt;br /&gt; Huxley was comfortable with comparative anatomy, at which he was the greatest master of the day. He was not an all-round naturalist like Darwin, who had shown clearly enough how to weave together detailed factual information and subtle arguments across the vast web of life. Huxley chose, in his teaching (and to some extent in his research) to take a more straightforward course, concentrating on his personal strengths.&lt;br /&gt; &lt;span name="Schools_and_the_Bible" id="Schools_and_the_Bible"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; School of Mines and Zoology&lt;/b&gt;&lt;br /&gt;  Huxley was also a major influence in the direction taken by British schools: in November 1870 he was voted onto the &lt;span href="/wiki/London_School_Board" title="London School Board"&gt;London School Board&lt;/span&gt;. Perhaps &lt;span href="/wiki/Lenin" title="Lenin"&gt;Lenin&lt;/span&gt; was right when he remarked (in &lt;i&gt;Materialism and empirio-criticism&lt;/i&gt;) "In Huxley's case... agnosticism serves as a fig-leaf for materialism".&lt;br /&gt; &lt;span name="Adult_education" id="Adult_education"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Schools and the Bible&lt;/b&gt;&lt;br /&gt;  Huxley's interest in education went still further than school and university classrooms; he made a great effort to reach interested adults of all kinds: after all, he himself was largely self-educated. There were his lecture courses for working men, many of which were published afterwards, and there was the use he made of journalism, partly to earn money but mostly to reach out to the literate public. For most of his adult life he wrote for periodicals—the &lt;i&gt;&lt;span href="/wiki/Westminster_Review" title="Westminster Review"&gt;Westminster Review&lt;/span&gt;&lt;/i&gt;, the &lt;i&gt;Saturday Review&lt;/i&gt;, the &lt;i&gt;Reader&lt;/i&gt;, the &lt;i&gt;&lt;span href="/wiki/Pall_Mall_Gazette" title="Pall Mall Gazette"&gt;Pall Mall Gazette&lt;/span&gt;&lt;/i&gt;, &lt;i&gt;Macmillan's Magazine&lt;/i&gt;, the &lt;i&gt;Contemporary Review&lt;/i&gt;. Germany was still ahead in formal science education, but interested people in Victorian Britain could use their initiative and find out what was going on by reading periodicals and using the lending libraries.&lt;br /&gt; The technique of printing his more popular lectures in periodicals which were sold to the general public was extremely effective. A good example was &lt;i&gt;The physical basis of life&lt;/i&gt;, a lecture given in Edinburgh on November 8th, 1868. Its theme — that vital action is nothing more than "the result of the molecular forces of the protoplasm which displays it" — shocked the audience, though that was nothing compared to the uproar when it was published in the &lt;i&gt;Fortnightly Review&lt;/i&gt; for February 1869. John Morley, the editor, said "No article that had appeared in any periodical for a generation had caused such a sensation". It was like "the stir that in a [former] epoch was made by Swift's &lt;i&gt;Conduct of the Allies&lt;/i&gt;, or Burke's &lt;i&gt;French Revolution&lt;/i&gt;" (Morley 1917 p90). The issue was reprinted seven times and &lt;span href="/wiki/Protoplasm" title="Protoplasm"&gt;protoplasm&lt;/span&gt; became a household word; &lt;span href="/wiki/Punch" title="Punch"&gt;Punch&lt;/span&gt; added 'Professor Protoplasm' to its other tags for him.&lt;br /&gt; The topic had been stimulated by Huxley seeing the &lt;span href="/wiki/Cytoplasmic_streaming" title="Cytoplasmic streaming"&gt;cytoplasmic streaming&lt;/span&gt; in plant cells, which is indeed a sensational sight. For these audiences Huxley's claim that this activity should not be explained by words such as vitality, but by the working of its constituent chemicals, was surprising and shocking. Today we would perhaps emphasise the extraordinary structural arrangement of those chemicals as the key to understanding what cells do, but little of that was known in the nineteenth century.&lt;br /&gt; When the Archbishop of York thought this 'new philosophy' was based on &lt;span href="/wiki/August_Comte" title="August Comte"&gt;August Comte&lt;/span&gt;'s &lt;span href="/wiki/Positivism" title="Positivism"&gt;positivism&lt;/span&gt;, Huxley corrected him: "Comte's philosophy [is just] Catholicism minus Christianity" (Huxley 1893 vol 1 of Collected Essays &lt;i&gt;Methods &amp;amp; Results&lt;/i&gt; 156). A later version was "[positivism is] sheer Popery with M. Comte in the chair of St Peter, and with the names of the saints changed." (lecture on &lt;i&gt;The scientific aspects of positivism&lt;/i&gt; Huxley 1870 &lt;i&gt;Lay Sermons, Addresses and Reviews&lt;/i&gt; p149). Huxley's dismissal of positivism damaged it so severely that Comte's ideas withered in Britain.&lt;br /&gt; &lt;span name="Royal_and_other_Commissions" id="Royal_and_other_Commissions"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Adult education&lt;/b&gt;&lt;br /&gt;  The following list is given by Leonard Huxley in his biography of his father (titles somewhat shortened here). The &lt;span href="/wiki/Royal_Commission" title="Royal Commission"&gt;Royal Commission&lt;/span&gt; is the senior investigative forum in the British constitution. A rough analysis shows that five commissions involved science and scientific education; three involved medicine and three involved fisheries. Two were directed solely to Scotland and two to Ireland. Several involve difficult ethical and legal issues. All are directed partly or wholly towards the examination of possible changes to law and/or administrative practice.&lt;br /&gt; He was also elected to two general Commissions on Ireland (which at that time referred to the whole island).&lt;br /&gt; &lt;span name="Family" id="Family"&gt;&lt;/span&gt;&lt;br /&gt; 1862 Trawling for herrings on the coast of Scotland.&lt;br /&gt; 1865–65 Sea fisheries of the United Kingdom.&lt;br /&gt; 1870–71 The &lt;span href="/wiki/Contagious_Diseases_Acts" title="Contagious Diseases Acts"&gt;Contagious Diseases Acts&lt;/span&gt;.&lt;br /&gt; 1870–75 Scientific instruction and the advancement of science.&lt;br /&gt; 1876 The practice of subjugating live animals to scientific experiments (&lt;span href="/wiki/Vivisection" title="Vivisection"&gt;vivisection&lt;/span&gt;).&lt;br /&gt; 1876–78 The universities of Scotland.&lt;br /&gt; 1881–82 The Medical Acts. [i.e. the legal framework for medicine]&lt;br /&gt; 1884 Trawl, net and beam trawl fishing.&lt;br /&gt; 1866 On the Royal College of Science for Ireland.&lt;br /&gt; 1868 On science and art instruction in Ireland.   &lt;b&gt; Royal and other Commissions&lt;/b&gt;&lt;br /&gt;  &lt;span class="boilerplate seealso"&gt;&lt;i&gt;See also: &lt;span href="/wiki/Huxley_family" title="Huxley family"&gt;Huxley family&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;small&gt;Pencil drawing from the &lt;span href="/wiki/National_Portrait_Gallery" title="National Portrait Gallery"&gt;National Portrait Gallery&lt;/span&gt;.&lt;/small&gt;&lt;br /&gt; In 1855, he married Henrietta Anne Heathorn (1825–1915), an English emigrée whom he had met in &lt;span href="/wiki/Sydney%2C_Australia" title="Sydney, Australia"&gt;Sydney&lt;/span&gt;. They kept correspondence until he was able to send for her. They had five daughters and three sons:&lt;br /&gt; Huxley's relationship with his relatives and children were quite genial by the standards of the day—so long as they lived their lives in an honourable manner, which some did not. After his mother, his eldest sister Lizzie was the most important person in his life until his own marriage. He remained on good terms with his own children, which is more than can be said of many Victorian fathers. This excerpt from a letter to Jessie, his eldest daughter is full of affection:&lt;br /&gt; The most famous descendents in the third generation are offspring of Leonard Huxley:&lt;br /&gt; &lt;span href="/wiki/Julian_Huxley" title="Julian Huxley"&gt;Sir Julian Huxley&lt;/span&gt; FRS, grandson (1887–1975, son of Leonard Huxley and Julia Arnold) was a notable evolutionary biologist, who promoted the idea of humanism and was the first Director of &lt;span href="/wiki/UNESCO" title="UNESCO"&gt;UNESCO&lt;/span&gt;. His work in zoology was broader even than his grandfather: it included ethology and wildlife conservation, genetics and development as well as evolution. His two sons were both scientists of note: Anthony Julian Huxley, a botanist, and &lt;span href="/w/index.php?title=Francis_Huxley&amp;amp;action=edit" class="new" title="Francis Huxley"&gt;Francis Huxley&lt;/span&gt;, an anthropologist.&lt;br /&gt; &lt;span href="/wiki/Aldous_Huxley" title="Aldous Huxley"&gt;Aldous Huxley&lt;/span&gt;, grandson, (1891–1963, son of Leonard Huxley and Julia Arnold) was a famous author (&lt;i&gt;&lt;span href="/wiki/Chrome_Yellow" title="Chrome Yellow"&gt;Chrome Yellow&lt;/span&gt;&lt;/i&gt; 1921, &lt;i&gt;&lt;span href="/wiki/Brave_New_World" title="Brave New World"&gt;Brave New World&lt;/span&gt;&lt;/i&gt; 1932, &lt;i&gt;&lt;span href="/wiki/Eyeless_in_Gaza" title="Eyeless in Gaza"&gt;Eyeless in Gaza&lt;/span&gt;&lt;/i&gt; 1936, &lt;i&gt;&lt;span href="/wiki/Ape_and_Essence" title="Ape and Essence"&gt;Ape and Essence&lt;/span&gt;&lt;/i&gt; 1948, &lt;i&gt;&lt;span href="/wiki/The_Doors_of_Perception" title="The Doors of Perception"&gt;The Doors of Perception&lt;/span&gt;&lt;/i&gt; 1954).&lt;br /&gt; &lt;span href="/wiki/Andrew_Huxley" title="Andrew Huxley"&gt;Sir Andrew Huxley&lt;/span&gt; OM FRS, grandson (b 1917, son of Leonard Huxley and Roselind Bruce) won the &lt;span href="/wiki/Nobel_Prize_in_Physiology_or_Medicine" title="Nobel Prize in Physiology or Medicine"&gt;Nobel Prize in Physiology or Medicine&lt;/span&gt; in 1963 jointly for work on nerve impulses. Andrew is the second Huxley to become President of the Royal Society (1980–85).&lt;br /&gt; &lt;span name="Mental_problems_in_the_family" id="Mental_problems_in_the_family"&gt;&lt;/span&gt;&lt;br /&gt; Noel Huxley (1856–1860) died aged 4.&lt;br /&gt; Jessie Oriana Huxley (1856–1927), married architect Fred Waller in 1877.&lt;br /&gt; Marian Huxley (1859–1887) married artist &lt;span href="/wiki/John_Collier_%28artist%29" title="John Collier (artist)"&gt;John Collier&lt;/span&gt; in 1879.&lt;br /&gt; &lt;span href="/wiki/Leonard_Huxley_%28writer%29" title="Leonard Huxley (writer)"&gt;Leonard Huxley&lt;/span&gt; (&lt;span href="/wiki/1860" title="1860"&gt;1860&lt;/span&gt;–&lt;span href="/wiki/1933" title="1933"&gt;1933&lt;/span&gt;) author.&lt;br /&gt; Rachel Huxley (1862–1934) married civil engineer Alfred Eckersley in 1884, he died 1895.&lt;br /&gt; Henrietta (Nettie) Huxley (1863–1940), married Harold Roller, travelled Europe as a singer.&lt;br /&gt; Henry Huxley (1865–1946), became a fashionable general practitioner in &lt;span href="/wiki/London" title="London"&gt;London&lt;/span&gt;.&lt;br /&gt; Ethel Huxley (1866–1941) married artist &lt;span href="/wiki/John_Collier_%28artist%29" title="John Collier (artist)"&gt;John Collier&lt;/span&gt; (widower of sister) in 1889.&lt;br /&gt; "Dearest Jess, You are a badly used young person—you are; and nothing short of that conviction would get a letter out of your still worse used Pater, the bête noir of whose existence is letter-writing. Catch me discussing the Afghan question with you, you little pepper-pot! No, not if I know it..." [goes on nevertheless to give strong opinions of the Afghans, at that time causing plenty of trouble to the &lt;span href="/wiki/Indian_Empire" title="Indian Empire"&gt;Indian Empire&lt;/span&gt;—see &lt;span href="/wiki/Second_Anglo-Afghan_War" title="Second Anglo-Afghan War"&gt;Second Anglo-Afghan War&lt;/span&gt;] "There, you plague—ever your affec. Daddy, THH." (letter Dec 7th 1878, Huxley L 1900)   &lt;b&gt; Family&lt;/b&gt;&lt;br /&gt;  Biographers have sometimes noted the occurrence of mental illness in the Huxley family. His father became "sunk in worse than childish imbecility of mind"  contained this comment: "The direct result of this enquiry is... to prove that the laws of heredity are as applicable to the mental faculties as to the bodily faculties".&lt;br /&gt; &lt;span name="Satires" id="Satires"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Mental problems in the family&lt;/b&gt;&lt;br /&gt;  Darwin's ideas and Huxley's controversies gave rise to many cartoons and satires. It was the debate about man's place in nature that roused such widespread comment: cartoons are so numerous as to be almost impossible to count; Darwin's head on a monkey's body is one of the visual clichés of the age. Three or four items of especial ripeness are:&lt;br /&gt; Next HUXLEY replies&lt;img src="http://images.eb.com/newsletters/2006_12/nast.gif"  alt="T.H. Huxley"  align="right" style="padding:10px"  /&gt; That OWEN he lies&lt;img src="http://aleph0.clarku.edu/huxley/letters/Image75.gif"  alt="T.H. Huxley"  align="left" style="padding:10px"  /&gt; And garbles his Latin quotation; That his facts are not new, His mistakes not a few, Detrimental to his reputation.  To twice slay the slain By dint of the Brain (Thus HUXLEY concludes his review) Is but labour in vain, unproductive of gain, And so I shall bid you "Adieu"!&lt;br /&gt; Say am I a man or a brother, Or only an anthropoid ape?&lt;br /&gt; Policeman X — Huxley, your Worship, I take to be a young hand, but very vicious; but Owen I have seen before. He got into trouble with an old bone man, called Mantell, who never could be off complaining as Owen prigged his bones. People did say that the old man never got over it, and Owen worritted him to death; but I don't think it was so bad as that. Hears as Owen takes the chair at a crib in Bloomsbury. I don't think it will be a harmonic meeting altogether. And Huxley hangs out in Jermyn Street.&lt;br /&gt; [Tom Huxley's 'low set' included Hooker 'in the green and vegetable line' and 'Charlie Darwin, the pigeon-fancier'; Owen's 'crib in Bloomsbury' was the British Museum, of which Natural History was but one department.]&lt;br /&gt; An illustration by &lt;span href="/wiki/Linley_Sambourne" title="Linley Sambourne"&gt;Linley Sambourne&lt;/span&gt; showed Huxley and Owen studying a captured water baby. In 1892 Thomas Henry Huxley's five-year-old grandson Julian saw this engraving and wrote his grandfather a letter asking:&lt;br /&gt; &lt;i&gt;Dear Grandpater – Have you seen a Waterbaby? Did you put it in a bottle? Did it wonder if it could get out? Could I see it some day? – Your loving Julian.&lt;/i&gt;&lt;br /&gt; Huxley wrote back:&lt;br /&gt; My dear Julian – I could never make sure about that Water Baby.  I have seen Babies in water and Babies in bottles; the Baby in the water was not in a bottle and the Baby in the bottle was not in water. My friend who wrote the story of the Water Baby was a very kind man and very clever. Perhaps he thought I could see as much in the water as he did – There are some people who see a great deal and some who see very little in the same things.  When you grow up I dare say you will be one of the great-deal seers, and see things more wonderful than the Water Babies where other folks can see nothing.&lt;br /&gt; &lt;span name="Quotations" id="Quotations"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;Monkeyana&lt;/i&gt; (Punch vol 40 18th May 1861). Signed 'Gorilla', this turned out to be by Sir Philip Egerton MP, amateur naturalist, fossil fish collector and — Richard Owen's patron! and the story includes a &lt;span href="/wiki/Satire" title="Satire"&gt;satire&lt;/span&gt; on the &lt;span href="/wiki/Reaction_to_Darwin%27s_theory" title="Reaction to Darwin's theory"&gt;reaction to Darwin's theory&lt;/span&gt;, with all the main scientific participants appearing, including &lt;span href="/wiki/Richard_Owen" title="Richard Owen"&gt;Richard Owen&lt;/span&gt; and Huxley.   &lt;b&gt; Satires&lt;/b&gt;&lt;br /&gt;  &lt;span name="Huxley" id="Huxley"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Quotations&lt;/b&gt;&lt;br /&gt;  Abram, Abraham became&lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;By will divine&lt;br /&gt; Let pickled Brian's name&lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;Be changed to Brine!&lt;br /&gt; &lt;span name="About_Huxley" id="About_Huxley"&gt;&lt;/span&gt;&lt;br /&gt; "I am Darwin's bulldog" coined by THH himself and so self-evidently apt that it was almost universally copied.&lt;br /&gt; "How extremely stupid [of me] not to have thought of that" said in particular of the idea of natural selection. [versions in Life &amp;amp; Letters of CD and L&amp;amp;L of THH differ slightly as indicated]&lt;br /&gt; "After all, it is as respectable to be modified ape as to be modified dirt" written in a letter to Dr Frederick Dyster 30th Jan 1859, i.e. before the publication of the &lt;i&gt;Origin&lt;/i&gt;. [Huxley papers at Imperial College: HP 15.106]&lt;br /&gt; "The Lord hath delivered him into mine hands" said to Sir Benjamin Brodie after Wilberforce's jibe in the Oxford debate. [L&amp;amp;L of THH Chapter 14]&lt;br /&gt; "Life is too short to occupy oneself with the slaying of the slain more than once". Last of a series of exchanges when Owen repeated his claims about the Gorilla brain in a Royal Institution lecture. [&lt;i&gt;Athenaeum&lt;/i&gt; 13 April 1861 p.498; Browne vol 2 p.159]&lt;br /&gt; "The fact is that he (&lt;span href="/wiki/Richard_Owen" title="Richard Owen"&gt;Richard Owen&lt;/span&gt;) made a prodigious blunder... and now his only chance is to be silent &amp;amp; let people forget the exposure!" THH to &lt;span href="/wiki/J.D._Hooker" title="J.D. Hooker"&gt;J.D. Hooker&lt;/span&gt; 27 April 1861 about Owen's view on human and ape brains; and of course Owen was not silent.&lt;br /&gt; "Not far from the invention of fire... we must rank the invention of &lt;i&gt;doubt&lt;/i&gt;." [Collected Essays vol 6, viii]   &lt;b&gt; Huxley&lt;/b&gt;&lt;br /&gt;  &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt; "I think his tone is much too vehement" [Charles Darwin in letter to Hooker about THH's Royal Institution lecture in 1854]&lt;br /&gt; "Huxley gave the death-blow not only to Owen's theory of the skull but also to Owen's hitherto unchallenged prestige"   &lt;b&gt; Notes&lt;/b&gt;&lt;br /&gt;  &lt;span name="Biographies_of_Huxley" id="Biographies_of_Huxley"&gt;&lt;/span&gt;&lt;br /&gt; &lt;cite id="CITEREFEncyclop.C3.A6dia_Britannica_Online2006"&gt;&lt;span href="/wiki/Encyclop%C3%A6dia_Britannica" title="Encyclopædia Britannica"&gt;Encyclopædia Britannica Online&lt;/span&gt; (2006), &lt;i&gt;&lt;span href="http://www.britannica.com/eb/article-9041656/TH-Huxley" class="external text" title="http://www.britannica.com/eb/article-9041656/TH-Huxley" rel="nofollow"&gt;Thomas Henry Huxley&lt;/span&gt;&lt;/i&gt;&lt;span class="printonly"&gt;, &amp;lt;&lt;span href="http://www.britannica.com/eb/article-9041656/TH-Huxley" class="external free" title="http://www.britannica.com/eb/article-9041656/TH-Huxley" rel="nofollow"&gt;http://www.britannica.com/eb/article-9041656/TH-Huxley&lt;/span&gt;&amp;gt;&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFBarr1997"&gt;Barr, Alan P, ed. (1997), &lt;i&gt;Thomas Henry Huxley's place in science and letters: centenary essays&lt;/i&gt;, Georgia: Athens&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFBibby1959"&gt;&lt;span href="/wiki/Cyril_Bibby" title="Cyril Bibby"&gt;Bibby, Cyril&lt;/span&gt; (1959), &lt;i&gt;T.H. Huxley: scientist, humanist and educator&lt;/i&gt;, London: Watts&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFBibby1972"&gt;&lt;span href="/wiki/Cyril_Bibby" title="Cyril Bibby"&gt;Bibby, Cyril&lt;/span&gt; (1972), &lt;i&gt;Scientist Extraordinary: the life and work of Thomas Henry Huxley 1825–1895&lt;/i&gt;, Oxford: Pergamon&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFBrowne1995"&gt;Browne, Janet (1995), &lt;i&gt;Charles Darwin. vol 1: Voyaging&lt;/i&gt;, Cambridge University Press&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFBrowne2002"&gt;Browne, Janet (2002), &lt;i&gt;Charles Darwin. vol 2: The Power of Place&lt;/i&gt;, Cambridge University Press&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFBurkhardt1984_onwards_.28continuing_series.29"&gt;Burkhardt, F et al (eds) (1984 onwards (continuing series)), &lt;i&gt;The Correspondence of Charles Darwin&lt;/i&gt;, Cambridge University Press&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFClack2002"&gt;Clack, Jenny (2002), &lt;i&gt;Gaining ground: the origin of tetrapods&lt;/i&gt;, Indiana&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFClark1968"&gt;Clark, Ronald W. (1968), &lt;i&gt;The Huxleys&lt;/i&gt;, London&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFCronin1991"&gt;Cronin, Helena (1991), &lt;i&gt;The ant and the peacock: altruism and sexual selection from Darwin to today&lt;/i&gt;, Cambridge University Press&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFDarwin1887"&gt;&lt;span href="/wiki/Charles_Darwin" title="Charles Darwin"&gt;Darwin, Charles&lt;/span&gt; (1887), &lt;span href="/wiki/Francis_Darwin" title="Francis Darwin"&gt;Darwin, Francis&lt;/span&gt;, ed., &lt;i&gt;&lt;span href="http://darwin-online.org.uk/content/frameset?itemID=F1452.2&amp;amp;viewtype=text&amp;amp;pageseq=1" class="external text" title="http://darwin-online.org.uk/content/frameset?itemID=F1452.2&amp;amp;viewtype=text&amp;amp;pageseq=1" rel="nofollow"&gt;The life and letters of Charles Darwin, including an autobiographical chapter&lt;/span&gt;&lt;/i&gt;, vol. 2, London: John Murray&lt;span class="printonly"&gt;, &amp;lt;&lt;span href="http://darwin-online.org.uk/content/frameset?itemID=F1452.2&amp;amp;viewtype=text&amp;amp;pageseq=1" class="external free" title="http://darwin-online.org.uk/content/frameset?itemID=F1452.2&amp;amp;viewtype=text&amp;amp;pageseq=1" rel="nofollow"&gt;http://darwin-online.org.uk/content/frameset?itemID=F1452.2&amp;amp;viewtype=text&amp;amp;pageseq=1&lt;/span&gt;&amp;gt;&lt;/span&gt;&lt;/cite&gt;.(&lt;span href="/wiki/The_Autobiography_of_Charles_Darwin" title="The Autobiography of Charles Darwin"&gt;The Autobiography of Charles Darwin&lt;/span&gt;)&lt;br /&gt; &lt;cite id="CITEREFDarwinWallace"&gt;&lt;span href="/wiki/Charles_Darwin" title="Charles Darwin"&gt;Darwin, Charles&lt;/span&gt; &amp;amp; &lt;span href="/wiki/Alfred_Russel_Wallace" title="Alfred Russel Wallace"&gt;Alfred Russel Wallace&lt;/span&gt;, written at London, "&lt;span href="/wiki/On_the_Tendency_of_Species_to_form_Varieties%3B_and_on_the_Perpetuation_of_Varieties_and_Species_by_Natural_Means_of_Selection" title="On the Tendency of Species to form Varieties; and on the Perpetuation of Varieties and Species by Natural Means of Selection"&gt;On the Tendency of Species to form Varieties; and on the Perpetuation of Varieties and Species by Natural Means of Selection&lt;/span&gt;", &lt;i&gt;Journal of the Proceedings of the Linnean Society of London. Zoology&lt;/i&gt; &lt;b&gt;3&lt;/b&gt;&amp;#160;(9): (Read 1 July): 45–62, 1858&lt;/cite&gt;.&lt;br /&gt; &lt;cite id="CITEREFDarwinSeward1903"&gt;&lt;span href="/wiki/Francis_Darwin" title="Francis Darwin"&gt;Darwin, Francis&lt;/span&gt; &amp;amp; A.C. Seward (1903), &lt;i&gt;More Letters of Charles Darwin. 2 vols&lt;/i&gt;, London: John Murray&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFDesmond1994"&gt;Desmond, Adrian (1994), &lt;i&gt;Huxley: vol 1 The Devil's Disciple&lt;/i&gt;, London: Michael Joseph, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0718136411" class="internal"&gt;ISBN 0-7181-3641-1&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFDesmond1997"&gt;Desmond, Adrian (1997), &lt;i&gt;Huxley: vol 2 Evolution's high priest&lt;/i&gt;, London: Michael Joseph&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFDesmond1998"&gt;Desmond, Adrian (1998), &lt;i&gt;Huxley: vol 1 and 2&lt;/i&gt;, London: Penguin&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFDesmondMoore1991"&gt;Desmond, Adrian &amp;amp; James Moore (1991), &lt;i&gt;Darwin&lt;/i&gt;, London: Joseph&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFDi_Gregorio1984"&gt;Di Gregorio, Mario A (1984), &lt;i&gt;T.H. Huxley's place in natural science&lt;/i&gt;, New Haven: Yale University Press, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0300030622" class="internal"&gt;ISBN 0300030622&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFDuncan1908"&gt;Duncan, David (1908), &lt;i&gt;Life and Letters of Herbert Spencer. 2 vols&lt;/i&gt;, Michael Joseph&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFEveCreasey1945"&gt;Eve, A.S. &amp;amp; C.H. Creasey (1945), &lt;i&gt;Life and work of John Tyndall&lt;/i&gt;, London: Macmillan&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFFosterLankester1898-1903"&gt;&lt;span href="/wiki/Michael_Foster_%28physiologist%29" title="Michael Foster (physiologist)"&gt;Foster, Michael&lt;/span&gt; &amp;amp; &lt;span href="/wiki/Ray_Lankester" title="Ray Lankester"&gt;E. Ray Lankester&lt;/span&gt; (1898-1903), &lt;i&gt;The scientific memoirs of Thomas Henry Huxley. 4 vols and supplement&lt;/i&gt;, London: Macmillan, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=1432640119" class="internal"&gt;ISBN 1432640119&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFGalton"&gt;Galton, Francis (1892), &lt;i&gt;Hereditary Genius 2nd ed&lt;/i&gt;, London, pp. xix&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFGould1991"&gt;Gould, Stephen Jay (1991), &lt;i&gt;Bully for Brontosaurus&lt;/i&gt;, Random House&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHolland2007"&gt;Holland, Linda Z (2007), "A chordate with a difference", &lt;i&gt;&lt;span href="/wiki/Nature" title="Nature"&gt;Nature&lt;/span&gt;&lt;/i&gt; (UK: Nature Publishing Group) (no. 447/7141, pp. 153-155), ISSN 0028-0836&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1935"&gt;&lt;span href="/wiki/Julian_Huxley" title="Julian Huxley"&gt;Huxley, Julian&lt;/span&gt; (1935), &lt;i&gt;T.H. Huxley's diary of the voyage of HMS Rattlesnake&lt;/i&gt;, London: Chatto &amp;amp; Windus&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1900"&gt;&lt;span href="/wiki/Leonard_Huxley_%28writer%29" title="Leonard Huxley (writer)"&gt;Huxley, Leonard&lt;/span&gt; (1900), &lt;i&gt;The Life and Letters of Thomas Henry Huxley. 2 vols 8vo&lt;/i&gt;, London: Macmillan&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1854"&gt;Huxley, Thomas Henry (1854), "Review of Vestiges of the Natural History of Creation, tenth edition", &lt;i&gt;British and Foreign Medico-Chirurgical Review&lt;/i&gt; (no. 13)&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1855"&gt;Huxley, Thomas Henry (1855), "On certain zological arguments commonly adduced in favour of the hypothesis of the progressive development of animal life in time", &lt;i&gt;Proceedings of the Royal Institution 2 (1854–58)&lt;/i&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1859"&gt;Huxley, Thomas Henry (1859), &lt;i&gt;The Oceanic Hydrozoa&lt;/i&gt;, London: The Ray Society, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0300030622" class="internal"&gt;ISBN 0300030622&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1860a"&gt;Huxley, Thomas Henry (1860a), "On species, and races and their origin", &lt;i&gt;Proc. Roy. Inst. 1858-62&lt;/i&gt; (no. III): 195&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1860b"&gt;Huxley, Thomas Henry (1860b), "The origin of species", &lt;i&gt;Westminster Review&lt;/i&gt; (no. April)&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1861"&gt;Huxley, Thomas Henry (1861), "On the zoological relations of man with the lower animals", &lt;i&gt;Natural History Review (new series)&lt;/i&gt; (no. 1)&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1862a"&gt;Huxley, Thomas Henry (1862a), &lt;i&gt;On the fossil remains of Man&lt;/i&gt;, London: &lt;span href="/wiki/The_Royal_Society" title="The Royal Society"&gt;The Royal Society&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1862a"&gt;Huxley, Thomas Henry (1862a), &lt;i&gt;On the fossil remains of Man&lt;/i&gt;, London: &lt;span href="/wiki/The_Royal_Society" title="The Royal Society"&gt;The Royal Society&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1862b"&gt;Huxley, Thomas Henry (1862b), &lt;i&gt;On our knowledge of the causes of the phenomena of organic nature&lt;/i&gt;, London&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1863"&gt;Huxley, Thomas Henry (1863), &lt;i&gt;Evidence as to Man's place in nature&lt;/i&gt;, London: Williams &amp;amp; Norwood&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1864"&gt;Huxley, Thomas Henry (1864), "Further remarks on the human remains from the Neanderthal", &lt;i&gt;Natural History Review&lt;/i&gt; (London) (no. 4): 429–46&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1870"&gt;Huxley, Thomas Henry (1870), &lt;i&gt;Lay Sermons, Addresses and Reviews&lt;/i&gt;, London&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1877"&gt;Huxley, Thomas Henry (1877), &lt;i&gt;American Addresses.&lt;/i&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1887"&gt;Huxley, Thomas Henry (1887), "On the reception of the 'Origin of Species'", in Darwin, Francis, &lt;i&gt;Life &amp;amp; Letters of Charles Darwin&lt;/i&gt;, London: John Murray&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1893-94"&gt;Huxley, Thomas Henry (1893-94), &lt;i&gt;Collected essays. 9 vols. Vol 1: Methods and results; vol 2: Darwiniana; vol 3: Science and education; vol 4: Science and Hebrew tradition; vol 5: Science and Christian tradition; vol 6&amp;#160;:Hume, with helps to the study of Berkeley; vol 7:Man's place in nature; vol 8: Discourses biological and geological; vol 9: Evolution and ethics, and other essays&lt;/i&gt;, London: Macmillan&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1893-94a"&gt;Huxley, Thomas Henry (1893-94a), &lt;i&gt;Collected essays: vol 2 Darwiniana&lt;/i&gt;, London: Macmillan&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1893-94b"&gt;Huxley, Thomas Henry (1893-94b), &lt;i&gt;Collected essays: vol 3 Science and education&lt;/i&gt;, London: Macmillan&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFHuxley1898-1903"&gt;Huxley, Thomas Henry (1898-1903), "Preliminary essay upon the systematic arrangement of the fishes of the Devonian epoch.", in Foster, Michael &amp;amp; E. Ray Lankester, &lt;i&gt;The scientific memoirs of Thomas Henry Huxley. vol 2&lt;/i&gt;, London: Macmillan, pp. 421–60, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=1432640119" class="internal"&gt;ISBN 1432640119&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFJensen1970"&gt;Jensen, J Vernon (1970), "The X Club: fraternity of Victorian scientists", &lt;i&gt;British Journal of the History of Science&lt;/i&gt; (no. 5): 63-72&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFLester1995"&gt;Lester, Joe (1995), &lt;i&gt;&lt;span href="/wiki/E._Ray_Lankester" title="E. Ray Lankester"&gt;E. Ray Lankester&lt;/span&gt;:the making of modern British biology (edited, with additions, by Peter J. Bowler)&lt;/i&gt;, BSHS Monograph #9&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFLucas1979"&gt;&lt;span href="/wiki/John_Lucas_%28philosopher%29" title="John Lucas (philosopher)"&gt;Lucas, John R.&lt;/span&gt; (1979), "&lt;span href="http://users.ox.ac.uk/~jrlucas/legend.html" class="external text" title="http://users.ox.ac.uk/~jrlucas/legend.html" rel="nofollow"&gt;Wilberforce and Huxley: a legendary encounter&lt;/span&gt;", &lt;i&gt;The Historical Journal&lt;/i&gt; (&lt;span href="/wiki/Cambridge_University_Press" title="Cambridge University Press"&gt;Cambridge University Press&lt;/span&gt;) &lt;b&gt;22&lt;/b&gt;&amp;#160;(2)&lt;span class="printonly"&gt;, &amp;lt;&lt;span href="http://users.ox.ac.uk/~jrlucas/legend.html" class="external free" title="http://users.ox.ac.uk/~jrlucas/legend.html" rel="nofollow"&gt;http://users.ox.ac.uk/~jrlucas/legend.html&lt;/span&gt;&amp;gt;&lt;/span&gt; (retrieved on 2007-06-09)&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFLyons18999"&gt;Lyons, Sherrie L (18999), &lt;i&gt;Thomas Henry Huxley: the evolution of a scientist&lt;/i&gt;, New York&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFMacBride1934"&gt;MacBride, E.W. (1934), &lt;i&gt;Huxley&lt;/i&gt;, London: Duckworth&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFMacGillivray1852"&gt;&lt;span href="/wiki/John_MacGillivray" title="John MacGillivray"&gt;MacGillivray, John&lt;/span&gt; (1852), &lt;i&gt;Narrative of the voyage of HMS Rattlesnake. 2 vols&lt;/i&gt;, London: Boone&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFMackenzieMackenzie1982"&gt;Mackenzie, N &amp;amp; J Mackenzie, eds. (1982), &lt;i&gt;The diaries of Beatrice Webb vol 1 1873–1892&lt;/i&gt;, London: Virago&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFMayr1982"&gt;Mayr, Ernst (1982), &lt;i&gt;The growth of biological thought&lt;/i&gt;, Harvard University Press, pp. 80&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFMcMillanMeehan1980"&gt;McMillan, N.D. &amp;amp; J Meehan (1980), &lt;i&gt;John Tyndall: 'X'emplar of scientific &amp;amp; technological education&lt;/i&gt;, National Council for Educational Awards&lt;/cite&gt;. (despite its chaotic organisation, this little book contains some nuggets that are well worth sifting)&lt;br /&gt; &lt;cite id="CITEREFMorley1917"&gt;Morley, John (1917), &lt;i&gt;Recollections. 2 vols&lt;/i&gt;, Macmillan&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFOsborn1924"&gt;Osborn, Henry Fairfield (1924), &lt;i&gt;Impressions of great naturalists&lt;/i&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFOwen1858"&gt;&lt;span href="/wiki/Richard_Owen" title="Richard Owen"&gt;Owen, Richard&lt;/span&gt; (1858), "On the characters, principles of division, and primary groups of the Class Mammalia", &lt;i&gt;Proc Linnean Society: Zoology&lt;/i&gt; (no. 2): 1–37&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFOwen1860"&gt;&lt;span href="/wiki/Richard_Owen" title="Richard Owen"&gt;Owen, Richard&lt;/span&gt; (1860), "Darwin on the Origin of Species", &lt;i&gt;Edinburgh Review&lt;/i&gt; (no. 111): 487-532&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFParadisWilliams1989"&gt;Paradis, James &amp;amp; George C Williams (1989), &lt;i&gt;Evolution and Ethics: T. H. Huxley's 'Evolution and Ethics', with New Essays on Its Victorian and Sociobiological Context&lt;/i&gt;, Princeton, N.J: Princeton University Press&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFPaul2002"&gt;Paul, G (2002), "Looking for the true bird ancestor", &lt;i&gt;Dinosaurs of the Air, the evolution and loss of flight in dinosaurs and birds&lt;/i&gt;, Baltimore: John Hopkins University Press, pp. 171-224, &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0801867630" class="internal"&gt;ISBN 0-8018-6763-0&lt;/span&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFPoulton1896"&gt;Poulton, Edward Bagnall (1896), &lt;i&gt;Charles Darwin and the theory of natural selection&lt;/i&gt;, London: Cassell&lt;/cite&gt;.(Chapter 18 deals with Huxley and natural selection)&lt;br /&gt; &lt;cite id="CITEREFPritchard1994"&gt;Pritchard, M. (1994), &lt;i&gt;A directory of London photographers 1891-1908&lt;/i&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFPrum2003"&gt;Prum, R (2003), "Are current critiques of the theropod origin of birds science? Rebuttal To Feduccia 2002", &lt;i&gt;&lt;span href="/wiki/The_Auk" title="The Auk"&gt;The Auk&lt;/span&gt;&lt;/i&gt; &lt;b&gt;2&lt;/b&gt;&amp;#160;(120): 550-561&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFRuse1997"&gt;&lt;span href="/wiki/Michael_Ruse" title="Michael Ruse"&gt;Ruse, Michael&lt;/span&gt; (1997), "Thomas Henry Huxley and the status of evolution as science", in Barr, Alan P., &lt;i&gt;Thomas Henry Huxley's place in science and letters: centenary essays&lt;/i&gt;, Georgia: Athens&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFSpencer1904"&gt;Spencer, Herbert (1904), &lt;i&gt;Autobiography. 2 vols&lt;/i&gt;, London: Williams &amp;amp; Norgate&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFWebb1926"&gt;Webb, Beatrice (1926), &lt;i&gt;My apprenticeship&lt;/i&gt;, London: Longmans&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFWilberforce1860"&gt;&lt;span href="/wiki/Samuel_Wilberforce" title="Samuel Wilberforce"&gt;Wilberforce, Samuel&lt;/span&gt; (1860), "Darwin's Origin of Species", &lt;i&gt;Quarterly Review&lt;/i&gt; (no. 102): 225-64&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFWollaston1921"&gt;Wollaston, A.F.R. (1921), &lt;i&gt;Life of &lt;span href="/wiki/Alfred_Newton" title="Alfred Newton"&gt;Alfred Newton&lt;/span&gt; 1829–1907&lt;/i&gt;&lt;/cite&gt;&lt;br /&gt; &lt;cite id="CITEREFWhite2003"&gt;White, Paul (2003), &lt;i&gt;Thomas Huxley: making the 'Man of Science'&lt;/i&gt;, Cambridge University Press&lt;/cite&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-4829290329179513699?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/4829290329179513699/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=4829290329179513699' title='1 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4829290329179513699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4829290329179513699'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/03/thomas-henry-huxley-frs-4-may-1825.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-4067471351788694521</id><published>2008-03-28T00:26:00.001+09:00</published><updated>2008-03-28T00:26:25.881+09:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.pioneerspirit.us/lib/images/site/title_work_force.gif"  alt="Washington census statistical areas"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;The &lt;span href="/wiki/United_States_Census_Bureau" title="United States Census Bureau"&gt;United States Census Bureau&lt;/span&gt; has defined 1 &lt;span href="/wiki/Combined_Statistical_Area" title="Combined Statistical Area"&gt;Combined Statistical Area&lt;/span&gt; (CSA),  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3403285360153412213-4067471351788694521?l=infinitesphere.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://infinitesphere.blogspot.com/feeds/4067471351788694521/comments/default' title='コメントの投稿'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3403285360153412213&amp;postID=4067471351788694521' title='0 件のコメント'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4067471351788694521'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3403285360153412213/posts/default/4067471351788694521'/><link rel='alternate' type='text/html' href='http://infinitesphere.blogspot.com/2008/03/united-states-census-bureau-has-defined.html' title=''/><author><name>jemchuznikovite</name><uri>http://www.blogger.com/profile/05967477103845496276</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3403285360153412213.post-5306487746750487640</id><published>2008-03-27T00:07:00.001+09:00</published><updated>2008-03-27T00:07:24.214+09:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  A &lt;b&gt;virtual community&lt;/b&gt;, &lt;b&gt;e-community&lt;/b&gt; or &lt;b&gt;online community&lt;/b&gt; is a &lt;span href="/wiki/Group_%28sociology%29" title="Group (sociology)"&gt;group&lt;/span&gt; of people that primarily interact via communication media such as &lt;span href="/wiki/Letters" title="Letters"&gt;letters&lt;/span&gt;, &lt;span href="/wiki/Telephone" title="Telephone"&gt;telephone&lt;/span&gt;, &lt;span href="/wiki/Email" title="Email"&gt;email&lt;/span&gt; or &lt;span href="/wiki/Usenet" title="Usenet"&gt;Usenet&lt;/span&gt; rather than face to face. If the mechanism is a &lt;span href="/wiki/Computer_network" title="Computer network"&gt;computer network&lt;/span&gt;, it is called an &lt;i&gt;online community&lt;/i&gt;. Virtual and online communities have also become a supplemental form of communication between people who know each other primarily in real life. Many means are used in &lt;span href="/wiki/Social_software" title="Social software"&gt;social software&lt;/span&gt; separately or in combination, including text-based chatrooms and forums that use voice, video text or &lt;span href="/wiki/Avatars" title="Avatars"&gt;avatars&lt;/span&gt;. Significant socio-technical change may have resulted from the proliferation of such Internet-based &lt;span href="/wiki/Social_network" title="Social network"&gt;social networks&lt;/span&gt;.&lt;br /&gt; The agglomeration of all online communities is sometimes called the &lt;span href="/wiki/Metaverse" title="Metaverse"&gt;metaverse&lt;/span&gt;.&lt;br /&gt; &lt;span name="Overview" id="Overview"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Overview&lt;/b&gt;&lt;br /&gt;  A membership life cycle for online communities was proposed by Amy Jo Kim (2000). It states that members of virtual communities begin their life in a community as visitors, or &lt;span href="/wiki/Lurker" title="Lurker"&gt;lurkers&lt;/span&gt;. After breaking through a barrier, people become novices and participate in community life. After contributing for a sustained period of time they become regulars. If they break through another barrier they become leaders, and once they have contributed to the community for some time they become elders. This life cycle can be applied to many virtual communities, most obviously to &lt;span href="/wiki/Bulletin_boards" title="Bulletin boards"&gt;bulletin boards&lt;/span&gt;, but also to &lt;span href="/wiki/Blogs" title="Blogs"&gt;blogs&lt;/span&gt; and &lt;span href="/wiki/Wiki" title="Wiki"&gt;wiki&lt;/span&gt;-based communities like &lt;span href="/wiki/Wikipedia" title="Wikipedia"&gt;Wikipedia&lt;/span&gt;.&lt;br /&gt; &lt;span name="Legitimate_peripheral_participation" id="Legitimate_peripheral_participation"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Membership life cycle for virtual communities&lt;/b&gt;&lt;br /&gt;  Lave and Wengers' theories on situated cognition can illustrate the cycle of how users become incorporated into virtual communities using the principles of legitimate peripheral participation. They define five types of trajectories amongst a learning community:&lt;br /&gt; The following shows the correlation between the learning trajectories and Web 2.0 community participation.&lt;br /&gt; &lt;span name="Learning_trajectory_.E2.80.94_online_community_participation" id="Learning_trajectory_.E2.80.94_online_community_participation"&gt;&lt;/span&gt;&lt;br /&gt; Peripheral – An outside, unstructured participation&lt;br /&gt; Inbound – Newcomer is invested in the community and heading towards full participation&lt;br /&gt; Insider – Full committed community participant&lt;br /&gt; Boundary – A leader, sustains membership participation and brokers interactions&lt;br /&gt; Outbound – Process of leaving the community due to new relationships, new positions, new outlooks &lt;img src="http://www.vroma.org/resources4a.gif"  alt="Virtual communities"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Legitimate peripheral participation&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Example – YouTube&lt;/b&gt;&lt;br /&gt; &lt;b&gt;Peripheral&lt;/b&gt; (Lurker) – Observing the community and viewing content. Does not add to the community content or discussion &lt;i&gt;The user occasionally goes onto YouTube.com to check out a video that someone has directed them to.&lt;/i&gt;&lt;br /&gt; &lt;b&gt;Inbound&lt;/b&gt; (Newbie) – Just beginning to engage the community. Starts to provide content. Tentatively interacts in a few discussions The user comments on other user's videos. Potentially posts a video of their own.&lt;br /&gt; &lt;b&gt;Insider&lt;/b&gt; (Regular) – Consistently adds to the community discussion and content. Interacts with other users. Regularly posts videos. &lt;i&gt;Either videos they have found or made themselves. Makes a concerted effort to comment and rate other user's videos.&lt;/i&gt;&lt;br /&gt; &lt;b&gt;Boundary&lt;/b&gt; (Moderator/ Expert) – Recognized as a veteran participant. Connects with regulars to make higher concepts ideas. Community grants their opinion greater consideration. &lt;i&gt;The user has become recognized as a contributor to watch. Possibly their videos are podcasts commenting on the state of YouTube and its community. The user would not consider watching another user's videos without commenting on them. Will often correct a user in behavior the community considers inappropriate. Will reference other user's videos in their comments as a way to cross link content.&lt;/i&gt;&lt;br /&gt; &lt;b&gt;Outbound&lt;/b&gt; (Legacy) – Leaves the community for a variety of reasons. Interests have changed. Community has moved in a direction that doesn't agree with. Lack of time. &lt;i&gt;User got a new job that takes up too much time to maintain a constant presence in the community. That and the YouTube culture seems to be drifting to a corporate commercial endorsement model rather than a social, grassroots platform that it once was.&lt;/i&gt;&lt;br /&gt; &lt;span name="Increasing_participation_in_virtual_communities" id="Increasing_participation_in_virtual_communities"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Learning trajectory — online community participation&lt;/b&gt;&lt;br /&gt;  Several motivations lead people to contribute to virtual communities. Various online media (i.e. &lt;span href="/wiki/Wikis" title="Wikis"&gt;Wikis&lt;/span&gt;, &lt;span href="/wiki/Blogs" title="Blogs"&gt;Blogs&lt;/span&gt;, &lt;span href="/wiki/Chat_rooms" title="Chat rooms"&gt;Chat rooms&lt;/span&gt;, &lt;span href="/wiki/Internet_forums" title="Internet forums"&gt;Internet forums&lt;/span&gt;, &lt;span href="/wiki/Electronic_mailing_lists" title="Electronic mailing lists"&gt;Electronic mailing lists&lt;/span&gt;) are becoming ever greater knowledge-sharing resources. Many of these &lt;span href="/wiki/Community" title="Community"&gt;communities&lt;/span&gt; are highly cooperative and establish their own unique &lt;span href="/wiki/Culture" title="Culture"&gt;culture&lt;/span&gt;. They also involve significant time from contributors with no monetary gain. Some key examples of online knowledge sharing infrastructures include the following:&lt;br /&gt; Several researchers have investigated motivation in virtual communities. Studies show that over the long term users gain a greater insight into the material that is being discussed and a sense of connection to the world at large.&lt;br /&gt; &lt;span name="Kollock.27s_framework" id="Kollock.27s_framework"&gt;&lt;/span&gt;&lt;br /&gt; &lt;b&gt;&lt;span href="/wiki/Usenet" title="Usenet"&gt;Usenet&lt;/span&gt;&lt;/b&gt;: Established in 1980, as a "distributed Internet discussion system," it became the initial &lt;span href="/wiki/Internet" title="Internet"&gt;Internet&lt;/span&gt; community. Volunteer moderators and votetakers contribute to the community.&lt;br /&gt; &lt;b&gt;&lt;span href="/wiki/WELL" title="WELL"&gt;The WELL&lt;/span&gt;&lt;/b&gt;: A pioneering online community established in 1985. The WELL's culture has been the subject of several books and articles. Many users voluntarily contribute to community building and maintenance (e.g., as conference hosts).&lt;br /&gt; &lt;b&gt;&lt;span href="/wiki/AOL" title="AOL"&gt;AOL&lt;/span&gt;&lt;/b&gt;: The largest of the online service providers, with chat rooms which for years were voluntarily moderated by &lt;span href="/wiki/AOL_Community_Leader_Program" title="AOL Community Leader Program"&gt;community leaders&lt;/span&gt;. It should be noted that rooms and most message boards are no longer moderated, however.&lt;br /&gt; &lt;b&gt;&lt;span href="/wiki/Slashdot" title="Slashdot"&gt;Slashdot&lt;/span&gt;&lt;/b&gt;: A popular technology-related forum, with articles and readers comments. Slashdot subculture has become well-known in Internet circles. Users accumulate a "karma score" and volunteer moderators are selected from those with high scores.&lt;br /&gt; &lt;b&gt;&lt;span href="/wiki/Wikipedia" title="Wikipedia"&gt;Wikipedia&lt;/span&gt;&lt;/b&gt;: Wikipedia is now the largest encyclopedia in the world. Its editors, who voluntarily publish and revise articles, have formed an intricate and multi-faceted community.   &lt;b&gt; Kollock's framework&lt;/b&gt;&lt;br /&gt;  A person is motivated to contribute valuable information to the group in the expectation that one will receive useful help and information in return. Indeed, there is evidence that active participants in online communities get more responses faster to questions than unknown participants (Kollock 178).&lt;br /&gt; &lt;span name="Increased_recognition" id="Increased_recognition"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Anticipated reciprocity&lt;/b&gt;&lt;br /&gt;  &lt;span href="/wiki/Recognition" title="Recognition"&gt;Recognition&lt;/span&gt; is important to online contributors such that, in general, individuals want recognition for their contributions. Some have called this &lt;span href="/wiki/Egoboo" title="Egoboo"&gt;Egoboo&lt;/span&gt;. Kollock outlines the importance of reputation online: "Rheingold (1993) in his discussion of the WELL (an early online community) lists the desire for prestige as one of the key motivations of individuals' contributions to the group. To the extent this is the concern of an individual, contributions will likely be increased to the degree that the contribution is visible to the community as a whole and to the extent there is some recognition of the person's contributions. … the powerful effects of seemingly trivial markers of recognition (e.g. being designated as an "official helper") has been commented on in a number of online communities…"&lt;br /&gt; One of the key ingredients of encouraging a reputation is to allow contributors to be known or not to be anonymous. The following example, from Meyers (1989) study of the computer underground illustrates the power of reputation. When involved in illegal activities, computer hackers must protect their personal identities with pseudonyms. If hackers use the same nicknames repeatedly, this can help the authorities to trace them. Nevertheless, hackers are reluctant to change their pseudonyms regularly because the status associated with a particular nickname would be lost.&lt;br /&gt; Profiles and reputation are clearly evident in online communities today. &lt;span href="/wiki/Amazon.com" title="Amazon.com"&gt;Amazon.com&lt;/span&gt; is a case in point, as all contributors are allowed to create profiles about themselves and as their contributions are measured by the community, their reputation increases. &lt;span href="/wiki/MySpace" title="MySpace"&gt;Myspace.com&lt;/span&gt; encourages elaborate profiles for members where they can share all kinds of information about themselves including what music they like, their heroes, etc. In addition to this, many communities give incentives for contributing. For example, many forums award you points for posting. Members can spend these points in a virtual store. &lt;span href="/wiki/EBay" title="EBay"&gt;eBay&lt;/span&gt; is an example of an online community where reputation is very important because it is used to measure the trustworthiness of someone you potentially will do business with. With eBay, you have the opportunity to rate your experience with someone and they, likewise, can rate you. This has an effect on the reputation score.&lt;br /&gt; &lt;span name="Sense_of_efficacy" id="Sense_of_efficacy"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Increased recognition&lt;/b&gt;&lt;br /&gt;  Individuals may contribute valuable information because the act results in a sense of efficacy, that is, a sense that they have had some effect on this environment. There is well-developed research literature that has shown how important a sense of efficacy is (e.g. &lt;span href="/wiki/Albert_Bandura" title="Albert Bandura"&gt;Bandura&lt;/span&gt; 1995), and making regular and high quality contributions to the group can help individuals believe that they have an impact on the group and support their own self-image as an efficacious person.&lt;br /&gt; Wikipedia is a good example of an online community that gives contributors a sense of efficacy. Wikipedia is an online encyclopedia which uses online software to enable anyone to create new articles and change any article in the encyclopedia. The changes you make are immediate, obvious, and available to the world.&lt;br /&gt; &lt;span name="Sense_of_community" id="Sense_of_community"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Sense of efficacy&lt;/b&gt;&lt;br /&gt;  People, in general, are fairly social beings and it is motivating to many people to receive direct responses to their contributions. Most online communities enable this by allowing people to reply back to contributions (i.e. many &lt;span href="/wiki/Blogs" title="Blogs"&gt;Blogs&lt;/span&gt; allow comments from readers, one can reply back to forum posts, etc). Again, using Amazon.com, other users can rate whether one's product review was helpful or not. Granted, there is some overlap between increasing reputation and gaining a sense of community. However, it seems safe to say that there are some overlapping areas between all four motivators.&lt;br /&gt; &lt;span name="Bishop.27s_framework" id="Bishop.27s_framework"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Sense of community&lt;/b&gt;&lt;br /&gt;  A problem for providers of online communities is some of their members will not participate through posting messages. These members do not participate for a number of reasons, including that they believe they did not need to post and that they believe they are being helpful by not doing so. Other community members that have been participating for a long time, known as elders, regularly participate because they believe that their actions will have positive outcomes. Previous attempts to understand why community members participate or do not participate has suggested that individuals are needs-driven or goal driven. &lt;span href="/wiki/Maslow" title="Maslow"&gt;Maslow&lt;/span&gt;'s Hierarchical needs theory has suggested that the reason lurkers do not participate is that 'lower needs' are not being met, or 'higher needs' are being met elsewhere and that the reason elders do
